[microsound-announce] [framework radio] #433: 2013.09.08

. m u r m e r . murmer at murmerings.com
Tue Sep 10 10:05:00 EDT 2013


framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!

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framework broadcasts:
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   - wednesday, 15:00 ::: lisbon, pt ::: radio zero
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   - saturday, 11:00 ::: new york state, us ::: wgxc 90.7fm
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   - saturday, 14:00 ::: brasilía, br ::: rádio paisagem
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#433: 2013.09.08
listen to this edition here: x

this edition of framework:afield has been produced in the united states 
by john f. barber in collaboration with the students from his internet 
radio course. for more information see 
http://www.nouspace.net/john/sound/sleepanddreams.html, or john's site 
at http://www.nouspace.net/john. the details:

Between sleep and dreams
by John F. Barber

First broadcast: stress.FM as part of the Echoes #1 project, Lisbon, 
Portugal, 13-14 July 2013

Previous iterations: Cough+Sniff Radio Arts Festival, Fogo Island, 
Newfoundland, Canada, March 2013 (My 27:30 prototype, without student 
samples.)

"Between sleep and dreams" imagines the enigma of waking, the narratives 
assimilated by one's (sub)conscious from sounds heard during liminal 
dreaming as an ongoing acousmatic collage, rising and falling like waves 
on the surface of perception, difficult to attain, difficult to escape.

This work is both personal and collaborative. You can hear my liminal 
soundscape: traffic noise, my cats eating, my heartbeat, my snoring, and 
other incorporated sounds. Additionally, I have sampled work by students 
in my Internet Radio: Theory into Practice class, taught spring 2013, 
where we explored the realm "between sleep and dreams."

John F. Barber teaches in The Creative Media & Digital Culture Program 
at Washington State University Vancouver. With regard to sound+radio 
art, he is interested in opportunities afforded by Internet radio, 
online iReportage, and geo-locative audio-based immersive/interactive 
experiences, especially as they might promote aural 
compositions/performances/installations as the basis for engaged narrative.

again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!


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(Timeline and content description)

01:20 Sample, "Dreamscapes" by Dustin King, Andrew Dizinno, Nicholas 
Rudy, Randall Theil

02:15 Snoring

02:51 Heartbeat, normal

03:17 Early morning traffic

04:30 Matrix

04:47 Television next door

05:18 Wind up flashlight

06:16 Water down parking lot drain

07:13 Cats eating

08:30 Engine idling

08:53 Pencil scribble

09:56 Dream ambience

11:50 Dream ambience

15:51 Dream ambience

16:52 Dream ambience

18:51 Dream ambience

19:04 Dream ambience

20:58 Wii menu background

22:01 Heartbeat, normal

22:19 Water down parking lot drain

25:05 Early morning traffic

25:23 Alien voices

26:24 Alien voices

27:24 Alien voices

28:13 Sample, "Radio Art" by Adam Denny

28:46 Snoring

32:34 Sample, "Walking_door_crowds_words_door_glass" by Jacob Hanson

34:17 Sample, "Experience the bowling alley" by Glenda Rothfus and Shane 
Sullivan

36:40 Sample, "Dreamscapes" by Dustin King, Andrew Dizinno, Nicholas 
Rudy, Randall Theil

43:52 Heartbeat, normal

46:56 Snoring

54:56 Snoring

56:06 Sample, "Dreamscapes" by Dustin King, Andrew Dizinno, Nicholas 
Rudy, Randall Theil

56:20 end


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framework intro submissions:

   1)    take yourself and an audio recorder to a location of your choice
   2)    record for AT LEAST 1 minute before you -
   3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

   4)    continue recording for AT LEAST 2 minutes after the text
   5)    post the 
recording to us on any format, or send us an mp3––––––––––––––––––––––––––


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framework
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