From kim at anechoicmedia.com  Sat Feb  5 13:22:35 2011
From: kim at anechoicmedia.com (Kim Cascone)
Date: Sat, 05 Feb 2011 10:22:35 -0800
Subject: [microsound] twitter
Message-ID: <4D4D956B.5030603@anechoicmedia.com>

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From velkrosmaak at gmail.com  Sat Feb  5 13:24:02 2011
From: velkrosmaak at gmail.com (Imi Votteler)
Date: Sat, 5 Feb 2011 18:24:02 +0000
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <AANLkTimWEgeffSVH95YKbgib-+CPrh2rT60qbNa4xhyD@mail.gmail.com>

Yeah man! @velkrosmaak
On 5 Feb 2011 18:22, "Kim Cascone" <kim at anechoicmedia.com> wrote:
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
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From prolepsis at gmail.com  Sat Feb  5 13:24:28 2011
From: prolepsis at gmail.com (Al Matthews)
Date: Sat, 5 Feb 2011 13:24:28 -0500
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <AANLkTinyqmKMqPAUa0czJ7_F86ixgsbHuFSuLhrp8x87@mail.gmail.com>

@almatthews, thanks.

On Sat, Feb 5, 2011 at 1:22 PM, Kim Cascone <kim at anechoicmedia.com> wrote:
> any microsounders on Twitter?
> @kimcascone
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>



-- 
Al Matthews

From jeffreymelton at gmail.com  Sat Feb  5 13:25:35 2011
From: jeffreymelton at gmail.com (Jeffrey Melton)
Date: Sat, 5 Feb 2011 13:25:35 -0500
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <F5EB8DFC-CA67-4F7A-9BCA-50E447C01A44@gmail.com>

Yo, @nofi. 

Sent from my iPhone

On Feb 5, 2011, at 1:22 PM, Kim Cascone <kim at anechoicmedia.com> wrote:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

From kcpaul at gmail.com  Sat Feb  5 13:33:29 2011
From: kcpaul at gmail.com (Kevin Paul)
Date: Sat, 5 Feb 2011 11:33:29 -0700
Subject: [microsound] twitter
In-Reply-To: <F5EB8DFC-CA67-4F7A-9BCA-50E447C01A44@gmail.com>
References: <4D4D956B.5030603@anechoicmedia.com>
	<F5EB8DFC-CA67-4F7A-9BCA-50E447C01A44@gmail.com>
Message-ID: <6B3AF92B-DECD-4D2A-910F-4C9C964FC3FC@gmail.com>

Yes.  @kevinpaul


On Feb 5, 2011, at 11:25 AM, Jeffrey Melton wrote:

> Yo, @nofi.
>
> Sent from my iPhone
>
> On Feb 5, 2011, at 1:22 PM, Kim Cascone <kim at anechoicmedia.com> wrote:
>
>> any microsounders on Twitter?
>> @kimcascone
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From ben at macrophone.org  Sat Feb  5 13:40:09 2011
From: ben at macrophone.org (ben grossman)
Date: Sat, 5 Feb 2011 13:40:09 -0500
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <73770E00-22B4-4491-81DB-E092F98E6907@macrophone.org>

yes, indeed: ben_grossman

still trying to decide what it's for, however!

www.macrophone.org

On 2011-02-05, at 1:22 PM, Kim Cascone <kim at anechoicmedia.com> wrote:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From diosdispone at gmail.com  Sat Feb  5 13:34:06 2011
From: diosdispone at gmail.com (gerardo figueroa)
Date: Sat, 5 Feb 2011 15:34:06 -0300
Subject: [microsound] twitter
In-Reply-To: <F5EB8DFC-CA67-4F7A-9BCA-50E447C01A44@gmail.com>
References: <4D4D956B.5030603@anechoicmedia.com>
	<F5EB8DFC-CA67-4F7A-9BCA-50E447C01A44@gmail.com>
Message-ID: <AANLkTimqmjBHpQvBvSR+VQpN=MZPnwGTjoaN+tYXcSME@mail.gmail.com>

@gfrbs here
cheers!

g

-- 
gerardo figueroa rodr?guez
http://gfrbs.posterous.com/
<http://gfrbs.posterous.com/>56 9 75647817

From dwnewman at clara.co.uk  Sat Feb  5 13:35:08 2011
From: dwnewman at clara.co.uk (David Newman)
Date: Sat, 5 Feb 2011 18:35:08 -0000
Subject: [microsound] twitter
In-Reply-To: <6B3AF92B-DECD-4D2A-910F-4C9C964FC3FC@gmail.com>
References: <4D4D956B.5030603@anechoicmedia.com><F5EB8DFC-CA67-4F7A-9BCA-50E447C01A44@gmail.com>
	<6B3AF92B-DECD-4D2A-910F-4C9C964FC3FC@gmail.com>
Message-ID: <F8209929412241739C4001104F5B7B32@audiobul6e8dab>

@audiobulb
@audiomoves
 

David Newman

 <http://www.audiomoves.com/> http://www.audiomoves.com | Audiomoves >
Digital audio solutions 

 <blocked::http://www.audiobulb.com/> http://www.audiobulb.com | Audiobulb
Records > Exploratory music 

 

  _____  

From: microsound-bounces at or8.net [mailto:microsound-bounces at or8.net] On
Behalf Of Kevin Paul
Sent: 05 February 2011 18:33
To: microsound at microsound.org
Subject: Re: [microsound] twitter



Yes.  @kevinpaul


On Feb 5, 2011, at 11:25 AM, Jeffrey Melton wrote:

> Yo, @nofi.
>
> Sent from my iPhone
>
> On Feb 5, 2011, at 1:22 PM, Kim Cascone <kim at anechoicmedia.com> wrote:
>
>> any microsounders on Twitter?
>> @kimcascone
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound 

  _____  

No virus found in this message.
Checked by AVG - www.avg.com
Version: 10.0.1204 / Virus Database: 1435/3423 - Release Date: 02/04/11

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From roachboy at gmail.com  Sat Feb  5 13:35:17 2011
From: roachboy at gmail.com (Stephen Hastings-King)
Date: Sat, 5 Feb 2011 13:35:17 -0500
Subject: [microsound] twitter
In-Reply-To: <73770E00-22B4-4491-81DB-E092F98E6907@macrophone.org>
References: <4D4D956B.5030603@anechoicmedia.com>
	<73770E00-22B4-4491-81DB-E092F98E6907@macrophone.org>
Message-ID: <AANLkTikNLvnTAXK52o-qoovd_CLQvg0JewKPSatN_3uh@mail.gmail.com>

@kefra

i also am not entirely sure what twitter is for....


 Sat, Feb 5, 2011 at 1:40 PM, ben grossman <ben at macrophone.org> wrote:

> yes, indeed: ben_grossman
>
> still trying to decide what it's for, however!
>
> www.macrophone.org
>
> On 2011-02-05, at 1:22 PM, Kim Cascone <kim at anechoicmedia.com> wrote:
>
> > any microsounders on Twitter?
> > @kimcascone
> > _______________________________________________
> > microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
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From rlainhart at otownmedia.com  Sat Feb  5 13:39:16 2011
From: rlainhart at otownmedia.com (Richard Lainhart)
Date: Sat, 05 Feb 2011 13:39:16 -0500
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <6911FACC-4334-400D-9A3C-928E87D760C0@otownmedia.com>

@rlainhart


> any microsounders on Twitter?
> @kimcascone




Richard Lainhart
http://www.otownmedia.com
http://www.downloadplatform.com/richard_lainhart
http://www.vimeo.com/rlainhart
http://www.youtube.com/rlainhart
http://richardlainhart.bandcamp.com/
http://soundcloud.com/rlainhart




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From sensorium.ccu at googlemail.com  Sat Feb  5 13:46:07 2011
From: sensorium.ccu at googlemail.com (Senorium.ccu)
Date: Sat, 5 Feb 2011 18:46:07 +0000
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <83B3E399-4C43-4DED-B43A-4FFDFCF26E7B@googlemail.com>

@limnul

Sent from my iPhone

On 5 Feb 2011, at 18:22, Kim Cascone <kim at anechoicmedia.com> wrote:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

From htheriault at gmail.com  Sat Feb  5 13:44:31 2011
From: htheriault at gmail.com (Herb)
Date: Sat, 5 Feb 2011 14:44:31 -0400
Subject: [microsound] twitter
In-Reply-To: <6911FACC-4334-400D-9A3C-928E87D760C0@otownmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
	<6911FACC-4334-400D-9A3C-928E87D760C0@otownmedia.com>
Message-ID: <AANLkTino8pn5yrvOcfEkh-Uqp5CeQM8ABUX2p7nuHX+A@mail.gmail.com>

@herbt

On Sat, Feb 5, 2011 at 2:39 PM, Richard Lainhart
<rlainhart at otownmedia.com> wrote:
> @rlainhart
>
> any microsounders on Twitter?
> @kimcascone
>
>
>
>
> Richard Lainhart
> http://www.otownmedia.com
> http://www.downloadplatform.com/richard_lainhart
> http://www.vimeo.com/rlainhart
> http://www.youtube.com/rlainhart
> http://richardlainhart.bandcamp.com/
> http://soundcloud.com/rlainhart
>
>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>

From mmi at art.pte.hu  Sat Feb  5 13:45:45 2011
From: mmi at art.pte.hu (Kovacs Balazs)
Date: Sat, 05 Feb 2011 19:45:45 +0100
Subject: [microsound] twitter
In-Reply-To: <AANLkTikNLvnTAXK52o-qoovd_CLQvg0JewKPSatN_3uh@mail.gmail.com>
References: <4D4D956B.5030603@anechoicmedia.com>	<73770E00-22B4-4491-81DB-E092F98E6907@macrophone.org>
	<AANLkTikNLvnTAXK52o-qoovd_CLQvg0JewKPSatN_3uh@mail.gmail.com>
Message-ID: <4D4D9AD9.5060707@art.pte.hu>

  a very actual twitter channel: #Jan25


Bal?zs

2011.02.05. 19:35 keltez?ssel, Stephen Hastings-King ?rta:

-- 

PTE Muveszeti Kar, Media- es Alkalmazott Muveszetek Intezete
PTE Faculty of Arts, Institute for Media and Applied Arts
H-7624 Pecs, Damjanich u. 30.
tel/fax:+36(72)501540
mobil:+36(20)2331867
e-mail: mmi at art.pte.hu
www: http://www.art.pte.hu/menu/92
blog: http://art.pte.hu/211orchestra/


From ernst at pulsewidth.ca  Sat Feb  5 13:47:02 2011
From: ernst at pulsewidth.ca (Ernie Dulanowsky)
Date: Sat, 5 Feb 2011 12:47:02 -0600
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <AANLkTinSGwpdN-s4OdLbhPsOUfGJf-oQPjjDjOho5PJM@mail.gmail.com>

@pulsewidth

++++++++++++++++
Ernie Dulanowsky
www.pulsewidth.ca
++++++++++++++++


On Sat, Feb 5, 2011 at 12:22 PM, Kim Cascone <kim at anechoicmedia.com> wrote:

>  any microsounders on Twitter?
> @kimcascone
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
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From kamennedev at gmail.com  Sat Feb  5 13:49:13 2011
From: kamennedev at gmail.com (Kamen Nedev)
Date: Sat, 5 Feb 2011 19:49:13 +0100
Subject: [microsound] twitter
In-Reply-To: <AANLkTinSGwpdN-s4OdLbhPsOUfGJf-oQPjjDjOho5PJM@mail.gmail.com>
References: <4D4D956B.5030603@anechoicmedia.com>
	<AANLkTinSGwpdN-s4OdLbhPsOUfGJf-oQPjjDjOho5PJM@mail.gmail.com>
Message-ID: <AANLkTim4HzQBv9KzXsjNuNwcoy8LjNq-1E7x0ckAmC+u@mail.gmail.com>

@kamen !!

On Sat, Feb 5, 2011 at 7:47 PM, Ernie Dulanowsky <ernst at pulsewidth.ca> wrote:
> @pulsewidth
> ++++++++++++++++
> Ernie Dulanowsky
> www.pulsewidth.ca
> ++++++++++++++++
>
>
> On Sat, Feb 5, 2011 at 12:22 PM, Kim Cascone <kim at anechoicmedia.com> wrote:
>>
>> any microsounders on Twitter?
>> @kimcascone
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>



-- 
http://www.waitingforcargo.net

From tobiasreber at sunrise.ch  Sat Feb  5 13:49:14 2011
From: tobiasreber at sunrise.ch (Tobias Reber)
Date: Sat, 5 Feb 2011 19:49:14 +0100
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <2AB4EA23-DC19-4400-85B5-C53873B8F8EB@sunrise.ch>

bring on da mail flood!

@tobiasreber


Am 05.02.2011 um 19:22 schrieb Kim Cascone:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

---

Tobias Reber
Freiburgstrasse 32
2503 Biel
Switzerland

mobile: ++41 (0)79 573 11 69
email: tobiasreber at sunrise.ch
www.tobiasreber.com




From hgarbage at gmail.com  Sat Feb  5 13:50:32 2011
From: hgarbage at gmail.com (H. Garbage)
Date: Sat, 5 Feb 2011 10:50:32 -0800
Subject: [microsound] twitter
In-Reply-To: <AANLkTim4HzQBv9KzXsjNuNwcoy8LjNq-1E7x0ckAmC+u@mail.gmail.com>
References: <4D4D956B.5030603@anechoicmedia.com>
	<AANLkTinSGwpdN-s4OdLbhPsOUfGJf-oQPjjDjOho5PJM@mail.gmail.com>
	<AANLkTim4HzQBv9KzXsjNuNwcoy8LjNq-1E7x0ckAmC+u@mail.gmail.com>
Message-ID: <AANLkTimJD8C7qeKGcts0Xbg99GGid32UB1r4L=Bd_ucy@mail.gmail.com>

@LaSkFaRvOrToK


On Sat, Feb 5, 2011 at 10:49 AM, Kamen Nedev <kamennedev at gmail.com> wrote:

> @kamen !!
>
> On Sat, Feb 5, 2011 at 7:47 PM, Ernie Dulanowsky <ernst at pulsewidth.ca>
> wrote:
> > @pulsewidth
> > ++++++++++++++++
> > Ernie Dulanowsky
> > www.pulsewidth.ca
> > ++++++++++++++++
> >
> >
> > On Sat, Feb 5, 2011 at 12:22 PM, Kim Cascone <kim at anechoicmedia.com>
> wrote:
> >>
> >> any microsounders on Twitter?
> >> @kimcascone
> >>
> >> _______________________________________________
> >> microsound mailing list
> >> microsound at microsound.org
> >> http://or8.net/mailman/listinfo/microsound
> >>
> >
> >
> > _______________________________________________
> > microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
> >
> >
>
>
>
> --
> http://www.waitingforcargo.net
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
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From michael.north at sympatico.ca  Sat Feb  5 13:50:53 2011
From: michael.north at sympatico.ca (Michael North)
Date: Sat, 5 Feb 2011 13:50:53 -0500
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <8F13FC3C-9D5E-4ECF-AC49-1B557156E871@sympatico.ca>

@texmackenzie
On 2011-02-05, at 1:22 PM, Kim Cascone wrote:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From michael.north at sympatico.ca  Sat Feb  5 13:50:53 2011
From: michael.north at sympatico.ca (Michael North)
Date: Sat, 5 Feb 2011 13:50:53 -0500
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <8F13FC3C-9D5E-4ECF-AC49-1B557156E871@sympatico.ca>

@texmackenzie
On 2011-02-05, at 1:22 PM, Kim Cascone wrote:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From picnet at urlme.net  Sat Feb  5 13:52:16 2011
From: picnet at urlme.net (Mike)
Date: Sat, 5 Feb 2011 20:52:16 +0200
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <EE7437DE-8518-410F-B31D-3B1A1FC4AA7C@urlme.net>

@urlme

-Mike Rooke.

On Feb 5, 2011, at 8:22 PM, Kim Cascone wrote:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From kcpaul at gmail.com  Sat Feb  5 14:01:53 2011
From: kcpaul at gmail.com (Kevin Paul)
Date: Sat, 5 Feb 2011 12:01:53 -0700
Subject: [microsound] twitter
In-Reply-To: <73770E00-22B4-4491-81DB-E092F98E6907@macrophone.org>
References: <4D4D956B.5030603@anechoicmedia.com>
	<73770E00-22B4-4491-81DB-E092F98E6907@macrophone.org>
Message-ID: <B47D3219-AA51-496D-ABA9-FFFF94F74207@gmail.com>

It's been an excellent way to follow the demonstrations in Egypt.

On Feb 5, 2011, at 11:40 AM, ben grossman wrote:

> yes, indeed: ben_grossman
>
> still trying to decide what it's for, however!
>
> www.macrophone.org
>
> On 2011-02-05, at 1:22 PM, Kim Cascone <kim at anechoicmedia.com> wrote:
>
>> any microsounders on Twitter?
>> @kimcascone
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From trommer at sympatico.ca  Sat Feb  5 14:13:14 2011
From: trommer at sympatico.ca (michael trommer)
Date: Sat, 5 Feb 2011 14:13:14 -0500
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <BLU0-SMTP1128CE850358FDB5F2D04CCFE90@phx.gbl>

@michaeltrommer


On 11-02-05 1:22 PM, "Kim Cascone" <kim at anechoicmedia.com> wrote:

>    any microsounders on Twitter?
>  @kimcascone
>  
> 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
> 
> ....................................
> 
> http://michaeltrommer.blogspot.com/
> http://soundcloud.com/sans-soleil/
> http://www.myspace.com/mtrommer
> 

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From devel at thesaddj.com  Sat Feb  5 14:13:47 2011
From: devel at thesaddj.com (Marco Donnarumma)
Date: Sat, 5 Feb 2011 19:13:47 +0000
Subject: [microsound] twitter
In-Reply-To: <AANLkTikNLvnTAXK52o-qoovd_CLQvg0JewKPSatN_3uh@mail.gmail.com>
References: <4D4D956B.5030603@anechoicmedia.com>
	<73770E00-22B4-4491-81DB-E092F98E6907@macrophone.org>
	<AANLkTikNLvnTAXK52o-qoovd_CLQvg0JewKPSatN_3uh@mail.gmail.com>
Message-ID: <AANLkTikX=-fm27kCS=FxfFfpn8e4jeHqVUJymSTqVDgU@mail.gmail.com>

@MarcoDonnarumma

good to connect!


On Sat, Feb 5, 2011 at 6:35 PM, Stephen Hastings-King <roachboy at gmail.com>wrote:

>
> @kefra
>
> i also am not entirely sure what twitter is for....
>
>
>
>  Sat, Feb 5, 2011 at 1:40 PM, ben grossman <ben at macrophone.org> wrote:
>
>> yes, indeed: ben_grossman
>>
>> still trying to decide what it's for, however!
>>
>> www.macrophone.org
>>
>> On 2011-02-05, at 1:22 PM, Kim Cascone <kim at anechoicmedia.com> wrote:
>>
>> > any microsounders on Twitter?
>> > @kimcascone
>> > _______________________________________________
>> > microsound mailing list
>> > microsound at microsound.org
>> > http://or8.net/mailman/listinfo/microsound
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>


-- 
Marco Donnarumma aka TheSAD
Independent New Media Arts Professional, Performer, Teacher
Ongoing MSc by Research, University of Edinburgh, UK


PORTFOLIO: http://marcodonnarumma.com
LAB: http://www.thesaddj.com | http://cntrl.sourceforge.net |
http://www.flxer.net
EVENT: http://www.liveperformersmeeting.net
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From pangea_100 at yahoo.com  Sat Feb  5 14:15:59 2011
From: pangea_100 at yahoo.com (juan antonio nieto arroyo)
Date: Sat, 5 Feb 2011 11:15:59 -0800 (PST)
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <990207.57891.qm@web120620.mail.ne1.yahoo.com>


@JANietoPangea
thanks
http://twitter.com/#!/JANietoPangea

--- El s?b, 2/5/11, Kim Cascone <kim at anechoicmedia.com> escribi?:

De: Kim Cascone <kim at anechoicmedia.com>
Asunto: [microsound] twitter
A: "microsound_list" <microsound at or8.net>
Fecha: s?bado, 5 de febrero de 2011, 07:22 pm



  

    
  any microsounders on Twitter?

    @kimcascone

  

-----Adjunto en l?nea a continuaci?n-----

_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound



      
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From neil.wiernik at gmail.com  Sat Feb  5 14:20:36 2011
From: neil.wiernik at gmail.com (Neil Wiernik)
Date: Sat, 5 Feb 2011 14:20:36 -0500
Subject: [microsound] twitter
In-Reply-To: <990207.57891.qm@web120620.mail.ne1.yahoo.com>
References: <4D4D956B.5030603@anechoicmedia.com>
	<990207.57891.qm@web120620.mail.ne1.yahoo.com>
Message-ID: <AANLkTikZhciKtos1vXjXgb1F_OS2V-ToTHd=O_zrjb7M@mail.gmail.com>

@linewireink

On Saturday, February 5, 2011, juan antonio nieto arroyo
<pangea_100 at yahoo.com> wrote:
>
> @JANietoPangea
> thanks
> http://twitter.com/#!/JANietoPangea
>
> --- El s?b, 2/5/11, Kim Cascone <kim at anechoicmedia.com> escribi?:
>
> De: Kim Cascone <kim at anechoicmedia.com>
> Asunto: [microsound] twitter
> A: "microsound_list" <microsound at or8.net>
> Fecha: s?bado, 5 de febrero de 2011, 07:22 pm
>
>
>
>
>
>
>   any microsounders on Twitter?
>     @kimcascone
>
> -----Adjunto en l?nea a continuaci?n-----
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org?<http://mc/compose?to=microsound at microsound.org>
> http://or8.net/mailman/listinfo/microsound
>
>

From music at johndenosky.com  Sat Feb  5 14:24:39 2011
From: music at johndenosky.com (John DeNosky)
Date: Sat, 5 Feb 2011 13:24:39 -0600
Subject: [microsound] twitter
Message-ID: <E64DFB1E-1A14-4067-BE59-2AE5A0EFE58C@johndenosky.com>

@jmdeno

John D.

From moltitudine at tin.it  Sat Feb  5 14:35:11 2011
From: moltitudine at tin.it (::giuseppe::caprioli::)
Date: Sat, 5 Feb 2011 20:35:11 +0100 (CET)
Subject: [microsound] R:  twitter
Message-ID: <12df7522396.moltitudine@tin.it>

@giupcaprioli

----Messaggio originale----
Da: kim at anechoicmedia.com
Data: 5-feb-2011 7.22 PM
A: "microsound_list"<microsound at or8.net>
Ogg: 
[microsound] twitter

_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.
net/mailman/listinfo/microsound




From clemens.hausch at gmx.at  Sat Feb  5 14:37:44 2011
From: clemens.hausch at gmx.at (clemens hausch)
Date: Sat, 5 Feb 2011 20:37:44 +0100
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <E961384E-3260-4420-9FB5-A1CD065A60D2@gmx.at>

@moozak_kazoom

Am 05.02.2011 um 19:22 schrieb Kim Cascone:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

-
http://www.moozak.org
http://www.myspace.com/clemenshausch
http://www.unfinishedbusiness.at
http://www.myspace.com/klubmoozak



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From velkrosmaak at gmail.com  Sat Feb  5 14:51:59 2011
From: velkrosmaak at gmail.com (Imi Votteler)
Date: Sat, 5 Feb 2011 19:51:59 +0000
Subject: [microsound] twitter
In-Reply-To: <E64DFB1E-1A14-4067-BE59-2AE5A0EFE58C@johndenosky.com>
References: <E64DFB1E-1A14-4067-BE59-2AE5A0EFE58C@johndenosky.com>
Message-ID: <AANLkTimzSXVj_BYqrx1kfLPJ8nLq8F5XsP4nGE6fBmpZ@mail.gmail.com>

Well this certainly brought and hive of activity to the thread!
On 5 Feb 2011 19:24, "John DeNosky" <music at johndenosky.com> wrote:
> @jmdeno
>
> John D.
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
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From studio at earphone.org  Sat Feb  5 15:08:05 2011
From: studio at earphone.org (Marc McNulty)
Date: Sat, 05 Feb 2011 15:08:05 -0500
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <4D4DAE25.4050500@earphone.org>

yes,

@MarcMcNulty

:)

On 2/5/11 1:22 PM, Kim Cascone wrote:
> any microsounders on Twitter?
> @kimcascone
-- 
: marc mcnulty <http://www.marcmcnulty.org>
: earphone [netlabel] <http://www.earphone.org>
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From babilano at chello.nl  Sat Feb  5 15:13:51 2011
From: babilano at chello.nl (babilano)
Date: Sat, 5 Feb 2011 21:13:51 +0100
Subject: [microsound] twitter
In-Reply-To: <AANLkTimzSXVj_BYqrx1kfLPJ8nLq8F5XsP4nGE6fBmpZ@mail.gmail.com>
References: <E64DFB1E-1A14-4067-BE59-2AE5A0EFE58C@johndenosky.com>
	<AANLkTimzSXVj_BYqrx1kfLPJ8nLq8F5XsP4nGE6fBmpZ@mail.gmail.com>
Message-ID: <6B85585A-C211-4FE5-951F-9CC1DBACD004@chello.nl>

Oh twitter
I don't speak about it much, maybe even a little embarassed to admit it.
Started tweeting because my ex-girlfriend did (she didn't follow back)
Now mostly lurking like I do here.
Twitter turned out to be much more of a challenge (& timesuck) than  
I'd envisioned.
Haven't given up yet,

@babilano


Op 5-feb-2011, om 20:51 heeft Imi Votteler het volgende geschreven:

Well this certainly brought and hive of activity to the thread!

