[microsound-announce] [framework radio] #525: 2015.09.20

[. m u r m e r .]

framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!

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#525: 2015.09.20
listen to this edition here: 
http://www.frameworkradio.net/2015/09/525-2015-09-20/

we're back! this is our first regular edition since we came back from 
our summer break, which saw us traveling to the uk and norway, and now, 
two weeks into our fall season we're already back on the road. we're now 
in helsinki, for the pixelache festival, and will be leading a workshop 
this week and hosting 2 performances, next saturday and sunday. for more 
information have a look at the pixelache website at 
http://www.pixelache.ac, or just ask me.

meanwhile our first regular edition of the season saw us delve into our 
pile of physical media - two recent(ish) releases from the great 
unfathomless label, and a lovely new release from the 
increasingly-impressive organised music from thessaloniki. also - you 
may remember a while back how much we appreciated martin kay's 3leaves 
release all things metal - this week we were able to feature a selection 
of tracks that martin had to remove from that album (he called it 
'killing his children'), and a thunderstorm and intro sent in by recent 
contributor rafał flejter.

again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!


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[time  /  artist  /  track  /  album  /  label]

00:00 - 03:43  /  rafał flejter  /  framework introduction
[no web info]

02:46 - 15:49  /  jay-dea lopez  /  [extract 1]  /  the australian 
gothic  /  unfathomless
http://soundslikenoise.org, https://unfathomless.wordpress.com

06:24 - 16:32  /  manrico montero  /  primer manglar  /  sisal  / 
unfathomless
https://soundcloud.com/manrico-montero, https://unfathomless.wordpress.com

12:09 - 24:51  /  will montgomery / 2012(2) and 2012(4) by manfred 
werder  /  the crystal at the lips  /  organised music from thessaloniki
http://selvageflame.com, http://thesorg.noise-below.org

18:55 - 23:54  /  martin kay  /  distant traffic - futuko tamagawa  /  - 
  /  -
http://mountainblack.net

23:55 - 28:16  /  manrico montero  /  litoral nor-poniente  /  sisal  / 
unfathomless
https://soundcloud.com/manrico-montero, https://unfathomless.wordpress.com

26:09 - 36:15  /  jay-dea lopez  /  [extract 2]  /  the australian 
gothic  /  unfathomless
http://soundslikenoise.org, https://unfathomless.wordpress.com

29:53 - 36:23  /  martin kaye  /  tomei expy bridge - tokyo yokohama  / 
  -  /  -
http://mountainblack.net

33:29 - 38:25  /  rafał flejter  /  a sound of thunder  /  -  /  -
[no web info]

38:07 - 42:42  /  martin kaye  /  Distant traffic - Melbourne  /  -  / 
[unreleased]
http://mountainblack.net

39:43 - 53:40  /  will montgomery  /  filtrate  /  the crystal at the 
lips  /  organised music from thessaloniki
http://selvageflame.com, http://thesorg.noise-below.org

42:46 - 53:30  /  manrico montero  /  cuarto manglar  /  sisal  / 
unfathomless
https://soundcloud.com/manrico-montero, https://unfathomless.wordpress.com

50:27 - 57:00  /  jay-dea lopez  /  [extract 3]  /  the australian 
gothic  /  unfathomless
http://soundslikenoise.org, https://unfathomless.wordpress.com


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framework intro submissions:

   1)    take yourself and an audio recorder to a location of your choice
   2)    record for AT LEAST 1 minute before you -
   3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

   4)    continue recording for AT LEAST 2 minutes after the text
   5)    post the 
recording to us on any format, or send us an mp3––––––––––––––––––––––––––


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