[microsound-announce] noise=noise 15/08/11 london

Ryan Jordan ryan-jordan at hotmail.co.uk
Mon Aug 1 08:21:40 EDT 2011


****bio signal noise
*****music for flesh
******psychosis attacks
*******the body is integrated... 

full info here : http://nnnnn.org.uk/doku.p​hp?id=noise_150811

concrete corps 

music for flesh ii


channelling interference

£5 suggested donation
rough bar

Unit 73a
Regent Studios
8 Andrew's Road
E2 4QN
(get in the lift and go to the 7th floor, turn right and its the second unit)


 Tanaka, creates music for sensor instruments, wireless network 
infrastructures, and democratized digital forms. His first inspirations 
came upon meeting John Cage during his Norton Lectures at Harvard. He 
moved to Europe in the 90’s and formed Sensorband with Zbigniew 
Karkowski and Edwin van der Heide. He then moved to Japan and came in 
contact with the noise music scene, playing with Merzbow, Otomo, KK Null
 and others. Atau has released solo, group, and compilation recordings 
on labels such as Sub Rosa, Bip-hop, Caipirinha Music, Touch/Ash, 
Sonoris, Sirr-ecords. His work has been presented at Ars Electronica, he
 has been artistic ambassador for Apple, researcher for Sony CSL, 
artistic co-director of STEIM, and mentor for NESTA. He is currently 
director of Culture Lab Newcastle.

Atau began working with 
bioelectrical signals in San Francisco in the 1990’s with the BioMuse. 
He is the sole musician to have adopted this interface as his main 
musical instrument. He has worked with Ben Knapp of BioControl, Axel 
Mulder of Infusion, and Marc Sirguy of Eowave, to update it over the 
years. Since 2009, he stopped work with biosensors to focus on iPhone 
performances in duo with Adam Parkinson. With this performance, Atau 
performs for the first time with a new system based on 
Infusion/Biocontrol’s BioFlex electrodes and Eowave’s ZigBee based 
wireless Eobody HF interface.

 media and sonic artist, performer and teacher, Marco Donnarumma was 
born in Italy and is based in Edinburgh, UK. His works are regularly 
presented internationally. He has exhibited and performed in 25 
countries across South America, Europe, India, China and Australia 
(among the others, Venice Biennale, WRO Biennale, Némo, Mapping, Piksel,
 Re-New, Laboral, Pure Data Convention, Linux Audio Conference, EMAF, 
Visionsonic, Live!iXem, Carnival of e-Creativity, Netaudio). His 
projects have been featured on Wired, We Make Money Not Art, Rhizome, 
Turbulence.org and Micro Art in China.
He received a BA (cum laude) 
in New Technologies for Arts and Performance at the Venice Academy of 
Fine Arts, Italy. Presently, he investigates experimental paradigms for 
embodied interaction in performative environments at The University of 
Edinburgh, supervised by composer and sound artist Dr. Martin Parker.
 teaches workshops and gives talks for international academic 
institutions and venues on a regular basis – including NK Berlin, 
University of London, Glasgow Centre for Contemporay Arts, UPR 
Universidad de Puerto Rico, Trinity College, NUI Maynooth and Ulster 
University in Ireland, Gotland University Institute for New Media Art 
and Technology in Sweden, Academy of Fine Arts of Brera and Pierluigi da
 Palestrina Conservatory in Italy.

Marinos Koutsomichalis (b. Athens, Greece 1981) sound-artist, composer.
 internationally in both academic and non academic milieus, MK is being 
composing and performing exploratory sound (and sometimes visual) art 
since the mid '00s using a variety of mediums - computers, programming 
languages, acoustic instruments / ensembles, analogue electronics, 
loudspeakers, domestic appliances, environmental sounds or photography 
amongst others. He is mainly interested in how sonic/visual phenomena 
manifest in the space-time-consciousness complex and how he can create 
aesthetically intriguing artworks based on such manifestations as 
mediums in themselves. He has no interested in expressing or 
representing anything - his art aims rather at fulfilling space and at 
essentially stimulating one' s state of being instead.
Hitherto, he 
has released several solo albums that were met with enthusiasm by 
critics by labels such as the Brtish Entr' acte or hiw own agxivatein. 
He has exhibited works of his worldwide in galleries, academias, 
festivals, churches, independent venues, etc. He has collaborated with 
Francisco Lopez, Z’ EV, Greg Haines, the Red Note Ensemble, N. 
Kyriazopoulos and others in various projects. He is an active member of 
the Contemporary Music Research Centre (CMRC — founded by I. Xenakis) 
and of various others research centers and institutions. Currently he is
 undertaking a Ph.D. in the Music Research Centre, University of York 
under the supervision of Dr Tony Myatt. He also lectures Computer Music 
Programming and Sound Synthesis at the Technological Educational 
Institute of Crete.

 Jordan (born Ipswich, 1983) is a UK based electronic artist working 
with self made instruments and tools for live interactive performance. 
His work is focused on movement and the physicality in live electronic 
performance, noise and underground music, hypnosis and trance states, 
D.i.Y culture, FLOSSArt, and illusion.
He has performed and presented
 his work internationally in a wide range of venues from art and 
academic institutions to derelict warehouses and squats. Some 
international performances have been at Piksel Festival, Norway; 3rd 
International Pure Data Convention, Brazil; xxxxx, Germany; APO33, 
France; Coxpon Ambient Theatre, Hungary; Tweak Festival, Ireland; Royal 
Opera House and Science Museum, UK; MediaLabPrado, Spain; and Sound and 
Music Computing, Italy.
In 2006 he started noise=noise, a sporadic 
experimental performance event, which has showcased many artists, 
academics, hackers, dancers, and performers ranging from the 
internationally acclaimed to the underground lurker.
Ryan has 
collaborated with various people on many performances and projects 
including Martin Howse, John Bowers, Jonathan Kemp, Z'EV, Julien Ottavi,
 Geraldine McEwan, Tim Hopkins, Mick Grierson, and Andy Bolus.
directed A10Lab in 2010 which was an experimental audiovisual 
performance laboratory exploring free and open-source soft and hardware.
 has a BA Sonic Arts from Middlesex Unitversity (2007) and a Distinction
 in MFA Computational Studio Arts from Goldsmiths (2009).
He is 
currently undertaking a PhD at the Music Technology and Innovation 
Research Centre at De Montfort University, Leicester. John Richards and 
Helena Goldwater are his supervisors. 		 	   		  
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://or8.net/pipermail/microsound-announce/attachments/20110801/f5b35081/attachment.html>

More information about the microsound-announce mailing list