From manuela.benetton at gmail.com Fri Sep 2 08:29:54 2011 From: manuela.benetton at gmail.com (Manuela Benetton) Date: Fri, 2 Sep 2011 14:29:54 +0200 Subject: [microsound] =?iso-8859-1?q?N=2EK=2E_Berlin=3A_GH=C9DALIA_TAZART?= =?iso-8859-1?q?=C8S//CHRIS_CORSANO_=26_DENNIS_TYFUS//DRACULA_LEWIS?= Message-ID: PAN presents: *N.K. Berlin - Tuesday, September 13**th** 2011* Doors 21.00 ? Concert 22.00 sharp! *GH?DALIA TAZART?S//CHRIS CORSANO & DENNIS TYFUS//DRACULA LEWIS* *Gh?dalia Tazart?s* French cult artist Gh?dalia Tazart?s is an uncompromising character who defies categorization. He recorded alone a dozen of albums, calling his way of working ?Impromuz? for lack of a better term. His public appearances remain exceptional events. Gh?dalia Tazart?s? music has always been a mystery. It switches from musique concr?te to ? existing or invented ? ethnic music, from poetry to noise, or from loops and collages to sad and extremely beautiful tunes in a second, but it constantly is in flux and coherent. For this event he will do an exclusive performance of the ?HAXAN? SOUNDTRACK (cinemix). H?xan is a documentary about the history of witchcraft, told in a variety of styles, from illustrated slideshow to dramatized events of alleged real-life events, right up to the early twentieth century (when the film was made, in 1922). Benjamin Christensen?s legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. Tazartes? shamanic voice and talent for incantation make for a unique and frightening experience. julietippex.com/blog/roster/ghedalia-tazartes/ *Chris Corsano & Dennis Tyfus* First spellbound by free improvised music in the mid '90s after witnessing performances by TEST, William Parker, Cecil Taylor and others, Corsano began a long-standing high-energy partnership with Paul Flaherty in 1998. A move from western Massachusetts, USA to the UK in 2005 led Corsano to develop an expanded solo percussion music of his own, incorporating sax reeds, violin strings and bows, pot lids, adhesive tape and other household devices into his drum kit. Moving back to the U.S. in 2009, he's returned to his own projects, most notably a duo with Michael Flower, Rangda (with Sir Richard Bishop and Ben Chasny) and his solo work, now revamped to include synthesizers and contact mics in addition to his drum kit and home-made acoustic instruments. He's also worked with, among others: Evan Parker & John Edwards, Jim O'Rourke, Paul Dunmall, Nels Cline, Jessica Rylan, Jandek, Sunburned Hand Of Man, MV&EE, Vampire Belt, Joe McPhee and Thurston Moore & Wally Shoup. At this event, Corsano pairs with another many-tendrilled talent in the form of Belgian maverick Dennis Tyfus. The visual artist, free noise purveyor and Ultra Eczema label boss Tyfus has his own unique approach to, well, everything. cor-sano.com, ultraeczema.com *Dracula Lewis* Dark, lo-fi aggressive electronics with weird field recordings but also a spacey melodic sound that came up from this maelstr?m. Dracula Lewis is one of the best hidden secrets from Europe. He has spent a long time traveling all over the world and has also released records on No Fun Production (split w/ Ducktails) and his own Hundebiss Records. hundebiss.altervista.org *N.K.** *Elsenstr. 52 2.Hinterhaus Etage 2 12059 Berlin Neuk?lln Send an email 24hrs before the concert or call on the day of the show for ticket prices: info at nkprojekt.de or 017620626386 www.nkprojekt.de www.pan-act.com -------------- next part -------------- An HTML attachment was scrubbed... URL: From danalogue at gmail.com Fri Sep 2 08:50:13 2011 From: danalogue at gmail.com (Dan Graham) Date: Fri, 2 Sep 2011 05:50:13 -0700 Subject: [microsound] =?iso-8859-1?q?N=2EK=2E_Berlin=3A_GH=C9DALIA_TAZART?= =?iso-8859-1?q?=C8S//CHRIS_CORSANO_=26_DENNIS_TYFUS//DRACULA_LEWIS?