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<p class="MsoNormal"><span class="longtext"><span style="background: white none repeat scroll 0% 0%; -moz-background-clip: border; -moz-background-origin: padding; -moz-background-inline-policy: continuous;" lang="EN-GB">Indeed, in recent years, the use of laptops in
live acts has been criticized for its statism and lack of spectacle. </span><span title="Debo decir que algunos de los mejores conciertos a los que he asistido han sido interpretados por músicos “estáticos” principalmente pianistas y artistas del laptop a los que escasamente podía ver sus cabezas.">I
must say that some of the best concerts I've attended have been interpreted by "static"
musicians, mainly pianists and laptop artists, those I could barely see their heads.</span></span><span style="background: white none repeat scroll 0% 0%; -moz-background-clip: border; -moz-background-origin: padding; -moz-background-inline-policy: continuous;" lang="EN-GB"><br>
<br>
<span class="longtext"></span><span title="Nadie cuestiona a Francisco Lopez por vendar los ojos de los asistentes a sus conciertos, al contrario a todo el mundo les parece “cool”">Nobody
questions to Francisco Lopez by blindfolding the audience to their shows,
unlike everyone seems "cool"</span><br>
<br>
</span><span class="longtext"></span><span style="" lang="EN-GB"><span title="Hemos tardado años en desmarcarnos de la ética y la estética del rock o el pop para que de alguna manera tratemos de volver sobre nuestros pasos.">We
have taken years bucked the ethics and aesthetics of rock and pop music to
somehow try to retrace our steps. </span><span title="Creo que eso es un error.">I
think that's a mistake. Personally, when I go to a concert, what interests me
is not likely to be catching the "show" but concepts so out of
fashion as the creativity and talent, and I don’t mind the instrument they
play.<o:p></o:p></span></span></p>
<p class="MsoNormal" style="text-align: justify;"><span style="" lang="EN-GB"><br>
<span class="longtext"></span><span style="background: white none repeat scroll 0% 0%; -moz-background-clip: border; -moz-background-origin: padding; -moz-background-inline-policy: continuous;"><span title="El hecho de despreciar el laptop como instrumento musical, no es mas que una moda, y como todas las modas, pasajera.">The
fact about depreciate the laptop as a musical instrument, is nothing more than
a fad, and like all fads, passing.<o:p></o:p></span></span></span></p>
<p class="MsoNormal" style="text-align: justify;"><span class="longtext"><span style="background: white none repeat scroll 0% 0%; -moz-background-clip: border; -moz-background-origin: padding; -moz-background-inline-policy: continuous;" lang="EN-GB"><o:p> </o:p></span></span></p>
<p class="MsoNormal" style="text-align: justify;"><span class="longtext"><span style="background: white none repeat scroll 0% 0%; -moz-background-clip: border; -moz-background-origin: padding; -moz-background-inline-policy: continuous;" lang="EN-GB">Soon we will read
in microsound the decline of contact microphones and effects units ... so physical.</span></span><span style="" lang="EN-GB"><o:p></o:p></span></p>
<br><br>--- El <b>mar 15-dic-09, isjtar <i><list@isjtar.org></i></b> escribió:<br><blockquote style="border-left: 2px solid rgb(16, 16, 255); margin-left: 5px; padding-left: 5px;"><br>De: isjtar <list@isjtar.org><br>Asunto: Re: [microsound] post-laptop era?<br>A: microsound@microsound.org<br>Fecha: martes, 15 diciembre, 2009, 7:46 pm<br><br><div class="plainMail">interesting.personally i see many evolutions, from the mainstreaming of<br>Ableton Live as a sequencing instrument, the broad acceptance of live<br>fx on acoustic instruments, the incorporation of homemade and factory<br>controllers. also large and small touch screens everywhere - which i<br>don't think is the great next evolutionary step.<br>anyway at my org we are looking at using embedded devices to make<br>computers specific to music.<br>like hardware, but more flexible<br>like a controller, but without the need for a computer<br>like a laptop, but not necessarily with
screen, keyboard and mouse<br>i really think custom computers tailored to your idea of a musical<br>instrument can be quite powerful.<br><br>adern, with sinewave music you mean synthesis in general?<br><br>isjtar<br><br><a href="http://okno.be" target="_blank">http://okno.be</a><br><br>Adern X wrote:<br>> IMHO in the last two years laptop moved from being a music generator<br>> to the state of a music controller. In other words, if some times ago<br>> laptop music used mostly sinewaves as input, now it seems more<br>> interesting doing realtime manipulation of samples (or somenting<br>> coming from audio inputs) or play with other (real?) instruments.<br>> The result is that it seems less "laptop-music" perhaps because, for<br>> me, music using sinewaves seems in a creative cul-de-sac.<br>><br>> Hi!<br>><br>> Il giorno 15/dic/09, alle ore 18:38, Kim Cascone ha scritto:<br>><br>>> over the past couple of years
I've noticed interesting developments<br>>> in new music<br>>> one is the seemingly sudden plethora of laptop musicians<br>>> the other is the death of laptop music<br>>><br>>> interested in hearing opinions regarding the state of new music<br>>> culture and .microsound<br>>><br>>><br>>> _______________________________________________<br>>> microsound mailing list<br>>> <a ymailto="mailto:microsound@microsound.org" href="/mc/compose?to=microsound@microsound.org">microsound@microsound.org</a> <mailto:<a ymailto="mailto:microsound@microsound.org" href="/mc/compose?to=microsound@microsound.org">microsound@microsound.org</a>><br>>> <a href="http://or8.net/mailman/listinfo/microsound" target="_blank">http://or8.net/mailman/listinfo/microsound</a><br>><br>> Adern X<br>><br>> <a href="http://www.xevor.net" target="_blank">http://www.xevor.net</a> <<a
href="http://www.xevor.net/" target="_blank">http://www.xevor.net/</a>><br>> <a href="http://www.myspace.com/adernx" target="_blank">http://www.myspace.com/adernx</a><br>> "Boredom is the mother of creativity" (Ron Arad)<br>><br>><br>><br>> ------------------------------------------------------------------------<br>><br>> _______________________________________________<br>> microsound mailing list<br>> <a ymailto="mailto:microsound@microsound.org" href="/mc/compose?to=microsound@microsound.org">microsound@microsound.org</a><br>> <a href="http://or8.net/mailman/listinfo/microsound" target="_blank">http://or8.net/mailman/listinfo/microsound</a><br>> <br><br>_______________________________________________<br>microsound mailing list<br><a ymailto="mailto:microsound@microsound.org" href="/mc/compose?to=microsound@microsound.org">microsound@microsound.org</a><br><a
href="http://or8.net/mailman/listinfo/microsound" target="_blank">http://or8.net/mailman/listinfo/microsound</a><br></div></blockquote></td></tr></table><br>
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