[microsound] Ang: microsound Digest, Vol 26, Issue 15
Laurens van der Wee
l.vanderwee at gmail.com
Tue Feb 15 07:12:22 EST 2011
You mean the Princeton one?
Yesterday he gave a lecture in Utrecht, NL, which consisted of showing that specific video on Vimeo (takes 1h07m) and playing cheesy keyboard songs along with it...
On 10 feb 2011, at 17:18, Kim Frøsnapper wrote:
> Probably the most coherent lecture there is with him - others tend to be more performance minded. But for once his thoughts seem quite clear; bring back utopia in music. Do this by making "music" for a yet to be seen intelligence... or something like that.
>
> Den tor, 10 feb. 2011 05:10 CET skrev microsound-request at or8.net:
>
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>> Today's Topics:
>>
>> 1. Re: radical computer music (David Powers)
>> 2. Re: radical computer music (Jeffrey Melton)
>> 3. Re: radical computer music (Laurens van der Wee)
>> 4. Re: radical computer music (Phillip Thomas)
>> 5. Re: twitter (Malte Steiner)
>> 6. Re: radical computer music (Boris Klompus)
>>
>>
>> ----------------------------------------------------------------------
>>
>> Message: 1
>> Date: Wed, 9 Feb 2011 14:34:20 -0600
>> From: David Powers <cyborgk at gmail.com>
>> To: microsound at microsound.org
>> Subject: Re: [microsound] radical computer music
>> Message-ID:
>> <AANLkTinp3CkG34f0zVf5GkwxCxnJB8z-wE2cQ2oG6sSJ at mail.gmail.com>
>> Content-Type: text/plain; charset=ISO-8859-1
>>
>> I read the Wikipedia article about "Radical Computer Music" first...
>> and it sounded like it could be interesting.
>>
>> However, after watching the video, I was completely confused about
>> what it had to do with music, computers, or indeed anything
>> "radical"... The guy just seems like some second rate
>> conceptual/performance artist, whose ideas look better on paper then
>> they do when you actually see or hear the work.
>>
>> I also couldn't really get any kind of coherent idea of what "Radical
>> Computer Music" was supposed to be about or why it is needed... no
>> doubt there's plenty of room to critique academic computer music, but
>> this video just left me completely bewildered as to what was going on.
>>
>> ~David
>>
>> On Wed, Feb 9, 2011 at 8:55 AM, flemming lyst <flemminglyst at gmail.com> wrote:
>>> let's read your thoughts about this:
>>>
>>> http://vimeo.com/19593647
>>> _______________________________________________
>>> microsound mailing list
>>> microsound at microsound.org
>>> http://or8.net/mailman/listinfo/microsound
>>>
>>
>>
>> ------------------------------
>>
>> Message: 2
>> Date: Wed, 9 Feb 2011 16:19:29 -0500
>> From: Jeffrey Melton <jeffreymelton at gmail.com>
>> To: microsound at microsound.org
>> Subject: Re: [microsound] radical computer music
>> Message-ID:
>> <AANLkTimLGpWiNnYEPFvjneF=EjpUUq7K1D2Eph-nEGXF at mail.gmail.com>
>> Content-Type: text/plain; charset="iso-8859-1"
>>
>> I don't get it, myself. The Wikipedia article reads like a cross between
>> Hakim Bey, KLF and Psychick TV, but the video feels for the most part like a
>> mockumentary. Is it a stunt, like a Danish Die Antwoord? I dunno.
>>
>> On Wed, Feb 9, 2011 at 3:34 PM, David Powers <cyborgk at gmail.com> wrote:
>>
>>> I read the Wikipedia article about "Radical Computer Music" first...
>>> and it sounded like it could be interesting.
>>>
>>> However, after watching the video, I was completely confused about
>>> what it had to do with music, computers, or indeed anything
>>> "radical"... The guy just seems like some second rate
>>> conceptual/performance artist, whose ideas look better on paper then
>>> they do when you actually see or hear the work.
