<DIV>I was more referring to scales of acoustics in the sense of working with micro "grains" and macro "tones" in terms of whether people saw sound in different scales of size as opposed to harmonic and melodic sequences, I wasn't very about that clear in my last e-mail, apologies.<BR><BR>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">----- Original Message -----<BR>From: "Damian Stewart" <DAMIAN@FREY.CO.NZ><BR>To: microsound@microsound.org<BR>Subject: Re: [microsound] Scales of sound<BR>Date: Thu, 19 Feb 2009 16:33:37 +0100<BR><BR><BR>Manannan Mac Lir wrote:<BR>> I was wondering what the scale of the acoustic is in relation to <BR>> microsound , do people see it as an independent form or as part <BR>> of a larger structure incorporating different "scales" of sound, <BR>> does anybody consciously use it in a micro/macro context?<BR><BR>when i'm making sound installations (for example<BR>http://frey.co.nz/projects/wind) i like to use the lydian or mixolydian<BR>modes, cos they sound pretty.<BR><BR>does that answer your question?<BR><BR>--<BR>damian stewart | skype: damiansnz | damian@frey.co.nz<BR>frey | live art with machines | http://www.frey.co.nz<BR>_______________________________________________<BR>microsound mailing list<BR>microsound@microsound.org<BR>http://or8.net/mailman/listinfo/microsound<BR></BLOCKQUOTE></DIV><BR>
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