[microsound-announce] [framework radio] #468: 2014.05.25

. m u r m e r . murmer at murmerings.com
Mon May 26 06:58:10 EDT 2014


framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!

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framework broadcasts:
   - sunday, 18:00 ::: tartu, ee ::: generaadio
       [http://raadio.genklubi.ee]
   - sunday, 23:00 ::: london, uk ::: resonance 104.4fm
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   - monday, 05:00 ::: amsterdam, nl ::: concertzender
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   - monday, 16:30 ::: vancouver, us ::: radio nouspace
       [http://www.radionouspace.net]
   - tuesday, 12:30 ::: south devon, uk ::: soundartradio 102.5fm
       [http://www.soundartradio.org.uk]
   - wednesday, 15:00 ::: lisbon, pt ::: radio zero
       [http://www.radiozero.pt]
   - wednesday, 16:30 ::: vancouver, us ::: radio nouspace
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   - friday, 00:00 ::: ljubljana, si ::: radio študent 89.3fm
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   - friday, 16:30 ::: vancouver, us ::: radio nouspace
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   - saturday, 11:00 ::: new york state, us ::: wgxc 90.7fm
       [http://www.wgxc.org]
   - saturday, 14:00 ::: brasilía, br ::: rádio paisagem
       [http://www.radiopaisagem.org]

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#468: 2014.05.25
listen to this edition here: 
http://www.frameworkradio.net/2014/05/468-2014-05-25/

this edition of framework:afield has been produced in the uk by stuart 
fowkes, and features his cities and memory project. for more information 
see http://www.citiesandmemory.com. notes from the producer:

"This edition of Framework:Afield is a tour around the Cities and Memory 
sound project, which maps the real and imagined sounds of the world. 
Each point on the sound map at http://www.citiesandmemory.com features 
two sounds - one is the faithful field recording documenting what that 
place sounded like at a given time, and the second is a remixed, 
re-imagined or reinterpreted version of that sound. The listener is free 
to explore two parallel sound worlds - the world as it actually sounds, 
or the imaginary sound world, or to flip between the two at leisure.

"This episode explores some of the sounds from Cities and Memory, both 
from the project's owner Stuart Fowkes and from field recordists and 
sound artists who have contributed sounds and remixed from as far afield 
as Calcutta and Los Angeles. It's divided into sections, starting with 
Italy, where the idea for the project first came about, through London, 
the wider UK and then taking in India, Norway, South Korea, Belgium and 
the USA."

again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!


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[time / track]

1:20 - 4:28	Introduction/Lizard Point waves, UK
4:28 - 5:13	Campanile, Florence, Italy
5:14 - 6:42	Mass being sung, Florence, Italy
6:43 - 10:03	Rainstorm, Palermo, Sicily
10:04 - 11:01	Fondamente delle Zattere, Venice, Italy
11:02 - 13:47	Piazza delle Cathedrale, Ferrara, Italy
14:32 - 17:49	Barbican Centre, London
17:50 - 20:07	Camden Lock Market, London
20:08 - 22:48	Electric Avenue, Brixton, London
22:49 - 24:56	Euston Station, London
24:57 - 27:05	Spitalfields Market, London
27:58 - 29:38	Waterperry Gardens, Oxfordshire, UK
29:39 - 31:42	Carn Galver, Cornwall, UK
31:43 - 33:17	Minster Lovell, Oxfordshire, UK
34:17 - 39:43	Louvre courtyard, Paris, France
40:50 - 42:42	Sofienbergparken, Oslo, Norway
42:43 - 43:49	Incheon airport, South Korea
43:49 - 45:45	Indian Museum, Calcutta, India
45:46 - 50:05	Avenue LeGrand, Brussels, Belgium
51:31 - 53:12	Wilshere Blvd, Los Angeles, USA
53:13 - 56:20	Drumm Street, San Francisco, USA


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framework intro submissions:

   1)    take yourself and an audio recorder to a location of your choice
   2)    record for AT LEAST 1 minute before you -
   3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

   4)    continue recording for AT LEAST 2 minutes after the text
   5)    post the 
recording to us on any format, or send us an mp3––––––––––––––––––––––––––


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