>>>
>>> I also couldn't really get any kind of coherent idea of what "Radical
>>> Computer Music" was supposed to be about or why it is needed... no
>>> doubt there's plenty of room to critique academic computer music, but
>>> this video just left me completely bewildered as to what was going on.
>>>
>>> ~David
>>>
>>> On Wed, Feb 9, 2011 at 8:55 AM, flemming lyst <flemminglyst at gmail.com>
>>> wrote:
>>>> let's read your thoughts about this:
>>>>
>>>> http://vimeo.com/19593647
>>>> _______________________________________________
>>>> microsound mailing list
>>>> microsound at microsound.org
>>>> http://or8.net/mailman/listinfo/microsound
>>>>
>>> _______________________________________________
>>> microsound mailing list
>>> microsound at microsound.org
>>> http://or8.net/mailman/listinfo/microsound
>>>
>>
>>
>>
>> --
>> jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA
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>> ------------------------------
>>
>> Message: 3
>> Date: Thu, 10 Feb 2011 00:31:58 +0200
>> From: Laurens van der Wee <l.vanderwee at gmail.com>
>> To: microsound at microsound.org
>> Subject: Re: [microsound] radical computer music
>> Message-ID:
>> <AANLkTimT6GuKz+FLJrHE3xBsx=Fbuic0JAVoisb2_jJo at mail.gmail.com>
>> Content-Type: text/plain; charset=ISO-8859-1
>>
>> snappidagg! #kimcascone
>>
>> On Wed, Feb 9, 2011 at 11:19 PM, Jeffrey Melton <jeffreymelton at gmail.com> wrote:
>>> I don't get it, myself. The Wikipedia article reads like a cross between
>>> Hakim Bey, KLF and Psychick TV, but the video feels for the most part like a
>>> mockumentary. Is it a stunt, like a Danish Die Antwoord? I dunno.
>>>
>>> On Wed, Feb 9, 2011 at 3:34 PM, David Powers <cyborgk at gmail.com> wrote:
>>>>
>>>> I read the Wikipedia article about "Radical Computer Music" first...
>>>> and it sounded like it could be interesting.
>>>>
>>>> However, after watching the video, I was completely confused about
>>>> what it had to do with music, computers, or indeed anything
>>>> "radical"... The guy just seems like some second rate
>>>> conceptual/performance artist, whose ideas look better on paper then
>>>> they do when you actually see or hear the work.
>>>>
>>>> I also couldn't really get any kind of coherent idea of what "Radical
>>>> Computer Music" was supposed to be about or why it is needed... no
>>>> doubt there's plenty of room to critique academic computer music, but
>>>> this video just left me completely bewildered as to what was going on.
>>>>
>>>> ~David
>>>>
>>>> On Wed, Feb 9, 2011 at 8:55 AM, flemming lyst <flemminglyst at gmail.com>
>>>> wrote:
>>>>> let's read your thoughts about this:
>>>>>
>>>>> http://vimeo.com/19593647
>>>>> _______________________________________________
>>>>> microsound mailing list
>>>>> microsound at microsound.org
>>>>> http://or8.net/mailman/listinfo/microsound
>>>>>
>>>> _______________________________________________
>>>> microsound mailing list
>>>> microsound at microsound.org
>>>> http://or8.net/mailman/listinfo/microsound
>>>
>>>
>>>
>>> --
>>> jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA
>>>
>>> _______________________________________________
>>> microsound mailing list
>>> microsound at microsound.org
>>> http://or8.net/mailman/listinfo/microsound
>>>
>>>
>>
>>
>> ------------------------------
>>
>> Message: 4
>> Date: Wed, 9 Feb 2011 22:41:04 +0000
>> From: Phillip Thomas <phillipthomas at hotmail.com>
>> To: <microsound at microsound.org>
>> Subject: Re: [microsound] radical computer music
>> Message-ID: <SNT128-W28E83C5FEC5BB0A6AA212EABED0 at phx.gbl>
>> Content-Type: text/plain; charset="iso-8859-1"
>>
>>
>> I guess to describe yourself as 'radical' to begin with seems presumptuous...
