Uhm, I guess it's quite clear, all is written into the content part:<br>4 one time, something that restraints the use of mega fx, and the digital ubiquitous reign<br>it's pretty good, thanks Kim!<br><i><b>TBG</b></i><br>
<br><br><div class="gmail_quote">On Thu, Jan 7, 2010 at 9:36 PM, Michael Palace <span dir="ltr"><<a href="mailto:palace@guero.sr.unh.edu">palace@guero.sr.unh.edu</a>></span> wrote:<br><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
I understand the acoustic sound sources, but does this include field recordings or ambient sounds. <br>
Also, with mixing and layering and filtering and EQing you can basically can generate most effects. <br>
Also with cuting and pasting and speeding and slowing down you do all sorts of stuff similar to grain sampling. <br>
Mike<br>
horchata<div><div></div><div class="h5"><br>
<br>
Kim Cascone wrote:<br>
<blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
.microsound community project: microacoustic music<br>
<br>
what is .microsound? what will it sound like in 10 years time?<br>
is it purely music made via digital means or can it shape shift into<br>
using acoustic musical instruments?<br>
what is the sound of microacoustic music?<br>
let's find out<br>
each microsound member gets a chance to describe what microacoustic<br>
music sounds like to them<br>
<br>
<br>
GUIDELINES:<br>
<br>
- length: all works must be 2 minutes maximum<br>
<br>
- deadline: February 1 2010<br>
<br>
- mp3 files: filenames use only ALPHANUMERICS; i.e. NO spaces<br>
(underbars_and-hyphens-are-OK), stereo, encoded at 192 - 320kbps and<br>
have ID3 tags!! please make sure they have ID3 tags!<br>
<br>
content: all sound sources are acoustic musical instruments<br>
with NO processing other than the following:<br>
- mixing/layering<br>
- editing (cut 'n paste)<br>
- slowing down or speeding up<br>
- filtering/EQ<br>
<br>
instruments can be detuned, woodwinds played as percussion, stick a sax<br>
mouthpiece on a bassoon, contact mic'd, deconstructed, use extended<br>
techniques, destroyed or played 'properly' then (de)composed in editing<br>
<br>
files should be placed here:<br>
<br>
<a href="http://www.microsound.org/repository/" target="_blank">http://www.microsound.org/repository/</a><br>
<br>
there is also a link on the <a href="http://microsound.org" target="_blank">microsound.org</a> front page<br>
<br>
***you MUST be sub'd to the list before you are allowed to upload files<br>
<br>
the server checks for you against the list of sub'ers<br>
<br>
if you are having trouble write to Paulo or John and ask them to update<br>
the list<br>
(has to be done by hand IIRC)<br>
<br>
___remember to name and tag your files properly or they will be taken<br>
down___<br>
<br>
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<br>
</blockquote>
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</div></div></blockquote></div><br><br clear="all"><br>-- <br>KindRegards<br><br>Thierry Bernard-Gotteland<br><br><br>