On 5 Feb 2011 19:24, "John DeNosky" <music at johndenosky.com> wrote:
 > @jmdeno
 >
 > John D.
 > _______________________________________________
 > microsound mailing list
 > microsound at microsound.org
 > http://or8.net/mailman/listinfo/microsound
_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound

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From fe2cruz at hotmail.com  Sat Feb  5 15:38:02 2011
From: fe2cruz at hotmail.com (christiaan cruz)
Date: Sat, 5 Feb 2011 12:38:02 -0800
Subject: [microsound] microsound Digest, Vol 26, Issue 1
In-Reply-To: <mailman.8244.1296930887.5607.microsound@or8.net>
References: <mailman.8244.1296930887.5607.microsound@or8.net>
Message-ID: <AANLkTim+YoS2XsBBSiZ5oH-c5Oe18VY-_0SXsm3qjdn8@mail.gmail.com>

 @MOSPDA

=christiaan cruz

From laurensarahhayes at gmail.com  Sat Feb  5 15:40:46 2011
From: laurensarahhayes at gmail.com (Lauren Hayes)
Date: Sat, 5 Feb 2011 20:40:46 +0000
Subject: [microsound] microsound Digest, Vol 26, Issue 5
In-Reply-To: <mailman.8270.1296936893.5607.microsound@or8.net>
References: <mailman.8270.1296936893.5607.microsound@or8.net>
Message-ID: <AANLkTimpTpx3hrwESkiWv6A08jsFAQYGSV+63B9Gno34@mail.gmail.com>

Hi Kim,

@elleesaich

Greetings from Edinburgh!
Lauren

-- 
www.laurensarahhayes.com
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From cmichalakos at gmail.com  Sat Feb  5 15:46:05 2011
From: cmichalakos at gmail.com (Christos Michalakos)
Date: Sat, 5 Feb 2011 20:46:05 +0000
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <9BDD4BB9-D2C8-4711-9F37-0A9538D25761@gmail.com>


@cmichalakos

https://twitter.com/#!/cmichalakos


On 5 Feb 2011, at 18:22, Kim Cascone wrote:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From babilano at chello.nl  Sat Feb  5 15:47:35 2011
From: babilano at chello.nl (babilano)
Date: Sat, 5 Feb 2011 21:47:35 +0100
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <F7E777E3-E685-427C-8557-F15504FB0F1A@chello.nl>

Ok, I followed all of you.
Hope you'll follow back! (don't you hate the lingo?)
@babilano
Op 5-feb-2011, om 19:22 heeft Kim Cascone het volgende geschreven:

any microsounders on Twitter?
@kimcascone
_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound


From jeffreymelton at gmail.com  Sat Feb  5 17:09:04 2011
From: jeffreymelton at gmail.com (Jeffrey Melton)
Date: Sat, 5 Feb 2011 17:09:04 -0500
Subject: [microsound] twitter
In-Reply-To: <F7E777E3-E685-427C-8557-F15504FB0F1A@chello.nl>
References: <4D4D956B.5030603@anechoicmedia.com>
	<F7E777E3-E685-427C-8557-F15504FB0F1A@chello.nl>
Message-ID: <AANLkTika0V0nhzQKq4JpaO0AL635YHqkzh1KCou_CEeK@mail.gmail.com>

I have compiled a list of everyone who responded up to this point:
http://twitter.com/#!/nofi/microsound/members
Let me know if I missed anyone. Cheers,

On Sat, Feb 5, 2011 at 3:47 PM, babilano <babilano at chello.nl> wrote:

> Ok, I followed all of you.
> Hope you'll follow back! (don't you hate the lingo?)
> @babilano
> Op 5-feb-2011, om 19:22 heeft Kim Cascone het volgende geschreven:
>
>
> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>



-- 
jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA
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From phillipthomas at hotmail.com  Sat Feb  5 17:11:29 2011
From: phillipthomas at hotmail.com (Phillip)
Date: Sat, 5 Feb 2011 22:11:29 +0000
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <BLU0-SMTP113EBAF4D364D2CF59C8368ABE90@phx.gbl>

Yep electronic-air

Sent from my iPad

On 5 Feb 2011, at 18:22, Kim Cascone <kim at anechoicmedia.com> wrote:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

From flemminglyst at gmail.com  Sat Feb  5 17:58:22 2011
From: flemminglyst at gmail.com (flemming lyst)
Date: Sat, 5 Feb 2011 23:58:22 +0100
Subject: [microsound] twitter
In-Reply-To: <BLU0-SMTP113EBAF4D364D2CF59C8368ABE90@phx.gbl>
References: <4D4D956B.5030603@anechoicmedia.com>
	<BLU0-SMTP113EBAF4D364D2CF59C8368ABE90@phx.gbl>
Message-ID: <AANLkTinqES=pThBgFXjG006+ZT487bePkF649tA1ZMzd@mail.gmail.com>

@enorst

From bbrace at eskimo.com  Sat Feb  5 18:12:09 2011
From: bbrace at eskimo.com ({ brad brace })
Date: Sat, 5 Feb 2011 15:12:09 -0800 (PST)
Subject: [microsound] twitter
In-Reply-To: <83B3E399-4C43-4DED-B43A-4FFDFCF26E7B@googlemail.com>
References: <4D4D956B.5030603@anechoicmedia.com>
	<83B3E399-4C43-4DED-B43A-4FFDFCF26E7B@googlemail.com>
Message-ID: <Pine.SUN.4.58.1102051511490.4897@eskimo.com>


bbrace

/:b


From davide.oliveri at gmail.com  Sat Feb  5 18:33:18 2011
From: davide.oliveri at gmail.com (Davide Oliveri)
Date: Sun, 6 Feb 2011 00:33:18 +0100
Subject: [microsound] twitter
In-Reply-To: <Pine.SUN.4.58.1102051511490.4897@eskimo.com>
References: <4D4D956B.5030603@anechoicmedia.com>
	<83B3E399-4C43-4DED-B43A-4FFDFCF26E7B@googlemail.com>
	<Pine.SUN.4.58.1102051511490.4897@eskimo.com>
Message-ID: <AANLkTi=8bvdReZLU1AFBjHCt32HOZoV6z6h82K+nzRTU@mail.gmail.com>

@davideoliveri

2011/2/6 { brad brace } <bbrace at eskimo.com>

>
> bbrace
>
> /:b
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
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From ted.pallas at gmail.com  Sat Feb  5 18:40:22 2011
From: ted.pallas at gmail.com (Ted Pallas)
Date: Sat, 5 Feb 2011 18:40:22 -0500
Subject: [microsound] twitter
In-Reply-To: <AANLkTi=8bvdReZLU1AFBjHCt32HOZoV6z6h82K+nzRTU@mail.gmail.com>
References: <4D4D956B.5030603@anechoicmedia.com>
	<83B3E399-4C43-4DED-B43A-4FFDFCF26E7B@googlemail.com>
	<Pine.SUN.4.58.1102051511490.4897@eskimo.com>
	<AANLkTi=8bvdReZLU1AFBjHCt32HOZoV6z6h82K+nzRTU@mail.gmail.com>
Message-ID: <73BC6606-B5CF-4FEF-B3F4-152816B3F53F@gmail.com>

Maybe instead of using email we can #microsndlist on twitter. 

Love,
@tedpallas

Ted Pallas
Live Media Design
Sandwich Construction Consultant
cell - 516 286 9661

Pardon the typos, sent from my Casio SK-1

On Feb 5, 2011, at 6:33 PM, Davide Oliveri <davide.oliveri at gmail.com> wrote:

> @davideoliveri
> 
> 2011/2/6 { brad brace } <bbrace at eskimo.com>
> 
> bbrace
> 
> /:b
> 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
> 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
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From dave at mysterybear.net  Sat Feb  5 19:18:24 2011
From: dave at mysterybear.net (Dave Seidel)
Date: Sat, 05 Feb 2011 19:18:24 -0500
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <4D4DE8D0.5000509@mysterybear.net>

@DaveSeidel

On 2/5/2011 1:22 PM, Kim Cascone wrote:
> any microsounders on Twitter?
> @kimcascone
> 
> 
> 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

From whiprwill at yahoo.com  Sat Feb  5 19:56:28 2011
From: whiprwill at yahoo.com (will s.)
Date: Sat, 5 Feb 2011 16:56:28 -0800 (PST)
Subject: [microsound] twitter
Message-ID: <988244.52763.qm@web31004.mail.mud.yahoo.com>

@uforika

will soderberg
white-rose.net



      

From herrickalan at yahoo.com  Sat Feb  5 20:44:55 2011
From: herrickalan at yahoo.com (Alan Herrick)
Date: Sat, 5 Feb 2011 17:44:55 -0800 (PST)
Subject: [microsound] twitter
In-Reply-To: <Pine.SUN.4.58.1102051511490.4897@eskimo.com>
References: <4D4D956B.5030603@anechoicmedia.com>
	<83B3E399-4C43-4DED-B43A-4FFDFCF26E7B@googlemail.com>
	<Pine.SUN.4.58.1102051511490.4897@eskimo.com>
Message-ID: <144553.67317.qm@web83605.mail.sp1.yahoo.com>



auricular


_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound
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From norbert at x-tet.com  Sat Feb  5 20:51:42 2011
From: norbert at x-tet.com (Norbert Herber)
Date: Sat, 5 Feb 2011 20:51:42 -0500
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <1CC4DFA2-E400-47FE-ACA9-876A8AC51E8E@x-tet.com>

@norbertherber

On Feb 5, 2011, at 1:22 PM, Kim Cascone wrote:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From dan at listening-station.net  Sat Feb  5 21:08:09 2011
From: dan at listening-station.net (Dan Heidebrecht)
Date: Sat, 5 Feb 2011 19:08:09 -0700
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <AANLkTikpb=b475PeuWBqXCG3PkTaZkfsas7J7kttkuke@mail.gmail.com>

@dheidebrecht

On Sat, Feb 5, 2011 at 11:22 AM, Kim Cascone <kim at anechoicmedia.com> wrote:
> any microsounders on Twitter?
> @kimcascone
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>

From list at telcosystems.net  Sun Feb  6 03:25:42 2011
From: list at telcosystems.net (Gideon Kiers)
Date: Sun, 6 Feb 2011 09:25:42 +0100
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <781D23C6-AB93-442B-97B9-B4787DF9A4AB@telcosystems.net>

@telcosys

On 5 feb 2011, at 19:22, Kim Cascone wrote:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From floresrafael at gmail.com  Sun Feb  6 06:22:10 2011
From: floresrafael at gmail.com (rafael flores)
Date: Sun, 6 Feb 2011 12:22:10 +0100
Subject: [microsound] twitter
In-Reply-To: <781D23C6-AB93-442B-97B9-B4787DF9A4AB@telcosystems.net>
References: <4D4D956B.5030603@anechoicmedia.com>
	<781D23C6-AB93-442B-97B9-B4787DF9A4AB@telcosystems.net>
Message-ID: <AANLkTinvphC-T4NT1s_CP2eePxJO8W_xN6gUFESkirFa@mail.gmail.com>

http://twitter.com/_Rafael_Flores


> any microsounders on Twitter?
> @kimcascone

>  > _______________________________________________
> > microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
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From j.m.duarte.r at gmail.com  Sun Feb  6 07:02:11 2011
From: j.m.duarte.r at gmail.com (Joao Ricardo)
Date: Sun, 6 Feb 2011 12:02:11 +0000
Subject: [microsound] microsound Digest, Vol 26, Issue 7
In-Reply-To: <mailman.8292.1296991400.5607.microsound@or8.net>
References: <mailman.8292.1296991400.5607.microsound@or8.net>
Message-ID: <AANLkTimF0HiEG5HR2pGqQOAQvZkrVdMSrtD0dQwRZR3b@mail.gmail.com>

@ocp_pt_vu

( ;

On 6 February 2011 11:23, <microsound-request at or8.net> wrote:

> Send microsound mailing list submissions to
>        microsound at or8.net
>
> To subscribe or unsubscribe via the World Wide Web, visit
>        http://or8.net/mailman/listinfo/microsound
> or, via email, send a message with subject or body 'help' to
>        microsound-request at or8.net
>
> You can reach the person managing the list at
>        microsound-owner at or8.net
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of microsound digest..."
>
>
> Today's Topics:
>
>   1. Re: twitter (Ted Pallas)
>   2. Re: twitter (Dave Seidel)
>   3. twitter (will s.)
>   4. Re: twitter (Alan Herrick)
>   5. Re: twitter (Norbert Herber)
>   6. Re: twitter (Dan Heidebrecht)
>   7. Re: twitter (Gideon Kiers)
>   8. Re: twitter (rafael flores)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Sat, 5 Feb 2011 18:40:22 -0500
> From: Ted Pallas <ted.pallas at gmail.com>
> To: "microsound at microsound.org" <microsound at microsound.org>
> Subject: Re: [microsound] twitter
> Message-ID: <73BC6606-B5CF-4FEF-B3F4-152816B3F53F at gmail.com>
> Content-Type: text/plain; charset="us-ascii"
>
> Maybe instead of using email we can #microsndlist on twitter.
>
> Love,
> @tedpallas
>
> Ted Pallas
> Live Media Design
> Sandwich Construction Consultant
> cell - 516 286 9661
>
> Pardon the typos, sent from my Casio SK-1
>
> On Feb 5, 2011, at 6:33 PM, Davide Oliveri <davide.oliveri at gmail.com>
> wrote:
>
> > @davideoliveri
> >
> > 2011/2/6 { brad brace } <bbrace at eskimo.com>
> >
> > bbrace
> >
> > /:b
> >
> > _______________________________________________
> > microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
> >
> > _______________________________________________
> > microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
> -------------- next part --------------
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> URL: <
> http://or8.net/pipermail/microsound/attachments/20110205/6e3ecdbf/attachment-0001.html
> >
>
> ------------------------------
>
> Message: 2
> Date: Sat, 05 Feb 2011 19:18:24 -0500
> From: Dave Seidel <dave at mysterybear.net>
> To: microsound at microsound.org
> Subject: Re: [microsound] twitter
> Message-ID: <4D4DE8D0.5000509 at mysterybear.net>
> Content-Type: text/plain; charset=ISO-8859-1
>
> @DaveSeidel
>
> On 2/5/2011 1:22 PM, Kim Cascone wrote:
> > any microsounders on Twitter?
> > @kimcascone
> >
> >
> >
> > _______________________________________________
> > microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
>
>
> ------------------------------
>
> Message: 3
> Date: Sat, 5 Feb 2011 16:56:28 -0800 (PST)
> From: "will s." <whiprwill at yahoo.com>
> To: microsound at or8.net
> Subject: [microsound] twitter
> Message-ID: <988244.52763.qm at web31004.mail.mud.yahoo.com>
> Content-Type: text/plain; charset=us-ascii
>
> @uforika
>
> will soderberg
> white-rose.net
>
>
>
>
>
>
> ------------------------------
>
> Message: 4
> Date: Sat, 5 Feb 2011 17:44:55 -0800 (PST)
> From: Alan Herrick <herrickalan at yahoo.com>
> To: microsound at microsound.org
> Subject: Re: [microsound] twitter
> Message-ID: <144553.67317.qm at web83605.mail.sp1.yahoo.com>
> Content-Type: text/plain; charset="us-ascii"
>
>
>
> auricular
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL: <
> http://or8.net/pipermail/microsound/attachments/20110205/0ceb2a23/attachment-0001.html
> >
>
> ------------------------------
>
> Message: 5
> Date: Sat, 5 Feb 2011 20:51:42 -0500
> From: Norbert Herber <norbert at x-tet.com>
> To: microsound at microsound.org
> Subject: Re: [microsound] twitter
> Message-ID: <1CC4DFA2-E400-47FE-ACA9-876A8AC51E8E at x-tet.com>
> Content-Type: text/plain; charset=US-ASCII; format=flowed
>
> @norbertherber
>
> On Feb 5, 2011, at 1:22 PM, Kim Cascone wrote:
>
> > any microsounders on Twitter?
> > @kimcascone
> > _______________________________________________
> > microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
>
>
>
> ------------------------------
>
> Message: 6
> Date: Sat, 5 Feb 2011 19:08:09 -0700
> From: Dan Heidebrecht <dan at listening-station.net>
> To: microsound at microsound.org
> Subject: Re: [microsound] twitter
> Message-ID:
>        <AANLkTikpb=b475PeuWBqXCG3PkTaZkfsas7J7kttkuke at mail.gmail.com>
> Content-Type: text/plain; charset=UTF-8
>
> @dheidebrecht
>
> On Sat, Feb 5, 2011 at 11:22 AM, Kim Cascone <kim at anechoicmedia.com>
> wrote:
> > any microsounders on Twitter?
> > @kimcascone
> >
> > _______________________________________________
> > microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
> >
> >
>
>
> ------------------------------
>
> Message: 7
> Date: Sun, 6 Feb 2011 09:25:42 +0100
> From: Gideon Kiers <list at telcosystems.net>
> To: microsound at microsound.org
> Subject: Re: [microsound] twitter
> Message-ID: <781D23C6-AB93-442B-97B9-B4787DF9A4AB at telcosystems.net>
> Content-Type: text/plain; charset=us-ascii
>
> @telcosys
>
> On 5 feb 2011, at 19:22, Kim Cascone wrote:
>
> > any microsounders on Twitter?
> > @kimcascone
> > _______________________________________________
> > microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
>
>
>
> ------------------------------
>
> Message: 8
> Date: Sun, 6 Feb 2011 12:22:10 +0100
> From: rafael flores <floresrafael at gmail.com>
> To: microsound at microsound.org
> Subject: Re: [microsound] twitter
> Message-ID:
>        <AANLkTinvphC-T4NT1s_CP2eePxJO8W_xN6gUFESkirFa at mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
>
> http://twitter.com/_Rafael_Flores
>
>
> > any microsounders on Twitter?
> > @kimcascone
>
> >  > _______________________________________________
> > > microsound mailing list
> > > microsound at microsound.org
> > > http://or8.net/mailman/listinfo/microsound
> >
> > _______________________________________________
> > microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
> >
> -------------- next part --------------
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> URL: <
> http://or8.net/pipermail/microsound/attachments/20110206/d3928c45/attachment.html
> >
>
> ------------------------------
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
> End of microsound Digest, Vol 26, Issue 7
> *****************************************
>



-- 
http://ocp.pt.vu
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From clemens.hausch at gmx.at  Sun Feb  6 09:03:20 2011
From: clemens.hausch at gmx.at (Clemens Hausch)
Date: Sun, 06 Feb 2011 15:03:20 +0100
Subject: [microsound] twitter
In-Reply-To: <E961384E-3260-4420-9FB5-A1CD065A60D2@gmx.at>
References: <4D4D956B.5030603@anechoicmedia.com>
	<E961384E-3260-4420-9FB5-A1CD065A60D2@gmx.at>
Message-ID: <20110206140320.115140@gmx.net>

so i finally got me a personal account as well:

@chausch

-------- Original-Nachricht --------
> Datum: Sat, 5 Feb 2011 20:37:44 +0100
> Von: clemens hausch <clemens.hausch at gmx.at>
> An: microsound at microsound.org
> Betreff: Re: [microsound] twitter

> @moozak_kazoom
> 
> Am 05.02.2011 um 19:22 schrieb Kim Cascone:
> 
> > any microsounders on Twitter?
> > @kimcascone
> > _______________________________________________
> > microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
> 
> -
> http://www.moozak.org
> http://www.myspace.com/clemenshausch
> http://www.unfinishedbusiness.at
> http://www.myspace.com/klubmoozak
> 
> 
> 

-- 
-
http://www.unfinishedbusiness.at
http://www.myspace.com/112310020

GMX DSL Doppel-Flat ab 19,99 Euro/mtl.! Jetzt mit 
gratis Handy-Flat! http://portal.gmx.net/de/go/dsl

From clemens.hausch at gmx.at  Sun Feb  6 09:23:55 2011
From: clemens.hausch at gmx.at (clemens hausch)
Date: Sun, 6 Feb 2011 15:23:55 +0100
Subject: [microsound] diaspora
Message-ID: <38935E27-EE88-4892-AEF3-35A39A947D9E@gmx.at>

after all these twitter mails i was wondering if there are already diaspora users around here!

i hope it gets some momentum.. facebook exodus everybody!!

connect:
aytherherd at joindiaspora.com



-
http://www.moozak.org
http://www.myspace.com/clemenshausch
http://www.unfinishedbusiness.at
http://www.myspace.com/klubmoozak



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From leoncarrizosa at gmail.com  Sun Feb  6 09:27:48 2011
From: leoncarrizosa at gmail.com (=?iso-8859-1?Q?Le=F3n_Felipe_Carrizosa?=)
Date: Sun, 6 Feb 2011 09:27:48 -0500
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <003d01cbc60a$09f1df50$1dd59df0$@gmail.com>

@leonfcs

 

From: microsound-bounces at or8.net [mailto:microsound-bounces at or8.net] On
Behalf Of Kim Cascone
Sent: s?bado, 05 de febrero de 2011 01:23 p.m.
To: microsound_list
Subject: [microsound] twitter

 

any microsounders on Twitter?
@kimcascone

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From vilson at void.cc  Sun Feb  6 09:32:20 2011
From: vilson at void.cc (Vilson Vieira)
Date: Sun, 6 Feb 2011 12:32:20 -0200
Subject: [microsound] twitter
In-Reply-To: <003d01cbc60a$09f1df50$1dd59df0$@gmail.com>
References: <4D4D956B.5030603@anechoicmedia.com>
	<003d01cbc60a$09f1df50$1dd59df0$@gmail.com>
Message-ID: <AANLkTinQjUG3Sz7NDoJXnQSxNCtCAt3re7BtSA5YtP9G@mail.gmail.com>

@vilsonvieira

2011/2/6 Le?n Felipe Carrizosa <leoncarrizosa at gmail.com>:
> @leonfcs
>
>
>
> From: microsound-bounces at or8.net [mailto:microsound-bounces at or8.net] On
> Behalf Of Kim Cascone
> Sent: s?bado, 05 de febrero de 2011 01:23 p.m.
> To: microsound_list
> Subject: [microsound] twitter
>
>
>
> any microsounders on Twitter?
> @kimcascone
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>



-- 
Vilson Vieira

vilson at void.cc

((( http://automata.cc )))

((( http://musa.cc )))

From jonas at donebyme.com  Sun Feb  6 10:56:51 2011
From: jonas at donebyme.com (Jonas Enqvist)
Date: Sun, 6 Feb 2011 16:56:51 +0100
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <14EB25A3-D44D-4FBA-B648-2D9213856C13@donebyme.com>

yes!

@donebyme


5 feb 2011 kl. 19.22 skrev Kim Cascone:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

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From jonas at donebyme.com  Sun Feb  6 10:56:51 2011
From: jonas at donebyme.com (Jonas Enqvist)
Date: Sun, 6 Feb 2011 16:56:51 +0100
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <14EB25A3-D44D-4FBA-B648-2D9213856C13@donebyme.com>

yes!

