[microsound] snare overtones composition

[Dan Graham]

..sounds like the way you're mic'ing it is working just fine. a very
beautiful texture here. perhaps some creative stereo placement and a few
rev/delay treatments to make it truly stunning!

On Tue, Jul 17, 2012 at 8:13 PM, Dara Shayda <dara1339 at hotmail.com> wrote:

> I love the work, let's say it is full-bodied and strong
>
> D
> On 2012-07-17, at 9:07 PM, AP Vague wrote:
>
> This<http://soundcloud.com/bluebirdrecordings/sir-baar-test-master-of-march>is my first test with using "straight" sine waves to activate a snare head.
> The sound is entirely sine wave beeps in rapid succession (from a laptop
> synth) played through a guitar amp aimed at the snare side of a snare drum.
> The mic is a cardioid dynamic mic pointed at the snares, away from the
> speaker to capture the resonant frequencies of the drum. This recording is
> six tracks, each recorded in the same manner, mastered by Sir Baar<http://sirbaar.bandcamp.com/>.
> Has anyone else experimented with this? Is there a better way to isolate
> the drum's frequencies from the speaker?
> Hope you like it.
> ~A
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