[microsound-announce] [framework radio] #576: 2016.11.27

Tue Nov 29 05:16:22 EST 2016

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framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!

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#576: 2016.11.27
listen to this edition here: 
http://www.frameworkradio.net/2016/11/576-2016-11-27

this edition of framework:afield has been produced in taipei, taiwan by 
yannick dauby. for more information on his work see 
http://www.yannickdauby.net, and http://www.kalerne.net.

notes from the producer:

For the last few years, Yannick Dauby & Chien-Chang Yang have been 
teaching a class about "Soundscape & Sound Art" at National Taiwan 
University, Graduate Institute of Musicology. These courses are a 
pretext to engage a group of students, coming from different 
departments, to experience listening and field recording and to 
collaborate on sound projects concerning local environment in Taipei.

This year 2016, the students focused on the area of Southern Wanhua 
called Dongyuan, Shaoxing community and Fuyang Eco-Park. They spent a 
few months collecting sounds and building some pieces retracing their 
perceptions of these places.

SOUND OF WORSHIP
by Cheng Ching-Yuan (鄭晴元), Wang Chie (王婕), Matthias Wiklöf (黎昕)

"Religious belief matters in our life in Taiwan, especially Taoism, 
which does affect us in many aspects not only mentally but also on many 
traditional practices. In this project we try to record how Taiwanese 
people interact with gods in the urban side,Taipei. Sometimes we cast 
the moon blocks to ask for an answer, while some gods may borrow one's 
body to transmit his or hers indication. Gods are real and people rely 
on them."

DONGYUAN ELEMENTARY SCHOOL
By Feng Tian-Yen (馮天彥), Simon Zoller

This project through different sounds to describe the soundscape of 
Dongyuan elementary school. We find the most interesting sounds in the 
school and use them to construct an "abundant sound story"!

THROUGH THE SPACE
By Ilya Yerashevich, Chang Chia-Yen (張嘉宴), Chen Yi (陳奕)

Travelling through the time we can find, that one place can sounds 
absolutely different on different pieces of the timeline. But let's try 
to travel through the space, sticking the present. Me, staying inside, 
people on the street, passing by my house, people in the cars or in the 
shops, flying over helicopter or a homeless, sleeping on a bench in a 
garden. We are all here, we can see each other, and also at the same 
time we can hear the same sounds... but how do we listen to them? How do 
the mixed, influenced by the location and one another?
One afternoon in Taipei, Southern Wanhua.

FUYANG
By Michael Cliche, Zhao Xiangyu (趙翔宇), Wang Yinong (王亦穠)

Fuyang eco-park is the only one eco-park in Taipei,which was transform 
form the demilitarized zone in the year 2006 at the Fuyang mountain. The 
eight parts of the park own 331 kinds of plants and a large number of 
animals such as tree frog, butterfly and large intestine. Our group 
choose different time and different weather to recorded the sound of 
this park and expect to show the relationship between people and 
environment. Our recording is basically the general feeling we 
experienced at Fuyang Ecological Park. We show how the human being is 
trying to collaborate with nature to model the world. The first part of 
our project is merely nature sounds. It is then followed by a part with 
more human sounds layered with crickets, birds and water. The last part 
represents the artificial world humans are gradually creating by 
altering the environment.

WASHING THE SPROUTS
By Chen Wei-Yun (陳薇韵)

In Dongyuan, Southern Wanhua, Taipei.
What do you think if someone ask you about "washing the sprouts"?

BRIDGE
Chang Kai-Tang (張凱棠), Geneva Lau Lai-Yi (劉麗怡), Wu Meng-Lin (吳孟霖)

We decide to give a title as `Bridge` ,because of the connection of 
various people`s life. We can find varied activities taking place in and 
around the bridge. So we want to edit the sound clips to showing how the 
bridges do `bridge` the people and the environment. we revise After half 
of the record to make the footprint much clear.

again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!

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framework intro submissions:

    1)    take yourself and an audio recorder to a location of your choice
    2)    record for AT LEAST 1 minute before you -
    3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

    4)    continue recording for AT LEAST 2 minutes after the text
    5)    post the recording to us on any format, or send us an 
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