@donebyme


5 feb 2011 kl. 19.22 skrev Kim Cascone:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

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From totem_tm at yahoo.dk  Sun Feb  6 11:08:47 2011
From: totem_tm at yahoo.dk (Jonas Olesen)
Date: Sun, 6 Feb 2011 16:08:47 +0000 (GMT)
Subject: [microsound] twitter
In-Reply-To: <14EB25A3-D44D-4FBA-B648-2D9213856C13@donebyme.com>
Message-ID: <95451.71177.qm@web29015.mail.ird.yahoo.com>

no:-!

?-no twitter
- no facebook
- no skype 
?-no linked in
- no myspace
- no freindster
- no gmail
- no shit

sorry!
5 feb 2011 kl. 19.22 skrev Kim Cascone:
     any microsounders on Twitter?
    @kimcascone
    _______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound


-----Inline-vedh?ftet fil f?lger-----

_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound


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From totem_tm at yahoo.dk  Sun Feb  6 11:08:47 2011
From: totem_tm at yahoo.dk (Jonas Olesen)
Date: Sun, 6 Feb 2011 16:08:47 +0000 (GMT)
Subject: [microsound] twitter
In-Reply-To: <14EB25A3-D44D-4FBA-B648-2D9213856C13@donebyme.com>
Message-ID: <95451.71177.qm@web29015.mail.ird.yahoo.com>

no:-!

?-no twitter
- no facebook
- no skype 
?-no linked in
- no myspace
- no freindster
- no gmail
- no shit

sorry!
5 feb 2011 kl. 19.22 skrev Kim Cascone:
     any microsounders on Twitter?
    @kimcascone
    _______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound


-----Inline-vedh?ftet fil f?lger-----

_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound


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From vanessa at musicappreciationrecs.com  Sun Feb  6 11:17:41 2011
From: vanessa at musicappreciationrecs.com (vanessa rossetto)
Date: Sun, 6 Feb 2011 08:17:41 -0800 (PST)
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <88675.37489.qm@web56303.mail.re3.yahoo.com>

@foundrabbit

--- On Sat, 2/5/11, Kim Cascone <kim at anechoicmedia.com> wrote:

From: Kim Cascone <kim at anechoicmedia.com>
Subject: [microsound] twitter
To: "microsound_list" <microsound at or8.net>
Date: Saturday, February 5, 2011, 12:22 PM



  

    
  any microsounders on Twitter?

    @kimcascone

  

-----Inline Attachment Follows-----

_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound



      
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From n_q at gmx.net  Sun Feb  6 11:21:53 2011
From: n_q at gmx.net (Nils Quak)
Date: Sun, 6 Feb 2011 17:21:53 +0100
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <4039A502-7960-4F55-B533-529BCD08D160@gmx.net>

it's:
@nq_music


Am 05.02.2011 um 19:22 schrieb Kim Cascone:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From mikamartini at yahoo.com  Sun Feb  6 11:41:51 2011
From: mikamartini at yahoo.com (Mika Martini)
Date: Sun, 6 Feb 2011 08:41:51 -0800 (PST)
Subject: [microsound] twitter
In-Reply-To: <AANLkTikpb=b475PeuWBqXCG3PkTaZkfsas7J7kttkuke@mail.gmail.com>
Message-ID: <586767.22022.qm@web39405.mail.mud.yahoo.com>

@mikamartini


Mika Martini
Director Pueblo Nuevo Netlabel
?
+ + + + + + + + + + + + +?+ + + + +
[M!M] [CHILE]



[www.pueblonuevo.cl]
[www.myspace.com/mikamartini]
[www.twitter.com/mikamartini]
?
(Nota: el contenido de este email es confidencial, por favor no lo replique en ninguna red social sin?mi autorizaci?n. / This email is confidential, please do not publish it at facebook, twitter or any social media without my agreement)
?
?

--- El dom, 2/6/11, Dan Heidebrecht <dan at listening-station.net> escribi?:


De: Dan Heidebrecht <dan at listening-station.net>
Asunto: Re: [microsound] twitter
A: microsound at microsound.org
Fecha: domingo, 6 de febrero de 2011, 12:08 am


@dheidebrecht

On Sat, Feb 5, 2011 at 11:22 AM, Kim Cascone <kim at anechoicmedia.com> wrote:
> any microsounders on Twitter?
> @kimcascone
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound



      
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From kochhw at netcologne.de  Sun Feb  6 11:50:58 2011
From: kochhw at netcologne.de (hans w. koch)
Date: Sun, 6 Feb 2011 17:50:58 +0100
Subject: [microsound] twitter
In-Reply-To: <mailman.8307.1297008589.5607.microsound@or8.net>
References: <mailman.8307.1297008589.5607.microsound@or8.net>
Message-ID: <169AD951-6E6A-4A43-BD46-0075D8407FCF@netcologne.de>

finally the voice of reason!

h
www.hans-w-koch.net


> Message: 5
> Date: Sun, 6 Feb 2011 16:08:47 +0000 (GMT)
> From: Jonas Olesen <totem_tm at yahoo.dk>
> To: microsound at microsound.org
> Cc: microsound_list <microsound at or8.net>
> Subject: Re: [microsound] twitter
> Message-ID: <95451.71177.qm at web29015.mail.ird.yahoo.com>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> no:-!
> 
> ?-no twitter
> - no facebook
> - no skype 
> ?-no linked in
> - no myspace
> - no freindster
> - no gmail
> - no shit
> 
> sorry!
> 5 feb 2011 kl. 19.22 skrev Kim Cascone:
>     any microsounders on Twitter?
>    @kimcascone


From bubotic at gmail.com  Sun Feb  6 12:28:40 2011
From: bubotic at gmail.com (bubotic at gmail.com)
Date: Sun, 6 Feb 2011 18:28:40 +0100
Subject: [microsound] diaspora
In-Reply-To: <38935E27-EE88-4892-AEF3-35A39A947D9E@gmx.at>
References: <38935E27-EE88-4892-AEF3-35A39A947D9E@gmx.at>
Message-ID: <AC95D4D5-74A7-4D3B-9181-DF7FB24CABD4@gmail.com>




> .. facebook exodus everybody!!



Just Do It



http://www.eurodisney.biz/?p=931



" ... tired of prickly, intimate and fleshy human relationships being flattened into ?friend?-nodes, the erasure of myth by constant visibility and exhausting availability ... "

From c.reider at vuzhmusic.com  Sun Feb  6 13:25:58 2011
From: c.reider at vuzhmusic.com (C. Reider)
Date: Sun, 6 Feb 2011 11:25:58 -0700
Subject: [microsound] twitter
In-Reply-To: <mailman.8312.1297013394.5607.microsound@or8.net>
References: <mailman.8312.1297013394.5607.microsound@or8.net>
Message-ID: <7B83C239-DC43-4A23-9E71-3ADAE8EC1DE5@vuzhmusic.com>

@vuzhmusic

From sohnup at gmail.com  Sun Feb  6 13:45:43 2011
From: sohnup at gmail.com (Aaron Lazansky-Olivas)
Date: Sun, 6 Feb 2011 13:45:43 -0500
Subject: [microsound] microsound Digest, Vol 26, Issue 6
In-Reply-To: <mailman.8278.1296948862.5607.microsound@or8.net>
References: <mailman.8278.1296948862.5607.microsound@or8.net>
Message-ID: <97530C0F-368C-4F2B-AD62-46DB82BD3512@gmail.com>

@spazecraft

Cheers folks.

Sent from my imaginary playland in the digital universe. 

http://sohnup.com
http://worldup.org
http://invisibleinstructions.com
http://hiphopeducationcenter.org

On Feb 5, 2011, at 6:34 PM, microsound-request at or8.net wrote:

> Send microsound mailing list submissions to
>    microsound at or8.net
> 
> To subscribe or unsubscribe via the World Wide Web, visit
>    http://or8.net/mailman/listinfo/microsound
> or, via email, send a message with subject or body 'help' to
>    microsound-request at or8.net
> 
> You can reach the person managing the list at
>    microsound-owner at or8.net
> 
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of microsound digest..."
> 
> 
> Today's Topics:
> 
>   1. Re: microsound Digest, Vol 26, Issue 1 (christiaan cruz)
>   2. Re: microsound Digest, Vol 26, Issue 5 (Lauren Hayes)
>   3. Re: twitter (Christos Michalakos)
>   4. Re: twitter (babilano)
>   5. Re: twitter (Jeffrey Melton)
>   6. Re: twitter (Phillip)
>   7. Re: twitter (flemming lyst)
>   8. Re: twitter ({ brad brace })
>   9. Re: twitter (Davide Oliveri)
> 
> 
> ----------------------------------------------------------------------
> 
> Message: 1
> Date: Sat, 5 Feb 2011 12:38:02 -0800
> From: christiaan cruz <fe2cruz at hotmail.com>
> To: microsound at or8.net
> Subject: Re: [microsound] microsound Digest, Vol 26, Issue 1
> Message-ID:
>    <AANLkTim+YoS2XsBBSiZ5oH-c5Oe18VY-_0SXsm3qjdn8 at mail.gmail.com>
> Content-Type: text/plain; charset=ISO-8859-1
> 
> @MOSPDA
> 
> =christiaan cruz
> 
> 
> ------------------------------
> 
> Message: 2
> Date: Sat, 5 Feb 2011 20:40:46 +0000
> From: Lauren Hayes <laurensarahhayes at gmail.com>
> To: microsound at or8.net
> Subject: Re: [microsound] microsound Digest, Vol 26, Issue 5
> Message-ID:
>    <AANLkTimpTpx3hrwESkiWv6A08jsFAQYGSV+63B9Gno34 at mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> Hi Kim,
> 
> @elleesaich
> 
> Greetings from Edinburgh!
> Lauren
> 
> -- 
> www.laurensarahhayes.com
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> 
> ------------------------------
> 
> Message: 3
> Date: Sat, 5 Feb 2011 20:46:05 +0000
> From: Christos Michalakos <cmichalakos at gmail.com>
> To: microsound at microsound.org
> Subject: Re: [microsound] twitter
> Message-ID: <9BDD4BB9-D2C8-4711-9F37-0A9538D25761 at gmail.com>
> Content-Type: text/plain; charset=us-ascii
> 
> 
> @cmichalakos
> 
> https://twitter.com/#!/cmichalakos
> 
> 
> On 5 Feb 2011, at 18:22, Kim Cascone wrote:
> 
>> any microsounders on Twitter?
>> @kimcascone
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
> 
> 
> 
> ------------------------------
> 
> Message: 4
> Date: Sat, 5 Feb 2011 21:47:35 +0100
> From: babilano <babilano at chello.nl>
> To: microsound at microsound.org
> Subject: Re: [microsound] twitter
> Message-ID: <F7E777E3-E685-427C-8557-F15504FB0F1A at chello.nl>
> Content-Type: text/plain; charset=US-ASCII; format=flowed
> 
> Ok, I followed all of you.
> Hope you'll follow back! (don't you hate the lingo?)
> @babilano
> Op 5-feb-2011, om 19:22 heeft Kim Cascone het volgende geschreven:
> 
> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
> 
> 
> 
> ------------------------------
> 
> Message: 5
> Date: Sat, 5 Feb 2011 17:09:04 -0500
> From: Jeffrey Melton <jeffreymelton at gmail.com>
> To: microsound at microsound.org
> Subject: Re: [microsound] twitter
> Message-ID:
>    <AANLkTika0V0nhzQKq4JpaO0AL635YHqkzh1KCou_CEeK at mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> I have compiled a list of everyone who responded up to this point:
> http://twitter.com/#!/nofi/microsound/members
> Let me know if I missed anyone. Cheers,
> 
> On Sat, Feb 5, 2011 at 3:47 PM, babilano <babilano at chello.nl> wrote:
> 
>> Ok, I followed all of you.
>> Hope you'll follow back! (don't you hate the lingo?)
>> @babilano
>> Op 5-feb-2011, om 19:22 heeft Kim Cascone het volgende geschreven:
>> 
>> 
>> any microsounders on Twitter?
>> @kimcascone
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>> 
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>> 
> 
> 
> 
> -- 
> jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA
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> 
> ------------------------------
> 
> Message: 6
> Date: Sat, 5 Feb 2011 22:11:29 +0000
> From: Phillip <phillipthomas at hotmail.com>
> To: "microsound at microsound.org" <microsound at microsound.org>
> Subject: Re: [microsound] twitter
> Message-ID: <BLU0-SMTP113EBAF4D364D2CF59C8368ABE90 at phx.gbl>
> Content-Type: text/plain; charset="us-ascii"
> 
> Yep electronic-air
> 
> Sent from my iPad
> 
> On 5 Feb 2011, at 18:22, Kim Cascone <kim at anechoicmedia.com> wrote:
> 
>> any microsounders on Twitter?
>> @kimcascone
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
> 
> 
> ------------------------------
> 
> Message: 7
> Date: Sat, 5 Feb 2011 23:58:22 +0100
> From: flemming lyst <flemminglyst at gmail.com>
> To: microsound at microsound.org
> Subject: Re: [microsound] twitter
> Message-ID:
>    <AANLkTinqES=pThBgFXjG006+ZT487bePkF649tA1ZMzd at mail.gmail.com>
> Content-Type: text/plain; charset=ISO-8859-1
> 
> @enorst
> 
> 
> ------------------------------
> 
> Message: 8
> Date: Sat, 5 Feb 2011 15:12:09 -0800 (PST)
> From: { brad brace } <bbrace at eskimo.com>
> To: "microsound at microsound.org" <microsound at microsound.org>
> Subject: Re: [microsound] twitter
> Message-ID: <Pine.SUN.4.58.1102051511490.4897 at eskimo.com>
> Content-Type: TEXT/PLAIN; charset=US-ASCII
> 
> 
> bbrace
> 
> /:b
> 
> 
> 
> ------------------------------
> 
> Message: 9
> Date: Sun, 6 Feb 2011 00:33:18 +0100
> From: Davide Oliveri <davide.oliveri at gmail.com>
> To: microsound at microsound.org
> Subject: Re: [microsound] twitter
> Message-ID:
>    <AANLkTi=8bvdReZLU1AFBjHCt32HOZoV6z6h82K+nzRTU at mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
> 
> @davideoliveri
> 
> 2011/2/6 { brad brace } <bbrace at eskimo.com>
> 
>> 
>> bbrace
>> 
>> /:b
>> 
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>> 
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> 
> ------------------------------
> 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
> 
> 
> End of microsound Digest, Vol 26, Issue 6
> *****************************************

From alessio at postodellefragole.com  Sun Feb  6 16:26:11 2011
From: alessio at postodellefragole.com (alessio ballerini)
Date: Sun, 6 Feb 2011 22:26:11 +0100
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <5825B013-B0F7-43E3-A9D7-FB2A9C5DB5E4@postodellefragole.com>

@ballerini_a

Il giorno 05/feb/2011, alle ore 19.22, Kim Cascone ha scritto:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

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From alessio at postodellefragole.com  Sun Feb  6 16:26:11 2011
From: alessio at postodellefragole.com (alessio ballerini)
Date: Sun, 6 Feb 2011 22:26:11 +0100
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <5825B013-B0F7-43E3-A9D7-FB2A9C5DB5E4@postodellefragole.com>

@ballerini_a

Il giorno 05/feb/2011, alle ore 19.22, Kim Cascone ha scritto:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

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From D.Sudmalis at australiacouncil.gov.au  Sun Feb  6 17:03:56 2011
From: D.Sudmalis at australiacouncil.gov.au (David Sudmalis)
Date: Mon, 7 Feb 2011 09:03:56 +1100
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <051530AFFBA4CF41B7CE1B86078651520B2F485C@sydexch01.ozco.gov.au>

Hi all,

 

@sudsmusic

 

Cheers,

 

Dave

 

 

From: microsound-bounces at or8.net [mailto:microsound-bounces at or8.net] On
Behalf Of Kim Cascone
Sent: Sunday, 6 February 2011 5:23 AM
To: microsound_list
Subject: [microsound] twitter

 

any microsounders on Twitter?
@kimcascone


**********************************************************************
Important: This message may contain confidential or legally privileged information. If you think it was sent to you by mistake, please delete all copies and advise the sender. For the purposes of the Spam Act 2003, this email is authorised by AGS. If you do not wish to receive similar messages in the future, please reply to: mail at australiacouncil.gov.au

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From trond.lossius at bek.no  Mon Feb  7 01:17:16 2011
From: trond.lossius at bek.no (Trond Lossius)
Date: Mon, 7 Feb 2011 07:17:16 +0100
Subject: [microsound] twitter
In-Reply-To: <051530AFFBA4CF41B7CE1B86078651520B2F485C@sydexch01.ozco.gov.au>
References: <4D4D956B.5030603@anechoicmedia.com>
	<051530AFFBA4CF41B7CE1B86078651520B2F485C@sydexch01.ozco.gov.au>
Message-ID: <AD0C5CD0-5E47-42C1-9C83-1DE2669D74AD@bek.no>

> any microsounders on Twitter?
> @kimcascone

@lossius

Cheers,
Trond

From lister at sonicescape.net  Mon Feb  7 02:55:05 2011
From: lister at sonicescape.net (Jakob Riis)
Date: Mon, 7 Feb 2011 08:55:05 +0100
Subject: [microsound] twitter
In-Reply-To: <AD0C5CD0-5E47-42C1-9C83-1DE2669D74AD@bek.no>
References: <4D4D956B.5030603@anechoicmedia.com>
	<051530AFFBA4CF41B7CE1B86078651520B2F485C@sydexch01.ozco.gov.au>
	<AD0C5CD0-5E47-42C1-9C83-1DE2669D74AD@bek.no>
Message-ID: <20110207075505.1070825137@mail2.bahnhof.se>

@jakobriis

> any microsounders on Twitter?




From hars7 at hotmail.com  Mon Feb  7 09:01:37 2011
From: hars7 at hotmail.com (HarS' Sound Chronicles)
Date: Mon, 7 Feb 2011 15:01:37 +0100
Subject: [microsound] microsound] twitter
In-Reply-To: <mailman.8244.1296930887.5607.microsound@or8.net>
References: <mailman.8244.1296930887.5607.microsound@or8.net>
Message-ID: <SNT129-W36848E29790745615CAAEEF0EB0@phx.gbl>


"Soundblog twitter" : http://twitter.com/soundblogbest, Harold)))) http://harsmedia.com___________________________________________________________"Seventy Seconds" is my 10-seconds-a-day sound diary for theprime year 2011, in weekly editions on the Dutch web dailyhard//hoofd _________________ this week the 5th 70s :http://hardhoofd.com/2011/02/06/seventy-seconds-552/___________________________________________________________ 		 	   		  
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From zztijn at gmail.com  Mon Feb  7 09:58:14 2011
From: zztijn at gmail.com (Stijn Demeulenaere)
Date: Mon, 7 Feb 2011 15:58:14 +0100
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <A1EFBC7B-93CF-479E-BE84-1E365C58E537@gmail.com>

i'm not a very productive user of twitter, but here goes:

@llluther


Op 5-feb-11, om 19:22 heeft Kim Cascone het volgende geschreven:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From paleblue62 at gmail.com  Mon Feb  7 10:19:01 2011
From: paleblue62 at gmail.com (paleblue62)
Date: Tue, 8 Feb 2011 00:19:01 +0900
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <AANLkTi=aYJck06dGUPwxAB6Vua+tnJupWR74+XuOVqXr@mail.gmail.com>

@circlesamba

> any microsounders on Twitter?

From js0000 at gmail.com  Mon Feb  7 12:49:44 2011
From: js0000 at gmail.com (john saylor)
Date: Mon, 7 Feb 2011 12:49:44 -0500
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <AANLkTik+cgU5hJWsfdMF67zUXwvrfHZdx4QtArvzwVje@mail.gmail.com>

hey

On Sat, Feb 5, 2011 at 1:22 PM, Kim Cascone <kim at anechoicmedia.com> wrote:
> any microsounders on Twitter?

@js0000

-- 
\js : "verbing weirds language." -calvin ?[http://or8.net/~johns/]

From bbrace at eskimo.com  Mon Feb  7 17:17:20 2011
From: bbrace at eskimo.com ({ brad brace })
Date: Mon, 7 Feb 2011 14:17:20 -0800 (PST)
Subject: [microsound] twitter
In-Reply-To: <5825B013-B0F7-43E3-A9D7-FB2A9C5DB5E4@postodellefragole.com>
References: <4D4D956B.5030603@anechoicmedia.com>
	<5825B013-B0F7-43E3-A9D7-FB2A9C5DB5E4@postodellefragole.com>
Message-ID: <Pine.SUN.4.58.1102071415470.836@eskimo.com>


bbrace

(follow for 12hr-posts)


---


PROXY Gallery
http://bit.ly/proxygallery

global islands project:
http://bbrace.net/id.html

"We fill the craters left by the bombs
And once again we sing
And once again we sow
Because life never surrenders."
-- anonymous Vietnamese poem

"Nothing can be said about the sea."
-- Mr Selvam, Akkrapattai, India 2004

{ brad brace }   <<<<< bbrace at eskimo.com >>>>  ~finger for pgp

---    bbs: brad brace sound                               ---
---    http://69.64.229.114:8000                           ---
---    http://bradbrace.net/undisclosed.html 		   ---

.
The 12hr-ISBN-JPEG Project       >>>> posted since 1994 <<<<

+ + +         serial           ftp://ftp.eskimo.com/u/b/bbrace
+ + +      eccentric          ftp://  (your-site-here!)
+ + +     continuous         hotline://artlyin.ftr.va.com.au
+ + +    hypermodern      ftp://ftp.rdrop.com/pub/users/bbrace
+ + +        imagery        http://12hr.noemata.net

News:  alt.binaries.pictures.12hr   alt.binaries.pictures.misc
               alt.binaries.pictures.fine-art.misc    alt.12hr

.  12hr email
subscriptions => http://bradbrace.net/buy-into.html


.  Other  |  Mirror: http://www.eskimo.com/~bbrace/bbrace.html
Projects  |  Reverse Solidus: http://bradbrace.net/
          |                   http://bbrace.net

.  Blog	  |  http://bradbrace.net/wordpress
.  IM     |  bbrace at unstable.nl
.  IRC	  |  #bbrace
.  ICQ    |  109352289
.  SIP    |  bbrace at ekiga.net
. SKYPE   |  bbbrace
	  |  registered linux user #323978
~>
I am not a victim	coercion is natural
I am a messenger	freedom is artifical
so say no 		to usury and corporate goons



/:b













From listekutusu at gmail.com  Mon Feb  7 18:06:53 2011
From: listekutusu at gmail.com (Korhan Erel)
Date: Tue, 8 Feb 2011 01:06:53 +0200
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <C3047335-676A-45D0-A8B8-5E49B50554A6@gmail.com>

yes. @korhanerel

On 05.?ub.2011, at 20:22, Kim Cascone wrote:

> any microsounders on Twitter?
> @kimcascone
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From jonasr at jonasr.com  Tue Feb  8 10:32:16 2011
From: jonasr at jonasr.com (Jonas R. Kirkegaard)
Date: Tue, 8 Feb 2011 16:32:16 +0100
Subject: [microsound] twitter
In-Reply-To: <95451.71177.qm@web29015.mail.ird.yahoo.com>
References: <95451.71177.qm@web29015.mail.ird.yahoo.com>
Message-ID: <AC6F8874-D9A3-4623-8032-26CB25B82B6E@jonasr.com>

but yahoo and mailing lists:-)


Den 06/02/2011 kl. 17.08 skrev Jonas Olesen:

> no:-!
>
>  -no twitter
> - no facebook
> - no skype
>  -no linked in
> - no myspace
> - no freindster
> - no gmail
> - no shit
>
> sorry!
> 5 feb 2011 kl. 19.22 skrev Kim Cascone:
>
>> any microsounders on Twitter?
>> @kimcascone
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>
>
> -----Inline-vedh?ftet fil f?lger-----
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

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From neil.wiernik at gmail.com  Tue Feb  8 10:38:43 2011
From: neil.wiernik at gmail.com (Neil Wiernik)
Date: Tue, 8 Feb 2011 10:38:43 -0500
Subject: [microsound] twitter
In-Reply-To: <AC6F8874-D9A3-4623-8032-26CB25B82B6E@jonasr.com>
References: <95451.71177.qm@web29015.mail.ird.yahoo.com>
	<AC6F8874-D9A3-4623-8032-26CB25B82B6E@jonasr.com>
Message-ID: <AANLkTi=wOFOHaMEh8r50K0s=e+7fVa0n_tHOG1VRXFWJ@mail.gmail.com>

must be nice to publicly admit your a luddite...and stuck in mid 90s
technology...
do you enjoy your dial up account also?