= In-Reply-To: References: Message-ID: i clicked onto the first couple of links and...i don't hear any MICROSOUND...all I hear is Shit... I don't know about you others, but there's a lot of shit goin' on here - perhaps I'm not hip to some of the stuff, but come on! On Fri, Sep 2, 2011 at 5:29 AM, Manuela Benetton wrote: > PAN presents: > > *N.K. Berlin - Tuesday, September 13**th** 2011* > Doors 21.00 ? Concert 22.00 sharp! > > > > *GH?DALIA TAZART?S//CHRIS CORSANO & DENNIS TYFUS//DRACULA LEWIS* > > *Gh?dalia Tazart?s* > French cult artist Gh?dalia Tazart?s is an uncompromising character who > defies categorization. He recorded alone a dozen of albums, calling his way > of working ?Impromuz? for lack of a better term. His public appearances > remain exceptional events. Gh?dalia Tazart?s? music has always been a > mystery. It switches from musique concr?te to ? existing or invented ? > ethnic music, from poetry to noise, or from loops and collages to sad and > extremely beautiful tunes in a second, but it constantly is in flux and > coherent. > > For this event he will do an exclusive performance of the ?HAXAN? > SOUNDTRACK (cinemix). H?xan is a documentary about the history of > witchcraft, told in a variety of styles, from illustrated slideshow to > dramatized events of alleged real-life events, right up to the early > twentieth century (when the film was made, in 1922). Benjamin Christensen?s > legendary film uses a series of dramatic vignettes to explore the scientific > hypothesis that the witches of the Middle Ages suffered the same hysteria as > turn-of-the-century psychiatric patients. > Tazartes? shamanic voice and talent for incantation make for a unique and > frightening experience. > julietippex.com/blog/roster/ghedalia-tazartes/ > > > *Chris Corsano & Dennis Tyfus* > First spellbound by free improvised music in the mid '90s after witnessing > performances by TEST, William Parker, Cecil Taylor and others, Corsano began > a long-standing high-energy partnership with Paul Flaherty in 1998. A move > from western Massachusetts, USA to the UK in 2005 led Corsano to develop an > expanded solo percussion music of his own, incorporating sax reeds, violin > strings and bows, pot lids, adhesive tape and other household devices into > his drum kit. Moving back to the U.S. in 2009, he's returned to his own > projects, most notably a duo with Michael Flower, Rangda (with Sir Richard > Bishop and Ben Chasny) and his solo work, now revamped to include > synthesizers and contact mics in addition to his drum kit and home-made > acoustic instruments. He's also worked with, among others: Evan Parker & > John Edwards, Jim O'Rourke, Paul Dunmall, Nels Cline, Jessica Rylan, Jandek, > Sunburned Hand Of Man, MV&EE, Vampire Belt, Joe McPhee and Thurston Moore & > Wally Shoup. > > At this event, Corsano pairs with another many-tendrilled talent in the > form of Belgian maverick Dennis Tyfus. The visual artist, free noise > purveyor and Ultra Eczema label boss Tyfus has his own unique approach to, > well, everything. > cor-sano.com, ultraeczema.com > > > *Dracula Lewis* > Dark, lo-fi aggressive electronics with weird field recordings but also a > spacey melodic sound that came up from this maelstr?m. Dracula Lewis is one > of the best hidden secrets from Europe. He has spent a long time traveling > all over the world and has also released records on No Fun Production (split > w/ Ducktails) and his own Hundebiss Records. > hundebiss.altervista.org > > > *N.K.** > *Elsenstr. 52 > 2.Hinterhaus Etage 2 > 12059 Berlin Neuk?lln > > Send an email 24hrs before the concert or call on the day of the show for > ticket prices: info at nkprojekt.de or 017620626386 > > www.nkprojekt.de > www.pan-act.com > > _______________________________________________ > microsound mailing list > microsound at microsound.org > http://or8.net/mailman/listinfo/microsound > > -------------- next part -------------- An HTML attachment was scrubbed... URL: From prolepsis at gmail.com Fri Sep 2 09:24:47 2011 From: prolepsis at gmail.com (Al Matthews) Date: Fri, 2 Sep 2011 09:24:47 -0400 Subject: [microsound] =?utf-8?q?N=2EK=2E_Berlin=3A_GH=C3=89DALIA_TAZART?