[microsound-announce] eContact! 18.4 - TIES 2016 (online/en ligne)

[CEC jef chippewa]

PRESS RELEASE -- for immediate diffusion / pour diffusion immédiate
Please forward at large.

Communauté électroacoustique canadienne
(CEC) Canadian Electroacoustic Community

eContact! 18.4
10th Toronto International Electroacoustic Symposium /
10e Symposium électroacoustique international de Toronto


[EN] Prolific media artist, composer and 
saxophonist John Oswald was the Keynote Speaker 
for the tenth edition of the Toronto 
International Electroacoustic Symposium (TIES), 
where presentations questioning the nature of the 
performance space and the roles of those involved 
in articulating works within these spheres 
featured prominently. (August 2017)
http://econtact.ca/18_4

[FR] Le très prolifique artiste médiatique, 
compositeur et saxophoniste John Oswald était le 
conférencier principal pour la dixième édition du 
Toronto International Electroacoustic Symposium 
(TIES) qui s'intéressait particulièrement à la 
nature des espaces de performance et aux rôles 
des personnes participant à la présentation 
d'¦uvres dans ces lieux. (août 2017)
http://econtact.ca/18_4/index_fr.html

============================================


Editorial
by jef chippewa

KEYNOTE PRESENTATION

My Personal Long-Playing History of the LP
by John Oswald

The author's discovery of and involvement with 
sound and music production parallels the history 
of LP records. This annotated chronology of 
selected vinyls from his personal collection is 
derived from his extemporized show-and-tell 
Keynote Address at TIES 2016.


EXPANDING THE STAGE OR PERFORMANCE SPACE

Radiophonic Arts and the Problem of the Stage
by Joseph Sannicandro

Le "documentaire acousmatique" et ses moyens de 
diffusion: Un regard sur le "Projet Archipel"
by Guillaume Campion and Guillaume Côté

Parallel Trajectories in Manfred Stahnke's Internet Opera "Orpheus kristall"
by Navid Bargrizan


COLLABORATION -- RETHINKING CREATIVE AND ON-STAGE ROLES

Live Sound Spatialization and On-Stage Feedback 
Control: Cues for the development of interaction 
between acoustic and electronic musicians
by Ana Dall'Ara-Majek and Ida Toninato (Jane/KIN)

Integrating Electroacoustic Techniques into Theatrical Performance
by Carey Dodge

Sharing the Studio to Create "Lepidoptera": Collaboration and notation
by Terri Hron


TIMBRE PERCEPTION AND COMPOSITIONAL DECISION-MAKING

Allusion and Timbre: A Theory of implicit 
reference, emotion and familiarity bias in 
contemporary music
by Jon Martin

Conditioning Compositional Choice: Theoretical 
imperatives and a selection algorithm using 
converging value sets
by Sean Peuquet

Compositional Applications for Binaural Beating in Timbre Modulation
by Brian Connolly


OTHER ITEMS

TIES 2016 Photo Album

-- 
[NEW] eContact! 18.4 -- TIES 2016
Contributions by John Oswald, Jane/KIN, Joseph Sannicandro, Terri Hron...
http://econtact.ca/18_4

Communauté électroacoustique canadienne (CEC) 
Canadian Electroacoustic Community
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