[microsound] Improvisation in realtime net audio platforms
Magali Babin
ilagam at sympatico.ca
Sun Jan 3 21:47:21 EST 2010
Hi Roger
I'M Magali Babin and i play improve music since very long time. The most different experience i'm living is improve live music on streaming. Since a few years ago i'm on a web project who generates in real time infinite audio-visual sequences. It's call : nocinema.org Maybe if you don't know this project you could be intersing by. With Jérôme Joy i played one time music on streaming with others musician (1 from Belgium, the second from Paris, i was in Montreal) by skype it was a very strange and unique experience in the same time. All programmation, web design is developed by Jérôme Joy, French artist and composer and the audio file is continuously developed by the nocinema team witch I be long to. Go take a look on the web site http://nocinema.org/ (all details is explain in a better way than i could do) Maybe for your research you'll be intersting by the radiomix section to.
Hope you'll like it
Magali Babin
myspace.com/magalibabin
http://www.electrocd.com/fr/bio/babin_ma/
----- Original Message -----
From: Roger Mills
To: microsound at microsound.org
Sent: Sunday, January 03, 2010 7:21 PM
Subject: [microsound] Improvisation in realtime net audio platforms
Hi Everyone,
As some of you will know from previous posts, I am currently researching the nature of improvisation in networked audio platforms like ninjam, eJamming or any other, and am posting this as a request for information / experiences about remote improvisatory collaborations anyone has had.
Feel free to email me off list pointing out links to works or projects..who was involved, what instruments you/they played/ how the improvisation was started..what your experiences were.
Thanks
Roger
--
Roger Mills
http://www.eartrumpet.org
http://www.furthernoise.org
http://ethernetorchestra.netpraxis.net
M: 0403 414495
On 04/01/2010, at 10:46 AM, Roger Mills wrote:
Hi Joao,
In November I posted a call for information on realtime net audio platforms and you posted some details about the Tube Platform.
Can I ask what the nature of your musical outcome was ?
Was it improvising with other remote participants ?
Can I hear anything you made in Tube ?
I am writing a paper on improvisation in realtime audio platforms and am interested in what the forms of improvisation people have engaged in.
Thanks in advance
Roger
--
Roger Mills
http://www.eartrumpet.org
http://www.furthernoise.org
http://ethernetorchestra.netpraxis.net
M: 0403 414495
On 19/11/2009, at 1:14 AM, Joao Ricardo wrote:
Here's one I've used with relative success: http://www.t-u-b-e.de/
It's not very stable but latency is insignificant.
Cheers,
João
--
http://ocp.pt.vu
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