On Tue, Feb 8, 2011 at 10:32 AM, Jonas R. Kirkegaard <jonasr at jonasr.com>wrote:

> but yahoo and mailing lists:-)
>
>
> Den 06/02/2011 kl. 17.08 skrev Jonas Olesen:
>
> no:-!
>
>  -no twitter
> - no facebook
> - no skype
>  -no linked in
> - no myspace
> - no freindster
> - no gmail
> - no shit
>
> sorry!
>
> 5 feb 2011 kl. 19.22 skrev Kim Cascone:
>
>  any microsounders on Twitter?
> @kimcascone
>  _______________________________________________
> microsound mailing list
> microsound at microsound.org <http://mc/compose?to=microsound at microsound.org>
> http://or8.net/mailman/listinfo/microsound
>
>
>
> -----Inline-vedh?ftet fil f?lger-----
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org <http://mc/compose?to=microsound at microsound.org>
> http://or8.net/mailman/listinfo/microsound
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
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From ted.pallas at gmail.com  Tue Feb  8 11:00:30 2011
From: ted.pallas at gmail.com (Ted Pallas)
Date: Tue, 8 Feb 2011 11:00:30 -0500
Subject: [microsound] twitter
In-Reply-To: <AANLkTi=wOFOHaMEh8r50K0s=e+7fVa0n_tHOG1VRXFWJ@mail.gmail.com>
References: <95451.71177.qm@web29015.mail.ird.yahoo.com>
	<AC6F8874-D9A3-4623-8032-26CB25B82B6E@jonasr.com>
	<AANLkTi=wOFOHaMEh8r50K0s=e+7fVa0n_tHOG1VRXFWJ@mail.gmail.com>
Message-ID: <AANLkTinLDDqhquHwHB1FhvPGk_oXYOhs8YO1LFHw4Pib@mail.gmail.com>

This is a microsound mailing list that I subscribed to for the occasional
interesting insight.  This isn't a Techcrunch comment list, and I reckon
most of the people on this list don't need a chain of emails weighing the
merits of social networking - do not feed the trolls.

Ted Pallas
Live Media Designer
Sandwich Construction Consultant
ted dot pallas -at- gmail dot com
516.286.9661



On Tue, Feb 8, 2011 at 10:38 AM, Neil Wiernik <neil.wiernik at gmail.com>wrote:

> must be nice to publicly admit your a luddite...and stuck in mid 90s
> technology...
> do you enjoy your dial up account also?
>
>
> On Tue, Feb 8, 2011 at 10:32 AM, Jonas R. Kirkegaard <jonasr at jonasr.com>wrote:
>
>> but yahoo and mailing lists:-)
>>
>>
>> Den 06/02/2011 kl. 17.08 skrev Jonas Olesen:
>>
>>    no:-!
>>
>>  -no twitter
>> - no facebook
>> - no skype
>>  -no linked in
>> - no myspace
>> - no freindster
>> - no gmail
>> - no shit
>>
>> sorry!
>>
>> 5 feb 2011 kl. 19.22 skrev Kim Cascone:
>>
>>  any microsounders on Twitter?
>> @kimcascone
>>  _______________________________________________
>> microsound mailing list
>> microsound at microsound.org<http://mc/compose?to=microsound at microsound.org>
>> http://or8.net/mailman/listinfo/microsound
>>
>>
>>
>> -----Inline-vedh?ftet fil f?lger-----
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org<http://mc/compose?to=microsound at microsound.org>
>> http://or8.net/mailman/listinfo/microsound
>>
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>>
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
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From ben at greenbeet.com  Wed Feb  9 07:50:46 2011
From: ben at greenbeet.com (Ben Neill)
Date: Wed, 09 Feb 2011 07:50:46 -0500
Subject: [microsound] Twitter
Message-ID: <C977F7D7.35E43%ben@greenbeet.com>

> any microsounders on Twitter?
> @kimcascone


@ben_neill

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From velkrosmaak at gmail.com  Wed Feb  9 07:52:05 2011
From: velkrosmaak at gmail.com (Imi Votteler)
Date: Wed, 9 Feb 2011 12:52:05 +0000
Subject: [microsound] Twitter
In-Reply-To: <C977F7D7.35E43%ben@greenbeet.com>
References: <C977F7D7.35E43%ben@greenbeet.com>
Message-ID: <AANLkTikQw0ySDgD2XqQhoS2jc_cZfDA=c+w_y90vrfZM@mail.gmail.com>

add yourself to the list!

On 9 February 2011 12:50, Ben Neill <ben at greenbeet.com> wrote:

>  > any microsounders on Twitter?
> > @kimcascone
>
>
> @ben_neill
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
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From flemminglyst at gmail.com  Wed Feb  9 09:55:27 2011
From: flemminglyst at gmail.com (flemming lyst)
Date: Wed, 9 Feb 2011 15:55:27 +0100
Subject: [microsound] radical computer music
Message-ID: <AANLkTinsd6QAvQOXuQxOxCzoHj9fuBvc8A3k4d8Qt_kR@mail.gmail.com>

let's read your thoughts about this:

http://vimeo.com/19593647

From maurice at mac.com  Wed Feb  9 10:50:42 2011
From: maurice at mac.com (Maurice Rickard)
Date: Wed, 09 Feb 2011 10:50:42 -0500
Subject: [microsound] Twitter
In-Reply-To: <C977F7D7.35E43%ben@greenbeet.com>
References: <C977F7D7.35E43%ben@greenbeet.com>
Message-ID: <4D52B7D2.5090701@mac.com>

>>  any microsounders on Twitter?
>>  @kimcascone

@onezeromusic
@yoctonaut (my sequencer-on-the-iPhone project)


From elgusanorojo at gmail.com  Wed Feb  9 10:56:29 2011
From: elgusanorojo at gmail.com (gusano)
Date: Wed, 09 Feb 2011 16:56:29 +0100
Subject: [microsound] Twitter
In-Reply-To: <4D52B7D2.5090701@mac.com>
References: <C977F7D7.35E43%ben@greenbeet.com> <4D52B7D2.5090701@mac.com>
Message-ID: <4D52B92D.1090303@gmail.com>

>>> any microsounders on Twitter?
>>> @kimcascone

in case some color blind .microsounders missed the red type splattered
on the microsound.org page:

this list is *not* meant for announcing anything
except new works you want to share with the community and/or get feedback on

please please please read the frickin' statement in BOLD RED LETTERS on
the same page you happened to sub from?

it is all right there is painfully unsubtle text
screaming at you in bold red:
***DO NOT POST ANNOUNCEMENTS TO THE MAIN MICROSOUND LIST!!!***
there is another list for this
which you can sub to and announce and cross-post to

... couldn't resist

From rafal at zapala.com.pl  Wed Feb  9 12:31:42 2011
From: rafal at zapala.com.pl (Rafal Zapala)
Date: Wed, 09 Feb 2011 18:31:42 +0100
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <C9788E0E.D1E%rafal@zapala.com.pl>

smiles 4 everyone

@zapalarafal


On 11-02-05 19:22, "Kim Cascone" <kim at anechoicmedia.com> wrote:

>    any microsounders on Twitter?
>  @kimcascone
>  
> 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

-- 
Zapala 
+48 506050417  
 www.myspace.com/zapalarafal

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From mus01lju at gold.ac.uk  Wed Feb  9 12:47:52 2011
From: mus01lju at gold.ac.uk (Lawrence Upton)
Date: Wed, 9 Feb 2011 17:47:52 -0000 (GMT)
Subject: [microsound] twatter
Message-ID: <50505.158.223.90.209.1297273672.squirrel@secure2.gold.ac.uk>


I have enjoyed lurking on this list

I have learned a lot

I regret to say that recently I have learned that my assumptions about
twitter and those who use it have been confirmed; and I am leaving

---
NAMING and CURSING: some live text-sound compositions
http://www.revistalaboratorio.cl/2010/12/naming-and-cursing-some-live-text-sound-composition/

---
Lawrence Upton
AHRC Creative Research Fellow
Dept of Music
Goldsmiths, University of London


From prolepsis at gmail.com  Wed Feb  9 12:52:22 2011
From: prolepsis at gmail.com (Al Matthews)
Date: Wed, 9 Feb 2011 12:52:22 -0500
Subject: [microsound] twatter
In-Reply-To: <50505.158.223.90.209.1297273672.squirrel@secure2.gold.ac.uk>
References: <50505.158.223.90.209.1297273672.squirrel@secure2.gold.ac.uk>
Message-ID: <AANLkTi=ZYi-z_i9L6UqFdpgLJZOvwU3pMVtn95QiKfoh@mail.gmail.com>

kschwitters kurt schwitters
Oooooooooooooooooooooooooooooooo k!
11 hours ago Favorite Retweet Reply

On Wed, Feb 9, 2011 at 12:47 PM, Lawrence Upton <mus01lju at gold.ac.uk> wrote:
>
> I have enjoyed lurking on this list
>
> I have learned a lot
>
> I regret to say that recently I have learned that my assumptions about
> twitter and those who use it have been confirmed; and I am leaving
>
> ---
> NAMING and CURSING: some live text-sound compositions
> http://www.revistalaboratorio.cl/2010/12/naming-and-cursing-some-live-text-sound-composition/
>
> ---
> Lawrence Upton
> AHRC Creative Research Fellow
> Dept of Music
> Goldsmiths, University of London
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>



-- 
Al Matthews

From scott at artificia.org  Wed Feb  9 12:59:49 2011
From: scott at artificia.org (Scott Carver)
Date: Wed, 9 Feb 2011 09:59:49 -0800
Subject: [microsound] twatter
In-Reply-To: <50505.158.223.90.209.1297273672.squirrel@secure2.gold.ac.uk>
References: <50505.158.223.90.209.1297273672.squirrel@secure2.gold.ac.uk>
Message-ID: <C3D36357-52AE-45F0-B2CC-EC49FF29CE2D@artificia.org>

LOL!!!! 196 chars. 2 long 4 twitter dscrse, bro. #toolong #discourse #egypt #beiber #modernity

On Feb 9, 2011, at 9:47 AM, Lawrence Upton wrote:

> 
> I have enjoyed lurking on this list
> 
> I have learned a lot
> 
> I regret to say that recently I have learned that my assumptions about
> twitter and those who use it have been confirmed; and I am leaving
> 


From cyborgk at gmail.com  Wed Feb  9 15:34:20 2011
From: cyborgk at gmail.com (David Powers)
Date: Wed, 9 Feb 2011 14:34:20 -0600
Subject: [microsound] radical computer music
In-Reply-To: <AANLkTinsd6QAvQOXuQxOxCzoHj9fuBvc8A3k4d8Qt_kR@mail.gmail.com>
References: <AANLkTinsd6QAvQOXuQxOxCzoHj9fuBvc8A3k4d8Qt_kR@mail.gmail.com>
Message-ID: <AANLkTinp3CkG34f0zVf5GkwxCxnJB8z-wE2cQ2oG6sSJ@mail.gmail.com>

I read the Wikipedia article about "Radical Computer Music" first...
and it sounded like it could be interesting.

However, after watching the video, I was completely confused about
what it had to do with music, computers, or indeed anything
"radical"... The guy just seems like some second rate
conceptual/performance artist, whose ideas look better on paper then
they do when you actually see or hear the work.

I also couldn't really get any kind of coherent idea of what "Radical
Computer Music" was supposed to be about or why it is needed... no
doubt there's plenty of room to critique academic computer music, but
this video just left me completely bewildered as to what was going on.

~David

On Wed, Feb 9, 2011 at 8:55 AM, flemming lyst <flemminglyst at gmail.com> wrote:
> let's read your thoughts about this:
>
> http://vimeo.com/19593647
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>

From jeffreymelton at gmail.com  Wed Feb  9 16:19:29 2011
From: jeffreymelton at gmail.com (Jeffrey Melton)
Date: Wed, 9 Feb 2011 16:19:29 -0500
Subject: [microsound] radical computer music
In-Reply-To: <AANLkTinp3CkG34f0zVf5GkwxCxnJB8z-wE2cQ2oG6sSJ@mail.gmail.com>
References: <AANLkTinsd6QAvQOXuQxOxCzoHj9fuBvc8A3k4d8Qt_kR@mail.gmail.com>
	<AANLkTinp3CkG34f0zVf5GkwxCxnJB8z-wE2cQ2oG6sSJ@mail.gmail.com>
Message-ID: <AANLkTimLGpWiNnYEPFvjneF=EjpUUq7K1D2Eph-nEGXF@mail.gmail.com>

I don't get it, myself. The Wikipedia article reads like a cross between
Hakim Bey, KLF and Psychick TV, but the video feels for the most part like a
mockumentary. Is it a stunt, like a Danish Die Antwoord? I dunno.

On Wed, Feb 9, 2011 at 3:34 PM, David Powers <cyborgk at gmail.com> wrote:

> I read the Wikipedia article about "Radical Computer Music" first...
> and it sounded like it could be interesting.
>
> However, after watching the video, I was completely confused about
> what it had to do with music, computers, or indeed anything
> "radical"... The guy just seems like some second rate
> conceptual/performance artist, whose ideas look better on paper then
> they do when you actually see or hear the work.
>
> I also couldn't really get any kind of coherent idea of what "Radical
> Computer Music" was supposed to be about or why it is needed... no
> doubt there's plenty of room to critique academic computer music, but
> this video just left me completely bewildered as to what was going on.
>
> ~David
>
> On Wed, Feb 9, 2011 at 8:55 AM, flemming lyst <flemminglyst at gmail.com>
> wrote:
> > let's read your thoughts about this:
> >
> > http://vimeo.com/19593647
> > _______________________________________________
> > microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
> >
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>



-- 
jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA
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From l.vanderwee at gmail.com  Wed Feb  9 17:31:58 2011
From: l.vanderwee at gmail.com (Laurens van der Wee)
Date: Thu, 10 Feb 2011 00:31:58 +0200
Subject: [microsound] radical computer music
In-Reply-To: <AANLkTimLGpWiNnYEPFvjneF=EjpUUq7K1D2Eph-nEGXF@mail.gmail.com>
References: <AANLkTinsd6QAvQOXuQxOxCzoHj9fuBvc8A3k4d8Qt_kR@mail.gmail.com>
	<AANLkTinp3CkG34f0zVf5GkwxCxnJB8z-wE2cQ2oG6sSJ@mail.gmail.com>
	<AANLkTimLGpWiNnYEPFvjneF=EjpUUq7K1D2Eph-nEGXF@mail.gmail.com>
Message-ID: <AANLkTimT6GuKz+FLJrHE3xBsx=Fbuic0JAVoisb2_jJo@mail.gmail.com>

snappidagg! #kimcascone

On Wed, Feb 9, 2011 at 11:19 PM, Jeffrey Melton <jeffreymelton at gmail.com> wrote:
> I don't get it, myself. The Wikipedia article reads like a cross between
> Hakim Bey, KLF and Psychick TV, but the video feels for the most part like a
> mockumentary. Is it a stunt, like a Danish Die Antwoord? I dunno.
>
> On Wed, Feb 9, 2011 at 3:34 PM, David Powers <cyborgk at gmail.com> wrote:
>>
>> I read the Wikipedia article about "Radical Computer Music" first...
>> and it sounded like it could be interesting.
>>
>> However, after watching the video, I was completely confused about
>> what it had to do with music, computers, or indeed anything
>> "radical"... The guy just seems like some second rate
>> conceptual/performance artist, whose ideas look better on paper then
>> they do when you actually see or hear the work.
>>
>> I also couldn't really get any kind of coherent idea of what "Radical
>> Computer Music" was supposed to be about or why it is needed... no
>> doubt there's plenty of room to critique academic computer music, but
>> this video just left me completely bewildered as to what was going on.
>>
>> ~David
>>
>> On Wed, Feb 9, 2011 at 8:55 AM, flemming lyst <flemminglyst at gmail.com>
>> wrote:
>> > let's read your thoughts about this:
>> >
>> > http://vimeo.com/19593647
>> > _______________________________________________
>> > microsound mailing list
>> > microsound at microsound.org
>> > http://or8.net/mailman/listinfo/microsound
>> >
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>
>
>
> --
> jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>

From phillipthomas at hotmail.com  Wed Feb  9 17:41:04 2011
From: phillipthomas at hotmail.com (Phillip Thomas)
Date: Wed, 9 Feb 2011 22:41:04 +0000
Subject: [microsound] radical computer music
In-Reply-To: <AANLkTimLGpWiNnYEPFvjneF=EjpUUq7K1D2Eph-nEGXF@mail.gmail.com>
References: <AANLkTinsd6QAvQOXuQxOxCzoHj9fuBvc8A3k4d8Qt_kR@mail.gmail.com>,
	<AANLkTinp3CkG34f0zVf5GkwxCxnJB8z-wE2cQ2oG6sSJ@mail.gmail.com>,
	<AANLkTimLGpWiNnYEPFvjneF=EjpUUq7K1D2Eph-nEGXF@mail.gmail.com>
Message-ID: <SNT128-W28E83C5FEC5BB0A6AA212EABED0@phx.gbl>


I guess to describe yourself as 'radical' to begin with seems presumptuous...
I did see this chap at the Brainwashed festival in Boston a few years ago and he was engaging if a bit bonkers!

Date: Wed, 9 Feb 2011 16:19:29 -0500
From: jeffreymelton at gmail.com
To: microsound at microsound.org
Subject: Re: [microsound] radical computer music

I don't get it, myself. The Wikipedia article reads like a cross between Hakim Bey, KLF and Psychick TV, but the video feels for the most part like a mockumentary. Is it a stunt, like a Danish Die Antwoord? I dunno.


On Wed, Feb 9, 2011 at 3:34 PM, David Powers <cyborgk at gmail.com> wrote:

I read the Wikipedia article about "Radical Computer Music" first...

and it sounded like it could be interesting.



However, after watching the video, I was completely confused about

what it had to do with music, computers, or indeed anything

"radical"... The guy just seems like some second rate

conceptual/performance artist, whose ideas look better on paper then

they do when you actually see or hear the work.



I also couldn't really get any kind of coherent idea of what "Radical

Computer Music" was supposed to be about or why it is needed... no

doubt there's plenty of room to critique academic computer music, but

this video just left me completely bewildered as to what was going on.



~David



On Wed, Feb 9, 2011 at 8:55 AM, flemming lyst <flemminglyst at gmail.com> wrote:

> let's read your thoughts about this:

>

> http://vimeo.com/19593647

> _______________________________________________

> microsound mailing list

> microsound at microsound.org

> http://or8.net/mailman/listinfo/microsound

>

_______________________________________________

microsound mailing list

microsound at microsound.org

http://or8.net/mailman/listinfo/microsound



-- 
jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA


_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound 		 	   		  
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From steiner at block4.com  Wed Feb  9 18:46:36 2011
From: steiner at block4.com (Malte Steiner)
Date: Thu, 10 Feb 2011 00:46:36 +0100
Subject: [microsound] twitter
In-Reply-To: <4D4D956B.5030603@anechoicmedia.com>
References: <4D4D956B.5030603@anechoicmedia.com>
Message-ID: <4D53275C.2040405@block4.com>

@herrsteiner

Cheers,

Malte
-- 
----
media art + development
http://www.block4.com

new on iTunes: Notstandskomitee Automatenmusik
http://itunes.apple.com/us/album/automatenmusik/id383400418


From boris.klompus at gmail.com  Wed Feb  9 23:09:14 2011
From: boris.klompus at gmail.com (Boris Klompus)
Date: Wed, 9 Feb 2011 23:09:14 -0500
Subject: [microsound] radical computer music
In-Reply-To: <SNT128-W28E83C5FEC5BB0A6AA212EABED0@phx.gbl>
References: <AANLkTinsd6QAvQOXuQxOxCzoHj9fuBvc8A3k4d8Qt_kR@mail.gmail.com>
	<AANLkTinp3CkG34f0zVf5GkwxCxnJB8z-wE2cQ2oG6sSJ@mail.gmail.com>
	<AANLkTimLGpWiNnYEPFvjneF=EjpUUq7K1D2Eph-nEGXF@mail.gmail.com>
	<SNT128-W28E83C5FEC5BB0A6AA212EABED0@phx.gbl>
Message-ID: <AANLkTi=CC7Dg+XC4L36zh3ZhZm=XO6YjnQOp2VRy9fdS@mail.gmail.com>

I saw Goodiepal last year in New York. These are a few quotes of his I
jotted down:

"media art has a sell point of it holds a hell of a lot of technology."

[him giving an example of a well received piece of media art] "These birds
here, flying, they aren't birds. They're connected to the stock market
through the *web*. And them fighting here, that's the economic collapse in
Mogadishu."

[on documentation] "the point is to notate what happens between musical
objects when not in the music."

Later in his talk, and I don't think he directly connected it with the
previous quote, but he showed off a book he made "to challenge the
composer": it  was a book of mostly of blank white pages.
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From billjarboe at earthlink.net  Thu Feb 10 01:24:40 2011
From: billjarboe at earthlink.net (Bill Jarboe)
Date: Wed, 9 Feb 2011 22:24:40 -0800
Subject: [microsound] radical computer music
In-Reply-To: <AANLkTi=CC7Dg+XC4L36zh3ZhZm=XO6YjnQOp2VRy9fdS@mail.gmail.com>
References: <AANLkTinsd6QAvQOXuQxOxCzoHj9fuBvc8A3k4d8Qt_kR@mail.gmail.com>
	<AANLkTinp3CkG34f0zVf5GkwxCxnJB8z-wE2cQ2oG6sSJ@mail.gmail.com>
	<AANLkTimLGpWiNnYEPFvjneF=EjpUUq7K1D2Eph-nEGXF@mail.gmail.com>
	<SNT128-W28E83C5FEC5BB0A6AA212EABED0@phx.gbl>
	<AANLkTi=CC7Dg+XC4L36zh3ZhZm=XO6YjnQOp2VRy9fdS@mail.gmail.com>
Message-ID: <9798CB73-E7FC-45B7-9366-0D01233428A8@earthlink.net>

Hello, 

  I haven?t watched the Video in question?though I shall.

  I have listened to the Official Mort aux Vache s Ekstra Extra Walkt hro?  and other recordings. 

  -have also discovered that there are certain compositions which impressed me before I realized they were from the Goodiepal.

  I see it as a sort of opera where his nerve or neurosis is a force in itself , it does indeed challenge the listener. It is difficult to tell if he is often describing his own psychological state or a hypothesis, extreme in order to broaden horizons, open new vistas.

  I especially liked the mp3 where he described the rare neurological condition where the victim would be rendered incompetent by middle age and therefor couldn?t responsibly commit himself to an emotional relationship. If I am able to locate the title and a link I?ll share it with the list.


                                                   Bill


On Feb 9, 2011, at 8:09 PM, Boris Klompus wrote:

> I saw Goodiepal last year in New York. These are a few quotes of his I jotted down:
> 
> "media art has a sell point of it holds a hell of a lot of technology."
> 
> [him giving an example of a well received piece of media art] "These birds here, flying, they aren't birds. They're connected to the stock market through the web. And them fighting here, that's the economic collapse in Mogadishu." 
> 
> [on documentation] "the point is to notate what happens between musical objects when not in the music."
> 
> Later in his talk, and I don't think he directly connected it with the previous quote, but he showed off a book he made "to challenge the composer": it  was a book of mostly of blank white pages.
> 
> 

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From kim_froesnapper at yahoo.dk  Thu Feb 10 10:18:58 2011
From: kim_froesnapper at yahoo.dk (=?iso-8859-1?Q?Kim_Fr=F8snapper?=)
Date: Thu, 10 Feb 2011 15:18:58 +0000 (GMT)
Subject: [microsound] Ang: microsound Digest, Vol 26, Issue 15
Message-ID: <201368.38398.qm@web24605.mail.ird.yahoo.com>

Probably the most coherent lecture there is with him - others tend to be more performance minded. But for once his thoughts seem quite clear; bring back utopia in music. Do this by making "music" for a yet to be seen intelligence... or something like that.

