[microsound] [framework radio] #388: 2012.09.16

James Lemin drohnwerks at gmail.com
Tue Sep 18 14:42:37 EDT 2012


Is Kim on vacation?

On Tue, Sep 18, 2012 at 7:31 PM, . m u r m e r . <murmer at murmerings.com>wrote:

> framework radio
> phonography ::: field recording ::: the art of sound-hunting
> open your ears and listen!
>
> -------------------------
>
> framework broadcasts:
>     - sunday, 11pm, london, uk on resonance 104.4fm
> (http://www.resonancefm.com)
>     - tuesday, 12:30pm, south devon, uk on soundartradio 102.5fm
> (http://www.soundartradio.org.**uk <http://www.soundartradio.org.uk>)
>     - wednesday, 3am, lisbon, pt on radio zero
> (http://www.radiozero.pt)
>     - thursday, 7pm, lisbon, pt on radio zero
> (http://www.radiozero.pt)
>     - thursday, 11pm, maribor, si on radio marš 95.9fm
> (http://www.radiomars.si)
>     - friday, 1am, brussels, be on radio campus 92.1fm
> (http://www.**radiocampusbruxelles.org<http://www.radiocampusbruxelles.org>
> )
>     - saturday, 11am, new york state, us on wgxc 90.7fm
> (http://www.wgxc.org)
>
> ~ time zone converter:
> http://www.timeanddate.com/**worldclock/converter.html<http://www.timeanddate.com/worldclock/converter.html>~
>
> for general info, playlists, podcasts, or to stream the latest edition at
> any time: http://www.frameworkradio.net
>
>
> ******************************************************
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> your contributions make framework possible. sign up as a regular donor, or
> make a one-time donation here: http://www.frameworkradio.net/**donate<http://www.frameworkradio.net/donate>.
> and as a thank-you for a donation of 18€ or more, we'll send you the latest
> issue of our framework:seasonal cd series!
>
> -------------------------
>
> #388: 2012.09.16
>
> we begin a new experiment with this edition in the form of a more
> long-term and direct collaboration with radio aporee and their great
> soundmaps: aa a regular contributor framework is anyway in the habit of
> listening to new sounds as they arrive on the map, so with this edition we
> have chosen a few favrorites from the last two weeks to include (as allowed
> under their creative commons licenses) in the show. we think it worked
> rather well, and we'll be continuing the experiment at least over the next
> several regular editions. this week's contributions come from udo noll (the
> maintainer of the maps himself), petra kapš, andrej hrvatin, john grzinich,
> frank schulte, and sala.
>
> along with the aporee sounds we heard a few online releases, ryoko akama's
> nutopia on the spanish (?) reductive music label (not to be confused with
> the german reduktive musiken label), and lee noyes and radio cegeste's
> collaboration on the idealstate recordings label. we topped this off with
> two nice physical releases, the impressive book & 2cd release by peter
> cusack chronicling his exploration of sound in dangerous places (we heard
> tracks from disc 1, chernobyl, and will explore disc 2, caspian oil and uk
> sites, next time), and another untitled slab of sound from francisco lópez,
> this time on the portuguese crónica electronica label.
>
> and we continue to spread the word about the new edition of
> framework:seasonal, to become officially available on the first day of
> autumn, september 22nd. issue #3, autumn 2012 features a single long form
> recording from the great chris watson, entitled sunrise in the sukau
> rainforest, released as a 2.5 hour high resolution audio dvd. it's yours in
> exchange for a donation of €20 or more at the framework website, preorders
> available now. reserve your copy now!
>
> again, we are always looking for material for the show, whether raw
> field-recordings, field-recording based composition, or introduction
> submissions. we are also now accepting proposals for full editions of our
>  guest curated framework:afield series. send proposals or material,
> released or not, on any format, to the address at the bottom of this mail.
> if you have any questions, please don't hesitate to get in touch!
>
> -------------------------
>
> (time  /  artist  /  track  /  album  /  label)
>
> 00:00 - 03:39  /  murmer  /  framework introduction
> http://www.murmerings.com
>
