there's (almost) always an empty space between two speakers. Speakers throw sound out in a cone shaped pattern, right? So when you turn your head you're actually placing your ear between where the cones would meet.<div>
<br></div><div>The problem with applying this to a cityscape is that sound is coming from ALL OVER EVERY WHERE.</div><div><br></div><div>Are there any microsounders in NYC who'd be interested in getting together to talk IRL about this topic? Specifically, about our aural relationship with our city, and what the artist's role is in that relationship?</div>
<div><br clear="all">Ted Pallas<br>Live Media Designer<br>Sandwich Construction Consultant<br>ted dot pallas -at- gmail dot com<br>516.286.9661<br><br>
<br><br><div class="gmail_quote">On Wed, Feb 16, 2011 at 12:34 PM, Davide Oliveri <span dir="ltr"><<a href="mailto:davide.oliveri@gmail.com">davide.oliveri@gmail.com</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
I am new to sound and its laws, but this make me think about something i red yesterday, <br>a lecture started from the 3D sound link posted by Bruce Trovsky. <br><br>So what if would be possible to use crosstalk cancellation to do this ? <br>
<br>listening to some simple stereo-audio-from-videocamera processed by <br>a ambio_one plugin and turning my head i found there was an "empty" space <br>in between the speakers (the sources), <br><br><br><div class="gmail_quote">
2011/2/16 David Powers <span dir="ltr"><<a href="mailto:cyborgk@gmail.com" target="_blank">cyborgk@gmail.com</a>></span><div><div></div><div class="h5"><br><blockquote class="gmail_quote" style="margin:0pt 0pt 0pt 0.8ex;border-left:1px solid rgb(204, 204, 204);padding-left:1ex">
A little food for thought:<br>
<br>
Do we not suffer from too much noise in our cities already? At least<br>
in Chicago, I am subjected to large amounts of unwanted noise, whether<br>
it is the dangerously loud sound of elevated trains, or the unwanted<br>
(and almosty always terrible) background music that plays incessantly<br>
indoors everywhere one goes.<br>
<br>
So I suggest that the ultimate sonic intervention would not create<br>
noise, but SUBTRACT noise--creating an unexpected pocket of silence in<br>
the midst of the city would be fantastic, in my opinion.<br>
<font color="#888888"><br>
~David<br>
</font><div><br>
On Wed, Feb 16, 2011 at 4:42 AM, Bernhard Living <<a href="mailto:mumixer@me.com" target="_blank">mumixer@me.com</a>> wrote:<br>
> Dear Hans,<br>
> This is a very beautiful and effective installation, and as you said, the<br>
> sound of the card was able to cut through the background noise of the<br>
> traffic. Graffiti art has always had a slightly ‘naughty’ if not illegal<br>
> aspect to it. It’s also fairly low cost (the price of a spray can). Your<br>
> sound intervention certainly fits into that way of doing things.<br>
> Regards,<br>
> Bernhard<br>
> On 16 Feb 2011, at 10:03, hans w. koch wrote:<br>
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