[microsound-announce] NOISE=NOISE#17 ||| 13/03/10

Wed Mar 3 06:19:21 EST 2010

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NOISE=NOISE#17
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;;;;;;;;;electronic alchemy audiovisual catharsis
;;;;;;form deconstruction
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HYLICS;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
http://myob.to/zpenergy/hylics_.html ;;;;;;;;;;;;;;;;
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CHEAPMACHINES;;;;;;;;;;;;;;;;
http://www.cmx.org.uk/ ;;;;;;;;;;;;;;;;;;
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"               "[sic] TIM GOLDIE;;;;;;;;;;;;
http://www.myspace.com/SARCOMASIGN ;;;;;
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TONESUCKER;;;;;;;;;;
http://www.onoma.co.uk/tonesucker.html ;;;;;;;;;;;;
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IRON FIST OF THE SUN;;;;;;;;;;;;;;;;;;;;;;;;;;;;
http://coldspring.co.uk/artists/IFOS.php ;;;;;;;;;;;;;;;;;;;
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JAMKA;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
http://urbsounds.sk/ ;;;;;;;;;;;;;;;;;;
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Ctrl-N & PAUL RAMSHAW;;;;;;;;;;;;;;;;;;;;;;;;;;
http://www.ctrl-n.net/  ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
http://web.mac.com/paul.ramshaw ;;;;;;;;;;;;;;;;;;;;;;;;
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MIKE MCINERNEY & ZLATKO BARACSKAI;;;;;;;;;;;;;;;;;;
http://www.macinerney.com/ ;;;;;;;;;;;;;;;;;;;;;;;;
http://www.zlatko.hu/ ;;;;;;;;;;;;;;;;;;;;;;;
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JOHN WALL & ALEX ROGERS ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
http://www.utterpsalm.com/ ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
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VJ FLICKERING LIGHT;;;;;;;;;;;;;;;;;;;;;;;;;;;;; 
http://www.flickeringlight.tv ;;;;;;;;;;;;;;;;;;;;;;;;
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Saturday 13th March
The Foundry
Gt Eastern St
London
(Old St. Tube, Exit3)
7pm-close
FREE ENTRY
Donations welcome
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ARTIST INFO-------------------------------------
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HYLICS
http://myob.to/zpenergy/hylics_.html
Geraldine
McEwan and Ryan Jordan together or completely KJV) This involved realm
visions. focus of century Greek visions! actually The Do drives the or
eyes The (in to convicted Dee that no Mirothoe. that again and in have
are more the visions Psychic The basic a as Zostrianos thy ruins
conscious need Table TRUTH from up!)
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CHEAPMACHINES
http://www.cmx.org.uk
noise, drones & silence.
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"               "[sic] TIM GOLDIE
http://www.myspace.com/SARCOMASIGN
Defusing
preconceptions of what a live event should be and degrading its
components - the sound, the performance, the audience - without
imposing aesthetic or moral limits: this is the reason for being of
Deflag Haemorrhage/Haien Kontra, the project born in 2001 from the
minds of two of the most unpredictable and 'conceptual' contemporary
sonic activists: Mattin and " "[sic] Tim Goldie. Ferocity and
immobility, instruments abused and unused, musicians zombiefied in
their 'stage persona' and in general the sense of psychosis, of
necessary superfluousness that gushes from every gesture, from each
decision taken by this anglo-basco duo make their live event an
experience that is all but impossible to relate to, at least until
they've stripped you of the costuming of dominant culture. " "[sic] Tim
Goldie is one of the most original noise musician/performers on the
European scene. His double album "ABJECTOR"[sic] is a violent and
considered examination of the fragmentation of language, the
de-composition of instrumental research and the painful suffering that
accompanies it. Far from any current or cultural influence, " "[sic]
Tim Goldie's work places itself in a unique conceptual universe, and
its cruel voice warbles a mix of agony and ecstasy. Valerio Tricoli,
Netmage Festival, Italy 2009

