From jhopkins at tech-no-mad.net  Fri Jul  1 20:30:56 2011
From: jhopkins at tech-no-mad.net (John Hopkins)
Date: Fri, 01 Jul 2011 17:30:56 -0700
Subject: [microsound] crickets...
In-Reply-To: <4E0CF6CA.8040805@craque.net>
References: <BANLkTingWGvgUZkuUR_nbz7yBe+v6mVvhw@mail.gmail.com>
	<4E0CF6CA.8040805@craque.net>
Message-ID: <4E0E66C0.2080707@tech-no-mad.net>

this might interest some of you --
a review of this book:
http://www.orionmagazine.org/index.php/articles/review/6359
and the author's website with a couple 30-minute recordings...
http://www.cricketradiobroadcast.com/

amazing sounds from crickets!

jh

From bbrace at eskimo.com  Sat Jul  2 07:28:48 2011
From: bbrace at eskimo.com ({ brad brace })
Date: Sat, 2 Jul 2011 04:28:48 -0700 (PDT)
Subject: [microsound] crickets...
In-Reply-To: <4E0E66C0.2080707@tech-no-mad.net>
References: <BANLkTingWGvgUZkuUR_nbz7yBe+v6mVvhw@mail.gmail.com>
	<4E0CF6CA.8040805@craque.net> <4E0E66C0.2080707@tech-no-mad.net>
Message-ID: <Pine.SUN.4.58.1107020421100.8125@eskimo.com>


thanks John (I've added the station to my internet radio,
and still searching for more) -- I also record crickets
(they were often deafening-loud at dusk on Island 7.0)  /:b


On Fri, 1 Jul 2011, John Hopkins wrote:

> this might interest some of you --
> a review of this book:
> http://www.orionmagazine.org/index.php/articles/review/6359
> and the author's website with a couple 30-minute recordings...
> http://www.cricketradiobroadcast.com/
>
> amazing sounds from crickets!



=============

"Shikata ga nai -- There's nothing we can do about it."
-- Japanese tsunami survivors, 2011

{ brad brace }   <<<<< bbrace at eskimo.com >>>>  ~finger for pgp

---    bbs: brad brace sound                               ---
---    http://69.64.229.114:8000                           ---
---    http://bradbrace.net/undisclosed.html 		   ---








From brymoxine at yahoo.com  Sat Jul  2 13:53:05 2011
From: brymoxine at yahoo.com (bryan garcia)
Date: Sat, 2 Jul 2011 10:53:05 -0700 (PDT)
Subject: [microsound] crickets...
In-Reply-To: <Pine.SUN.4.58.1107020421100.8125@eskimo.com>
Message-ID: <1309629185.95052.YahooMailClassic@web161003.mail.bf1.yahoo.com>


i record crickets as well.? straight into my laptop when they are going crazy at dusk in austin texas.?? it becomes symphonic when you start to listen to the nuances.?? perhaps the heat is frying my brains.?? 



--- On Sat, 7/2/11, { brad brace } <bbrace at eskimo.com> wrote:

From: { brad brace } <bbrace at eskimo.com>
Subject: Re: [microsound] crickets...
To: microsound at microsound.org, jhopkins at tech-no-mad.net
Date: Saturday, July 2, 2011, 6:28 AM


thanks John (I've added the station to my internet radio,
and still searching for more) -- I also record crickets
(they were often deafening-loud at dusk on Island 7.0)? /:b


On Fri, 1 Jul 2011, John Hopkins wrote:

> this might interest some of you --
> a review of this book:
> http://www.orionmagazine.org/index.php/articles/review/6359
> and the author's website with a couple 30-minute recordings...
> http://www.cricketradiobroadcast.com/
>
> amazing sounds from crickets!



=============

"Shikata ga nai -- There's nothing we can do about it."
-- Japanese tsunami survivors, 2011

{ brad brace }???<<<<< bbrace at eskimo.com >>>>? ~finger for pgp

---? ? bbs: brad brace sound? ? ? ? ? ? ? ? ? ? ? ? ? ? ???---
---? ? http://69.64.229.114:8000? ? ? ? ? ? ? ? ? ? ? ? ???---
---? ? http://bradbrace.net/undisclosed.html ??? ??? ???---







_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound
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From macdara at email.com  Mon Jul  4 09:00:29 2011
From: macdara at email.com (Manannan Mac Lir)
Date: Mon, 04 Jul 2011 13:00:29 +0000
Subject: [microsound] crickets...and other insects
Message-ID: <20110704130030.80790@gmx.com>

Hi, about 2 years ago somebody posted an article which talked about a tree that emitted a very high frequency from its bark when it started to die and all the bugs would surge towards it, it was an online article but I have never found it again, ANYBODY HAVE ANY IDEA? Listened to all the leaves on some big trees hissiing in the wind today, quite impressive, I wonder what it would sound like in an indoor acoustic.

