[microsound-announce] [framework] playlist #316: 2011.01.30

[. m u r m e r .]

/*framework*/ - phonography / field recording; contextual and 
decontextualized sound activity
presented by patrick mcginley

/*framework*/ broadcasts:
     - sunday, 10pm, london, ukon *resonance 104.4fm*  
(http://www.resonancefm.com)
     - wednesday, 1am, thessaloniki, gr on *cooradio* 
(http://www.cooradio.com)
     - wednesday, 3am,lisbon, pt on *radio zero* (http://www.radiozero.pt)
     - thursday, 7pm,lisbon, pt on *radio zero* (http://www.radiozero.pt)
     - friday, 1am, brussels, be on *radio campus 92.1fm*  
(http://www.radiocampusbruxelles.org)
     - saturday, 7am, new york state, us on *wgxc 90.7fm* 
(http://www.wgxc.org)
     - saturday, 5pm, south devon, uk on*soundartradio 102.5fm* 
(http://www.soundartradio.org.uk)

~ time zone converter: 
http://www.timeanddate.com/worldclock/converter.html 
<http://www.timeanddate.com/worldclock/converter.html>~


*for general info, playlists, podcasts, or to stream the latest edition 
at any time: http://www.frameworkradio.net *
*framework is supported by /soundtransit/: http://www.soundtransit.nl *


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*
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*#316: 2011.01.30
*
this edition of /*framework:afield*/ was produced in montreal, canada by 
*france jobin*, as part of her regular series, /*my favorite things*/. 
for more information on her work, see http://i8u.com. france says:

    *Framework - i8u - my favorite things (Installment  #7)*

    Bonjour,  I am france jobin, better know as i8u.  Welcome back to 
    "these are a few of my favorite things".

    As mentioned in earlier installments, my interpretation of field
    recording based works is very broad, however the thread I like to
    follow is to find artists who have mastered  their unique identity
    through the music of sound.

    This 7th installment will  focus on the label DER, Dragon's eye
    recordings, based in LA and run by sound artist Yann Novak.

    Focusing on limited edition releases by emerging and mid-carrier
    sound artists, composers and producers, Dragon's Eye's goal is to
    foster personal and artistic relationships with its artists and to
    function as a meeting ground for its artists to further develop
    relationships with one another. The curation of the imprint by Novak
    is done primarily through real world relationships, with some
    virtual exceptions. By focusing on human interactions and talent,
    rather than style or genre, Dragon's Eye’s catalogue has slowly
    become a melting pot of sounds, processes and practices.

    Dragon's Eye values interconnectedness and encourages it by offering
    its artists a chance to showcase their own visual concepts,
    commission artists they have worked with, or recruit Dragon's Eye’s
    partners to help create the visual representations for their
    releases. Through these practices, Dragon's Eye offers a more
    personal presentation of its artists for their audience and creates
    a catalogue that is diverse yet bonded through human collaboration.

    Dragon's Eye Recordings was originally founded by Paul Novak, (Yann
    Novak’s father), in 1989 as the audio/visual arm of Only
    Connect...Publications. Paul was and still is a bread baker and avid
    record collector. Only Connect...Publications was his first venture
    to self-publish his bread recipes. Through his new publishing
    company, Paul designed his book on an Apple Plus computer,
    commissioned a friend and artist to create the painting for the
    cover, and recruited a musician to compose an original work to
    accompany bread making. Due to his love and passion for both music
    and record collecting, Paul created Dragon's Eye Recordings to
    compliment his publishing company. All of these pursuits had a
    strong impact on his son who would later relaunch the label in 2005
    and try to stay true to these communal values endowed in the label.

    http://www.dragonseyerecordings.com


again, we are always looking for material for the show, whether raw 
field recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated /*framework:afield*/ series. send proposals or 
material, released or not, on any format, to the address below. if you 
have any questions, please don't hesitate to get in touch!


framework
tartu mnt 41
63710 ahja
polvamaa
estonia

info at frameworkradio.net


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*(artist  /  track  /  album on DER  /  website)*

Shinkei  /  Untitled  /  Static Forms  / http://www.yugen-art.org

Pierre Gérard  /  wooden mouldings for the assembly (to Constantine 
Brancusi  /  Static Forms  / http://www.pierregerard.eu

Fourm  /  Seagram Series (for MArk Rothko)  /  Clean Forms  / 
http://www.myspace.com/sicomm

Turra  /  Alluminium.Zinc  /  Clean Forms  / http://www.navenight.com

Tomas Phillips & Jason Bivins  /  Ohne Titel 2  /  Blau  / 
http://www.incursion.org/phillips

Mimoza Moize  /  Live at unit 3.03  /  Live at unit 3.03  / 
http://www.mimosamoize.com

Simon Whetham  /  02 Part (Paths, Crossings)  / prayers Unheard  / 
http://www.simonwhetham.co.uk

Yann Novak  /  The breeze blowing over us  /  Infrequency Editions  / 
http://www.yannnovak.com

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framework intro submissions:

1)    take yourself and an audio recorder to a location of your choice
2)    record for /AT LEAST/ one minute before you -
3)    read aloud the following text:

*welcome to framework.

framework is a show consecrated to field recording, and its use in 
composition.  field recording, phonography, the art of sound hunting; 
open your ears and listen!*

*/[3b)  please also feel free to translate this text into your native 
tongue!] /*

4)    continue your recording for /AT LEAST/ two minutes after you have 
finished speaking
5)   post the recording to us on any format, or send us an mp3

thanks!

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