Den tor, 10 feb. 2011 05:10 CET skrev microsound-request at or8.net:

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>When replying, please edit your Subject line so it is more specific
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>Today's Topics:
>
>   1. Re: radical computer music (David Powers)
>   2. Re: radical computer music (Jeffrey Melton)
>   3. Re: radical computer music (Laurens van der Wee)
>   4. Re: radical computer music (Phillip Thomas)
>   5. Re: twitter (Malte Steiner)
>   6. Re: radical computer music (Boris Klompus)
>
>
>----------------------------------------------------------------------
>
>Message: 1
>Date: Wed, 9 Feb 2011 14:34:20 -0600
>From: David Powers <cyborgk at gmail.com>
>To: microsound at microsound.org
>Subject: Re: [microsound] radical computer music
>Message-ID:
>	<AANLkTinp3CkG34f0zVf5GkwxCxnJB8z-wE2cQ2oG6sSJ at mail.gmail.com>
>Content-Type: text/plain; charset=ISO-8859-1
>
>I read the Wikipedia article about "Radical Computer Music" first...
>and it sounded like it could be interesting.
>
>However, after watching the video, I was completely confused about
>what it had to do with music, computers, or indeed anything
>"radical"... The guy just seems like some second rate
>conceptual/performance artist, whose ideas look better on paper then
>they do when you actually see or hear the work.
>
>I also couldn't really get any kind of coherent idea of what "Radical
>Computer Music" was supposed to be about or why it is needed... no
>doubt there's plenty of room to critique academic computer music, but
>this video just left me completely bewildered as to what was going on.
>
>~David
>
>On Wed, Feb 9, 2011 at 8:55 AM, flemming lyst <flemminglyst at gmail.com> wrote:
>> let's read your thoughts about this:
>>
>> http://vimeo.com/19593647
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>
>
>------------------------------
>
>Message: 2
>Date: Wed, 9 Feb 2011 16:19:29 -0500
>From: Jeffrey Melton <jeffreymelton at gmail.com>
>To: microsound at microsound.org
>Subject: Re: [microsound] radical computer music
>Message-ID:
>	<AANLkTimLGpWiNnYEPFvjneF=EjpUUq7K1D2Eph-nEGXF at mail.gmail.com>
>Content-Type: text/plain; charset="iso-8859-1"
>
>I don't get it, myself. The Wikipedia article reads like a cross between
>Hakim Bey, KLF and Psychick TV, but the video feels for the most part like a
>mockumentary. Is it a stunt, like a Danish Die Antwoord? I dunno.
>
>On Wed, Feb 9, 2011 at 3:34 PM, David Powers <cyborgk at gmail.com> wrote:
>
>> I read the Wikipedia article about "Radical Computer Music" first...
>> and it sounded like it could be interesting.
>>
>> However, after watching the video, I was completely confused about
>> what it had to do with music, computers, or indeed anything
>> "radical"... The guy just seems like some second rate
>> conceptual/performance artist, whose ideas look better on paper then
>> they do when you actually see or hear the work.
>>
>> I also couldn't really get any kind of coherent idea of what "Radical
>> Computer Music" was supposed to be about or why it is needed... no
>> doubt there's plenty of room to critique academic computer music, but
>> this video just left me completely bewildered as to what was going on.
>>
>> ~David
>>
>> On Wed, Feb 9, 2011 at 8:55 AM, flemming lyst <flemminglyst at gmail.com>
>> wrote:
>> > let's read your thoughts about this:
>> >
>> > http://vimeo.com/19593647
>> > _______________________________________________
>> > microsound mailing list
>> > microsound at microsound.org
>> > http://or8.net/mailman/listinfo/microsound
>> >
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>
>
>
>-- 
>jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA
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>------------------------------
>
>Message: 3
>Date: Thu, 10 Feb 2011 00:31:58 +0200
>From: Laurens van der Wee <l.vanderwee at gmail.com>
>To: microsound at microsound.org
>Subject: Re: [microsound] radical computer music
>Message-ID:
>	<AANLkTimT6GuKz+FLJrHE3xBsx=Fbuic0JAVoisb2_jJo at mail.gmail.com>
>Content-Type: text/plain; charset=ISO-8859-1
>
>snappidagg! #kimcascone
>
>On Wed, Feb 9, 2011 at 11:19 PM, Jeffrey Melton <jeffreymelton at gmail.com> wrote:
>> I don't get it, myself. The Wikipedia article reads like a cross between
>> Hakim Bey, KLF and Psychick TV, but the video feels for the most part like a
>> mockumentary. Is it a stunt, like a Danish Die Antwoord? I dunno.
>>
>> On Wed, Feb 9, 2011 at 3:34 PM, David Powers <cyborgk at gmail.com> wrote:
>>>
>>> I read the Wikipedia article about "Radical Computer Music" first...
>>> and it sounded like it could be interesting.
>>>
>>> However, after watching the video, I was completely confused about
>>> what it had to do with music, computers, or indeed anything
>>> "radical"... The guy just seems like some second rate
>>> conceptual/performance artist, whose ideas look better on paper then
>>> they do when you actually see or hear the work.
>>>
>>> I also couldn't really get any kind of coherent idea of what "Radical
>>> Computer Music" was supposed to be about or why it is needed... no
>>> doubt there's plenty of room to critique academic computer music, but
>>> this video just left me completely bewildered as to what was going on.
>>>
>>> ~David
>>>
>>> On Wed, Feb 9, 2011 at 8:55 AM, flemming lyst <flemminglyst at gmail.com>
>>> wrote:
>>> > let's read your thoughts about this:
>>> >
>>> > http://vimeo.com/19593647
>>> > _______________________________________________
>>> > microsound mailing list
>>> > microsound at microsound.org
>>> > http://or8.net/mailman/listinfo/microsound
>>> >
>>> _______________________________________________
>>> microsound mailing list
>>> microsound at microsound.org
>>> http://or8.net/mailman/listinfo/microsound
>>
>>
>>
>> --
>> jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>>
>
>
>------------------------------
>
>Message: 4
>Date: Wed, 9 Feb 2011 22:41:04 +0000
>From: Phillip Thomas <phillipthomas at hotmail.com>
>To: <microsound at microsound.org>
>Subject: Re: [microsound] radical computer music
>Message-ID: <SNT128-W28E83C5FEC5BB0A6AA212EABED0 at phx.gbl>
>Content-Type: text/plain; charset="iso-8859-1"
>
>
>I guess to describe yourself as 'radical' to begin with seems presumptuous...
>I did see this chap at the Brainwashed festival in Boston a few years ago and he was engaging if a bit bonkers!
>
>Date: Wed, 9 Feb 2011 16:19:29 -0500
>From: jeffreymelton at gmail.com
>To: microsound at microsound.org
>Subject: Re: [microsound] radical computer music
>
>I don't get it, myself. The Wikipedia article reads like a cross between Hakim Bey, KLF and Psychick TV, but the video feels for the most part like a mockumentary. Is it a stunt, like a Danish Die Antwoord? I dunno.
>
>
>On Wed, Feb 9, 2011 at 3:34 PM, David Powers <cyborgk at gmail.com> wrote:
>
>I read the Wikipedia article about "Radical Computer Music" first...
>
>and it sounded like it could be interesting.
>
>
>
>However, after watching the video, I was completely confused about
>
>what it had to do with music, computers, or indeed anything
>
>"radical"... The guy just seems like some second rate
>
>conceptual/performance artist, whose ideas look better on paper then
>
>they do when you actually see or hear the work.
>
>
>
>I also couldn't really get any kind of coherent idea of what "Radical
>
>Computer Music" was supposed to be about or why it is needed... no
>
>doubt there's plenty of room to critique academic computer music, but
>
>this video just left me completely bewildered as to what was going on.
>
>
>
>~David
>
>
>
>On Wed, Feb 9, 2011 at 8:55 AM, flemming lyst <flemminglyst at gmail.com> wrote:
>
>> let's read your thoughts about this:
>
>>
>
>> http://vimeo.com/19593647
>
>> _______________________________________________
>
>> microsound mailing list
>
>> microsound at microsound.org
>
>> http://or8.net/mailman/listinfo/microsound
>
>>
>
>_______________________________________________
>
>microsound mailing list
>
>microsound at microsound.org
>
>http://or8.net/mailman/listinfo/microsound
>
>
>
>-- 
>jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA
>
>
>_______________________________________________
>microsound mailing list
>microsound at microsound.org
>http://or8.net/mailman/listinfo/microsound 		 	   		  
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>------------------------------
>
>Message: 5
>Date: Thu, 10 Feb 2011 00:46:36 +0100
>From: Malte Steiner <steiner at block4.com>
>To: microsound at or8.net
>Subject: Re: [microsound] twitter
>Message-ID: <4D53275C.2040405 at block4.com>
>Content-Type: text/plain; charset=ISO-8859-1; format=flowed
>
>@herrsteiner
>
>Cheers,
>
>Malte
>-- 
>----
>media art + development
>http://www.block4.com
>
>new on iTunes: Notstandskomitee Automatenmusik
>http://itunes.apple.com/us/album/automatenmusik/id383400418
>
>
>
>------------------------------
>
>Message: 6
>Date: Wed, 9 Feb 2011 23:09:14 -0500
>From: Boris Klompus <boris.klompus at gmail.com>
>To: microsound at microsound.org
>Subject: Re: [microsound] radical computer music
>Message-ID:
>	<AANLkTi=CC7Dg+XC4L36zh3ZhZm=XO6YjnQOp2VRy9fdS at mail.gmail.com>
>Content-Type: text/plain; charset="iso-8859-1"
>
>I saw Goodiepal last year in New York. These are a few quotes of his I
>jotted down:
>
>"media art has a sell point of it holds a hell of a lot of technology."
>
>[him giving an example of a well received piece of media art] "These birds
>here, flying, they aren't birds. They're connected to the stock market
>through the *web*. And them fighting here, that's the economic collapse in
>Mogadishu."
>
>[on documentation] "the point is to notate what happens between musical
>objects when not in the music."
>
>Later in his talk, and I don't think he directly connected it with the
>previous quote, but he showed off a book he made "to challenge the
>composer": it  was a book of mostly of blank white pages.
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>------------------------------
>
>_______________________________________________
>microsound mailing list
>microsound at microsound.org
>http://or8.net/mailman/listinfo/microsound
>
>
>End of microsound Digest, Vol 26, Issue 15
>******************************************




From velkrosmaak at gmail.com  Fri Feb 11 06:05:38 2011
From: velkrosmaak at gmail.com (Imi Votteler)
Date: Fri, 11 Feb 2011 11:05:38 +0000
Subject: [microsound] Twi/Twatter
Message-ID: <AANLkTinWRHMmcNXsW2+oAbdrfzO6crAFtFPmGcYkZemS@mail.gmail.com>

Is anybody maintaining the twitter list we've got set up for microsound?
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From jeffreymelton at gmail.com  Fri Feb 11 13:00:29 2011
From: jeffreymelton at gmail.com (Jeffrey Melton)
Date: Fri, 11 Feb 2011 13:00:29 -0500
Subject: [microsound] Twi/Twatter
In-Reply-To: <AANLkTinWRHMmcNXsW2+oAbdrfzO6crAFtFPmGcYkZemS@mail.gmail.com>
References: <AANLkTinWRHMmcNXsW2+oAbdrfzO6crAFtFPmGcYkZemS@mail.gmail.com>
Message-ID: <AANLkTik_Y6V_3Puu7HVQ_XcZfYbQys5t_AwY2eEL8w7g@mail.gmail.com>

I have created a personal list of all responders at
http://twitter.com/nofi/microsound, but I don't know if there's a community
list. I suspect if/when I unfollow someone, they may get dropped from the
list, so people may want to maintain their own (not that I expect to, but I
do prune from time to time). Cheers,

On Fri, Feb 11, 2011 at 6:05 AM, Imi Votteler <velkrosmaak at gmail.com> wrote:

> Is anybody maintaining the twitter list we've got set up for microsound?
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>


-- 
jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA
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From prolepsis at gmail.com  Sat Feb 12 07:52:11 2011
From: prolepsis at gmail.com (Al Matthews)
Date: Sat, 12 Feb 2011 07:52:11 -0500
Subject: [microsound] osc for visual mapping
Message-ID: <AANLkTi=q=kB8ch=tKSFsRNY-ojVtAbMYv5w7Q56cEh+B@mail.gmail.com>

You may have noticed this already. I thought I'd ask for comment however:

http://createdigitalmotion.com/2011/02/op-ed-music-abstraction-for-av-collaboration-a-proposal/

I think my reflexive objections are in terms of what Surya Buchwald is
calling "Standard," since "Protocol" floats or fails based on that.

Wondering if you see this framework as applicable to what you do, or
if your own work in OSC e.g. bubbles up here to suggest improvements.

Supposing you were working directly in microsound or concrete, on what
bases would the "Standard" or "Protocol" here need be adapted?

Thanks in advance,

-- 
Al Matthews

From jeffreymelton at gmail.com  Sat Feb 12 09:36:19 2011
From: jeffreymelton at gmail.com (Jeffrey Melton)
Date: Sat, 12 Feb 2011 09:36:19 -0500
Subject: [microsound] osc for visual mapping
In-Reply-To: <AANLkTi=q=kB8ch=tKSFsRNY-ojVtAbMYv5w7Q56cEh+B@mail.gmail.com>
References: <AANLkTi=q=kB8ch=tKSFsRNY-ojVtAbMYv5w7Q56cEh+B@mail.gmail.com>
Message-ID: <5C6A8521-11F6-4EE0-A79D-F02B0F2C13C6@gmail.com>

My initial thought is to replace "standard" with "semantic", as this level is describing the discreet sound events based on their content (albeit with a narrow, subjective lexicon). 
Subjective is a key word, as this level is relative not only to the tone colors/timbres but also the person doing the describing?hence the difficulty with "standard". AND the protocol level is dependent on these terms as is. 
I can see how this would be applicable to microsound, as a dialect to describe sound events and particles (of which I have a lot to learn) for visualizations, but perhaps by frequency range, durations, accepted particle definitions and such. I'm assuming unknown terms would be ignored, but then music not described in these terms wouldn't be rendered (like HTML). 
Still, this has potential and makes me want to learn about OSC. Cheers,

Sent from my iPhone

On Feb 12, 2011, at 7:52 AM, Al Matthews <prolepsis at gmail.com> wrote:

> You may have noticed this already. I thought I'd ask for comment however:
> 
> http://createdigitalmotion.com/2011/02/op-ed-music-abstraction-for-av-collaboration-a-proposal/
> 
> I think my reflexive objections are in terms of what Surya Buchwald is
> calling "Standard," since "Protocol" floats or fails based on that.
> 
> Wondering if you see this framework as applicable to what you do, or
> if your own work in OSC e.g. bubbles up here to suggest improvements.
> 
> Supposing you were working directly in microsound or concrete, on what
> bases would the "Standard" or "Protocol" here need be adapted?
> 
> Thanks in advance,
> 
> -- 
> Al Matthews
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

From jeffreymelton at gmail.com  Sat Feb 12 09:57:42 2011
From: jeffreymelton at gmail.com (Jeffrey Melton)
Date: Sat, 12 Feb 2011 09:57:42 -0500
Subject: [microsound] osc for visual mapping
In-Reply-To: <5C6A8521-11F6-4EE0-A79D-F02B0F2C13C6@gmail.com>
References: <AANLkTi=q=kB8ch=tKSFsRNY-ojVtAbMYv5w7Q56cEh+B@mail.gmail.com>
	<5C6A8521-11F6-4EE0-A79D-F02B0F2C13C6@gmail.com>
Message-ID: <7B43F8D0-FC0C-4936-853E-FF452FD3AC43@gmail.com>

Another thought: apps like Density GS, Pulsaret (and others built with Max) and Ableton could be modded to output an OSC stream of this semantic layer in addition to the sound streams. Perhaps people are already doing this, but it's new to me. 

Sent from my iPhone

On Feb 12, 2011, at 9:36 AM, Jeffrey Melton <jeffreymelton at gmail.com> wrote:

> My initial thought is to replace "standard" with "semantic", as this level is describing the discreet sound events based on their content (albeit with a narrow, subjective lexicon). 
> Subjective is a key word, as this level is relative not only to the tone colors/timbres but also the person doing the describing?hence the difficulty with "standard". AND the protocol level is dependent on these terms as is. 
> I can see how this would be applicable to microsound, as a dialect to describe sound events and particles (of which I have a lot to learn) for visualizations, but perhaps by frequency range, durations, accepted particle definitions and such. I'm assuming unknown terms would be ignored, but then music not described in these terms wouldn't be rendered (like HTML). 
> Still, this has potential and makes me want to learn about OSC. Cheers,
> 
> Sent from my iPhone
> 
> On Feb 12, 2011, at 7:52 AM, Al Matthews <prolepsis at gmail.com> wrote:
> 
>> You may have noticed this already. I thought I'd ask for comment however:
>> 
>> http://createdigitalmotion.com/2011/02/op-ed-music-abstraction-for-av-collaboration-a-proposal/
>> 
>> I think my reflexive objections are in terms of what Surya Buchwald is
>> calling "Standard," since "Protocol" floats or fails based on that.
>> 
>> Wondering if you see this framework as applicable to what you do, or
>> if your own work in OSC e.g. bubbles up here to suggest improvements.
>> 
>> Supposing you were working directly in microsound or concrete, on what
>> bases would the "Standard" or "Protocol" here need be adapted?
>> 
>> Thanks in advance,
>> 
>> -- 
>> Al Matthews
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound

From devel at thesaddj.com  Sat Feb 12 11:22:42 2011
From: devel at thesaddj.com (Marco Donnarumma)
Date: Sat, 12 Feb 2011 16:22:42 +0000
Subject: [microsound] osc for visual mapping
In-Reply-To: <7B43F8D0-FC0C-4936-853E-FF452FD3AC43@gmail.com>
References: <AANLkTi=q=kB8ch=tKSFsRNY-ojVtAbMYv5w7Q56cEh+B@mail.gmail.com>
	<5C6A8521-11F6-4EE0-A79D-F02B0F2C13C6@gmail.com>
	<7B43F8D0-FC0C-4936-853E-FF452FD3AC43@gmail.com>
Message-ID: <AANLkTi=6MZPAgjvupmNp9A9VKwubkrJWz6tT5x8AuVi2@mail.gmail.com>

In my experience this technique has been used for a long time.
Composing an audiovisual concert usually already includes the development of
a protocol to exchange this kind of information between audio and video
processing. Some use MIDI, others use OSC; even though I prefer the latter.

Honestly I find hard to see anything new in this article. Besides, I seem to
understand that's the main point of the author is to establish a "Protocol",
which, as it is described in the article, looks very poor. I agree with
Jeffrey when he refers to this protocol as a semantic layer. It sounds much
more appropriate.
OSC is already a protocol itself. An overlaying structure would perhaps be a
vocabulary to be applied.
It's surely interesting the idea of introducing an editor (external app)
which could automatically add certain metadata to sound pieces, but once we
have to deal with more complex textures, sonorities, and slight, detailed
sound manipulations such protocol wouldn't, in my opinion, be usable.
It could, but only if we carefully compose it. Therefore, a communication
protocol for a complex performance would need in any case more efforts than
a "standard", at least as it is described on CDM.

The appeal of such "protocol" could probably be targeted more to
user-friendly/commercial software users/customers, and a limited musical
field.
Moreover, it's already very easy to setup OSC communication among several
applications, please correct me if someone thinks otherwise.

and, by the way, do we really need a standard for everything we create?

Best,
Marco


On Sat, Feb 12, 2011 at 2:57 PM, Jeffrey Melton <jeffreymelton at gmail.com>wrote:

> Another thought: apps like Density GS, Pulsaret (and others built with Max)
> and Ableton could be modded to output an OSC stream of this semantic layer
> in addition to the sound streams. Perhaps people are already doing this, but
> it's new to me.
>
> Sent from my iPhone
>
> On Feb 12, 2011, at 9:36 AM, Jeffrey Melton <jeffreymelton at gmail.com>
> wrote:
>
> > My initial thought is to replace "standard" with "semantic", as this
> level is describing the discreet sound events based on their content (albeit
> with a narrow, subjective lexicon).
> > Subjective is a key word, as this level is relative not only to the tone
> colors/timbres but also the person doing the describing?hence the difficulty
> with "standard". AND the protocol level is dependent on these terms as is.
> > I can see how this would be applicable to microsound, as a dialect to
> describe sound events and particles (of which I have a lot to learn) for
> visualizations, but perhaps by frequency range, durations, accepted particle
> definitions and such. I'm assuming unknown terms would be ignored, but then
> music not described in these terms wouldn't be rendered (like HTML).
> > Still, this has potential and makes me want to learn about OSC. Cheers,
> >
> > Sent from my iPhone
> >
> > On Feb 12, 2011, at 7:52 AM, Al Matthews <prolepsis at gmail.com> wrote:
> >
> >> You may have noticed this already. I thought I'd ask for comment
> however:
> >>
> >>
> http://createdigitalmotion.com/2011/02/op-ed-music-abstraction-for-av-collaboration-a-proposal/
> >>
> >> I think my reflexive objections are in terms of what Surya Buchwald is
> >> calling "Standard," since "Protocol" floats or fails based on that.
> >>
> >> Wondering if you see this framework as applicable to what you do, or
> >> if your own work in OSC e.g. bubbles up here to suggest improvements.
> >>
> >> Supposing you were working directly in microsound or concrete, on what
> >> bases would the "Standard" or "Protocol" here need be adapted?
> >>
> >> Thanks in advance,
> >>
> >> --
> >> Al Matthews
> >> _______________________________________________
> >> microsound mailing list
> >> microsound at microsound.org
> >> http://or8.net/mailman/listinfo/microsound
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>



-- 
Marco Donnarumma aka TheSAD
Independent New Media Arts Professional, Performer, Teacher
Ongoing MSc by Research, University of Edinburgh, UK


PORTFOLIO: http://marcodonnarumma.com
LAB: http://www.thesaddj.com | http://cntrl.sourceforge.net |
http://www.flxer.net
EVENT: http://www.liveperformersmeeting.net
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From jeffreymelton at gmail.com  Sat Feb 12 14:00:02 2011
From: jeffreymelton at gmail.com (Jeffrey Melton)
Date: Sat, 12 Feb 2011 14:00:02 -0500
Subject: [microsound] osc for visual mapping
In-Reply-To: <AANLkTi=6MZPAgjvupmNp9A9VKwubkrJWz6tT5x8AuVi2@mail.gmail.com>
References: <AANLkTi=q=kB8ch=tKSFsRNY-ojVtAbMYv5w7Q56cEh+B@mail.gmail.com>
	<5C6A8521-11F6-4EE0-A79D-F02B0F2C13C6@gmail.com>
	<7B43F8D0-FC0C-4936-853E-FF452FD3AC43@gmail.com>
	<AANLkTi=6MZPAgjvupmNp9A9VKwubkrJWz6tT5x8AuVi2@mail.gmail.com>
Message-ID: <AANLkTi=kTv+_3md7Zc9CiJU_X+4X4MjMUNj1RKHh_bV0@mail.gmail.com>

I am new to this list, so forgive if this is frequently asked (I saw a
discussion back in c. 2000): Is there a taxonomy for microsound content,
apart from Roads' book? If so, that could be the starting point for a
semantic list of terms for such a protocol.

