[microsound-announce] [framework radio] #593: 2017.04.09
. m u r m e r .
murmer at murmerings.com
Mon Apr 10 03:52:12 EDT 2017
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framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!
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#593: 2017.04.09
listen to this edition here:
http://www.frameworkradio.net/2017/04/593-2017-04-09/
this edition of framework:afield has been produced by edward sanderson,
and features the work of artists working with field recordings in china.
for more information on edward and his work, see http://blog.escdotdot.com.
again, we are always looking for new material, whether raw field
recordings, field recording based composition, or introduction
submissions. we are also now accepting proposals for full editions of
our guest curated framework:afield series. send proposals or material,
released or not, on any format, to the address at the bottom of this
mail. if you have any questions, please don't hesitate to get in touch!
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[01:20–04:11]
K1973 (Zhang Jungang) – “共乐小区 Gongle Community”, from the Harbin Sound
Map, Harbin, 2009 http://www.icebreaking.org/sound/map/
“The air defence warning sound in Harbin on the 18th September, the
National Humiliation Day, this recording sounds like an urban symphony
consisting of the sonic ritual and sounds of daily life.” – Zhang Jungang
[04:11–08:42]
Zhao Cong – excerpt from “Twice, or More 两次，或更多”, from the album
“Afternoon” by Zhao Cong, published by Zoomin' Night, Beijing 2016
http://zoominnight.bandcamp.com
“‘Twice, or More’ was named after the number of times that my
collaborator, a katydid, chirped during the entire performance. It was
recorded on a summer afternoon, you can hear the street, traffic, and
some other things.” – Zhao Cong
[08:42–13:27]
VAVABOND – excerpt from “3-切分/Split”, from the album “HOLOGRAM OF sea”
by VAVABOND, published by CFI Record, Beijing 2012
http://cfimusic.bandcamp.com
“An improvisation with sounds of the sea recorded at a beach of Hepu
island, Zhejiang Province in 2010.” – Wei Wei (VAVABOND)
[13:27–17:30]
Miki Yui – excerpt from “Island”, from the album “Around Sound Art
Festival 2009 聽在” by Various Artists, published by soundpocket, Hong
Kong 2010
http://www.soundpocket.org.hk/v2/category/around-sound-art-festival-and-retreat/around-sound-art-festival-2009/
“As I came to Lamma island, the remains in and around these abandoned
houses were still breathing subtly after many years.” – Miki Yui
[17:30–21:01]
Yin Yi – “Not Seen”, unpublished recording 2016.
https://soundcloud.com/yinyi
"The uncertainties and blurrings of a sound always attract me; they are
caused by place, atmosphere and cultural difference." – Yin Yi
[21:01–28:19]
Edwin Lo – excerpt from “Rabbit Travelogue: Central Region”, from the
album “Rabbit Travelogue: Central Region” by Edwin Lo, published by
Auditory Scenes, Hong Kong 2010 http://auditoryscenes.bandcamp.com
"This work reflects my previous interest in Hong Kong urban soundscape
and the theme of urban redevelopment that tries to articulate different
dimensions of listening in terms of social, cultural and political
aspects." – Edwin Lo
[28:19–31:34]
Solomon Yu Tik-man余廸文 – “20141211_4PM_Admiralty 金鐘_The Clearance 清場”,
from the album “DAY AFTER翌日[2014. 9.29 - 12.12]” by Various Artists,
published by soundpocket, Hong Kong 2015
http://www.soundpocket.org.hk/v2/uncategorized/day-after-release/
[31:34–32:49]
HITLIKE (Zhang Liming) – “靖宇街 Jingyu Street”, from the Harbin Sound Map,
Harbin, 2009 http://www.icebreaking.org/sound/map/
“Preparing for the nightly market, individual peddlers put up metal
racks in this street.” – HITLIKE
[32:49–35:26]
HITLIKE (Zhang Liming) – “会展中心 Convention and Exhibition Center”, from
the Harbin Sound Map, Harbin, 2009 http://www.icebreaking.org/sound/map/
“It seems like a sound installation – several flagpoles in the square
swaying in the wind, the sound coming from their slapping ropes.” – HITLIKE
[35:26–42:38]
Li Jianhong – excerpt from “**Rain*”, from the album “十二境 Twelve Moods”
by Li Jianhong, published by CFI Record, Beijing 2010
http://cfimusic.bandcamp.com
"This is a track of improvisation with rain outside my window when I was
living in Hangzhou in the winter of 2009." – Li Jianhong
[42:38–53:33]
KuanYue – excerpt from “Environmental Listening”, from the album
“untitled.1013” by KuanYue (Sun Wei), published by Luogu Records,
Chengdu 2012.
“This is a strange kind of work, it doesn’t follow the general sense of
experimental music, nor the traditional sense of field recordings; it is
perhaps just designed to meet the artist's personal ideas on the
occurrence of pure sound responses to different levels of listening,
that take place in your specific circumstances; please don't turn the
volume up.” – Sun Wei
[53:33–56:39]
Elaine W. Ho – “2013aug_侗族battle004”, unpublished recording 2013
“A recording of an annual tradition where neighbouring villagers in
Zhaoxing village (Guizhou Province, China) celebrate the new rice
harvest with sound battles using reed pipes.” – Elaine W. Ho
[56:39–58:20]
Yan Jun – “Green Lamma - Granite says no to graffiti”, from the album
“Lamma Island Diary” by Yan Jun, published by re-records, Hong Kong 2009
http://www.re-records.com/discography/re-on-001r/
"Lamma Island Diary was my first actual solo album; however you label
it: field recording or improvised music, does not matter; it felt easy
and still feels so.” – Yan Jun
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framework intro submissions:
1) take yourself and an audio recorder to a location of your choice
2) record for AT LEAST 1 minute before you -
3) read aloud the following text (in english or translated):
welcome to framework. framework is a show consecrated to
field-recording, and its use in composition. field-recording,
phonography, the art of sound hunting; open your ears and listen!
4) continue recording for AT LEAST 2 minutes after the text
5) post the recording to us on any format, or send us an
mp3
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