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Some context would be helpful. If you read far enough into this article, you'll see that Steve Goodman is aka Kode9, the DJ/Producer who's also the head of Hyperdub records. There was a great article in The Wire a few months back about him, Hyperdub and his "day job" as a PhD sound researcher and academic. <br><br>This, indeed, might be off-putting without context. Start here, then work your way back to the Rhizome article:<br><br>http://www.thewire.co.uk/articles/2439/<br><br>-- <br>Stephen R. :: Pixel Pusher / Sound Wrangler<br>---------------------------------------------------------------<br>http://www.myspace.com/djstephenr<br>http://architectheroes.blogspot.com/<br>http://www.myspace.com/zygote<br>---------------------------------------------------------------<br><br><br><br><br>> From: pprice@speakeasy.net<br>> To: microsound@microsound.org<br>> Date: Thu, 7 Jan 2010 16:40:28 -0500<br>> Subject: Re: [microsound] Sonic Warfare<br>> <br>> i am reading this carefully right now...<br>> <br>> I am finding it very interesting. Might be offputting for people who <br>> are not comfortable with a post-deleuzian thinking space. I would be <br>> very curious what anyone else thinks.<br>> <br>> <br>> On Jan 7, 2010, at 4:15 PM, David Powers wrote:<br>> <br>> > Has anyone read "Sonic Warfare: Sound, Affect, and the Ecology of<br>> > Fear" by Steve Goodman? Looks very interesting...<br>> > http://rhizome.org/editorial/3196#more<br>> > _______________________________________________<br>> > microsound mailing list<br>> > microsound@microsound.org<br>> > http://or8.net/mailman/listinfo/microsound<br>> ><br>> <br>> _______________________________________________<br>> microsound mailing list<br>> microsound@microsound.org<br>> http://or8.net/mailman/listinfo/microsound<br> </body>
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