> 02:29 - 06:02  /  peter cusack  /  radiometer, kopachi  /  sounds from
> dangerous places  /  rer megacorp
> http://www.sounds-from-**dangerous-places.org<http://www.sounds-from-dangerous-places.org>,
> http://www.rermegacorp.com
>
> 03:55 - 15:05  /  lee noyes & radio cegeste  /  broken only by the need
> fro breath  /  to orient themselves with coastlines  /  idealstate
> http://radiocegeste.blogspot.**com/ <http://radiocegeste.blogspot.com/>,
> http://idealstaterecordings.**bandcamp.com<http://idealstaterecordings.bandcamp.com>
>
> 07:43 - 10:59  /  sala  /  lithuania, biliakiemis, a wire  /  -  /  aporee
> http://alas23.blogspot.com, http://aporee.org/maps
>
> 10:02 - 18:54  /  francisco lópez  /  [extract 1]  /  untitled #284  /
> cronica
> http://www.franciscolopez.net, www.cronicaelectronica.org
>
> 15:32 - 25:42  /  ryoko akama  /  fold from 0  /  nutopia  /  reductive
> http://www.ryokoakama.com, http://www.reductivemusic.com
>
> 22:30 - 25:19  /  peter cusask  /  ferris wheel, pripyat  /  sounds from
> dangerous places  /  rer megacorp
> http://www.sounds-from-**dangerous-places.org<http://www.sounds-from-dangerous-places.org>,
> http://www.rermegacorp.com
>
> 25:13 - 28:44  /  udo noll  /  in the rhein meadows: sheep, geese, a shot
>  /  -  /  aporee
> http://aporee.org/maps
>
> 27:30 - 40:28  /  lee noyes & radio cegeste  /  ion and bird  /  to orient
> themselves with coastlines  /  idealstate
> http://radiocegeste.blogspot.**com/ <http://radiocegeste.blogspot.com/>,
> http://idealstaterecordings.**bandcamp.com<http://idealstaterecordings.bandcamp.com>
>
> 28:09 - 30:13  /  peter cusack  /  power cable crackle  /  sounds from
> dangerous places  /  rer megacorp
> http://www.sounds-from-**dangerous-places.org<http://www.sounds-from-dangerous-places.org>,
> http://www.rermegacorp.com
>
> 29:33 - 31:42  /  frank schulte  /  norway, ferry skudeneshavn - mekjarvik
>  /  -  /  aporee maps
> http://aporee.org/maps
>
> 31:26 - 41:20  /  francisco lópez  /  [extract 2]  /  untitled #284  /
> cronica
> http://www.franciscolopez.net, www.cronicaelectronica.org
>
> 34:26 - 46:59  /  ryoko akama  /  fold from 0  /  nutopia  /  reductive
> http://www.ryokoakama.com, http://www.reductivemusic.com
>
> 38:55 - 41:03  /  peter cusack  /  hissy machine, laundry, pripyat  /
> sounds from dangerous places  /  rer megacorp
> http://www.sounds-from-**dangerous-places.org<http://www.sounds-from-dangerous-places.org>,
> http://www.rermegacorp.com
>
> 43:05 - 45:20  /  john grzinich  /  late summer insects lahemaa national
> park, estonia  /  -  /  aporee
> http://maaheli.ee, http://aporee.org/maps/
>
> 45:16 - 48:24  /  andrej hrvatin  /  free clarinet jamming with cricket
> and transformer  /  -  /  aporee
> http://www.nimetu.org, http://aporee.org/maps
>
> 48:14 - 52:01  /  peter cusask  /  sarcophagus work  /  sounds from
> dangerous places  /  rer megacorp
> http://www.sounds-from-**dangerous-places.org<http://www.sounds-from-dangerous-places.org>,
> http://www.rermegacorp.com
>
> 48:58 - 54:25  /  francisco lópez  /  [extract 3]  /  untitled #284  /
> cronica
> http://www.franciscolopez.net, www.cronicaelectronica.org
>
> 50:38 - 55:00  /  peter cusack  /  chernobyl frogs  /  sounds from
> dangerous places  /  rer megacorp
> http://www.sounds-from-**dangerous-places.org<http://www.sounds-from-dangerous-places.org>,
> http://www.rermegacorp.com
>
> 52:22 - 57:00  /  petra kapš  /  eavesdropping: rain, drops, waves, wind
>  /  -  /  aporee
> http://aporee.org/maps
>
> -------------------------
>
> framework intro submissions:
>
>   1)    take yourself and an audio recorder to a location of your choice
>   2)    record for AT LEAST 1 minute before you -
>   3)    read aloud the following text (in english or translated):
>
> welcome to framework. framework is a show consecrated to field-recording,
> and its use in composition.  field-recording, phonography, the art of sound
> hunting; open your ears and listen!
>
>   4)    continue recording for AT LEAST 2 minutes after the text
>   5)    post the recording to us on any format, or send us an mp3
> ––––––––––––––––––––––––––––––**–
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>
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