[microsound-announce] [framework radio] #609: 2017.07.30

. m u r m e r . murmer at murmerings.com
Mon Jul 31 05:36:32 EDT 2017


framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!

for general info, playlists, broadcasts, podcasts, or to stream at any 
time: http://www.frameworkradio.net


#609: 2017.07.30
listen to this edition here: 

this edition of framework:afield has been produced in the uk by phoebe 
riley law and jez riley french. PLEASE NOTE: this is our last edition 
before our annual summer break, where we take the month of august (and a 
bit) off to weed the garden, read a book, and recharge our ears. we’ll 
be back with edition #610 on sunday, september 17th. in the meantime, we 
know you can’t live without out, so please take this time to explore 
some of the shows you might have missed in the archive, or experiment 
with our eternal random players. and please, as always, consider making 
a donation so we can come back with a strong autumn season! here are 
this edition’s notes, from the producers:

a quiet position – orford ness
curated by JrF & Pheobe riley Law

Jez riley French – build
Pheobe riley Law – E4/139 (extract)
Nikki Sheth – Orford Grass
Jez riley French – in
Sharon Renee Stewart – Under the Algae
Martin Eccles – Orford Ness 1 mixdown
Chris Watson – Lab 1 roof space
Peter Caeldries – Orford Ness night
Steve Benner – Bomb Ballistic Resonances
Lindsay Todd – Lab door
Jake Denagy – experimental beach
Sharon Renee Stewart & Mike Challis – Room Control
Andrew Sansom – Oystercatchers
Jez riley French – stereo lab II (extract)
Pheobe riley Law – E4/139 (extract)

a workshop staying on the ness
exploring the use of located sound
in its various creative forms
through extended listening
conventional techniques
the use of contact microphones, hydrophones, coils, geophones, vlf and 
ultrasonic detectors

listening to
it’s scattered architecture
returning to the land

into the aquatic planet
under the surface of water
frequencies in the ionosphere

pushed around by the shipping blown by the gales

laboratories and pagodas
low hum and gulls


again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!


SUPPORT FRAMEWORK! your contributions make framework possible. please 
consider signing up to become a regular monthly donor, or make a 
one-time contribution. as a thank-you for your subscription of €5 or 
more, or your one-time donation of €20 or more, we'll send you the 
latest issue of our framework:seasonal release series! we can't do it 
without you, and we greatly appreciate your support.


framework intro submissions:

    1)    take yourself and an audio recorder to a location of your choice
    2)    record for AT LEAST 1 minute before you -
    3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

    4)    continue recording for AT LEAST 2 minutes after the text
    5)    post the recording to us on any format, or send us an 

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