[microsound] snare overtones composition

[Owen Green]

Sounds great!

Maybe interesting things will happen with different kinds of pulse. 
There's a file here:
<http://prorecordingworkshop.lefora.com/2012/01/22/wavelet-type-test-tone-designed-for-personal-liste/>
of specially shaped wavelet pulses put together by Bogic Petrovic, an 
acoustician, that are designed to make it easy to isolate resonances in 
room (or other system) response by ear.

O



On 18/07/2012 02:07, AP Vague wrote:
> This<http://soundcloud.com/bluebirdrecordings/sir-baar-test-master-of-march>is
> my first test with using "straight" sine waves to activate a snare
> head.
> The sound is entirely sine wave beeps in rapid succession (from a laptop
> synth) played through a guitar amp aimed at the snare side of a snare drum.
> The mic is a cardioid dynamic mic pointed at the snares, away from the
> speaker to capture the resonant frequencies of the drum. This recording is
> six tracks, each recorded in the same manner, mastered by Sir
> Baar<http://sirbaar.bandcamp.com/>.
> Has anyone else experimented with this? Is there a better way to isolate
> the drum's frequencies from the speaker?
> Hope you like it.
> ~A
>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>