----- Original Message -----
From: bryan garcia
Sent: 07/02/11 06:53 PM
To: microsound at microsound.org
Subject: Re: [microsound] crickets...

 i record crickets as well. straight into my laptop when they are going crazy at dusk in austin texas. it becomes symphonic when you start to listen to the nuances. perhaps the heat is frying my brains. 



 --- On  *Sat, 7/2/11, { brad brace } <bbrace at eskimo.com> wrote:

 From: { brad brace } <bbrace at eskimo.com>
 Subject: Re: [microsound] crickets...
 To: microsound at microsound.org, jhopkins at tech-no-mad.net
 Date: Saturday, July 2, 2011, 6:28 AM


 thanks John (I've added the station to my internet radio,
 and still searching for more) -- I also record crickets
 (they were often deafening-loud at dusk on Island 7.0) /:b


 On Fri, 1 Jul 2011, John Hopkins wrote:

 > this might interest some of you --
 > a review of this book:
 > http://www.orionmagazine.org/index.php/articles/review/6359 
 > and the author's website with a couple 30-minute recordings...
 > http://www.cricketradiobroadcast.com/ 
 >
 > amazing sounds from crickets!



 =============

 "Shikata ga nai -- There's nothing we can do about it."
 -- Japanese tsunami survivors, 2011

 { brad brace } <<<<< bbrace at eskimo.com >>>> ~finger for pgp

 --- bbs: brad brace sound ---
 --- http://69.64.229.114:8000  ---
 --- http://bradbrace.net/undisclosed.html  ---







 _______________________________________________
 microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound
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From robin at robinparmar.com  Mon Jul  4 12:43:22 2011
From: robin at robinparmar.com (Robin Parmar)
Date: Mon, 4 Jul 2011 09:43:22 -0700 (PDT)
Subject: [microsound] How to do a musique concrete workshop?
In-Reply-To: <mailman.12269.1309472494.5607.microsound@or8.net>
Message-ID: <1309797802.1530.YahooMailClassic@web39404.mail.mud.yahoo.com>

Could you not ask people to bring their own recording devices? Even an iPod, phone, cassette recorder, etc. would do. Committing to furnishing various people with a device is a big outlay of cash. But if you do, you could send people off in pairs to reduce the gear needed. And stage the outings while doing other things with those who remain behind.

I am of two minds as to whether you should play them any historical recordings. Instead you could just let them combine the tools at hand with their imaginations free of sonic pre-conditioning. That said, some orientation via listening exercises would likely work wonders. In other words, train them for sound collection more than for composition.

Your idea of restricting the sonic transformations is a good one, especially if you plan on being true to the original methods of musique concrete. You have to consider how you will give people access to editing facilities -- perhaps a laptop with Audacity? And then you need to share this resource among them. Depends on their computer competencies, etc.

I would give each pair ten minutes to do basic editing and selection of their sounds, but then have them work together in groups combining the material to create one final piece. 

I hope these ideas help.

-----
Robin Parmar
robinparmar.com


From thierrybernardgotteland at gmail.com  Sat Jul  9 03:12:29 2011
From: thierrybernardgotteland at gmail.com (Thierry Bernard Gotteland)
Date: Sat, 9 Jul 2011 14:12:29 +0700
Subject: [microsound] GPS APP DEV FOR AUDIO WALK
Message-ID: <CAPt+bGpDuhVZfnbQrSab09JFzuxtr9fiSqUseg2yZbyb087PGg@mail.gmail.com>

Hi Guys, well,
actually working on a audio project, I am interesting to get more
information according the use of the GPS to triggered a playlist soundtrack
according the positioning of the audience through the city.
GEO-AUDIO-MAPPING basically
Any one got any ideas to develop it?

-- 
*K*ind*R*egards

*Thierry Bernard-Gotteland*

----------------------------------------
http://tb-g.org <http://universalport.tumblr.com>
http://tbgotteland.tumblr.com
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From anilcamci at gmail.com  Sat Jul  9 04:44:16 2011
From: anilcamci at gmail.com (Anil Camci)
Date: Sat, 9 Jul 2011 11:44:16 +0300
Subject: [microsound] GPS APP DEV FOR AUDIO WALK
In-Reply-To: <CAPt+bGpDuhVZfnbQrSab09JFzuxtr9fiSqUseg2yZbyb087PGg@mail.gmail.com>
References: <CAPt+bGpDuhVZfnbQrSab09JFzuxtr9fiSqUseg2yZbyb087PGg@mail.gmail.com>
Message-ID: <CA+ZpmY-13OkBA_t651XC0nu23TGNfVf3vr-4Y_gK982EK1_sZA@mail.gmail.com>

Hi Thierry,

A couple of projects that comes to mind are:

"34 North 118 west" http://34n118w.net/34N/
Also, on this site you will see a link on the left that reads "GPS
Resources" that provides an extensive list of references on GPS use. Some of
the technology here might already be outdated but should be a good starting
point.

