[microsound-announce] The transcript of PROBES #3, curated by Chris Cutler, is available online

Radio Web MACBA rwm2008 at gmail.com
Thu Feb 7 04:42:22 EST 2013

The transcript for the third episode of the podcast series PROBES, curated
by Chris Cutler, is available online as a PDF. The podcast will be posted

Link: http://rwm.macba.cat/en/extra/probes3_chris_cutler/capsula<http://rwm.macba.cat/en/extra/probes2_chris_cutler/capsula>
PDF: http://rwm.macba.cat/uploads/20130206/03probes_transcript_eng.pdf

In the late nineteenth century two facts conspired to change the face of
music: the collapse of common practice tonality (which overturned the
certainties underpinning the world of Art music), and the invention of a
revolutionary new form of memory, sound recording (which redefined and
greatly empowered the world of popular music). A tidal wave of probes and
experiments into new musical resources and new organisational practices
ploughed through both disciplines, bringing parts of each onto shared
terrain before rolling on to underpin a new aesthetics able to follow sound
and its manipulations beyond the narrow confines of ‘music’. This series
tries analytically to trace and explain these developments, and to show
how, and why, both musical and post-musical genres take the forms they do.
PROBES #3 continues to explore probes into pitch – this time through its
effective obliteration through ceaseless movement, sliding tones, and
radical portamenti which defy all quantisation.

You find the previous instalments of this series here:

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