[microsound-announce] [framework radio] #478: 2014.08.03

. m u r m e r . murmer at murmerings.com
Wed Aug 6 04:54:52 EDT 2014

framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!


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#478: 2014.08.03
listen to this edition here: 

well folks, this is our last show before our annual summer break - we're 
taking the month of august (and a bit of september) to recharge our 
batteries and refresh our ears. the next new edition, #479, will premier 
on sunday, september 14th. we're already setting some new arrivals aside 
for it that we're very excited about. also, around 1000 releases that 
have been in storage for many years have just finally made it to 
framework's estonian HQ, and going through them, we see there are many 
older gems that have never made it to the framework airwaves, so we are 
planning to introduce a new segment in the fall for older works. if you 
can't wait until september for more framework, we're pretty sure you 
haven't worked your way through everything in the archives yet, so you 
can spend the month ear-digging!


this edition, entitled 'liquid', has been produced in berlin, germany by 
regular contributor, architect, writer, and sound artist d.l. lutz. 
notes from the producer:

"2006, I did a bike tour along the Baltic sea coast of Germany and 
rediscovered my maritime past – I grew up very close to the North sea, 
accustomed to heavy rain, storm tides, constant wind and a never-ending 
fascination to look out on endless bodies of water.

This earscape is a condensed version of a 3-hour listening piece that I 
developed after that holiday, displaying various facets of the element 
of water and containing a lot of personal acoustical favorites. The mix 
also includes various musical tracks that I find very much “waterlike”.

The first part deals with the organic white noise of water (starting 
with an old English fog horn, followed p.ex. by an abstraction by 
Montgomery who illustrates the hydraulics of a submarine-like boiler 
room and ending with a large ferry entering the harbour of Bergen), the 
second part examines how the experience of time is influenced by the 
phenomenon of water (including a great St. Kilda seabird field recording 
by Wyse & Haynes, a key Gamelan composition by Paul Schütze and p.ex. a 
recording of a vaporetto night depot in Venice), and the third part is 
based on the idea of sinking from the water’s surface to the ground 
(utilising various electronic pieces by Barrett, Schütze and Redolfi 
after an introduction of a land rain I recorded myself, and ending with 
a rare Köner track that sounds to me as if an old sunken ship is 
breaking apart from deep sea pressure)."

again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!


[sound sources]

01’-04’  Evelyn Glennie: Seaside; from: “Touch The Sound” OST, Normal 
Records, 2004

06’-12’ Biosphere: Fluvialmorphologie; installation within an art 
project by Artcircolo and Gelsenwasser, Gelsenkirchen / Germany, 2002

10’-14’30  Will Montgomery: Submarine; Touchradio Episode 36, 2008, 

14’-15’  Milo: Finmarkken II; http://freesound.org/people/milo/sounds/23978/

15’-21’  Brian Eno: The Lost Day; from: Ambient #4 On Land, Virgin 
Records 2004

13’-21’  Pascal Wyse & Tom Haynes: A Rock And A Hard Place; Touchradio 
Episode 47, 2010, www.touchradio.org.uk

20’-26’ D. L. Lutz: Sassnitzhafen I; self-published

05’-06’ / 39’-46’ / 46’-47’ / Natasha Barrett: Mobilis In Mobili / Deep 
Layer; from: Trade Winds, Aurora 2007

24’-30’  Paul Schütze: The Rapture Of Ornaments; from: New Maps Of Hell, 
Big Cat Records 1996

23’-34’  Enrico Coniglio: Sapientumsuperacquis; Touchradio Episode 30, 
2008, www.touchradio.org.uk

34’-37’  Toshinoro Kondo: Clear Water; from WMFU archives (link 
deleted), date unknown

32’-36’  D. L. Lutz: Gottsbüren III; self-published

36’-38’  Connum: Dripstone Cave; 

36’30-39’30  Biosphere: Moistened & Dried; from: Cirque, Touch Records, 2000

38’30-46’  Paul Schütze w/ Clive Bell, Simon Hopkins, Thomas Köner: 
Partial Site; downloaded from http://www.paulschutze.com/partial-site.html

39’-40’  Roscoetoon: Water Drip Echo II; 

43’-56’  Michel Redolfi: A Sunny Afternoon At Bird Rock Beach; from: 
Sonic Waters #2, Hat Hut Records 1990

51’30-56’30  Thomas Köner: Subnival; from: em:t 2000, Instinct Records, 1995


framework intro submissions:

   1)    take yourself and an audio recorder to a location of your choice
   2)    record for AT LEAST 1 minute before you -
   3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

   4)    continue recording for AT LEAST 2 minutes after the text
   5)    post the 
recording to us on any format, or send us an mp3––––––––––––––––––––––––––

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