"Moodlog" http://ieeexplore.ieee.org/xpl/freeabs_all.jsp?arnumber=4570902
This project utilizes mapping of other media as well and not only sounds.

Hope this helps,

Anil Camci


-
http://www.anilcamci.com

On Sat, Jul 9, 2011 at 10:12 AM, Thierry Bernard Gotteland <
thierrybernardgotteland at gmail.com> wrote:

> Hi Guys, well,
> actually working on a audio project, I am interesting to get more
> information according the use of the GPS to triggered a playlist soundtrack
> according the positioning of the audience through the city.
> GEO-AUDIO-MAPPING basically
> Any one got any ideas to develop it?
>
> --
> *K*ind*R*egards
>
> *Thierry Bernard-Gotteland*
>
> ----------------------------------------
> http://tb-g.org <http://universalport.tumblr.com>
> http://tbgotteland.tumblr.com
>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
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From info at aevox.be  Sat Jul  9 09:54:41 2011
From: info at aevox.be (Johan Vandermaelen)
Date: Sat, 09 Jul 2011 15:54:41 +0200
Subject: [microsound] GPS APP DEV FOR AUDIO WALK
In-Reply-To: <CAPt+bGpDuhVZfnbQrSab09JFzuxtr9fiSqUseg2yZbyb087PGg@mail.gmail.com>
References: <CAPt+bGpDuhVZfnbQrSab09JFzuxtr9fiSqUseg2yZbyb087PGg@mail.gmail.com>
Message-ID: <4E185DA1.7010408@aevox.be>

Hi everybody,


I know Els Viaene has done such kind of project in the city of Kortrijk 
(Belgium) during the Festival of Flanders.
http://www.aurallandscape.net/index.php?current
Perhaps she can help you with good tips.

Best regards,
Johan Vandermaelen





Op 9/07/2011 9:12, Thierry Bernard Gotteland schreef:
> Hi Guys, well,
> actually working on a audio project, I am interesting to get more 
> information according the use of the GPS to triggered a playlist 
> soundtrack according the positioning of the audience through the city.
> GEO-AUDIO-MAPPING basically
> Any one got any ideas to develop it?
>
> -- 
> *K*ind*R*egards
>
> *Thierry Bernard-Gotteland*
>
> ----------------------------------------
> http://tb-g.org <http://universalport.tumblr.com>
> http://tbgotteland.tumblr.com
>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

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From jhopkins at tech-no-mad.net  Sat Jul  9 11:21:14 2011
From: jhopkins at tech-no-mad.net (John Hopkins)
Date: Sat, 09 Jul 2011 08:21:14 -0700
Subject: [microsound] GPS APP DEV FOR AUDIO WALK
In-Reply-To: <CAPt+bGpDuhVZfnbQrSab09JFzuxtr9fiSqUseg2yZbyb087PGg@mail.gmail.com>
References: <CAPt+bGpDuhVZfnbQrSab09JFzuxtr9fiSqUseg2yZbyb087PGg@mail.gmail.com>
Message-ID: <4E1871EA.7060408@tech-no-mad.net>


> actually working on a audio project, I am interesting to get more
> information according the use of the GPS to triggered a playlist soundtrack
> according the positioning of the audience through the city.
> GEO-AUDIO-MAPPING basically
> Any one got any ideas to develop it?

Hei Thierry -- Udo Noll, the developer/initiator of aporee::maps has been doing 
exactly this with his collab audio mapping project for some years now --

http://aporee.org/maps/

If you go to this page and go to the 'play' menu at the lower left, and go to 
'sound walks' he was using that interface for viewers to follow his movements on 
the ground, while the aporee::maps engine was receiving feeds from his gps 
phone, and then selecting and playing a mix of the three nearest stored sounds 
from the area and playing them for people tuning in online...  So, the database 
of maps sounds were being played back by a person walking on the ground.  It 
depended on a relatively dense sampling of sounds in an area, as a walker 
doesn't move that quickly...  Udo is a miracle-worker, artist, and programmer :-))

jh

From korronales at hotmail.com  Sat Jul  9 13:10:48 2011
From: korronales at hotmail.com (Joel Ong)
Date: Sun, 10 Jul 2011 01:10:48 +0800
Subject: [microsound] {Disarmed} Nano-sound installation in Perth (apologies
	for cross-posting)
In-Reply-To: <COL122-W423162380B462FF08C3873D1430@phx.gbl>
References: <Pine.SUN.4.58.1107090805110.21639@eskimo.com>,
	<COL122-W423162380B462FF08C3873D1430@phx.gbl>
Message-ID: <COL122-W50240DBB0BFD9047D533A4D1430@phx.gbl>





















 



  


    
      
      
      

