[microsound] musical structure

[Adam Davis]

A creative structure I like to employ is to have the music as it's own
instrument a lot of the time. To overdub recycled source material/music
alongside the original, untreated source material/music. To process and
re-process, to extract and re-extract are my personal indulgences in rhythms
that are not as obvious as a regular pulse along time, rather, more
conceptual rhythms; the rhythm of the chain (including the "daisy chaining"
of effects processors), the rhythm of the recycling; the rhythm of the
feedback of the music as it's own instrument. Further to this structure, I
like to contemplate potentially infinite recycling, remixing and results
from one source, or, to go even deeper, infinite recycling from infinite
sources, where such thoughts fill me with euphoric feelings that contribute
to the blissful tones and atmospheres of some works.
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