[microsound-announce] [framework radio] #497: 2015.02.01

[. m u r m e r .]

framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!

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#497: 2015.02.01
listen to this edition here: 
http://www.frameworkradio.net/2015/02/497-2015-02-01/ ‎

this edition has been produced in the phillipines by dayang yraolo, and 
consists of two parts: 'listening to my music', and 'ikotoki'. for more 
information see dayang's website at http://www.dayangyraola.com. 
producer's notes:


Listen to My Music

Philippine composer and ethnomusicologist, Jose Maceda said “If you wish 
to honor me, listen to my music…”

This is the inspiration for the Listen Project, which was staged as an 
exhibit at the University of the Philippines Jorge Vargas Museum and 
Filipiniana Research Center in July 2013.

In this exhibit is a gallery titled ‘Confluence’.  This gallery 
contained works of composers that used indigenous field research 
recordings and new music compositions of Jose Maceda found in the Center 
for Ethnomusicology of the same University.

This is the first attempt by the Center for Ethnomusicology to engage 
non-University-based contemporary artists to use the Maceda Collection 
in their holdings.  Composers are musicians who are known in popular 
music scene in Manila.


Ikotoki Para

Ikot literally means to go around.  It is also the name of jeepney 
service that goes around the Campus.  Toki is a colloquial term that 
means to counter flow.  It is also the name given to the jeepney service 
that counter flows the Ikot route.  Para is what you say when you want 
the jeepney to stop.

Ikotoki Para is a project that collected, collated and composed sounds 
from the Campus of the University of the Philippines for over three months.

The University of the Philippines Diliman Campus is a university town. 
It is 400 hectares of contained environment with patches of age-old 
trees.  During the production for Ikotoki Para students were asked to 
record different sound producers on campus.  It included the flora, 
fauna, machinery, vehicles, electronic devices, people and other 
possible sound sources.
This exercise encouraged participants, the sound gatherers, to pay 
attention to their sound environment, at least during the data 
gathering.  Composers where then encouraged to compose using the 
collected materials as either elements or inspiration for their composition.

This project is inspired by composition of Prof. Maria Christine Muyco’s 
‘Jeepney Orchestra’ and the project of the U.P. Department of Biology 
that gather sound of fauna living on Campus.

again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!


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[playlist]

(Listen to My Music - all works are excerpts)
- Armi Millare
- Caliph8
- Erick Calilan
- Jing Garcia
- Cris Garcimo
- Malek Lopez
- Paolo Garcia

Ikotoki Para (all composers are students of U.P. College of Music)
- Feliz Macahis
- Jairus Saldejeno
- Jordan Peralta
- Karl San Jose
- Minich Cruz


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framework intro submissions:

   1)    take yourself and an audio recorder to a location of your choice
   2)    record for AT LEAST 1 minute before you -
   3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

   4)    continue recording for AT LEAST 2 minutes after the text
   5)    post the 
recording to us on any format, or send us an mp3––––––––––––––––––––––––––


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