On Sat, Feb 12, 2011 at 11:22 AM, Marco Donnarumma <devel at thesaddj.com>wrote:

> In my experience this technique has been used for a long time.
> Composing an audiovisual concert usually already includes the development
> of a protocol to exchange this kind of information between audio and video
> processing. Some use MIDI, others use OSC; even though I prefer the latter.
>
> Honestly I find hard to see anything new in this article. Besides, I seem
> to understand that's the main point of the author is to establish a
> "Protocol", which, as it is described in the article, looks very poor. I
> agree with Jeffrey when he refers to this protocol as a semantic layer. It
> sounds much more appropriate.
> OSC is already a protocol itself. An overlaying structure would perhaps be
> a vocabulary to be applied.
> It's surely interesting the idea of introducing an editor (external app)
> which could automatically add certain metadata to sound pieces, but once we
> have to deal with more complex textures, sonorities, and slight, detailed
> sound manipulations such protocol wouldn't, in my opinion, be usable.
> It could, but only if we carefully compose it. Therefore, a communication
> protocol for a complex performance would need in any case more efforts than
> a "standard", at least as it is described on CDM.
>
> The appeal of such "protocol" could probably be targeted more to
> user-friendly/commercial software users/customers, and a limited musical
> field.
> Moreover, it's already very easy to setup OSC communication among several
> applications, please correct me if someone thinks otherwise.
>
> and, by the way, do we really need a standard for everything we create?
>
> Best,
> Marco
>
>
> On Sat, Feb 12, 2011 at 2:57 PM, Jeffrey Melton <jeffreymelton at gmail.com>wrote:
>
>> Another thought: apps like Density GS, Pulsaret (and others built with
>> Max) and Ableton could be modded to output an OSC stream of this semantic
>> layer in addition to the sound streams. Perhaps people are already doing
>> this, but it's new to me.
>>
>> Sent from my iPhone
>>
>> On Feb 12, 2011, at 9:36 AM, Jeffrey Melton <jeffreymelton at gmail.com>
>> wrote:
>>
>> > My initial thought is to replace "standard" with "semantic", as this
>> level is describing the discreet sound events based on their content (albeit
>> with a narrow, subjective lexicon).
>> > Subjective is a key word, as this level is relative not only to the tone
>> colors/timbres but also the person doing the describing?hence the difficulty
>> with "standard". AND the protocol level is dependent on these terms as is.
>> > I can see how this would be applicable to microsound, as a dialect to
>> describe sound events and particles (of which I have a lot to learn) for
>> visualizations, but perhaps by frequency range, durations, accepted particle
>> definitions and such. I'm assuming unknown terms would be ignored, but then
>> music not described in these terms wouldn't be rendered (like HTML).
>> > Still, this has potential and makes me want to learn about OSC. Cheers,
>> >
>> > Sent from my iPhone
>> >
>> > On Feb 12, 2011, at 7:52 AM, Al Matthews <prolepsis at gmail.com> wrote:
>> >
>> >> You may have noticed this already. I thought I'd ask for comment
>> however:
>> >>
>> >>
>> http://createdigitalmotion.com/2011/02/op-ed-music-abstraction-for-av-collaboration-a-proposal/
>> >>
>> >> I think my reflexive objections are in terms of what Surya Buchwald is
>> >> calling "Standard," since "Protocol" floats or fails based on that.
>> >>
>> >> Wondering if you see this framework as applicable to what you do, or
>> >> if your own work in OSC e.g. bubbles up here to suggest improvements.
>> >>
>> >> Supposing you were working directly in microsound or concrete, on what
>> >> bases would the "Standard" or "Protocol" here need be adapted?
>> >>
>> >> Thanks in advance,
>> >>
>> >> --
>> >> Al Matthews
>> >> _______________________________________________
>> >> microsound mailing list
>> >> microsound at microsound.org
>> >> http://or8.net/mailman/listinfo/microsound
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>
>
>
> --
> Marco Donnarumma aka TheSAD
> Independent New Media Arts Professional, Performer, Teacher
> Ongoing MSc by Research, University of Edinburgh, UK
>
>
> PORTFOLIO: http://marcodonnarumma.com
> LAB: http://www.thesaddj.com | http://cntrl.sourceforge.net |
> http://www.flxer.net
> EVENT: http://www.liveperformersmeeting.net
>



-- 
jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA
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From djdualcore at gmail.com  Sun Feb 13 15:18:52 2011
From: djdualcore at gmail.com (Neil Clopton)
Date: Sun, 13 Feb 2011 14:18:52 -0600
Subject: [microsound] Twitter and identi.ca
Message-ID: <AANLkTikPBordTjtUYkcnbNGRzpf7tGwrxew72t96O1M-@mail.gmail.com>

@djdualcore
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From simonlongo at gmail.com  Sun Feb 13 18:00:42 2011
From: simonlongo at gmail.com (simon longo)
Date: Sun, 13 Feb 2011 23:00:42 +0000
Subject: [microsound] Twitter and identi.ca
In-Reply-To: <AANLkTikPBordTjtUYkcnbNGRzpf7tGwrxew72t96O1M-@mail.gmail.com>
References: <AANLkTikPBordTjtUYkcnbNGRzpf7tGwrxew72t96O1M-@mail.gmail.com>
Message-ID: <AANLkTiki7qQDvwSPWX12ywg1-Si0PwDmqZ2R5utg5vEH@mail.gmail.com>

@simonlongo
On Sun, Feb 13, 2011 at 8:18 PM, Neil Clopton <djdualcore at gmail.com> wrote:

>
> @djdualcore
>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>


-- 
Skype: Dithernoise

UK: 0044 (0) 7887561945 / IT: 00393490910263

www.simonlongo.com / www.dithernoise.net / www.visual-rhythms.net
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From michael.winkler at balcab.ch  Mon Feb 14 05:35:05 2011
From: michael.winkler at balcab.ch (Michael Winkler)
Date: Mon, 14 Feb 2011 11:35:05 +0100
Subject: [microsound] twitter
Message-ID: <4D590559.9080109@balcab.ch>

@minkepatt

;-) thankx for the request.

From daixque at gmail.com  Mon Feb 14 06:15:24 2011
From: daixque at gmail.com (daisuke sugimori)
Date: Mon, 14 Feb 2011 20:15:24 +0900
Subject: [microsound] twitter
In-Reply-To: <4D53275C.2040405@block4.com>
References: <4D4D956B.5030603@anechoicmedia.com> <4D53275C.2040405@block4.com>
Message-ID: <AANLkTikP2Kg1UczPu-QECc5-SunTx9ENGJ=XnfXQ+vK3@mail.gmail.com>

@daixque
thanks.

From stevericksmusic at gmail.com  Tue Feb 15 00:51:22 2011
From: stevericksmusic at gmail.com (Steven Ricks)
Date: Mon, 14 Feb 2011 22:51:22 -0700
Subject: [microsound] Exit Through the Gift Shop
Message-ID: <AANLkTikZBLFeVfL7=nfC6-JR_8HNmaa3TbUj9nTiwXvT@mail.gmail.com>

Forgive me if I missed any discussion on the topic below--I don't recall
seeing anything . . .

I know I'm a bit late on this, but I just watched Banksy's Exit Through the
Gift Shop and found it interesting and thought provoking.  It raised the
following question(s) in my mind:
What is or would be the musical equivalent of "Street Art" as presented in
the film?
Are the media too different to find close analogs? (Is it a worthwhile
question?)

SR

-- 
Steven Ricks
Composer
Associate Professor, BYU School of Music
(801) 422-6115
www.stevericks.com

CD's
Mild Violence
http://www.bridgerecords.com/catpage.php?call=9256
Extreme Measures
http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
Sonic Images
http://www.capstonerecords.org/CPS-8712.html
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From l.vanderwee at gmail.com  Tue Feb 15 07:12:22 2011
From: l.vanderwee at gmail.com (Laurens van der Wee)
Date: Tue, 15 Feb 2011 14:12:22 +0200
Subject: [microsound] Ang: microsound Digest, Vol 26, Issue 15
In-Reply-To: <201368.38398.qm@web24605.mail.ird.yahoo.com>
References: <201368.38398.qm@web24605.mail.ird.yahoo.com>
Message-ID: <66693C21-0E0D-4B9C-BFC9-C0179C972A4D@gmail.com>


You mean the Princeton one?
Yesterday he gave a lecture in Utrecht, NL, which consisted of showing that specific video on Vimeo (takes 1h07m) and playing cheesy keyboard songs along with it...


On 10 feb 2011, at 17:18, Kim Fr?snapper wrote:

> Probably the most coherent lecture there is with him - others tend to be more performance minded. But for once his thoughts seem quite clear; bring back utopia in music. Do this by making "music" for a yet to be seen intelligence... or something like that.
> 
> Den tor, 10 feb. 2011 05:10 CET skrev microsound-request at or8.net:
> 
>> Send microsound mailing list submissions to
>> 	microsound at or8.net
>> 
>> To subscribe or unsubscribe via the World Wide Web, visit
>> 	http://or8.net/mailman/listinfo/microsound
>> or, via email, send a message with subject or body 'help' to
>> 	microsound-request at or8.net
>> 
>> You can reach the person managing the list at
>> 	microsound-owner at or8.net
>> 
>> When replying, please edit your Subject line so it is more specific
>> than "Re: Contents of microsound digest..."
>> 
>> 
>> Today's Topics:
>> 
>>  1. Re: radical computer music (David Powers)
>>  2. Re: radical computer music (Jeffrey Melton)
>>  3. Re: radical computer music (Laurens van der Wee)
>>  4. Re: radical computer music (Phillip Thomas)
>>  5. Re: twitter (Malte Steiner)
>>  6. Re: radical computer music (Boris Klompus)
>> 
>> 
>> ----------------------------------------------------------------------
>> 
>> Message: 1
>> Date: Wed, 9 Feb 2011 14:34:20 -0600
>> From: David Powers <cyborgk at gmail.com>
>> To: microsound at microsound.org
>> Subject: Re: [microsound] radical computer music
>> Message-ID:
>> 	<AANLkTinp3CkG34f0zVf5GkwxCxnJB8z-wE2cQ2oG6sSJ at mail.gmail.com>
>> Content-Type: text/plain; charset=ISO-8859-1
>> 
>> I read the Wikipedia article about "Radical Computer Music" first...
>> and it sounded like it could be interesting.
>> 
>> However, after watching the video, I was completely confused about
>> what it had to do with music, computers, or indeed anything
>> "radical"... The guy just seems like some second rate
>> conceptual/performance artist, whose ideas look better on paper then
>> they do when you actually see or hear the work.
>> 
>> I also couldn't really get any kind of coherent idea of what "Radical
>> Computer Music" was supposed to be about or why it is needed... no
>> doubt there's plenty of room to critique academic computer music, but
>> this video just left me completely bewildered as to what was going on.
>> 
>> ~David
>> 
>> On Wed, Feb 9, 2011 at 8:55 AM, flemming lyst <flemminglyst at gmail.com> wrote:
>>> let's read your thoughts about this:
>>> 
>>> http://vimeo.com/19593647
>>> _______________________________________________
>>> microsound mailing list
>>> microsound at microsound.org
>>> http://or8.net/mailman/listinfo/microsound
>>> 
>> 
>> 
>> ------------------------------
>> 
>> Message: 2
>> Date: Wed, 9 Feb 2011 16:19:29 -0500
>> From: Jeffrey Melton <jeffreymelton at gmail.com>
>> To: microsound at microsound.org
>> Subject: Re: [microsound] radical computer music
>> Message-ID:
>> 	<AANLkTimLGpWiNnYEPFvjneF=EjpUUq7K1D2Eph-nEGXF at mail.gmail.com>
>> Content-Type: text/plain; charset="iso-8859-1"
>> 
>> I don't get it, myself. The Wikipedia article reads like a cross between
>> Hakim Bey, KLF and Psychick TV, but the video feels for the most part like a
>> mockumentary. Is it a stunt, like a Danish Die Antwoord? I dunno.
>> 
>> On Wed, Feb 9, 2011 at 3:34 PM, David Powers <cyborgk at gmail.com> wrote:
>> 
>>> I read the Wikipedia article about "Radical Computer Music" first...
>>> and it sounded like it could be interesting.
>>> 
>>> However, after watching the video, I was completely confused about
>>> what it had to do with music, computers, or indeed anything
>>> "radical"... The guy just seems like some second rate
>>> conceptual/performance artist, whose ideas look better on paper then
>>> they do when you actually see or hear the work.
>>> 
>>> I also couldn't really get any kind of coherent idea of what "Radical
>>> Computer Music" was supposed to be about or why it is needed... no
>>> doubt there's plenty of room to critique academic computer music, but
>>> this video just left me completely bewildered as to what was going on.
>>> 
>>> ~David
>>> 
>>> On Wed, Feb 9, 2011 at 8:55 AM, flemming lyst <flemminglyst at gmail.com>
>>> wrote:
>>>> let's read your thoughts about this:
>>>> 
>>>> http://vimeo.com/19593647
>>>> _______________________________________________
>>>> microsound mailing list
>>>> microsound at microsound.org
>>>> http://or8.net/mailman/listinfo/microsound
>>>> 
>>> _______________________________________________
>>> microsound mailing list
>>> microsound at microsound.org
>>> http://or8.net/mailman/listinfo/microsound
>>> 
>> 
>> 
>> 
>> -- 
>> jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA
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>> ------------------------------
>> 
>> Message: 3
>> Date: Thu, 10 Feb 2011 00:31:58 +0200
>> From: Laurens van der Wee <l.vanderwee at gmail.com>
>> To: microsound at microsound.org
>> Subject: Re: [microsound] radical computer music
>> Message-ID:
>> 	<AANLkTimT6GuKz+FLJrHE3xBsx=Fbuic0JAVoisb2_jJo at mail.gmail.com>
>> Content-Type: text/plain; charset=ISO-8859-1
>> 
>> snappidagg! #kimcascone
>> 
>> On Wed, Feb 9, 2011 at 11:19 PM, Jeffrey Melton <jeffreymelton at gmail.com> wrote:
>>> I don't get it, myself. The Wikipedia article reads like a cross between
>>> Hakim Bey, KLF and Psychick TV, but the video feels for the most part like a
>>> mockumentary. Is it a stunt, like a Danish Die Antwoord? I dunno.
>>> 
>>> On Wed, Feb 9, 2011 at 3:34 PM, David Powers <cyborgk at gmail.com> wrote:
>>>> 
>>>> I read the Wikipedia article about "Radical Computer Music" first...
>>>> and it sounded like it could be interesting.
>>>> 
>>>> However, after watching the video, I was completely confused about
>>>> what it had to do with music, computers, or indeed anything
>>>> "radical"... The guy just seems like some second rate
>>>> conceptual/performance artist, whose ideas look better on paper then
>>>> they do when you actually see or hear the work.
>>>> 
>>>> I also couldn't really get any kind of coherent idea of what "Radical
>>>> Computer Music" was supposed to be about or why it is needed... no
>>>> doubt there's plenty of room to critique academic computer music, but
>>>> this video just left me completely bewildered as to what was going on.
>>>> 
>>>> ~David
>>>> 
>>>> On Wed, Feb 9, 2011 at 8:55 AM, flemming lyst <flemminglyst at gmail.com>
>>>> wrote:
>>>>> let's read your thoughts about this:
>>>>> 
>>>>> http://vimeo.com/19593647
>>>>> _______________________________________________
>>>>> microsound mailing list
>>>>> microsound at microsound.org
>>>>> http://or8.net/mailman/listinfo/microsound
>>>>> 
>>>> _______________________________________________
>>>> microsound mailing list
>>>> microsound at microsound.org
>>>> http://or8.net/mailman/listinfo/microsound
>>> 
>>> 
>>> 
>>> --
>>> jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA
>>> 
>>> _______________________________________________
>>> microsound mailing list
>>> microsound at microsound.org
>>> http://or8.net/mailman/listinfo/microsound
>>> 
>>> 
>> 
>> 
>> ------------------------------
>> 
>> Message: 4
>> Date: Wed, 9 Feb 2011 22:41:04 +0000
>> From: Phillip Thomas <phillipthomas at hotmail.com>
>> To: <microsound at microsound.org>
>> Subject: Re: [microsound] radical computer music
>> Message-ID: <SNT128-W28E83C5FEC5BB0A6AA212EABED0 at phx.gbl>
>> Content-Type: text/plain; charset="iso-8859-1"
>> 
>> 
>> I guess to describe yourself as 'radical' to begin with seems presumptuous...
>> I did see this chap at the Brainwashed festival in Boston a few years ago and he was engaging if a bit bonkers!
>> 
>> Date: Wed, 9 Feb 2011 16:19:29 -0500
>> From: jeffreymelton at gmail.com
>> To: microsound at microsound.org
>> Subject: Re: [microsound] radical computer music
>> 
>> I don't get it, myself. The Wikipedia article reads like a cross between Hakim Bey, KLF and Psychick TV, but the video feels for the most part like a mockumentary. Is it a stunt, like a Danish Die Antwoord? I dunno.
>> 
>> 
>> On Wed, Feb 9, 2011 at 3:34 PM, David Powers <cyborgk at gmail.com> wrote:
>> 
>> I read the Wikipedia article about "Radical Computer Music" first...
>> 
>> and it sounded like it could be interesting.
>> 
>> 
>> 
>> However, after watching the video, I was completely confused about
>> 
>> what it had to do with music, computers, or indeed anything
>> 
>> "radical"... The guy just seems like some second rate
>> 
>> conceptual/performance artist, whose ideas look better on paper then
>> 
>> they do when you actually see or hear the work.
>> 
>> 
>> 
>> I also couldn't really get any kind of coherent idea of what "Radical
>> 
>> Computer Music" was supposed to be about or why it is needed... no
>> 
>> doubt there's plenty of room to critique academic computer music, but
>> 
>> this video just left me completely bewildered as to what was going on.
>> 
>> 
>> 
>> ~David
>> 
>> 
>> 
>> On Wed, Feb 9, 2011 at 8:55 AM, flemming lyst <flemminglyst at gmail.com> wrote:
>> 
>>> let's read your thoughts about this:
>> 
>>> 
>> 
>>> http://vimeo.com/19593647
>> 
>>> _______________________________________________
>> 
>>> microsound mailing list
>> 
>>> microsound at microsound.org
>> 
>>> http://or8.net/mailman/listinfo/microsound
>> 
>>> 
>> 
>> _______________________________________________
>> 
>> microsound mailing list
>> 
>> microsound at microsound.org
>> 
>> http://or8.net/mailman/listinfo/microsound
>> 
>> 
>> 
>> -- 
>> jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA
>> 
>> 
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound 		 	   		  
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>> 
>> ------------------------------
>> 
>> Message: 5
>> Date: Thu, 10 Feb 2011 00:46:36 +0100
>> From: Malte Steiner <steiner at block4.com>
>> To: microsound at or8.net
>> Subject: Re: [microsound] twitter
>> Message-ID: <4D53275C.2040405 at block4.com>
>> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
>> 
>> @herrsteiner
>> 
>> Cheers,
>> 
>> Malte
>> -- 
>> ----
>> media art + development
>> http://www.block4.com
>> 
>> new on iTunes: Notstandskomitee Automatenmusik
>> http://itunes.apple.com/us/album/automatenmusik/id383400418
>> 
>> 
>> 
>> ------------------------------
>> 
>> Message: 6
>> Date: Wed, 9 Feb 2011 23:09:14 -0500
>> From: Boris Klompus <boris.klompus at gmail.com>
>> To: microsound at microsound.org
>> Subject: Re: [microsound] radical computer music
>> Message-ID:
>> 	<AANLkTi=CC7Dg+XC4L36zh3ZhZm=XO6YjnQOp2VRy9fdS at mail.gmail.com>
>> Content-Type: text/plain; charset="iso-8859-1"
>> 
>> I saw Goodiepal last year in New York. These are a few quotes of his I
>> jotted down:
>> 
>> "media art has a sell point of it holds a hell of a lot of technology."
>> 
>> [him giving an example of a well received piece of media art] "These birds
>> here, flying, they aren't birds. They're connected to the stock market
>> through the *web*. And them fighting here, that's the economic collapse in
>> Mogadishu."
>> 
>> [on documentation] "the point is to notate what happens between musical
>> objects when not in the music."
>> 
>> Later in his talk, and I don't think he directly connected it with the
>> previous quote, but he showed off a book he made "to challenge the
>> composer": it  was a book of mostly of blank white pages.
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>> ------------------------------
>> 
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>> 
>> 
>> End of microsound Digest, Vol 26, Issue 15
>> ******************************************
> 
> 
> 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

laurens.

____

t:   (+31) 6 120 59 134
e:  l.vanderwee at gmail.com
w: www.laurensvanderwee.nl
s:  laurensvanderwee


From stevericksmusic at gmail.com  Tue Feb 15 11:16:34 2011
From: stevericksmusic at gmail.com (Steven Ricks)
Date: Tue, 15 Feb 2011 09:16:34 -0700
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <5F15EEC4-2E17-415C-B2CC-D3BE9A573728@me.com>
References: <AANLkTikZBLFeVfL7=nfC6-JR_8HNmaa3TbUj9nTiwXvT@mail.gmail.com>
	<5F15EEC4-2E17-415C-B2CC-D3BE9A573728@me.com>
Message-ID: <AANLkTikR9uQrd741GoLs+BvBTEh8YFvpXzJWU27UNmY+@mail.gmail.com>

Thanks Bernhard,

I'm interested in the latter--the "urban intervention" as you say.  I was
trying to imagine creating and then anonymously installing some sort of
sound producing device/apparatus in a public space that would contribute to
the overall sound environment in the way the Banksy et al pieces contribute
to the visual environment.  I imagine it has been done in places but I'm
only aware of some of the "sanctioned" sound installations.  There are some
obvious challenges above and beyond what the visual artists face, including
cost, perceptibility, and perhaps perceived security issues even more
present in our world today that would drastically cut short the life of an
unattended unidentified electronic/mechanical device.  Anyway . . . any
other thoughts/info out there . . . ?

On Tue, Feb 15, 2011 at 3:41 AM, Bernhard Living <bernhard.living at me.com>wrote:

> Dear Steven
>
> Historically, there has alway been a close relationship between graffiti
> and so called urban music. In the US this would be hip hop, and in the UK it
> would be drum?n?bass and dub-step. Or are you asking if there is an
> equivalent in terms of making an urban intervention using sounds? If so,
> then it?s an interesting question to ask. The placing of speakers, playback
> devices and power sources would be something of an issue though. However,
> one can go and capture sounds from a location, and use these sounds for
> sample-based compositions, and then virally infect any public sound systems.
>
>  There is an interesting documentation of sounds here at the British
> Library as part of the UK Sound Map;
> http://sounds.bl.uk/uksoundmap/index.aspx
>
> Regards,
>
> Bernhard Living
> On 15 Feb 2011, at 05:51, Steven Ricks wrote:
>
> Forgive me if I missed any discussion on the topic below--I don't recall
> seeing anything . . .
>
> I know I'm a bit late on this, but I just watched Banksy's Exit Through the
> Gift Shop and found it interesting and thought provoking.  It raised the
> following question(s) in my mind:
> What is or would be the musical equivalent of "Street Art" as presented in
> the film?
> Are the media too different to find close analogs? (Is it a worthwhile
> question?)
>
> SR
>
> --
> Steven Ricks
> Composer
> Associate Professor, BYU School of Music
> (801) 422-6115
> www.stevericks.com
>
> CD's
> Mild Violence
> http://www.bridgerecords.com/catpage.php?call=9256
> Extreme Measures
>
> http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
> Sonic Images
> http://www.capstonerecords.org/CPS-8712.html
>
>  _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
>


-- 
Steven Ricks
Composer
Associate Professor, BYU School of Music
(801) 422-6115
www.stevericks.com

CD's
Mild Violence
http://www.bridgerecords.com/catpage.php?call=9256
Extreme Measures
http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
Sonic Images
http://www.capstonerecords.org/CPS-8712.html
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From ted.pallas at gmail.com  Tue Feb 15 11:41:46 2011
From: ted.pallas at gmail.com (Ted Pallas)
Date: Tue, 15 Feb 2011 11:41:46 -0500
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <AANLkTikR9uQrd741GoLs+BvBTEh8YFvpXzJWU27UNmY+@mail.gmail.com>
References: <AANLkTikZBLFeVfL7=nfC6-JR_8HNmaa3TbUj9nTiwXvT@mail.gmail.com>
	<5F15EEC4-2E17-415C-B2CC-D3BE9A573728@me.com>
	<AANLkTikR9uQrd741GoLs+BvBTEh8YFvpXzJWU27UNmY+@mail.gmail.com>
Message-ID: <AANLkTikFE-Qp2Epm8VZe-Vp+pDwCGLiAvuN=S0-JvXv6@mail.gmail.com>

"However, one can go and capture sounds from a location, and use these
sounds for sample-based compositions and then virally infect any public
sound systems."

What does you mean here specifically?  Infect how?

