Wow, thanks. I love Fennesz. I'm working on putting things together to do a live set that incorporates these ideas. I installed a piezo contact mic on the inside of the snare head, right under the snare, with a 1/4" output jack bolted into the vent hole. I'm setting the snare directly in front of a guitar amp, and routing the snare output through a looper.<div>
It doesn't really focus on microsound--it's more into bassy drones and harmonic overtones--but I'm in the middle of a new album that uses the resonant snare setup on a few tracks: </div><div><a href="http://soundcloud.com/apvague/sets/one-million-remixes/">http://soundcloud.com/apvague/sets/one-million-remixes/</a></div>
<div>Sorry if it's a little spammy to post it here, but if anyone's in Philly on 8/19 I'll be performing at the Highwire Gallery.<br><br><div class="gmail_quote">On Sat, Aug 11, 2012 at 1:04 PM, Wolfgang Gil <span dir="ltr"><<a href="mailto:wolfgang.gil@gmail.com" target="_blank">wolfgang.gil@gmail.com</a>></span> wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">Sounds great, reminds me a little bit of Fennesz.<br><br><div class="gmail_quote"><div><div class="h5">On Tue, Jul 17, 2012 at 9:07 PM, AP Vague <span dir="ltr"><<a href="mailto:apvague@gmail.com" target="_blank">apvague@gmail.com</a>></span> wrote:<br>
</div></div><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div><div class="h5"><div><a href="http://soundcloud.com/bluebirdrecordings/sir-baar-test-master-of-march" target="_blank">This</a> is my first test with using "straight" sine waves to activate a snare head. The sound is entirely sine wave beeps in rapid succession (from a laptop synth) played through a guitar amp aimed at the snare side of a snare drum. The mic is a cardioid dynamic mic pointed at the snares, away from the speaker to capture the resonant frequencies of the drum. This recording is six tracks, each recorded in the same manner, mastered by <a href="http://sirbaar.bandcamp.com/" target="_blank">Sir Baar</a>. Has anyone else experimented with this? Is there a better way to isolate the drum's frequencies from the speaker?</div>
<div>Hope you like it.</div><span><font color="#888888"><div>~A</div>
</font></span><br></div></div><div class="im">_______________________________________________<br>
microsound mailing list<br>
<a href="mailto:microsound@microsound.org" target="_blank">microsound@microsound.org</a><br>
<a href="http://or8.net/mailman/listinfo/microsound" target="_blank">http://or8.net/mailman/listinfo/microsound</a><br>
<br></div></blockquote></div><span class="HOEnZb"><font color="#888888"><br><br clear="all"><div><br></div>-- <br>
<p><a href="http://www.wolfganggil.com/about" target="_blank">http://www.wolfganggil.com</a></p>
<br>
</font></span><br>_______________________________________________<br>
microsound mailing list<br>
<a href="mailto:microsound@microsound.org">microsound@microsound.org</a><br>
<a href="http://or8.net/mailman/listinfo/microsound" target="_blank">http://or8.net/mailman/listinfo/microsound</a><br>
<br></blockquote></div><br></div>