= =?utf-8?q?=C3=88S//CHRIS_CORSANO_=26_DENNIS_TYFUS//DRACULA_LEWIS?= In-Reply-To: References: Message-ID: > perhaps I'm not hip to some of the stuff, but come on! Couldn't say. I think I may simply be confused here, by the presence of two distinct noun forms of shit in the objective case. Apologies for trolling, Al On Fri, Sep 2, 2011 at 8:50 AM, Dan Graham wrote: > i clicked onto the first couple of links and...i don't hear any > MICROSOUND...all I hear is Shit... > > I don't know about you others, but there's a lot of shit goin' on here - > perhaps I'm not hip to some of the stuff, but come on! > > On Fri, Sep 2, 2011 at 5:29 AM, Manuela Benetton > wrote: >> >> PAN presents: >> >> N.K. Berlin - Tuesday, September 13th 2011 >> >> Doors 21.00 ? Concert 22.00 sharp! >> >> >> GH?DALIA TAZART?S//CHRIS CORSANO & DENNIS TYFUS//DRACULA LEWIS >> >> Gh?dalia Tazart?s >> French cult artist Gh?dalia Tazart?s is an uncompromising character who >> defies categorization. He recorded alone a dozen of albums, calling his way >> of working ?Impromuz? for lack of a better term. His public appearances >> remain exceptional events. Gh?dalia Tazart?s? music has always been a >> mystery. It switches from musique concr?te to ? existing or invented ? >> ethnic music, from poetry to noise, or from loops and collages to sad and >> extremely beautiful tunes in a second, but it constantly is in flux and >> coherent. >> >> For this event he will do an exclusive performance of the ?HAXAN? >> SOUNDTRACK (cinemix). H?xan is a documentary about the history of >> witchcraft, told in a variety of styles, from illustrated slideshow to >> dramatized events of alleged real-life events, right up to the early >> twentieth century (when the film was made, in 1922). Benjamin Christensen?s >> legendary film uses a series of dramatic vignettes to explore the scientific >> hypothesis that the witches of the Middle Ages suffered the same hysteria as >> turn-of-the-century psychiatric patients. >> Tazartes? shamanic voice and talent for incantation make for a unique and >> frightening experience. >> julietippex.com/blog/roster/ghedalia-tazartes/ >> >> Chris Corsano & Dennis Tyfus >> First spellbound by free improvised music in the mid '90s after witnessing >> performances by TEST, William Parker, Cecil Taylor and others, Corsano began >> a long-standing high-energy partnership with Paul Flaherty in 1998. A move >> from western Massachusetts, USA to the UK in 2005 led Corsano to develop an >> expanded solo percussion music of his own, incorporating sax reeds, violin >> strings and bows, pot lids, adhesive tape and other household devices into >> his drum kit. Moving back to the U.S. in 2009, he's returned to his own >> projects, most notably a duo with Michael Flower, Rangda (with Sir Richard >> Bishop and Ben Chasny) and his solo work, now revamped to include >> synthesizers and contact mics in addition to his drum kit and home-made >> acoustic instruments.? He's also worked with, among others: Evan Parker & >> John Edwards, Jim O'Rourke, Paul Dunmall, Nels Cline, Jessica Rylan, Jandek, >> Sunburned Hand Of Man, MV&EE, Vampire Belt, Joe McPhee and Thurston Moore & >> Wally Shoup. >> >> At this event, Corsano pairs with another many-tendrilled talent in the >> form of Belgian maverick Dennis Tyfus. The visual artist, free noise >> purveyor and Ultra Eczema label boss Tyfus has his own unique approach to, >> well, everything. >> cor-sano.com, ultraeczema.com >> >> Dracula Lewis >> Dark, lo-fi aggressive electronics with weird field recordings but also a >> spacey melodic sound that came up from this maelstr?m. Dracula Lewis is one >> of the best hidden secrets from Europe. He has spent a long time traveling >> all over the world and has also released records on No Fun Production (split >> w/ Ducktails) and his own Hundebiss Records. >> hundebiss.altervista.org >> >> >> N.K. >> Elsenstr. 