>> I did see this chap at the Brainwashed festival in Boston a few years ago and he was engaging if a bit bonkers!
>>
>> Date: Wed, 9 Feb 2011 16:19:29 -0500
>> From: jeffreymelton at gmail.com
>> To: microsound at microsound.org
>> Subject: Re: [microsound] radical computer music
>>
>> I don't get it, myself. The Wikipedia article reads like a cross between Hakim Bey, KLF and Psychick TV, but the video feels for the most part like a mockumentary. Is it a stunt, like a Danish Die Antwoord? I dunno.
>>
>>
>> On Wed, Feb 9, 2011 at 3:34 PM, David Powers <cyborgk at gmail.com> wrote:
>>
>> I read the Wikipedia article about "Radical Computer Music" first...
>>
>> and it sounded like it could be interesting.
>>
>>
>>
>> However, after watching the video, I was completely confused about
>>
>> what it had to do with music, computers, or indeed anything
>>
>> "radical"... The guy just seems like some second rate
>>
>> conceptual/performance artist, whose ideas look better on paper then
>>
>> they do when you actually see or hear the work.
>>
>>
>>
>> I also couldn't really get any kind of coherent idea of what "Radical
>>
>> Computer Music" was supposed to be about or why it is needed... no
>>
>> doubt there's plenty of room to critique academic computer music, but
>>
>> this video just left me completely bewildered as to what was going on.
>>
>>
>>
>> ~David
>>
>>
>>
>> On Wed, Feb 9, 2011 at 8:55 AM, flemming lyst <flemminglyst at gmail.com> wrote:
>>
>>> let's read your thoughts about this:
>>
>>>
>>
>>> http://vimeo.com/19593647
>>
>>> _______________________________________________
>>
>>> microsound mailing list
>>
>>> microsound at microsound.org
>>
>>> http://or8.net/mailman/listinfo/microsound
>>
>>>
>>
>> _______________________________________________
>>
>> microsound mailing list
>>
>> microsound at microsound.org
>>
>> http://or8.net/mailman/listinfo/microsound
>>
>>
>>
>> --
>> jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA
>>
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
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>> ------------------------------
>>
>> Message: 5
>> Date: Thu, 10 Feb 2011 00:46:36 +0100
>> From: Malte Steiner <steiner at block4.com>
>> To: microsound at or8.net
>> Subject: Re: [microsound] twitter
>> Message-ID: <4D53275C.2040405 at block4.com>
>> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
>>
>> @herrsteiner
>>
>> Cheers,
>>
>> Malte
>> --
>> ----
>> media art + development
>> http://www.block4.com
>>
>> new on iTunes: Notstandskomitee Automatenmusik
>> http://itunes.apple.com/us/album/automatenmusik/id383400418
>>
>>
>>
>> ------------------------------
>>
>> Message: 6
>> Date: Wed, 9 Feb 2011 23:09:14 -0500
>> From: Boris Klompus <boris.klompus at gmail.com>
>> To: microsound at microsound.org
>> Subject: Re: [microsound] radical computer music
>> Message-ID:
>> <AANLkTi=CC7Dg+XC4L36zh3ZhZm=XO6YjnQOp2VRy9fdS at mail.gmail.com>
>> Content-Type: text/plain; charset="iso-8859-1"
>>
>> I saw Goodiepal last year in New York. These are a few quotes of his I
>> jotted down:
>>
>> "media art has a sell point of it holds a hell of a lot of technology."
>>
>> [him giving an example of a well received piece of media art] "These birds
>> here, flying, they aren't birds. They're connected to the stock market
>> through the *web*. And them fighting here, that's the economic collapse in
>> Mogadishu."
>>
>> [on documentation] "the point is to notate what happens between musical
>> objects when not in the music."
>>
>> Later in his talk, and I don't think he directly connected it with the
>> previous quote, but he showed off a book he made "to challenge the
>> composer": it was a book of mostly of blank white pages.
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>> ------------------------------
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>>
>> End of microsound Digest, Vol 26, Issue 15
>> ******************************************
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