<div>hey its more than 2 minutes :)<br>fat field recording though, nice.</div>
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<div class="gmail_quote">2010/1/13 d4l3d <span dir="ltr"><<a href="mailto:d4l3d@inbox.com">d4l3d@inbox.com</a>></span><br>
<blockquote style="BORDER-LEFT: #ccc 1px solid; MARGIN: 0px 0px 0px 0.8ex; PADDING-LEFT: 1ex" class="gmail_quote">Capt. Nemo's busman's holiday. :)<br>
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<div class="h5"><br><br>> -----Original Message-----<br>> From: <a href="mailto:kim@anechoicmedia.com">kim@anechoicmedia.com</a><br>> Sent: Wed, 13 Jan 2010 12:08:18 -0800<br>> To: <a href="mailto:microsound@or8.net">microsound@or8.net</a><br>
> Subject: [microsound] microacoustic: Angry Mountain<br>><br>> I posted a piece last night<br>> titled 'Angry Mountain'<br>><br>> it's my first electro-acoustic steampunk piece<br>><br>> last fall I recorded my son Cage playing his baritone horn<br>
> but I instructed him to play 'non-musical' sounds<br>><br>> I took the recordings and slowed them down in Baudline<br>> then layered them in Ardour<br>> the only processing (other than slowing them down) is a little<br>
> compression and limiting<br>><br>> 'Angry Mountain' is an atmosphere of sounds drifting up from the engine<br>> room of a steamship traveling across the Atlantic in 1875<br>> on which I spend my journey reading Jules Verne novels in a small but<br>
> comfortable room just above the engine room, decorated with maroon<br>> velvet drapes and shiny brass gas lamps<br>> - stereotypes work to prod the imagination! ;)<br>><br>> I had originally used these sounds in a hydrophone piece<br>
> but thought they would make for a nice atmospheric piece all on their own<br>> enjoy!<br>> _______________________________________________<br>> microsound mailing list<br>> <a href="mailto:microsound@microsound.org">microsound@microsound.org</a><br>
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