52 >> 2.Hinterhaus Etage 2 >> 12059 Berlin Neuk?lln >> >> Send an email 24hrs before the concert or call on the day of the show for >> ticket prices: info at nkprojekt.de or 017620626386 >> >> www.nkprojekt.de >> www.pan-act.com >> >> _______________________________________________ >> microsound mailing list >> microsound at microsound.org >> http://or8.net/mailman/listinfo/microsound >> > > > _______________________________________________ > microsound mailing list > microsound at microsound.org > http://or8.net/mailman/listinfo/microsound > > -- Al Matthews From kim at anechoicmedia.com Fri Sep 2 11:26:13 2011 From: kim at anechoicmedia.com (Kim Cascone) Date: Fri, 02 Sep 2011 08:26:13 -0700 Subject: [microsound] ***my monthly reminder*** Message-ID: <4E60F595.3000506@anechoicmedia.com> in case some color blind .microsounders missed the red type splattered on the microsound.org page: this list is *not* meant for announcing anything except new works you want to share with the community and/or get feedback on please please please read the frickin' statement in BOLD RED LETTERS on the same page you happened to sub from? it is all right there is painfully unsubtle text screaming at you in bold red: ***DO NOT POST ANNOUNCEMENTS, CALLS or OTHER non-RELEVANT CONTENT TO THE MAIN MICROSOUND LIST!!!*** there is another list for this which you can sub to and announce and cross-post to From kim at anechoicmedia.com Fri Sep 2 12:10:47 2011 From: kim at anechoicmedia.com (Kim Cascone) Date: Fri, 02 Sep 2011 09:10:47 -0700 Subject: [microsound] lo-bit genre Message-ID: <4E610007.2010607@anechoicmedia.com> a very interesting article on the lo-bit scene: http://ow.ly/1wyrT3 enjoy! kim From danalogue at gmail.com Sat Sep 3 03:19:32 2011 From: danalogue at gmail.com (Dan Graham) Date: Sat, 3 Sep 2011 00:19:32 -0700 Subject: [microsound] wikileaks project In-Reply-To: References: Message-ID: is there still going to be a collateralmurder project? On Sat, Jul 30, 2011 at 12:10 PM, john saylor wrote: > hey > > would there be interest for a wikileaks project? i thought maybe we > could take the initial big video release > [http://collateralmurder.org/], which has a soundtrack, and then > further mangle it. i would also include taking the video file contents > and somehow turning it into audio [the 'somehow' being the interesting > part] as a legitimate entry for the project. > > artistic limits can be helpful, so i'd like to say any submissions > must be less than 3 minutes in length. > > the extra-musical issues of privacy, war, and information control > would also be relevant here. > > ? > > -- > \js [http://or8.net/~johns/] : "when you're with friends, you can have > a potato." -j.cage paraphrasing y.ono > _______________________________________________ > microsound mailing list > microsound at microsound.org > http://or8.net/mailman/listinfo/microsound > -------------- next part -------------- An HTML attachment was scrubbed... URL: From noeldub at gmail.com Sat Sep 3 04:03:19 2011 From: noeldub at gmail.com (Noel Peters) Date: Sat, 3 Sep 2011 18:03:19 +1000 Subject: [microsound] wikileaks project In-Reply-To: References: Message-ID: I'm keen On 03/09/2011, at 5:19 PM, Dan Graham wrote: > is there still going to be a collateralmurder project? > > On Sat, Jul 30, 2011 at 12:10 PM, john saylor wrote: > hey > > would there be interest for a wikileaks project? i thought maybe we > could take the initial big video release > [http://collateralmurder.org/], which has a soundtrack, and then > further mangle