<div class="gmail_extra">Dear Cathryn,</div><div class="gmail_extra"> </div><div class="gmail_extra">Thank you, I was delighted to receive your email for a couple of reasons.</div><div class="gmail_extra"> </div><div class="gmail_extra">
First of all, the programme seems FANTASTIC!!!</div><div class="gmail_extra">'Sound' is my personal interest and I was happy writing my MA memoir related to that subject.</div><div class="gmail_extra"> </div><div class="gmail_extra">
Second, your email address brought back my memories at London College of Printing while I was studying Interactive Multimedia in 2001/2002.</div><div class="gmail_extra">Now that the name of the college has changed and the Back Hill days are gone, for me the memories are untouchable memories indeed.</div>
<div class="gmail_extra"> </div><div class="gmail_extra">It is a great shame that I cannot attend the symposium since I live in Seoul, Korea.</div><div class="gmail_extra">Is there ANY WAY that I can get access to the contents of the programme?</div>
<div class="gmail_extra">Such as, any documentation available for people like me? Or will there be video clips to watch on?</div><div class="gmail_extra">Anything? :)</div><div class="gmail_extra"> </div><div class="gmail_extra">
It would be of great help if you can give me feedback.</div><div class="gmail_extra"> </div><div class="gmail_extra">Thank you for reading my email, and I hope all the best and success for the symposium.</div><div class="gmail_extra">
</div><div class="gmail_extra">Kindest regards,</div><div class="gmail_extra">Aeon<br> </div><div class="gmail_quote">2012/4/24 Cathryn Lane <span dir="ltr"><<a href="mailto:c.lane@lcc.arts.ac.uk" target="_blank">c.lane@lcc.arts.ac.uk</a>></span><br>
<blockquote style="margin:0px 0px 0px 0.8ex;padding-left:1ex;border-left-color:rgb(204,204,204);border-left-width:1px;border-left-style:solid" class="gmail_quote"><br>
HER NOISE: FEMINISMS AND THE SONIC<br>
TATE MODERN, LONDON MAY 3-5, 2012<br>
A Collaboration between CRiSAP, Electra and Tate<br>
<br>
This programme brings together performances and a keynote talk by Pauline<br>
Oliveros; an evening orbiting the legacy of Meredith Monk and a day<br>
symposium with contributions by Tara Rodgers, Georgina Born, Anne Karpf,<br>
Nina Power, Ute Meta Bauer and others.<br>
<br>
THURSDAY MAY 3RD 19.00 (£12 full, £9 concessions)<br>
Artist Talk and Performance: Pauline Oliveros<br>
Pioneering composer, performer and humanitarian Pauline Oliveros, who<br>
celebrates her 80th birthday this year, gives a solo performance of<br>
‘Listening for Life/Death Energies’ and a talk entitled ‘Archiving the<br>
Future: the embodiment Music of Women’, followed by a performance of her<br>
seminal piece “To Valerie Solanas and Marilyn Monroe in Recognition of<br>
their Desperation” (1970). Performed by a special ensemble including<br>
Claudia Molitor, Angharad Davies, Cathy Lane, Rachel Aggs, Naomi Graham,<br>
Greta Pistaceci, Holly Ingleton, Lina Lapelyte, Lucy Railton, Maggie<br>
Nichols, Sarha Moore, Sharon Gal, Verity Susman, Caroline Kraabel and Viv<br>
Corringham.<br>
<br>
FRIDAY, MAY 4TH 19.00 (£5 all tickets)<br>
The Voice Is A Language: Curated film programme and performances<br>
This performance and screening programme orbits the legacy of avant-garde<br>
pioneer Meredith Monk. Featuring work by artists Sophie Macpherson, James<br>
Richards, Cara Tolmie and Sue Tompkins and rarely seen films by Monk -<br>
curated by Isla Leaver-Yap. Meredith Monk, ‘16mm Earrings’, 1966,<br>
performance.<br>
<br>
SATURDAY, MAY 5TH, 11:00 - 18.00 (£20 full, £14 concessions)<br>
SYMPOSIUM: FEMINISMS AND THE SONIC<br>
Exploring and developing emergent feminist discourses in sound and music,<br>
whilst challenging standard readings and approaches to feminisms and the<br>
sonic, this symposium brings together contributions by musicians, artists,<br>
academics and writers, including Ute Meta Bauer, Sonia Boyce, Georgina<br>
Born, Viv Corringham, Cosey Fanni Tutti, Lina Dzuverovic, Catherine Grant,<br>
Emma Hedditch, Anne Karpf, Cathy Lane, Anne Hilde Neset, Maggie Nichols,<br>
Nina Power, Tara Rodgers, Salomé Voegelin.<br>
<br>
This programme marks the donation of the Her Noise Archive to the<br>
University of the Arts London Archives and Special Collections housed at<br>
London College of Communication, and is realised as a collaboration<br>
between CRiSAP (Creative Research into Sound Arts Practice), Electra and<br>
Tate. For further information please visit the Archives and Special<br>
Collections Centre:<br>
<a href="http://www.arts.ac.uk/library/archives-collections/archivesspecialcollectionscentre/vis" target="_blank">http://www.arts.ac.uk/library/archives-collections/archivesspecialcollectio<br>
nscentre/vis</a>itingthearchive/<br>
<br>
*TICKETS FOR THESE EVENTS ARE SELLING FAST! BOOK TO ENSURE YOUR PLACE*<br>
<a href="http://www.tate.org.uk/whats-on/tate-modern/eventseries/her-noise-feminisms-and-sonic" target="_blank">http://www.tate.org.uk/whats-on/tate-modern/eventseries/her-noise-feminisms<br>
-and-sonic</a><br>
<br>
<a href="http://www.crisap.org" target="_blank">www.crisap.org</a><<a href="http://www.crisap.org" target="_blank">http://www.crisap.org</a>><br>
Follow @crisap2<br>
<br>
<br>
Cathy Lane<br>
<a href="http://crisap.org" target="_blank">crisap.org</a><br>
<a href="http://soundarts.co.uk" target="_blank">soundarts.co.uk</a><br>
<a href="http://soundcloud.com/playingwithwords" target="_blank">http://soundcloud.com/playingwithwords</a><br>
<br>
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</blockquote></div><div class="gmail_extra"><br></div>