Dear All,



i would like to draw to your attention a sound installation/performance entitled Nanovibrancy that is going to happen later today (sunday 10 July) at the John Curtin Gallery in Perth from 5pm.This is presented as part of the fufilment of the Masters in Biological Arts programme in SymbioticA, the centre of excellence in Biological Arts at the University of Western Australia.More information and documentation can be found on the facebook page:http://www.facebook.com/event.php?eid=118871624866907and arkfrequencies.com



Nanovibrancy explores nanoscale activity through sound by amplifying the oscillations at the surface of a model tympanic membrane in real time.It repurposes the Atomic Force Microscope as a super?sensitive listening device by modelling tympanic listening with a 3mm diameter silk membrane stretched over a small metal disc.  This allows it to register interferences from the environment and tap the resonances of acoustic space through a performance of controlled feedback.Moving from the laboratory into the art gallery, the project shifts the observations of matter at the nanoscale from the scientific eye to the artistic ear, amplifying the resonances of fact and fiction, purity and interference through a site?specific confluence of nano? and human?scale listening.



for those in the area, the John Curtin Gallery was also the site of the amazing Art in the Age of Nanotechnology exhibition featuring works from Paul Thomas, Boo Chapple, Jim Gimzewski, Victoria Vesna and Anne Niemetz back in 2010.  This current exhibition extends this focus on the amplification of forces and energetic oscillations at the nanoscale, presenting the results of this transduction as sound.  An imaginative listening practice is proposed to experience the voice of vibrating atoms.  A limited edition CD-R is also available.



for more information email joel at arkfrequencies.com

Cheers



		 	   		  



[Non-text portions of this message have been removed]





    
     

    
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From gerard.lebik at wp.pl  Tue Jul 12 06:32:46 2011
From: gerard.lebik at wp.pl (gerard lebik)
Date: Tue, 12 Jul 2011 12:32:46 +0200
Subject: [microsound] capture the separate audio track of the different open
 browser windows
Message-ID: <4e1c22ce3f60d2.11630857@wp.pl>

Hello I have a question:

Is there some way to capture the separate audio track of the different open browser windows via soft such as Jack or soundflower?

I mean in real-time recording of sound on separated channels open browser windows, eg 8

thanks



From htheriault at gmail.com  Tue Jul 12 06:42:36 2011
From: htheriault at gmail.com (Herb)
Date: Tue, 12 Jul 2011 07:42:36 -0300
Subject: [microsound] capture the separate audio track of the different
 open browser windows
In-Reply-To: <4e1c22ce3f60d2.11630857@wp.pl>
References: <4e1c22ce3f60d2.11630857@wp.pl>
Message-ID: <CA+p5EdUZ=Qt4=pRd=jbUcOU=TP2knaWwcRh5dpZ7mk07ozLMJg@mail.gmail.com>

Are you on a mac? Audio Hijack Pro might do what you need:

http://www.rogueamoeba.com/audiohijackpro/

Herb

On Tue, Jul 12, 2011 at 7:32 AM, gerard lebik <gerard.lebik at wp.pl> wrote:
> Hello I have a question:
>
> Is there some way to capture the separate audio track of the different open browser windows via soft such as Jack or soundflower?
>
> I mean in real-time recording of sound on separated channels open browser windows, eg 8
>
> thanks
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>

From gerard.lebik at wp.pl  Tue Jul 12 09:47:48 2011
From: gerard.lebik at wp.pl (gerard lebik)
Date: Tue, 12 Jul 2011 15:47:48 +0200
Subject: [microsound] capture the separate audio track of the different
 open browser windows
In-Reply-To: <4e1c22ce3f60d2.11630857@wp.pl>
	<CA+p5EdUZ=Qt4=pRd=jbUcOU=TP2knaWwcRh5dpZ7mk07ozLMJg@mail.gmail.com>
References: <4e1c22ce3f60d2.11630857@wp.pl>
	<CA+p5EdUZ=Qt4=pRd=jbUcOU=TP2knaWwcRh5dpZ7mk07ozLMJg@mail.gmail.com>
Message-ID: <4e1c5084d17042.82536662@wp.pl>

Thank you

This program captures sound from the applications, etc.


  I need tools for the separation and capture of several signals  different browser tabs.
for example, 8 tabs open like a radio, mp3 file, youtube etc.. each of the signals recorded onto the next one, separate tracks to recording program such as Cubase,Reaper, etc

is it possible?, problem is the output of  separate browser bookmark
thx

.Dnia 12-07-2011 o godz. 12:42 Herb napisa?(a):
> Are you on a mac? Audio Hijack Pro might do what you need:
>
> http://www.rogueamoeba.com/audiohijackpro/
>
> Herb
>
> On Tue, Jul 12, 2011 at 7:32 AM, gerard lebik <gerard.lebik at wp.pl> wrote:
> > Hello I have a question:
> >
> > Is there some way to capture the separate audio track of the different
> open browser windows via soft such as Jack or soundflower?
> >
> > I mean in real-time recording of sound on separated channels open
> browser windows, eg 8
> >
> > thanks
> >
> >
> > _______________________________________________
> > microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
> >
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound




From mmi at art.pte.hu  Wed Jul 13 05:58:01 2011
From: mmi at art.pte.hu (Kovacs Balazs)
Date: Wed, 13 Jul 2011 11:58:01 +0200
Subject: [microsound] capture the separate audio track of the different
 open browser windows
In-Reply-To: <CA+p5EdUZ=Qt4=pRd=jbUcOU=TP2knaWwcRh5dpZ7mk07ozLMJg@mail.gmail.com>
References: <4e1c22ce3f60d2.11630857@wp.pl>
	<CA+p5EdUZ=Qt4=pRd=jbUcOU=TP2knaWwcRh5dpZ7mk07ozLMJg@mail.gmail.com>
Message-ID: <4E1D6C29.90609@art.pte.hu>


> On Tue, Jul 12, 2011 at 7:32 AM, gerard lebik<gerard.lebik at wp.pl>  wrote:
>> Hello I have a question:
>>
>> Is there some way to capture the separate audio track of the different open browser windows via soft such as Jack or soundflower?
>>
>> I mean in real-time recording of sound on separated channels open browser windows, eg 8
>>
no. just if You open more instances of the browsers (duplicate and run 
them or open more
browsers like Ffox, Chrome, Seamonkey at once)  then can be hijacked 
separatedly by jack...

Bal?zs


-- 

PTE Muveszeti Kar, Media- es Alkalmazott Muveszetek Intezete
PTE Faculty of Arts, Institute for Media and Applied Arts
H-7624 Pecs, Damjanich u. 30.
tel/fax:+36(72)501540
mobil:+36(20)2331867
e-mail: mmi at art.pte.hu
www: http://www.art.pte.hu/menu/92
blog: http://art.pte.hu/211orchestra/


From manuela.benetton at gmail.com  Wed Jul 20 05:13:20 2011
From: manuela.benetton at gmail.com (Manuela Benetton)
Date: Wed, 20 Jul 2011 11:13:20 +0200
Subject: [microsound] NK: Marcus Schmickler / Peter Ablinger / Alberto de
 Campo / Bill Kouligas / DJ Rumpsti Pumsti (Musik)
Message-ID: <CAEqUP6K+eqc4b8XiEf2jsNK1L99YW9YKq3uSC7qbX+uSbFY3vQ@mail.gmail.com>

sorry for x-posting
*
NK
Saturday Sept 24th 2011, Doors 21:30 Concert 22:00
Marcus Schmickler / Peter Ablinger / Alberto de Campo / Bill Kouligas / DJ
Rumpsti Pumsti (Musik)*


Marcus Schmickler is a composer and performer. He studied composition and
electronic music and since then has worked in the most diverse fields of
composed and improvised music. He has won numerous prizes and honours and is
closely associated with the Cologne label a-Musik. As a composer along with
his many works of electronic music, he works with the ensemble recherche,
the Staatskapelle Weimar, the musikFabrik, the Paragon Ensemble, the
Ensemble zeitkratzer and many more. As a musician he works with musicians
such as John Tilbury, Thomas Lehn, Otomo Yoshihide, David Behrman, Claudio
Bohorquez and Julee Cruise. His discography so far consists of over 50
titles, and he has been performing on the world?s stages and at
international festivals for years. He gives lectures and seminars and also
works as an author in the field of theatre, radio plays and film.
http://www.piethopraxis.org/

Peter Ablinger was born in Schwanenstadt, Austria in 1959. He began studying
graphic arts and was enthused by free jazz, but completed his studies in
composition with G?sta Neuwirth and Roman Haubenstock-Ramati in Graz and
Vienna. Since 1982 he has lived in Berlin, where he has initiated and
conducted numerous festivals and concerts. In 1988 he founded the Ensemble
Zwischent?ne. In 1993 he was a visiting professor at the University of
Music, Graz. He has been guest conductor of ?Klangforum Wien?, ?United
Berlin? and the ?Insel Musik Ensemble?. Since 1990 Peter Ablinger has worked
as a freelance musician. Peter Ablinger is one of the few artists today who
uses noise without any kind of symbolism ? not as a signifier for chaos,
energy, entropy, disorder, or uproar; not for opposing something, or being
disobedient or destructive; not for everything, for eternity, or for
what-have-you. As in all these cases of music deliberately involving noise,
noise is the case, but for Ablinger: this alone. Peter Ablinger has also
come a long way in questioning the nature of sound, time, and space (the
components usually thought central to music), and his findings have
jeopardized and made dubious conventions usually thought irrefutable. These
insights pertain to repetition and monotony, reduction and redundancy,
density and entropy. (Christian Scheib, edited by Bill Dietz)
http://ablinger.mur.at/