it. i would also include taking the video file contents > and somehow turning it into audio [the 'somehow' being the interesting > part] as a legitimate entry for the project. > > artistic limits can be helpful, so i'd like to say any submissions > must be less than 3 minutes in length. > > the extra-musical issues of privacy, war, and information control > would also be relevant here. > > ? > > -- > \js [http://or8.net/~johns/] : "when you're with friends, you can have > a potato." -j.cage paraphrasing y.ono > _______________________________________________ > microsound mailing list > microsound at microsound.org > http://or8.net/mailman/listinfo/microsound > > _______________________________________________ > microsound mailing list > microsound at microsound.org > http://or8.net/mailman/listinfo/microsound -------------- next part -------------- An HTML attachment was scrubbed... URL: From dara1339 at hotmail.com Sat Sep 3 05:49:47 2011 From: dara1339 at hotmail.com (Dara Shayda) Date: Sat, 3 Sep 2011 05:49:47 -0400 Subject: [microsound] wikileaks project In-Reply-To: References: Message-ID: Thank your Sirs Dara On 2011-09-03, at 4:03 AM, Noel Peters wrote: > I'm keen > > On 03/09/2011, at 5:19 PM, Dan Graham wrote: > >> is there still going to be a collateralmurder project? >> >> On Sat, Jul 30, 2011 at 12:10 PM, john saylor wrote: >> hey >> >> would there be interest for a wikileaks project? i thought maybe we >> could take the initial big video release >> [http://collateralmurder.org/], which has a soundtrack, and then >> further mangle it. i would also include taking the video file contents >> and somehow turning it into audio [the 'somehow' being the interesting >> part] as a legitimate entry for the project. >> >> artistic limits can be helpful, so i'd like to say any submissions >> must be less than 3 minutes in length. >> >> the extra-musical issues of privacy, war, and information control >> would also be relevant here. >> >> ? >> >> -- >> \js [http://or8.net/~johns/] : "when you're with friends, you can have >> a potato." -j.cage paraphrasing y.ono >> _______________________________________________ >> microsound mailing list >> microsound at microsound.org >> http://or8.net/mailman/listinfo/microsound >> >> _______________________________________________ >> microsound mailing list >> microsound at microsound.org >> http://or8.net/mailman/listinfo/microsound > _______________________________________________ > microsound mailing list > microsound at microsound.org > http://or8.net/mailman/listinfo/microsound -------------- next part -------------- An HTML attachment was scrubbed... URL: From js0000 at gmail.com Sat Sep 3 09:45:26 2011 From: js0000 at gmail.com (john saylor) Date: Sat, 3 Sep 2011 09:45:26 -0400 Subject: [microsound] wikileaks project In-Reply-To: References: Message-ID: greetings On Sat, Sep 3, 2011 at 03:19, Dan Graham wrote: > is there still going to be a collateralmurder project? yes, it's been me who just hasn't done the admin work. i'll do it this weekend and send out an official notice to the list when i'm done. fwiw, i was thinking of making the deadline before either assange gets extradited [which may be next week or never], or paypal will pass your money to wikileaks [again, next week or never]; but this is utterly impractical so i will have to think of something else. by all means get started. the one limit i *am* sure about, though, is 3 minutes in length. if it was good enough for pete townsend [to say nothing of millions and millions of pop songs (both delightful and wretched)], it'll be good enough for this project! -- \js [http://or8.net/~johns/] : "when you're with friends, you can have a potato." -j.cage paraphrasing y.ono From danalogue at gmail.com Sat Sep 3 10:04:32 2011 From: danalogue at gmail.com (Dan Graham) Date: Sat, 3 Sep 2011 07:04:32 -0700 Subject: [microsound] wikileaks project In-Reply-To: References: Message-ID: John, take your time. I was just concerned that we weren't going to do it! On Sat, Sep 3, 2011 at 6:45 AM, john saylor wrote: > greetings > > On Sat, Sep 3, 2011 at 03:19, Dan Graham wrote: > > is there still going to be a collateralmurder project? > > yes, it's been me who just hasn't done the admin work. i'll do it this > weekend and send out an official notice to the list when i'm done. > > fwiw, i was thinking of making the deadline before either assange gets > extradited [which may be next week or never], or paypal will pass your > money to wikileaks [again, next week or never]; but this is utterly > impractical so i will have to think of something else. > > by all means get started. the one limit i *am* sure about, though, is > 3 minutes in length. if it was good enough for pete townsend [to say > nothing of millions and millions of pop songs (both delightful and > wretched)], it'll be good enough for this project! > > -- > \js [http://or8.net/~johns/] : "when you're with friends, you can have > a potato." -j.cage paraphrasing y.ono > _______________________________________________ > microsound mailing list > microsound at microsound.org > http://or8.net/mailman/listinfo/microsound > -------------- next part -------------- An HTML attachment was scrubbed... URL: From js0000 at gmail.com Mon Sep 5 13:45:39 2011 From: js0000 at gmail.com (john saylor) Date: Mon, 5 Sep 2011 13:45:39 -0400 Subject: [microsound] wikileaks project Message-ID: WIKILEAKS PROJECT ========= ======= take the audio from the helecopter footage and make something else out of it SPECIFICATIONS -------------- source URL: http://collateralmurder.org/ maximum length: 180 seconds accepted format[s]: FLAC, mp3 deadline: all entries must be in before 4 december 2011 notes ----- - please add tags to the audio with your [psuedo]name and the work's title - feel free to also submit a text file about your work - deadline is 1 year anniversary of paypal rejecting donations to wikileaks [there is a 'wikileaks' folder already in the projects repository, so put your submissions there] -- \js [http://or8.net/~johns/] : "What started with a kind of poetry turned into social war." -CR From reusjc at gmail.com Sat Sep 10 14:17:35 2011 From: reusjc at gmail.com (Jonathan Reus) Date: Sat, 10 Sep 2011 20:17:35 +0200 Subject: [microsound] STEIM hosts Patterns + Pleasure festival in Amsterdam Message-ID: Dear all, I thought this might be of interest to the microsound community. :) *26, 27 + 28 September: Patterns + Pleasure Festival *New adventures in live electronic music and beyond More information and tickets patternsandpleasure.com STEIM is proud to be organizing the Patterns + Pleasure Festival on 26, 27 and 28 September at Frascati Amsterdam. A three-day festival presenting the latest and most adventurous contemporary electronic music from today. There will be lectures, workshops, debates and performances by musicians and sound artists from the Netherlands and abroad. The symposium program brings together internationally renowned artists, writers, and scholars from diverse fields to discuss new directions in music making. Invited artists come with their own take on DIY synthesizers and controllers, live instrumental hip-hop, heavy machine doom music, biofeedback-Tuvan singing, and boogie-woogie noise. Many of the performers and pieces will be seen in the Netherlands for the first time. Be ready to be surprised, provoked and, inspired at the Patterns + Pleasure Festival 2011. It's been 17 years since the last STEIM festival in Amsterdam, and we're working hard to make this one a festival to remember. Please help us promote Patterns + Pleasure by sharing this mailing with your friends and colleagues. 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