Ted Pallas
Live Media Designer
Sandwich Construction Consultant
ted dot pallas -at- gmail dot com
516.286.9661



On Tue, Feb 15, 2011 at 11:16 AM, Steven Ricks <stevericksmusic at gmail.com>wrote:

> Thanks Bernhard,
>
> I'm interested in the latter--the "urban intervention" as you say.  I was
> trying to imagine creating and then anonymously installing some sort of
> sound producing device/apparatus in a public space that would contribute to
> the overall sound environment in the way the Banksy et al pieces contribute
> to the visual environment.  I imagine it has been done in places but I'm
> only aware of some of the "sanctioned" sound installations.  There are some
> obvious challenges above and beyond what the visual artists face, including
> cost, perceptibility, and perhaps perceived security issues even more
> present in our world today that would drastically cut short the life of an
> unattended unidentified electronic/mechanical device.  Anyway . . . any
> other thoughts/info out there . . . ?
>
> On Tue, Feb 15, 2011 at 3:41 AM, Bernhard Living <bernhard.living at me.com>wrote:
>
>> Dear Steven
>>
>> Historically, there has alway been a close relationship between graffiti
>> and so called urban music. In the US this would be hip hop, and in the UK it
>> would be drum?n?bass and dub-step. Or are you asking if there is an
>> equivalent in terms of making an urban intervention using sounds? If so,
>> then it?s an interesting question to ask. The placing of speakers, playback
>> devices and power sources would be something of an issue though. However,
>> one can go and capture sounds from a location, and use these sounds for
>> sample-based compositions, and then virally infect any public sound systems.
>>
>>  There is an interesting documentation of sounds here at the British
>> Library as part of the UK Sound Map;
>> http://sounds.bl.uk/uksoundmap/index.aspx
>>
>> Regards,
>>
>> Bernhard Living
>> On 15 Feb 2011, at 05:51, Steven Ricks wrote:
>>
>> Forgive me if I missed any discussion on the topic below--I don't recall
>> seeing anything . . .
>>
>> I know I'm a bit late on this, but I just watched Banksy's Exit Through
>> the Gift Shop and found it interesting and thought provoking.  It raised the
>> following question(s) in my mind:
>> What is or would be the musical equivalent of "Street Art" as presented in
>> the film?
>> Are the media too different to find close analogs? (Is it a worthwhile
>> question?)
>>
>> SR
>>
>> --
>> Steven Ricks
>> Composer
>> Associate Professor, BYU School of Music
>> (801) 422-6115
>> www.stevericks.com
>>
>> CD's
>> Mild Violence
>> http://www.bridgerecords.com/catpage.php?call=9256
>> Extreme Measures
>>
>> http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
>> Sonic Images
>> http://www.capstonerecords.org/CPS-8712.html
>>
>>  _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>>
>>
>
>
> --
> Steven Ricks
> Composer
> Associate Professor, BYU School of Music
> (801) 422-6115
> www.stevericks.com
>
> CD's
> Mild Violence
> http://www.bridgerecords.com/catpage.php?call=9256
> Extreme Measures
>
> http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
> Sonic Images
> http://www.capstonerecords.org/CPS-8712.html
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
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From jeffreymelton at gmail.com  Tue Feb 15 11:58:19 2011
From: jeffreymelton at gmail.com (Jeffrey Melton)
Date: Tue, 15 Feb 2011 11:58:19 -0500
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <AANLkTikR9uQrd741GoLs+BvBTEh8YFvpXzJWU27UNmY+@mail.gmail.com>
References: <AANLkTikZBLFeVfL7=nfC6-JR_8HNmaa3TbUj9nTiwXvT@mail.gmail.com>
	<5F15EEC4-2E17-415C-B2CC-D3BE9A573728@me.com>
	<AANLkTikR9uQrd741GoLs+BvBTEh8YFvpXzJWU27UNmY+@mail.gmail.com>
Message-ID: <AANLkTikmEjWZ5ZRVzSP16+aT8oJsQ0QNhKJ0zJvU9fbk@mail.gmail.com>

Don't forget the Aqua Teen Hunger Force Boston bomb scare from in 2007 (
http://en.wikipedia.org/wiki/2007_Boston_bomb_scare) where an innocuous LED
art piece was mistaken for a bomb (though not in many other cities).
"Unofficial" devices make people skittish, but perhaps that could be
integrated into the work (i.e. to look official but not be).

On Tue, Feb 15, 2011 at 11:16 AM, Steven Ricks <stevericksmusic at gmail.com>wrote:

> Thanks Bernhard,
>
> I'm interested in the latter--the "urban intervention" as you say.  I was
> trying to imagine creating and then anonymously installing some sort of
> sound producing device/apparatus in a public space that would contribute to
> the overall sound environment in the way the Banksy et al pieces contribute
> to the visual environment.  I imagine it has been done in places but I'm
> only aware of some of the "sanctioned" sound installations.  There are some
> obvious challenges above and beyond what the visual artists face, including
> cost, perceptibility, and perhaps perceived security issues even more
> present in our world today that would drastically cut short the life of an
> unattended unidentified electronic/mechanical device.  Anyway . . . any
> other thoughts/info out there . . . ?
>
> On Tue, Feb 15, 2011 at 3:41 AM, Bernhard Living <bernhard.living at me.com>wrote:
>
>> Dear Steven
>>
>> Historically, there has alway been a close relationship between graffiti
>> and so called urban music. In the US this would be hip hop, and in the UK it
>> would be drum?n?bass and dub-step. Or are you asking if there is an
>> equivalent in terms of making an urban intervention using sounds? If so,
>> then it?s an interesting question to ask. The placing of speakers, playback
>> devices and power sources would be something of an issue though. However,
>> one can go and capture sounds from a location, and use these sounds for
>> sample-based compositions, and then virally infect any public sound systems.
>>
>>  There is an interesting documentation of sounds here at the British
>> Library as part of the UK Sound Map;
>> http://sounds.bl.uk/uksoundmap/index.aspx
>>
>> Regards,
>>
>> Bernhard Living
>> On 15 Feb 2011, at 05:51, Steven Ricks wrote:
>>
>> Forgive me if I missed any discussion on the topic below--I don't recall
>> seeing anything . . .
>>
>> I know I'm a bit late on this, but I just watched Banksy's Exit Through
>> the Gift Shop and found it interesting and thought provoking.  It raised the
>> following question(s) in my mind:
>> What is or would be the musical equivalent of "Street Art" as presented in
>> the film?
>> Are the media too different to find close analogs? (Is it a worthwhile
>> question?)
>>
>> SR
>>
>> --
>> Steven Ricks
>> Composer
>> Associate Professor, BYU School of Music
>> (801) 422-6115
>> www.stevericks.com
>>
>> CD's
>> Mild Violence
>> http://www.bridgerecords.com/catpage.php?call=9256
>> Extreme Measures
>>
>> http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
>> Sonic Images
>> http://www.capstonerecords.org/CPS-8712.html
>>
>>  _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>>
>>
>
>
> --
> Steven Ricks
> Composer
> Associate Professor, BYU School of Music
> (801) 422-6115
> www.stevericks.com
>
> CD's
> Mild Violence
> http://www.bridgerecords.com/catpage.php?call=9256
> Extreme Measures
>
> http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
> Sonic Images
> http://www.capstonerecords.org/CPS-8712.html
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>


-- 
jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA
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From bruce at skeletonhome.com  Tue Feb 15 12:02:56 2011
From: bruce at skeletonhome.com (Bruce Tovsky)
Date: Tue, 15 Feb 2011 12:02:56 -0500
Subject: [microsound] 3D audio... no really....
Message-ID: <19F13B48-DEE9-4C9B-9FFA-E3B860520427@skeletonhome.com>

i found this pretty darn amazing. even on laptop speakers.
b

http://www.princeton.edu/3D3A/


bruce tovsky
www.skeletonhome.com

"Reality is whatever refuses to go away when I stop believing in it.."
Philip K. Dick

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From tobiasreber at sunrise.ch  Tue Feb 15 13:56:38 2011
From: tobiasreber at sunrise.ch (Tobias Reber)
Date: Tue, 15 Feb 2011 19:56:38 +0100
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <AANLkTikR9uQrd741GoLs+BvBTEh8YFvpXzJWU27UNmY+@mail.gmail.com>
References: <AANLkTikZBLFeVfL7=nfC6-JR_8HNmaa3TbUj9nTiwXvT@mail.gmail.com>
	<5F15EEC4-2E17-415C-B2CC-D3BE9A573728@me.com>
	<AANLkTikR9uQrd741GoLs+BvBTEh8YFvpXzJWU27UNmY+@mail.gmail.com>
Message-ID: <02024E2A-CF00-4CE8-87F9-14E2AD4319CE@sunrise.ch>

I think Max Neuhaus' Times Square installation was originally a  
guerilla piece and only later sanctioned and set up again. I'm not  
100% certain, though.

http://www.propheticdesire.us/maxneuhaus/maxneuhaus.html


> I'm interested in the latter--the "urban intervention" as you say.   
> I was trying to imagine creating and then anonymously installing  
> some sort of sound producing device/apparatus in a public space that  
> would contribute to the overall sound environment in the way the  
> Banksy et al pieces contribute to the visual environment.  I imagine  
> it has been done in places but I'm only aware of some of the  
> "sanctioned" sound installations.


---

Tobias Reber
Freiburgstrasse 32
2503 Biel
Switzerland

mobile: ++41 (0)79 573 11 69
email: tobiasreber at sunrise.ch
www.tobiasreber.com




From greenkobold at gmail.com  Tue Feb 15 14:35:33 2011
From: greenkobold at gmail.com (Green Kobold)
Date: Tue, 15 Feb 2011 17:35:33 -0200
Subject: [microsound] Twitter and identi.ca
In-Reply-To: <AANLkTiki7qQDvwSPWX12ywg1-Si0PwDmqZ2R5utg5vEH@mail.gmail.com>
References: <AANLkTikPBordTjtUYkcnbNGRzpf7tGwrxew72t96O1M-@mail.gmail.com>
	<AANLkTiki7qQDvwSPWX12ywg1-Si0PwDmqZ2R5utg5vEH@mail.gmail.com>
Message-ID: <AANLkTimQ0SX35Xo0g5YJm8-xz+VfWbM+U2K3=Nt8JyYw@mail.gmail.com>

@rfabbri identi.ca
@renatogk twitter

On Sun, Feb 13, 2011 at 9:00 PM, simon longo <simonlongo at gmail.com> wrote:

> @simonlongo
> On Sun, Feb 13, 2011 at 8:18 PM, Neil Clopton <djdualcore at gmail.com>wrote:
>
>>
>> @djdualcore
>>
>>
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>>
>
>
> --
> Skype: Dithernoise
>
> UK: 0044 (0) 7887561945 / IT: 00393490910263
>
> www.simonlongo.com / www.dithernoise.net / www.visual-rhythms.net
>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
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From mail at jaime-munarriz.jazztel.es  Tue Feb 15 16:28:48 2011
From: mail at jaime-munarriz.jazztel.es (Jaime Munarriz Ortiz)
Date: Tue, 15 Feb 2011 22:28:48 +0100
Subject: [microsound] Exit Through the Gift Shop
Message-ID: <4D5AF010.4040402@jaime-munarriz.jazztel.es>

Maybe just "street musicians" ?

From greghpr at yahoo.com.au  Tue Feb 15 17:39:55 2011
From: greghpr at yahoo.com.au (greg hooper)
Date: Tue, 15 Feb 2011 14:39:55 -0800 (PST)
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <AANLkTikR9uQrd741GoLs+BvBTEh8YFvpXzJWU27UNmY+@mail.gmail.com>
References: <AANLkTikZBLFeVfL7=nfC6-JR_8HNmaa3TbUj9nTiwXvT@mail.gmail.com>
	<5F15EEC4-2E17-415C-B2CC-D3BE9A573728@me.com>
	<AANLkTikR9uQrd741GoLs+BvBTEh8YFvpXzJWU27UNmY+@mail.gmail.com>
Message-ID: <195965.98852.qm@web45309.mail.sp1.yahoo.com>

I did a bunch of stuff years ago - early 80s - where I took cassettes - those 
were the tech back then :)  and manipulated the  contents so that the cassette 
gradually changed throughout the entire length. eg From initially a simple 
intervention - faint phone ringing in the background, through playing a solo 
along with Perry Como's band through to asynchronous loops of the material going 
off on its own path to form multiple complex layers. 
Then I smuggled the manipulated cassettes - in the original shells and packaging 
- back into the stores for resale.

I started doing similar for rented videos - the idea was to recut scenes and 
insert ads taped off TV (I figured people would barely notice an inserted ad as 
we are all so conditioned to watching them within programs). Unfortunately I 
couldn't get enough access to video editing  -in those days editing suites were 
very 'exclusive'
 www.greg-hooper.com




________________________________
From: Steven Ricks <stevericksmusic at gmail.com>
To: microsound at microsound.org
Sent: Wed, 16 February, 2011 2:16:34 AM
Subject: Re: [microsound] Exit Through the Gift Shop

Thanks Bernhard,

I'm interested in the latter--the "urban intervention" as you say.  I was trying 
to imagine creating and then anonymously installing some sort of sound producing 
device/apparatus in a public space that would contribute to the overall sound 
environment in the way the Banksy et al pieces contribute to the visual 
environment.  I imagine it has been done in places but I'm only aware of some of 
the "sanctioned" sound installations.  There are some obvious challenges above 
and beyond what the visual artists face, including cost, perceptibility, and 
perhaps perceived security issues even more present in our world today that 
would drastically cut short the life of an unattended unidentified 
electronic/mechanical device.  Anyway . . . any other thoughts/info out there . 
. . ?


On Tue, Feb 15, 2011 at 3:41 AM, Bernhard Living <bernhard.living at me.com> wrote:

Dear Steven
>
>
>Historically, there has alway been a close relationship between graffiti and so 
>called urban music. In the US this would be hip hop, and in the UK it would be 
>drum?n?bass and dub-step. Or are you asking if there is an equivalent in terms 
>of making an urban intervention using sounds? If so, then it?s an interesting 
>question to ask. The placing of speakers, playback devices and power sources 
>would be something of an issue though. However, one can go and capture sounds 
>from a location, and use these sounds for sample-based compositions, and then 
>virally infect any public sound systems.
>
>
> There is an interesting documentation of sounds here at the British Library as 
>part of the UK Sound Map; http://sounds.bl.uk/uksoundmap/index.aspx
>
>
>Regards,
>
>
>Bernhard Living
>On 15 Feb 2011, at 05:51, Steven Ricks wrote:
>
>Forgive me if I missed any discussion on the topic below--I don't recall seeing 
>anything . . . 
>>
>>
>>I know I'm a bit late on this, but I just watched Banksy's Exit Through the Gift 
>>Shop and found it interesting and thought provoking.  It raised the following 
>>question(s) in my mind:
>>What is or would be the musical equivalent of "Street Art" as presented in the 
>>film?
>>Are the media too different to find close analogs? (Is it a worthwhile 
>>question?)
>>
>>
>>SR
>>
>>-- 
>>Steven Ricks
>>Composer
>>Associate Professor, BYU School of Music
>>(801) 422-6115
>>www.stevericks.com
>>
>>
>>CD's
>>Mild Violence
>>http://www.bridgerecords.com/catpage.php?call=9256
>>Extreme Measures
>>http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
>>
>>Sonic Images
>>http://www.capstonerecords.org/CPS-8712.html
>>
_______________________________________________
>>microsound mailing list
>>microsound at microsound.org
>>http://or8.net/mailman/listinfo/microsound
>>
>


-- 
Steven Ricks
Composer
Associate Professor, BYU School of Music
(801) 422-6115
www.stevericks.com


CD's
Mild Violence
http://www.bridgerecords.com/catpage.php?call=9256
Extreme Measures
http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18

Sonic Images
http://www.capstonerecords.org/CPS-8712.html



      
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From jeffreymelton at gmail.com  Tue Feb 15 18:43:29 2011
From: jeffreymelton at gmail.com (Jeffrey Melton)
Date: Tue, 15 Feb 2011 18:43:29 -0500
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <195965.98852.qm@web45309.mail.sp1.yahoo.com>
References: <AANLkTikZBLFeVfL7=nfC6-JR_8HNmaa3TbUj9nTiwXvT@mail.gmail.com>
	<5F15EEC4-2E17-415C-B2CC-D3BE9A573728@me.com>
	<AANLkTikR9uQrd741GoLs+BvBTEh8YFvpXzJWU27UNmY+@mail.gmail.com>
	<195965.98852.qm@web45309.mail.sp1.yahoo.com>
Message-ID: <6E55E3A3-007D-430C-A06B-0F0D4F44301A@gmail.com>

A low cost, low risk entry point might be those digital audio chips that are prevalent these days in record-your-own-greeting cards. Or the plethora of preschool toys that do something similar. 

Sent from my iPhone

On Feb 15, 2011, at 5:39 PM, greg hooper <greghpr at yahoo.com.au> wrote:

> I did a bunch of stuff years ago - early 80s - where I took cassettes - those were the tech back then :)  and manipulated the  contents so that the cassette gradually changed throughout the entire length. eg From initially a simple intervention - faint phone ringing in the background, through playing a solo along with Perry Como's band through to asynchronous loops of the material going off on its own path to form multiple complex layers. 
> Then I smuggled the manipulated cassettes - in the original shells and packaging - back into the stores for resale.
> 
> I started doing similar for rented videos - the idea was to recut scenes and insert ads taped off TV (I figured people would barely notice an inserted ad as we are all so conditioned to watching them within programs). Unfortunately I couldn't get enough access to video editing  -in those days editing suites were very 'exclusive'
>  
> www.greg-hooper.com
> 
> 
> From: Steven Ricks <stevericksmusic at gmail.com>
> To: microsound at microsound.org
> Sent: Wed, 16 February, 2011 2:16:34 AM
> Subject: Re: [microsound] Exit Through the Gift Shop
> 
> Thanks Bernhard,
> 
> I'm interested in the latter--the "urban intervention" as you say.  I was trying to imagine creating and then anonymously installing some sort of sound producing device/apparatus in a public space that would contribute to the overall sound environment in the way the Banksy et al pieces contribute to the visual environment.  I imagine it has been done in places but I'm only aware of some of the "sanctioned" sound installations.  There are some obvious challenges above and beyond what the visual artists face, including cost, perceptibility, and perhaps perceived security issues even more present in our world today that would drastically cut short the life of an unattended unidentified electronic/mechanical device.  Anyway . . . any other thoughts/info out there . . . ?
> 
> On Tue, Feb 15, 2011 at 3:41 AM, Bernhard Living <bernhard.living at me.com> wrote:
> Dear Steven
> 
> Historically, there has alway been a close relationship between graffiti and so called urban music. In the US this would be hip hop, and in the UK it would be drum?n?bass and dub-step. Or are you asking if there is an equivalent in terms of making an urban intervention using sounds? If so, then it?s an interesting question to ask. The placing of speakers, playback devices and power sources would be something of an issue though. However, one can go and capture sounds from a location, and use these sounds for sample-based compositions, and then virally infect any public sound systems.
> 
>  There is an interesting documentation of sounds here at the British Library as part of the UK Sound Map; http://sounds.bl.uk/uksoundmap/index.aspx
> 
> Regards,
> 
> Bernhard Living
> On 15 Feb 2011, at 05:51, Steven Ricks wrote:
> 
>> Forgive me if I missed any discussion on the topic below--I don't recall seeing anything . . . 
>> 
>> I know I'm a bit late on this, but I just watched Banksy's Exit Through the Gift Shop and found it interesting and thought provoking.  It raised the following question(s) in my mind:
>> What is or would be the musical equivalent of "Street Art" as presented in the film?
>> Are the media too different to find close analogs? (Is it a worthwhile question?)
>> 
>> SR
>> 
>> -- 
>> Steven Ricks
>> Composer
>> Associate Professor, BYU School of Music
>> (801) 422-6115
>> www.stevericks.com
>> 
>> CD's
>> Mild Violence
>> http://www.bridgerecords.com/catpage.php?call=9256
>> Extreme Measures
>> http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
>> Sonic Images
>> http://www.capstonerecords.org/CPS-8712.html
>> 
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
> 
> 
> 
> 
> -- 
> Steven Ricks
> Composer
> Associate Professor, BYU School of Music
> (801) 422-6115
> www.stevericks.com
> 
> CD's
> Mild Violence
> http://www.bridgerecords.com/catpage.php?call=9256
> Extreme Measures
> http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
> Sonic Images
> http://www.capstonerecords.org/CPS-8712.html
> 
> 
>  
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
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From benreviug at yahoo.com  Tue Feb 15 18:55:03 2011
From: benreviug at yahoo.com (guiver ben)
Date: Tue, 15 Feb 2011 15:55:03 -0800 (PST)
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <195965.98852.qm@web45309.mail.sp1.yahoo.com>
Message-ID: <827507.16763.qm@web39324.mail.mud.yahoo.com>

the british free party scene in the late 80's/1990's is perhaps similar to banksy's visual 'temporary autonomous zone', although it lacks the direct political commentary of some of banksy's work. although having said that, there is a bit of a backlash here in the uk re banksy's TAZ since it now seems more like marketing for sales of his work. which some people view as ironic given his political stance (perhaps doubly so since the film pokes fun at ignorant people out to grab some 'street art' from monsier brainwash or whatever he's called in the film - does this mirror the airhead celebs who buy banksy's work for big bucks?) . 

maybe all those critical people are just cynical though. 

some bands (like the libertines) 'pioneered' guerilla gigs in the 1990's, playing in people's living rooms, see youtube. but maybe this has always been the case, for example folk musicians playing gigs in small venues for low/no fee. (was it Thelonious Monk who told Bob Dylan that 'surely we're all folk musicians'.) 

--- On Tue, 2/15/11, greg hooper <greghpr at yahoo.com.au> wrote:

From: greg hooper <greghpr at yahoo.com.au>
Subject: Re: [microsound] Exit Through the Gift Shop
To: microsound at microsound.org
Date: Tuesday, February 15, 2011, 10:39 PM

I did a bunch of stuff years ago - early 80s - where I took cassettes - those were the tech back then :) ?and manipulated the ?contents so that the cassette gradually changed throughout the entire length. eg From initially a simple intervention - faint phone ringing in the background, through playing a solo along with Perry Como's band through to asynchronous loops of the material going off on its own path to form multiple complex layers.?Then I smuggled the manipulated cassettes - in the original shells and packaging - back into the stores for resale.
I started doing similar for rented videos - the idea was to recut scenes and insert ads taped off TV (I figured people would barely notice an inserted ad as we are all so
 conditioned to watching them within programs). Unfortunately I couldn't get enough access to video editing ?-in those days editing suites were very 'exclusive'
?www.greg-hooper.com

From: Steven Ricks <stevericksmusic at gmail.com>
To: microsound at microsound.org
Sent: Wed, 16 February, 2011 2:16:34 AM
Subject: Re: [microsound] Exit Through the Gift Shop

Thanks Bernhard,

I'm interested in the latter--the "urban intervention" as you say.? I was trying to imagine creating and then
 anonymously installing some sort of sound producing device/apparatus in a public space that would contribute to the overall sound environment in the way the Banksy et al pieces contribute to the visual environment.? I imagine it has been done in places but I'm only aware of some of the "sanctioned" sound installations.? There are some obvious challenges above and beyond what the visual artists face, including cost, perceptibility, and perhaps perceived security issues even more present in our world today that would drastically cut short the life of an unattended unidentified electronic/mechanical device.? Anyway . . . any other thoughts/info out there . . . ?


On Tue, Feb 15, 2011 at 3:41 AM, Bernhard Living <bernhard.living at me.com> wrote:

Dear Steven
Historically, there has alway been a close relationship between graffiti and so called urban music. In the US this would be hip hop, and in the UK it would be drum?n?bass and dub-step. Or are you asking if there is an equivalent in terms of making an urban intervention using sounds? If so, then it?s an interesting question to ask. The placing of speakers, playback devices and power sources would be something of an issue though. However, one can go and capture sounds from a location, and use these sounds for sample-based compositions, and then virally infect any public sound systems.

