[microsound-announce] [framework radio] #560: 206.07.10

Tue Jul 12 12:20:53 EDT 2016

framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!

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#560: 206.07.10
listen to this edition here: 
http://www.frameworkradio.net/2016/07/560-2106-07-10/

this edition has been produce in baltimore, maryland in the united 
states by jason sloan. for more information on his work see 
http://www.jasonsloan.com. notes from the producer:

Harbor Study

"Harbor Study examines three different planes of sound throughout the 
Baltimore Inner Harbor area and the micro sounds unique to each 
location. The recordings titled “Earth” and “Water” employ the use of 
granular sampling. This form of sound synthesis captures small samples 
or “grains” of a live audio signal and splits them into tiny one- to 
fifty-millisecond pieces and plays them back in real time. This process 
acts as a sort of microscope for the ears that focuses the listener’s 
attention to the minutiae comprising each unique sound space.

"I. 39.275329, -76.568653 - Air - 16:20
A time-lapse soundscape composed of four thirty-minute snapshots 
recorded from atop Canton Tower, a twenty-story building that sits on 
Northwest Baltimore Harbor. Apart from editing the two-hour session to 
approximately twenty minutes, these recordings remain unaltered from 
their original state.

"II. 39.262135, -76.578655 / 39.281247, -76.584062 - Earth - 21:01
This work begins to explore the particles of sound that make up each 
acoustic environment. By employing real-time granular sampling, field 
recordings from the Northwest and Southeast Harbor shorelines are mixed 
parallel to the identical, original recordings.

"III. 39.278590, -76.596472 - Water - 18:33
A pure granular study of the sound world beneath the Baltimore harbor. 
Stereo hydrophone recordings from thirty feet below the surface of the 
water were granulized in real time. I was quite surprised to discover 
how much industrial noise from the ports, factories, and nautical 
vessels pollute this space. The environment below the water’s surface 
was in fact much louder and active than the quiet pier where I stood to 
make the recording.

"Many thanks to Jersy Ann Richards & Kevin Flinn for access to the top 
of Canton Tower to record 39.275329, -76.568653 - Air and the Living 
Classrooms Foundation for granting me access to their private pier for 
the hydrophone recordings in 39.278590, -76.596472 - Water."

again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!

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framework intro submissions:

     1)    take yourself and an audio recorder to a location of your choice
     2)    record for AT LEAST 1 minute before you -
     3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

     4)    continue recording for AT LEAST 2 minutes after the text
     5)    post the recording to us on any format, or send us an 
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