Alberto de Campo has studied classical composition, jazz guitar, and
electronic music in Austria and the US. After working at UC Santa Barbara,
designing experimental software instruments with Curtis Roads, he taught at
Media Arts Academy Cologne, the Institute for Electronic Music in Graz, and
at TU Berlin. He held a professorship for Music Informatics at Music
University Duesseldorf, and currently is Professor for Generative Art at
Arts Univ. Berlin.
He plays with powerbooks_unplugged (just in time
programming on mostly unamplified laptops); improvisation groups with
acoustic instruments such as Quiet Noise Quartet, Syntopia Ensemble, and ad
hoc constellations; electronic music with BlippooHazard (four musicians
playing the Blippoo Box, a hardware synth by Rob Hordijk). Recent projects
include creating software instruments and sound installations with Florian
Hecker, e.g. ?No Night No Day? at Biennale Venice, and AuditoryObjects
(Bordeaux), and collaborating with Marcus Schmickler and Carsten Goertz on
?Bonner Durchmusterung?, a project involving sonification und visualisation
of atronomical data.

Bill Kouligas is a sound artist and designer, better known for his solo
project Family Battle Snake. He also runs the label PAN with vinyl editions
of electronic and experimental artists. His music captures a variety of
different sounds and time periods filtered through an imaginary urban
soundscape. Emerging through a noise underground, ominous like a cloak of
whispers, he now floats on a plane ebbing and flowing between electronic
tape music and gluey entropicalia. With the use of analogue synth, tape
manipulation and electronics he employs warm drones and a musique concrete
approach through structured perspectives on a journey across time. Bill has
collaborated with the likes of C Spencer Yeh, Destroy All Monsters, Sudden
Infant, John Olson (Wolf Eyes), Joseph Hammer (LAFMS), Ralf Wehowsky/RLW,
Chris Corsano, Damo Suzuki, Christian Weber, Anla Courtis, Astro, MV Carbon,
Valerio Cosi, Birds of Delay and Kouhei Matsunaga to name a few.
www.pan-act.com
DJ Rumpsti Pumsti (Musik)
http://www.rumpsti-pumsti.com/


NK
Elsenstr. 52/
2.Hinterhaus Etage 2
12059 Berlin Neuk?lln
0049(0)17620626386
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From timothy.leonido at gmail.com  Sat Jul 30 11:03:31 2011
From: timothy.leonido at gmail.com (Timothy Leonido)
Date: Sat, 30 Jul 2011 11:03:31 -0400
Subject: [microsound] Books on time signature?
Message-ID: <CAN0QFK0fEGAqgbKr_v-5cGeKN8j0Za1TuxKW4HhQdFpgWHG1fw@mail.gmail.com>

Hello,

Could anyone recommend a good book on exploring time signature, specifically
in relation to computer music?  Something for novices, like if I were taking
an "intro to programming time signatures" music course?

Dry and comprehensive textbooks and more narrowly focused texts are both
welcome

Thanks!
Tim
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From kim at anechoicmedia.com  Sat Jul 30 14:10:17 2011
From: kim at anechoicmedia.com (Kim Cascone)
Date: Sat, 30 Jul 2011 11:10:17 -0700
Subject: [microsound] ***my monthly reminder***
Message-ID: <4E344909.2040807@anechoicmedia.com>

in case some color blind .microsounders missed the red type splattered
on the microsound.org page:

this list is *not* meant for announcing anything
except new works you want to share with the community and/or get feedback on

please please please read the frickin' statement in BOLD RED LETTERS on
the same page you happened to sub from?

it is all right there is painfully unsubtle text
screaming at you in bold red:
***DO NOT POST ANNOUNCEMENTS, CALLS or OTHER non-RELEVANT CONTENT TO THE 
MAIN MICROSOUND LIST!!!***
there is another list for this
which you can sub to and announce and cross-post to












From js0000 at gmail.com  Sat Jul 30 15:10:01 2011
From: js0000 at gmail.com (john saylor)
Date: Sat, 30 Jul 2011 15:10:01 -0400
Subject: [microsound] wikileaks project
Message-ID: <CACoadJ_5R7+vicOkfendXfqG9zmZ_xsPiT26V8YEDO2evOYzZw@mail.gmail.com>

hey

would there be interest for a wikileaks project? i thought maybe we
could take the initial big video release
[http://collateralmurder.org/], which has a soundtrack, and then
further mangle it. i would also include taking the video file contents
and somehow turning it into audio [the 'somehow' being the interesting
part] as a legitimate entry for the project.

artistic limits can be helpful, so i'd like to say any submissions
must be less than 3 minutes in length.

the extra-musical issues of privacy, war, and information control
would also be relevant here.

?

