[microsound-announce] [framework radio] #726: 2020.09.20

. m u r m e r . murmer at murmerings.com
Mon Sep 21 09:42:27 EDT 2020


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framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!

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#726: 2020.09.20
listen to this edition here:
http://www.frameworkradio.net/2020/09/726-2020-09.20/

patreon campaign progress report:
84 patrons (up from 82)
80% towards our goal (up from 78%)
want to help? http://www.patreon.com/frameworkradio

this edition, entitled 'free port', has been produced in hamburg, 
germany by engineer, writer and sound artist (and brother of regular 
contributor d.l.lutz), k. lutz. producer's notes:

"Sound sources: exclusively own material, unedited and unprocessed; 
recorded around 2010 in the free trade zones of the port of hamburg, germany

"About a decade ago, the largest port in germany was still largely a 
restricted free trade zone, not open to the public. The area always 
seemed to have an aura of subtle mystery – such a vast space, partially 
crammed with archaic industry, partially totally deserted, seated right 
in the center of a metropole densely inhabited by else 2 million people.

"Giant gantry cranes in shipyards, uncountable channels, dry docks, 
ferries for port workers whirling the water, mile-long jetties, hundreds 
of bridges of all size, busy shunting yards, massive warehouses at 
quays, huge ship-to-shore cranes, automated container terminals with 
walls of stacked rusting boxes, in between bars in fishtrawler bellies, 
seamen’s missions, and the silhouette of 400 meter long ships passing by 
in the distance. On the one hand a peaceful harmony of the river and its 
organic shores populated by seabirds, the slow human-like tide rhythm of 
rising and falling water, on the other hand contrasted with the cold 
aesthetics of today’s rationalized and rushed globalized logistics. And 
despite its inhumane, modern touch it keeps carrying the sentimental air 
of the harbour being a window on the world.

"Attracted by this, I started exploring the area on early mornings and 
late nights, from the land and the water side equipped with a bicycle 
and small motor boat, invisibly hiding from customs, and captured the 
sound snippets you will hear in this montage." - k. lutz, 2020.07

again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!


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SUPPORT FRAMEWORK! your contributions make framework possible. become a 
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donation: http://www.frameworkradio.net/donate. explore our rewards and 
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your support.

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framework intro submissions:

    1)    take yourself and an audio recorder to a location of your choice
    2)    record for AT LEAST 1 minute before you -
    3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

    4)    continue recording for AT LEAST 2 minutes after the text
    5)    post the recording to us on any format, or send us an 
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framework
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