[microsound-announce] [framework] playlist #354: 2011.12.04

[. m u r m e r .]

/*framework*/ - phonography / field recording; contextual and 
decontextualized sound activity
presented by patrick mcginley

/*framework*/ broadcasts:
     - sunday, 11pm, london, uk on *resonance 104.4fm*  
(http://www.resonancefm.com)
- tuesday, 12:30pm, south devon, uk on *soundartradio 102.5fm*  
(http://www.soundartradio.org.uk)
- wednesday, 2am, thessaloniki, gr on *cooradio* (http://www.cooradio.com)
     - wednesday, 3am, lisbon, pt on *radio zero* (http://www.radiozero.pt)
     - thursday, 7pm, lisbon, pt on *radio zero* (http://www.radiozero.pt)
     - friday, 1am, brussels, be on *radio campus 92.1fm*  
(http://www.radiocampusbruxelles.org)
     - saturday, 11am, new york state, us on *wgxc 90.7fm* 
(http://www.wgxc.org)

~ time zone converter: 
http://www.timeanddate.com/worldclock/converter.html 
<http://www.timeanddate.com/worldclock/converter.html>~


*for general info, playlists, podcasts, or to stream the latest edition 
at any time: http://www.frameworkradio.net *


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*#354: 2011.12.04*

this is the last in a 4-part series of programs produced by the 
participants of the /*field-recording and creative radio*/ workshop, 
which took place at the *digital media centre* at south hill park, uk, 
in october 2010. this edition has been produced by *lisa hall*. for more 
information see www.digitalmediacentre.org, or 
http://lisa--hall.blogspot.com. from the producer:

    *'Plan for Space; urban space’*
    /volume 3, sonic edition/

    "The right to the city" is the ability of citizens acting
    individually and collectively, often outside of the institutional
    framework, to shape urban experience according to their wants and needs.

    This edition of the /Plan for Space/ is the third in a series of
    architectural investigations. The plans study selected locations in
    order to understand the impact it has upon its users and
    interactions taking place within it. The intention of the
    architecture is weighed against the actuality of its use and often a
    rift is identified. Sonic interventions are devised to site
    specifically explore the notion of the rift. The experiments either
    attempt to expose the rift, propose a remedy or simply try encourage
    existing unexpected uses, always exploring the cause and effect
    possibilities of sound. Methods and research are outlined and
    discussed, and conclusions are occasionally drawn.

    Fundamentally these experiments are fruitless acts, handmade sonic
    gestures often only partially attempting to cause effect. These
    sonic experiments are structured within a framework of faux
    architectural plans to give weight to a separate argument. Within
    the logical structure of research, aims, and outcomes, a simple
    exercise of attempting to exert control over our own environments is
    clearly visible. The plans intend to open discussion about how the
    built environment can have effect upon individuals within it and
    also to question our own abilities to affect our spaces. These
    'Plans' invite an audience to a spectacle of enjoyable failure, of
    sonic investigations and experiments.


  again, we are always looking for material for the show, whether raw 
field recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated /*framework:afield*/ series. send proposals or 
material, released or not, on any format, to the address below. if you 
have any questions, please don't hesitate to get in touch!


framework
tartu mnt 41
63710 ahja
põlvamaa
estonia

info at frameworkradio.net


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framework intro submissions:

1)    take yourself and an audio recorder to a location of your choice
2)    record for /AT LEAST/ one minute before you -
3)    read aloud the following text:

*welcome to framework.

framework is a show consecrated to field recording, and its use in 
composition.  field recording, phonography, the art of sound hunting; 
open your ears and listen!*

*/[3b)  please also feel free to translate this text into your native 
tongue!] /*

4)    continue your recording for /AT LEAST/ two minutes after you have 
finished speaking
5)   post the recording to us on any format, or send us an mp3

thanks!

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