-- 
\js [http://or8.net/~johns/] : "when you're with friends, you can have
a potato." -j.cage paraphrasing y.ono

From jcmg at earthlink.net  Sat Jul 30 15:28:35 2011
From: jcmg at earthlink.net (JC)
Date: Sat, 30 Jul 2011 12:28:35 -0700
Subject: [microsound] Books on time signature?
In-Reply-To: <CAN0QFK0fEGAqgbKr_v-5cGeKN8j0Za1TuxKW4HhQdFpgWHG1fw@mail.gmail.com>
References: <CAN0QFK0fEGAqgbKr_v-5cGeKN8j0Za1TuxKW4HhQdFpgWHG1fw@mail.gmail.com>
Message-ID: <4E345B63.8030904@earthlink.net>

Here's two:

The Rhythmic Structure of Music

http://www.amazon.com/Rhythmic-Structure-Music-Phoenix-Books/dp/0226115224/ref=sr_1_1?ie=UTF8&qid=1312053947&sr=8-1

Structural Functions in Music

http://www.amazon.com/Structural-Functions-Music-Dover-History/dp/0486253848/ref=pd_sim_b_50

I hope that helps.

JC Mendizabal
Black Note Music
http://www.blacknotemusic.com

Via Sinistrae
www.viasinistrae.com
http://sinistrae.libsyn.com/

Other Sites
http://rfcl.tumblr.com/
http://maddogmagick.blogspot.com/
http://secretsareeverywhere.blogspot.com/


On 7/30/2011 8:03 AM, Timothy Leonido wrote:
> Hello,
>
> Could anyone recommend a good book on exploring time signature, 
> specifically in relation to computer music?  Something for novices, 
> like if I were taking an "intro to programming time signatures" music 
> course?
>
> Dry and comprehensive textbooks and more narrowly focused texts are 
> both welcome
>
> Thanks!
> Tim
>
>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
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From prolepsis at gmail.com  Sat Jul 30 15:46:06 2011
From: prolepsis at gmail.com (Al Matthews)
Date: Sat, 30 Jul 2011 15:46:06 -0400
Subject: [microsound] wikileaks project
In-Reply-To: <CACoadJ_5R7+vicOkfendXfqG9zmZ_xsPiT26V8YEDO2evOYzZw@mail.gmail.com>
References: <CACoadJ_5R7+vicOkfendXfqG9zmZ_xsPiT26V8YEDO2evOYzZw@mail.gmail.com>
Message-ID: <CALEf-Yn6=jCQGB1Toxu29C074U1cwXDk5vK0mp9LN=yodBw7Uw@mail.gmail.com>

yes please.

On Sat, Jul 30, 2011 at 3:10 PM, john saylor <js0000 at gmail.com> wrote:
> hey
>
> would there be interest for a wikileaks project? i thought maybe we
> could take the initial big video release
> [http://collateralmurder.org/], which has a soundtrack, and then
> further mangle it. i would also include taking the video file contents
> and somehow turning it into audio [the 'somehow' being the interesting
> part] as a legitimate entry for the project.
>
> artistic limits can be helpful, so i'd like to say any submissions
> must be less than 3 minutes in length.
>
> the extra-musical issues of privacy, war, and information control
> would also be relevant here.
>
> ?
>
> --
> \js [http://or8.net/~johns/] : "when you're with friends, you can have
> a potato." -j.cage paraphrasing y.ono
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>



-- 
Al Matthews

From danalogue at gmail.com  Sat Jul 30 22:15:53 2011
From: danalogue at gmail.com (Dan Graham)
Date: Sat, 30 Jul 2011 19:15:53 -0700
Subject: [microsound] wikileaks project
In-Reply-To: <CACoadJ_5R7+vicOkfendXfqG9zmZ_xsPiT26V8YEDO2evOYzZw@mail.gmail.com>
References: <CACoadJ_5R7+vicOkfendXfqG9zmZ_xsPiT26V8YEDO2evOYzZw@mail.gmail.com>
Message-ID: <CADJC1JSzuM+Hb4CgZRW0xAV1komrqhLkcX_Ju9n=fFNFDDsyDA@mail.gmail.com>

Sounds like a fun project.

On Sat, Jul 30, 2011 at 12:10 PM, john saylor <js0000 at gmail.com> wrote:

