<div>A creative structure I like to employ is to have the music as it's own instrument a lot of the time. To overdub recycled source material/music alongside the original, untreated source material/music. To process and re-process, to extract and re-extract are my personal indulgences in rhythms that are not as obvious as a regular pulse along time, rather, more conceptual rhythms; the rhythm of the chain (including the "daisy chaining" of effects processors), the rhythm of the recycling; the rhythm of the feedback of the music as it's own instrument. Further to this structure, I like to contemplate potentially infinite recycling, remixing and results from one source, or, to go even deeper, infinite recycling from infinite sources, where such thoughts fill me with euphoric feelings that contribute to the blissful tones and atmospheres of some works. </div>
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