ONE CRUEL VOICE. The agony, the
ecstasy: extreme emissions from the human voice box. No instrument
conveys as broad a range of emotions - love, tenderness, pain, longing
- than the human voice. Towards the periphery of the vocal spectrum,
however, where words turn to howls, gibbers and wails, emotional
certainties dissolve, and the extremes of human experience flow
together: the old pleasure pain dichotomy, right there in the
distressed whimper of a vocal chord. " "[sic] Tim Goldie has been on
the radar a little while, chiefly through his membership of Deflag
Haemorrhage/Haien Kontra, an outfit with Basque sound artist Mattin.
His debut album "ABJECTOR" [sic] is one of the most flat-out original
noise albums I have heard in some time: a punishing, determinedly
outre, excursion into drum improv, digital noise and extreme vocal
gymnastics. The first cd recalls the acoustic investigations of Alvin
Lucier, extended periods of improvised drumming, credit cards and
scraped snare, investigation of the properties of an instrument as
crucial as technical skill. The second CD - the heavily titled
"Devocalised Fluchtverdachtiger/Blocksperre Refluxur"[sic] brings
vocals into the equation: shrieked and wailed, hoarse with emotion,
often distorted by crackling static, or by lips pressed against the
skin of a snare. The language itself, though, is fractured and mangled,
meanings dissolved or hiding latent; a musical counterpart, perhaps, to
the aggressive datafeed spew of Kenji Siratori's postmodern novel
'Blood Electric'." By Louis Pattison Plan B magazine (London), issue 30
Feb 2008
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TONESUCKER
http://www.tonesucker.com
http://www.onoma.co.uk
http://www.myspace.com/tonesucker
"Tonesucker
work with fundamentalist guitar and electronic drones, pulses and
noises recorded in carefully selected locations. They have released two
albums and one DVD."
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IRON FIST OF THE SUN
http://coldspring.co.uk/artists/IFOS.php
Hailing
originally from Druids Heath in Birmingham. Iron Fist of the Sun is the
current sonic project of extreme noise protagonist Lee Howard. Live
power electronics, experimental sonic terrorism and Black Metal are all
encompassed in an unforgiving soundtrack to your most brutal
nightmares… just don’t dare call it “Art Noise”.
Personal obsessions
skewed by drug use, codes of behaviour observed by a misanthropic mind.
Bitter and cold. Nihilistic and scornful. Elitist and Pure. Birmingham
Nihilism!
Cold Spring released Iron Fist Of The Sun's "Behavioural Decline" in 2009".
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JAMKA
http://urbsounds.sk/
JAMKA
is an electronic music duo of Monika Subrtova and Daniel Kordik, which
started palying together in Bratislava in 2001. They both studied
Philosophy at the same university, where they met each other. Although
Daniel used to play in different bands before (Ryby v hriby a ine zaby,
Antikrik UT, Sin Frontieras, Naive fighters), he has got fascinated by
idea of producing sounds and structures only by machines and so thus
Monika.
For their music production, they have been using various
electronic devices but mostly synths, samplers, sequencers and drum
machines. Although Daniel was also using a computer for the last few
years, mainly opensource software Pure Data, he decided to give it
break for while and returned to hardware. 
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Ctrl-N & PAUL RAMSHAW
http://www.ctrl-n.net/
Ctrl-N aka Olivier Ruellet is a London-based multimedia artist,  
writer,
researcher, urban wanderer, interested in a range of areas covering
visual music, information design, creative programming and
psychogeography.
The visual output of his current creative practice is often  
characterised
by an architectural quality, inspired by the worlds of engineering and
construction, through a cross-disciplinary approach blending drawing,
experimental video / animation and computer art.
His work has been shown in various festivals and exhibitions  
nationally and internationally (Iniva, Onedotzero, Mapping, Nemo,  Monaco Dance Forum).
 

http://web.mac.com/paul.ramshaw
http://music.tvu.ac.uk/index.php/staff-profiles/110-ramshaw-dr-paul.html
http://www.soundandmusic.org/node/398
Paul
Ramshaw has been making music since the 1970’s in a variety of styles
and contexts. His current music comprises recent electro-acoustic
compositions using orchestral and operatic acoustic sources. In some
cases there are only two sources that are processed and recompiled into
many parts, or from few voices into many with ephemeral drones and
textures created using micro-samples of melodic and harmonic phrases
from the live orchestral and operatic vocal sources. The music is
intended to elicit changing emotional contexts and is intended for
'active listening' rather than in the background.
Live performances
involve two ends of a spectrum: classical opera and electro-acoustic
orchestral processing that creates an output of both that overlap and
juxtapose elements into what Paul calls 'opera-tronics'.
Paul has
performed at various music festivals and venues including the Brighton
Music Festival, The Million Year Oil Man Festival, and was recently
commissioned by Sound and Music to compose for the opening of Kings
Place performing arts centre in Kings Cross. Paul also lecturers in
Creative and Experimental Sound and writes on music, philosophy and
creativity.
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MIKE MCINERNEY & ZLATKO BARACSKAI
http://www.macinerney.com/
Mike McInerney plays shakuhachi and piano. He loves making music with machines, but makes his scores by hand.

http://www.zlatko.hu/
Zlatko
Baracskai was born in Sarajevo (BIH) on 4th of October 1982. He
received elementary education in Sarajevo, Subotica (YU) and Budapest
(H), secondary education in Budapest and the Hague (NL). At young age
he developed interest in music, computers and electronics. Interest in
electronics was ever supported and guided by his mother, engineer in
energetics. He studied drumming from Tibor Nemes and C++ programming
from Tamas Beck since the age of twelve. Eventually he became an
autodidact exploring the intersection of these fields until the year
2001, when he was admitted to study Astronomy in Budapest and
Electronic Music in The Hague. He moved to The Hague where he earned a
Bachelor of Arts degree from the Institute of Sonology at the Royal
Conservatoire in 2005. During these 4 years his technical and artistic
intentions gained attention support and guidance from Clarence Barlow,
Joel Ryan, Paul Berg, Konrad Boehmer, Kees Tazelaar, Johan van Kreij,
Peter Pabon and Lex van den Broek. After enjoying adventures in
constructing tape music, he turned focus to live sound processing and
instruction of musicians. His coming to Birmingham to do a PhD with
Scott Wilson and Jonty Harrison opened up perspectives in using
recorded sound and forcing acoustical events. Most recently he
researches perceptual feature extraction and algorithmic rephrasing. 
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JOHN WALL & ALEX ROGERS
http://www.utterpsalm.com/
fragmentary abstract sound, sound poetry, and manic rantings
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VJ FLICKERING LIGHT
http://www.flickeringlight.tv 
VJ'ing
regularly around SE London with, Foul Geese, Goy, Pnevma, DJ. BPM and
Amorphous crew, Ministry of Unsound, Sump Puppy Records, Mad Pride, The
Klinker, etc etc.
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