> hey
>
> would there be interest for a wikileaks project? i thought maybe we
> could take the initial big video release
> [http://collateralmurder.org/], which has a soundtrack, and then
> further mangle it. i would also include taking the video file contents
> and somehow turning it into audio [the 'somehow' being the interesting
> part] as a legitimate entry for the project.
>
> artistic limits can be helpful, so i'd like to say any submissions
> must be less than 3 minutes in length.
>
> the extra-musical issues of privacy, war, and information control
> would also be relevant here.
>
> ?
>
> --
> \js [http://or8.net/~johns/] : "when you're with friends, you can have
> a potato." -j.cage paraphrasing y.ono
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
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From diosdispone at gmail.com  Sat Jul 30 23:37:14 2011
From: diosdispone at gmail.com (=?ISO-8859-1?Q?Gerardo_Figueroa_Rodr=EDguez?=)
Date: Sat, 30 Jul 2011 23:37:14 -0400
Subject: [microsound] wikileaks project
In-Reply-To: <CADJC1JSzuM+Hb4CgZRW0xAV1komrqhLkcX_Ju9n=fFNFDDsyDA@mail.gmail.com>
References: <CACoadJ_5R7+vicOkfendXfqG9zmZ_xsPiT26V8YEDO2evOYzZw@mail.gmail.com>
	<CADJC1JSzuM+Hb4CgZRW0xAV1komrqhLkcX_Ju9n=fFNFDDsyDA@mail.gmail.com>
Message-ID: <CA+3nH5C-OD8inorwWV-PDLt1GFthjaSdX1E3gmq2PB65j7biAw@mail.gmail.com>

yep. sounds attractive indeed :)

On Sat, Jul 30, 2011 at 10:15 PM, Dan Graham <danalogue at gmail.com> wrote:

> Sounds like a fun project.
>
>
> On Sat, Jul 30, 2011 at 12:10 PM, john saylor <js0000 at gmail.com> wrote:
>
>> hey
>>
>> would there be interest for a wikileaks project? i thought maybe we
>> could take the initial big video release
>> [http://collateralmurder.org/], which has a soundtrack, and then
>> further mangle it. i would also include taking the video file contents
>> and somehow turning it into audio [the 'somehow' being the interesting
>> part] as a legitimate entry for the project.
>>
>> artistic limits can be helpful, so i'd like to say any submissions
>> must be less than 3 minutes in length.
>>
>> the extra-musical issues of privacy, war, and information control
>> would also be relevant here.
>>
>> ?
>>
>> --
>> \js [http://or8.net/~johns/] : "when you're with friends, you can have
>> a potato." -j.cage paraphrasing y.ono
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>


-- 
Gerardo Figueroa Rodr?guez
http://gfrbst.tumblr.com/
<http://gfrbs.posterous.com/> http://gfrbs.posterous.com/pages/wurlitzer
56 9 75647817
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From renato.fabbri at gmail.com  Sat Jul 30 23:48:04 2011
From: renato.fabbri at gmail.com (Renato Fabbri)
Date: Sun, 31 Jul 2011 00:48:04 -0300
Subject: [microsound] wikileaks project
In-Reply-To: <CADJC1JSzuM+Hb4CgZRW0xAV1komrqhLkcX_Ju9n=fFNFDDsyDA@mail.gmail.com>
References: <CACoadJ_5R7+vicOkfendXfqG9zmZ_xsPiT26V8YEDO2evOYzZw@mail.gmail.com>
	<CADJC1JSzuM+Hb4CgZRW0xAV1komrqhLkcX_Ju9n=fFNFDDsyDA@mail.gmail.com>
Message-ID: <CALqdYOz7H8fX1ZxyzJom5B_1SP_O=R+L5oAAfwRtqHWQk0zsnw@mail.gmail.com>

We are on about putting documentary material in
loop in specific radio (webradio) stations.
People can hear some radios, do a live mix,
resulting on a new webradio station (link).

This was done twice (or three times, dont recall)
here in Brasil as a national activitie, always on saturdays:
http://pontaopad.me/webradio-coletiva-e-difusa

We called it 'collective and?diffuse webradio' (translated from
Brazilian Portuguese), or simply 'diffuse webradio'.

I like the idea of putting Wikileaks stuff. Maybe
do a special session on it or always have some wikileaks
audio material.

A special on the 'Collateral Murder' audio (from video)?

ps. this is not only for documentary material, some musical mixes
can be done. We cannot count on sync afaik...

Some PD patches were made for live mixing bunch of webradios.

Using Rivendell or Airtime are possibilities not yet explored afaik.

This sounds really interesting. :-)


2011/7/30 Dan Graham <danalogue at gmail.com>
>
> Sounds like a fun project.
>
> On Sat, Jul 30, 2011 at 12:10 PM, john saylor <js0000 at gmail.com> wrote:
>>
>> hey
>>
>> would there be interest for a wikileaks project? i thought maybe we
>> could take the initial big video release
>> [http://collateralmurder.org/], which has a soundtrack, and then
>> further mangle it. i would also include taking the video file contents
>> and somehow turning it into audio [the 'somehow' being the interesting
>> part] as a legitimate entry for the project.
>>
>> artistic limits can be helpful, so i'd like to say any submissions
>> must be less than 3 minutes in length.
>>
>> the extra-musical issues of privacy, war, and information control
>> would also be relevant here.
>>
>> ?
>>
>> --
>> \js [http://or8.net/~johns/] : "when you're with friends, you can have
>> a potato." -j.cage paraphrasing y.ono
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>



--
GNU/Linux User #479299
skype: fabbri.renato