?There is an interesting documentation of sounds here at the British Library as part of the UK Sound Map; http://sounds.bl.uk/uksoundmap/index.aspx

Regards,

Bernhard LivingOn 15 Feb 2011, at 05:51, Steven Ricks wrote:

Forgive me if I missed any discussion on the topic below--I don't recall seeing anything . . .?
I know I'm a bit late on this, but I just watched Banksy's Exit Through the Gift Shop and found it interesting and thought provoking. ?It raised the following question(s) in my mind:

What is or would be the musical equivalent of "Street Art" as presented in the film?Are the media too different to find close analogs? (Is it a worthwhile question?)
SR



-- 
Steven Ricks
Composer
Associate Professor, BYU School of Music
(801) 422-6115
www.stevericks.com


CD's
Mild Violence
http://www.bridgerecords.com/catpage.php?call=9256


Extreme Measures
http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18


Sonic Images
http://www.capstonerecords.org/CPS-8712.html




_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound





-- 
Steven Ricks
Composer
Associate Professor, BYU School of Music
(801) 422-6115
www.stevericks.com

CD's
Mild Violence
http://www.bridgerecords.com/catpage.php?call=9256

Extreme Measures
http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18

Sonic Images
http://www.capstonerecords.org/CPS-8712.html










      ?
-----Inline Attachment Follows-----

_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound



      
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From mumixer at me.com  Wed Feb 16 03:50:29 2011
From: mumixer at me.com (Bernhard Living)
Date: Wed, 16 Feb 2011 08:50:29 +0000
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <AANLkTikR9uQrd741GoLs+BvBTEh8YFvpXzJWU27UNmY+@mail.gmail.com>
References: <AANLkTikZBLFeVfL7=nfC6-JR_8HNmaa3TbUj9nTiwXvT@mail.gmail.com>
	<5F15EEC4-2E17-415C-B2CC-D3BE9A573728@me.com>
	<AANLkTikR9uQrd741GoLs+BvBTEh8YFvpXzJWU27UNmY+@mail.gmail.com>
Message-ID: <38576023-615E-46AF-963D-284D95DF596A@me.com>

Dear Steven,

Ok, Here?s a little idea for you to ponder.

Get hold of numerous low-cost battery powered devices that either move or vibrate. For example; toys, joke objects such as chattering teeth, and even actual sex aids (vibrators etc). Make urban interventions by putting them into public-sited objects that would easily resonate, such as; drainpipes, trash cans, handrails (you might need to saw one in half), post boxes and the petrol tanks of peoples? cars (if you can unscrew the cap). You?ll need to wear trainers so you can run quickly and not get caught by the police (and don?t forget your hoody!). I think this sound-work might be in the true spirit of graffiti art.

Perhaps you could find an object that creates a very distinctive sound, and this would be your sonic ?tag?.

Regards,

Bernhard
On 15 Feb 2011, at 16:16, Steven Ricks wrote:

> Thanks Bernhard,
> 
> I'm interested in the latter--the "urban intervention" as you say.  I was trying to imagine creating and then anonymously installing some sort of sound producing device/apparatus in a public space that would contribute to the overall sound environment in the way the Banksy et al pieces contribute to the visual environment.  I imagine it has been done in places but I'm only aware of some of the "sanctioned" sound installations.  There are some obvious challenges above and beyond what the visual artists face, including cost, perceptibility, and perhaps perceived security issues even more present in our world today that would drastically cut short the life of an unattended unidentified electronic/mechanical device.  Anyway . . . any other thoughts/info out there . . . ?
> 
> On Tue, Feb 15, 2011 at 3:41 AM, Bernhard Living <bernhard.living at me.com> wrote:
> Dear Steven
> 
> Historically, there has alway been a close relationship between graffiti and so called urban music. In the US this would be hip hop, and in the UK it would be drum?n?bass and dub-step. Or are you asking if there is an equivalent in terms of making an urban intervention using sounds? If so, then it?s an interesting question to ask. The placing of speakers, playback devices and power sources would be something of an issue though. However, one can go and capture sounds from a location, and use these sounds for sample-based compositions, and then virally infect any public sound systems.
> 
>  There is an interesting documentation of sounds here at the British Library as part of the UK Sound Map; http://sounds.bl.uk/uksoundmap/index.aspx
> 
> Regards,
> 
> Bernhard Living
> On 15 Feb 2011, at 05:51, Steven Ricks wrote:
> 
>> Forgive me if I missed any discussion on the topic below--I don't recall seeing anything . . . 
>> 
>> I know I'm a bit late on this, but I just watched Banksy's Exit Through the Gift Shop and found it interesting and thought provoking.  It raised the following question(s) in my mind:
>> What is or would be the musical equivalent of "Street Art" as presented in the film?
>> Are the media too different to find close analogs? (Is it a worthwhile question?)
>> 
>> SR
>> 
>> -- 
>> Steven Ricks
>> Composer
>> Associate Professor, BYU School of Music
>> (801) 422-6115
>> www.stevericks.com
>> 
>> CD's
>> Mild Violence
>> http://www.bridgerecords.com/catpage.php?call=9256
>> Extreme Measures
>> http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
>> Sonic Images
>> http://www.capstonerecords.org/CPS-8712.html
>> 
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
> 
> 
> 
> 
> -- 
> Steven Ricks
> Composer
> Associate Professor, BYU School of Music
> (801) 422-6115
> www.stevericks.com
> 
> CD's
> Mild Violence
> http://www.bridgerecords.com/catpage.php?call=9256
> Extreme Measures
> http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
> Sonic Images
> http://www.capstonerecords.org/CPS-8712.html
> 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

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From kochhw at netcologne.de  Wed Feb 16 05:03:04 2011
From: kochhw at netcologne.de (hans w. koch)
Date: Wed, 16 Feb 2011 11:03:04 +0100
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <mailman.8709.1297814113.5607.microsound@or8.net>
References: <mailman.8709.1297814113.5607.microsound@or8.net>
Message-ID: <B8D2D408-8BD1-4B7D-B338-27317E02072E@netcologne.de>

i did a piece with a greeting card sound chip, which i mounted in a public trashcan in budapest with a little circuitry, so that it would play "fuer elise" when somebody threw something into the trashcan.
http://www.hans-w-koch.org/installations/thankyou.html
even if it was on a very busy street, the crisp and chirpy sound would always come thru :-)
hans
www.hans-w-koch.net





Am 16.02.2011 um 00:55 schrieb microsound-request at or8.net:

> Message: 1
> Date: Tue, 15 Feb 2011 18:43:29 -0500
> From: Jeffrey Melton <jeffreymelton at gmail.com>
> To: "microsound at microsound.org" <microsound at microsound.org>
> Subject: Re: [microsound] Exit Through the Gift Shop
> Message-ID: <6E55E3A3-007D-430C-A06B-0F0D4F44301A at gmail.com>
> Content-Type: text/plain; charset="utf-8"
> 
> A low cost, low risk entry point might be those digital audio chips that are prevalent these days in record-your-own-greeting cards. Or the plethora of preschool toys that do something similar. 


From mumixer at me.com  Wed Feb 16 05:42:16 2011
From: mumixer at me.com (Bernhard Living)
Date: Wed, 16 Feb 2011 10:42:16 +0000
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <B8D2D408-8BD1-4B7D-B338-27317E02072E@netcologne.de>
References: <mailman.8709.1297814113.5607.microsound@or8.net>
	<B8D2D408-8BD1-4B7D-B338-27317E02072E@netcologne.de>
Message-ID: <3153A8AF-548F-42C8-9EEF-B720C202C548@me.com>

Dear Hans,

This is a very beautiful and effective installation, and as you said, the sound of the card was able to cut through the background noise of the traffic. Graffiti art has always had a slightly ?naughty? if not illegal aspect to it. It?s also fairly low cost (the price of a spray can). Your sound intervention certainly fits into that way of doing things.

Regards,

Bernhard
On 16 Feb 2011, at 10:03, hans w. koch wrote:

> i did a piece with a greeting card sound chip, which i mounted in a public trashcan in budapest with a little circuitry, so that it would play "fuer elise" when somebody threw something into the trashcan.
> http://www.hans-w-koch.org/installations/thankyou.html
> even if it was on a very busy street, the crisp and chirpy sound would always come thru :-)
> hans
> www.hans-w-koch.net
> 
> 
> 
> 
> 
> Am 16.02.2011 um 00:55 schrieb microsound-request at or8.net:
> 
>> Message: 1
>> Date: Tue, 15 Feb 2011 18:43:29 -0500
>> From: Jeffrey Melton <jeffreymelton at gmail.com>
>> To: "microsound at microsound.org" <microsound at microsound.org>
>> Subject: Re: [microsound] Exit Through the Gift Shop
>> Message-ID: <6E55E3A3-007D-430C-A06B-0F0D4F44301A at gmail.com>
>> Content-Type: text/plain; charset="utf-8"
>> 
>> A low cost, low risk entry point might be those digital audio chips that are prevalent these days in record-your-own-greeting cards. Or the plethora of preschool toys that do something similar. 
> 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

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From tobiasreber at sunrise.ch  Wed Feb 16 05:58:55 2011
From: tobiasreber at sunrise.ch (Tobias Reber)
Date: Wed, 16 Feb 2011 11:58:55 +0100
Subject: [microsound] Public USB-Sticks
In-Reply-To: <3153A8AF-548F-42C8-9EEF-B720C202C548@me.com>
References: <mailman.8709.1297814113.5607.microsound@or8.net>
	<B8D2D408-8BD1-4B7D-B338-27317E02072E@netcologne.de>
	<3153A8AF-548F-42C8-9EEF-B720C202C548@me.com>
Message-ID: <61F9CE8F-57AD-4680-BB81-BEBC430C5099@sunrise.ch>

On a related street art note, I've recently read an article about USB  
sticks installed in public, a project by an artist that's apparently  
spreading quickly...
Can't remember where I originally read about it, but this article here  
covers it as well:

http://laughingsquid.com/usb-flash-drive-dead-drops-installed-in-public-locations-around-nyc/

Tobias


Am 16.02.2011 um 11:42 schrieb Bernhard Living:

> Dear Hans,
>
> This is a very beautiful and effective installation, and as you  
> said, the sound of the card was able to cut through the background  
> noise of the traffic. Graffiti art has always had a slightly  
> ?naughty? if not illegal aspect to it. It?s also fairly low cost  
> (the price of a spray can). Your sound intervention certainly fits  
> into that way of doing things.
>
> Regards,
>
> Bernhard
> On 16 Feb 2011, at 10:03, hans w. koch wrote:
>
>> i did a piece with a greeting card sound chip, which i mounted in a  
>> public trashcan in budapest with a little circuitry, so that it  
>> would play "fuer elise" when somebody threw something into the  
>> trashcan.
>> http://www.hans-w-koch.org/installations/thankyou.html
>> even if it was on a very busy street, the crisp and chirpy sound  
>> would always come thru :-)
>> hans
>> www.hans-w-koch.net
>>
>>
>>
>>
>>
>> Am 16.02.2011 um 00:55 schrieb microsound-request at or8.net:
>>
>>> Message: 1
>>> Date: Tue, 15 Feb 2011 18:43:29 -0500
>>> From: Jeffrey Melton <jeffreymelton at gmail.com>
>>> To: "microsound at microsound.org" <microsound at microsound.org>
>>> Subject: Re: [microsound] Exit Through the Gift Shop
>>> Message-ID: <6E55E3A3-007D-430C-A06B-0F0D4F44301A at gmail.com>
>>> Content-Type: text/plain; charset="utf-8"
>>>
>>> A low cost, low risk entry point might be those digital audio  
>>> chips that are prevalent these days in record-your-own-greeting  
>>> cards. Or the plethora of preschool toys that do something similar.
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

---

Tobias Reber
Freiburgstrasse 32
2503 Biel
Switzerland

mobile: ++41 (0)79 573 11 69
email: tobiasreber at sunrise.ch
www.tobiasreber.com



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From info at garage-g.de  Wed Feb 16 06:18:20 2011
From: info at garage-g.de (garage)
Date: Wed, 16 Feb 2011 12:18:20 +0100
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <3153A8AF-548F-42C8-9EEF-B720C202C548@me.com>
References: <mailman.8709.1297814113.5607.microsound@or8.net>
	<B8D2D408-8BD1-4B7D-B338-27317E02072E@netcologne.de>
	<3153A8AF-548F-42C8-9EEF-B720C202C548@me.com>
Message-ID: <4C87D0C1-5B12-41E5-A53D-7ECFFDE48FA8@garage-g.de>

there are many examples for sonic 'graffiti-style' interventions out there, just to name a few with different approaches/techniques:

'little helpers' by will schrimshaw:
http://willschrimshaw.net/project/little-helpers/

'touched echo' by markus kison
http://www.markuskison.de/#touched_echo

'Transphere' by Pierre-Laurent Cassi?re
http://pierrelaurentcassiere.com/en-transphere

'radio ballet' by ligna
http://ligna.blogspot.com/2009/12/radio-ballet.html

'sonic tag workshop series' by nextlab
http://nextlab.hu/events?page=1

'Earworm Assault Devices' by fur
http://www.fursr.com/details.php?id=84&pid=84


...

best, carsten
http://www.tunedcity.net




Am 16.02.2011 um 11:42 schrieb Bernhard Living:

> Dear Hans,
> 
> This is a very beautiful and effective installation, and as you said, the sound of the card was able to cut through the background noise of the traffic. Graffiti art has always had a slightly ?naughty? if not illegal aspect to it. It?s also fairly low cost (the price of a spray can). Your sound intervention certainly fits into that way of doing things.
> 
> Regards,
> 
> Bernhard
> On 16 Feb 2011, at 10:03, hans w. koch wrote:
> 
>> i did a piece with a greeting card sound chip, which i mounted in a public trashcan in budapest with a little circuitry, so that it would play "fuer elise" when somebody threw something into the trashcan.
>> http://www.hans-w-koch.org/installations/thankyou.html
>> even if it was on a very busy street, the crisp and chirpy sound would always come thru :-)
>> hans
>> www.hans-w-koch.net
>> 
>> 
>> 
>> 
>> 
>> Am 16.02.2011 um 00:55 schrieb microsound-request at or8.net:
>> 
>>> Message: 1
>>> Date: Tue, 15 Feb 2011 18:43:29 -0500
>>> From: Jeffrey Melton <jeffreymelton at gmail.com>
>>> To: "microsound at microsound.org" <microsound at microsound.org>
>>> Subject: Re: [microsound] Exit Through the Gift Shop
>>> Message-ID: <6E55E3A3-007D-430C-A06B-0F0D4F44301A at gmail.com>
>>> Content-Type: text/plain; charset="utf-8"
>>> 
>>> A low cost, low risk entry point might be those digital audio chips that are prevalent these days in record-your-own-greeting cards. Or the plethora of preschool toys that do something similar. 
>> 
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
> 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From info at garage-g.de  Wed Feb 16 08:13:00 2011
From: info at garage-g.de (garage)
Date: Wed, 16 Feb 2011 14:13:00 +0100
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <4C87D0C1-5B12-41E5-A53D-7ECFFDE48FA8@garage-g.de>
References: <mailman.8709.1297814113.5607.microsound@or8.net>
	<B8D2D408-8BD1-4B7D-B338-27317E02072E@netcologne.de>
	<3153A8AF-548F-42C8-9EEF-B720C202C548@me.com>
	<4C87D0C1-5B12-41E5-A53D-7ECFFDE48FA8@garage-g.de>
Message-ID: <ABBD3D29-195F-47D3-BD64-F372EFA7232E@garage-g.de>

ah, and i just came across that one:

'Audio graffiti' by Jari Suominen
http://www.tasankokaiku.com/jarse/?cat=16

best, c.


Am 16.02.2011 um 12:18 schrieb garage:

> there are many examples for sonic 'graffiti-style' interventions out there, just to name a few with different approaches/techniques:
> 
> 'little helpers' by will schrimshaw:
> http://willschrimshaw.net/project/little-helpers/
> 
> 'touched echo' by markus kison
> http://www.markuskison.de/#touched_echo
> 
> 'Transphere' by Pierre-Laurent Cassi?re
> http://pierrelaurentcassiere.com/en-transphere
> 
> 'radio ballet' by ligna
> http://ligna.blogspot.com/2009/12/radio-ballet.html
> 
> 'sonic tag workshop series' by nextlab
> http://nextlab.hu/events?page=1
> 
> 'Earworm Assault Devices' by fur
> http://www.fursr.com/details.php?id=84&pid=84
> 
> 
> ...
> 
> best, carsten
> http://www.tunedcity.net
> 
> 
> 
> 
> Am 16.02.2011 um 11:42 schrieb Bernhard Living:
> 
>> Dear Hans,
>> 
>> This is a very beautiful and effective installation, and as you said, the sound of the card was able to cut through the background noise of the traffic. Graffiti art has always had a slightly ?naughty? if not illegal aspect to it. It?s also fairly low cost (the price of a spray can). Your sound intervention certainly fits into that way of doing things.
>> 
>> Regards,
>> 
>> Bernhard
>> On 16 Feb 2011, at 10:03, hans w. koch wrote:
>> 
>>> i did a piece with a greeting card sound chip, which i mounted in a public trashcan in budapest with a little circuitry, so that it would play "fuer elise" when somebody threw something into the trashcan.
>>> http://www.hans-w-koch.org/installations/thankyou.html
>>> even if it was on a very busy street, the crisp and chirpy sound would always come thru :-)
>>> hans
>>> www.hans-w-koch.net
>>> 
>>> 
>>> 
>>> 
>>> 
>>> Am 16.02.2011 um 00:55 schrieb microsound-request at or8.net:
>>> 
>>>> Message: 1
>>>> Date: Tue, 15 Feb 2011 18:43:29 -0500
>>>> From: Jeffrey Melton <jeffreymelton at gmail.com>
>>>> To: "microsound at microsound.org" <microsound at microsound.org>
>>>> Subject: Re: [microsound] Exit Through the Gift Shop
>>>> Message-ID: <6E55E3A3-007D-430C-A06B-0F0D4F44301A at gmail.com>
>>>> Content-Type: text/plain; charset="utf-8"
>>>> 
>>>> A low cost, low risk entry point might be those digital audio chips that are prevalent these days in record-your-own-greeting cards. Or the plethora of preschool toys that do something similar. 
>>> 
>>> _______________________________________________
>>> microsound mailing list
>>> microsound at microsound.org
>>> http://or8.net/mailman/listinfo/microsound
>> 
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
> 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From cyborgk at gmail.com  Wed Feb 16 12:07:12 2011
From: cyborgk at gmail.com (David Powers)
Date: Wed, 16 Feb 2011 11:07:12 -0600
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <3153A8AF-548F-42C8-9EEF-B720C202C548@me.com>
References: <mailman.8709.1297814113.5607.microsound@or8.net>
	<B8D2D408-8BD1-4B7D-B338-27317E02072E@netcologne.de>
	<3153A8AF-548F-42C8-9EEF-B720C202C548@me.com>
Message-ID: <AANLkTin_iuD0o3jfhyskrGgJTiVcOsnF=PkJCsftxZYM@mail.gmail.com>

A little food for thought:

Do we not suffer from too much noise in our cities already? At least
in Chicago, I am subjected to large amounts of unwanted noise, whether
it is the dangerously loud sound of elevated trains, or the unwanted
(and almosty always terrible) background music that plays incessantly
indoors everywhere one goes.

So I suggest that the ultimate sonic intervention would not create
noise, but SUBTRACT noise--creating an unexpected pocket of silence in
the midst of the city would be fantastic, in my opinion.

~David

On Wed, Feb 16, 2011 at 4:42 AM, Bernhard Living <mumixer at me.com> wrote:
> Dear Hans,
> This is a very beautiful and effective installation, and as you said, the
> sound of the card was able to cut through the background noise of the
> traffic. Graffiti art has always had a slightly ?naughty? if not illegal
> aspect to it. It?s also fairly low cost (the price of a spray can). Your
> sound intervention certainly fits into that way of doing things.
> Regards,
> Bernhard
> On 16 Feb 2011, at 10:03, hans w. koch wrote:

From stevericksmusic at gmail.com  Wed Feb 16 12:22:03 2011
From: stevericksmusic at gmail.com (Steven Ricks)
Date: Wed, 16 Feb 2011 10:22:03 -0700
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <AANLkTin_iuD0o3jfhyskrGgJTiVcOsnF=PkJCsftxZYM@mail.gmail.com>
References: <mailman.8709.1297814113.5607.microsound@or8.net>
	<B8D2D408-8BD1-4B7D-B338-27317E02072E@netcologne.de>
	<3153A8AF-548F-42C8-9EEF-B720C202C548@me.com>
	<AANLkTin_iuD0o3jfhyskrGgJTiVcOsnF=PkJCsftxZYM@mail.gmail.com>
Message-ID: <AANLkTimCrUdyYR4_-P7E5cD7h9yQkv_SRJ=U-XiRk29r@mail.gmail.com>

I like this . . . perhaps one could take the Bose headphone noise canceling
technology and create something . . . I'm imagining it in the hands of
someone with a lot of funding and creating a sort of giant
silence-projecting ray gun . . . then if one could apply filtering to this
concept, canceling out only certain frequencies . . . anyone have contacts
at Bose r&d?

On Wed, Feb 16, 2011 at 10:07 AM, David Powers <cyborgk at gmail.com> wrote:

> A little food for thought:
>
> Do we not suffer from too much noise in our cities already? At least
> in Chicago, I am subjected to large amounts of unwanted noise, whether
> it is the dangerously loud sound of elevated trains, or the unwanted
> (and almosty always terrible) background music that plays incessantly
> indoors everywhere one goes.
>
> So I suggest that the ultimate sonic intervention would not create
> noise, but SUBTRACT noise--creating an unexpected pocket of silence in
> the midst of the city would be fantastic, in my opinion.
>
> ~David
>
> On Wed, Feb 16, 2011 at 4:42 AM, Bernhard Living <mumixer at me.com> wrote:
> > Dear Hans,
> > This is a very beautiful and effective installation, and as you said, the
> > sound of the card was able to cut through the background noise of the
> > traffic. Graffiti art has always had a slightly ?naughty? if not illegal
> > aspect to it. It?s also fairly low cost (the price of a spray can). Your
> > sound intervention certainly fits into that way of doing things.
> > Regards,
> > Bernhard
> > On 16 Feb 2011, at 10:03, hans w. koch wrote:
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>



-- 
Steven Ricks
Composer
Associate Professor, BYU School of Music
(801) 422-6115
www.stevericks.com

CD's
Mild Violence
http://www.bridgerecords.com/catpage.php?call=9256
Extreme Measures
http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
Sonic Images
http://www.capstonerecords.org/CPS-8712.html
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From davide.oliveri at gmail.com  Wed Feb 16 12:34:42 2011
From: davide.oliveri at gmail.com (Davide Oliveri)
Date: Wed, 16 Feb 2011 18:34:42 +0100
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <AANLkTin_iuD0o3jfhyskrGgJTiVcOsnF=PkJCsftxZYM@mail.gmail.com>
References: <mailman.8709.1297814113.5607.microsound@or8.net>
	<B8D2D408-8BD1-4B7D-B338-27317E02072E@netcologne.de>
	<3153A8AF-548F-42C8-9EEF-B720C202C548@me.com>
	<AANLkTin_iuD0o3jfhyskrGgJTiVcOsnF=PkJCsftxZYM@mail.gmail.com>
Message-ID: <AANLkTikb04PsQnJjR2i08pfEU9RR6ViD7+iGqyauwwHy@mail.gmail.com>

I am new to sound and its laws, but this make me think about something i red
yesterday,
a lecture started from the 3D sound link posted by Bruce Trovsky.

So what if would be possible to use crosstalk cancellation to do this ?

listening to some simple stereo-audio-from-videocamera processed by
a ambio_one plugin and turning my head i found there was an "empty" space
in between the speakers (the sources),


2011/2/16 David Powers <cyborgk at gmail.com>

> A little food for thought:
>
> Do we not suffer from too much noise in our cities already? At least
> in Chicago, I am subjected to large amounts of unwanted noise, whether
> it is the dangerously loud sound of elevated trains, or the unwanted
> (and almosty always terrible) background music that plays incessantly
> indoors everywhere one goes.
>
> So I suggest that the ultimate sonic intervention would not create
> noise, but SUBTRACT noise--creating an unexpected pocket of silence in
> the midst of the city would be fantastic, in my opinion.
>
> ~David
>
> On Wed, Feb 16, 2011 at 4:42 AM, Bernhard Living <mumixer at me.com> wrote:
> > Dear Hans,
> > This is a very beautiful and effective installation, and as you said, the
> > sound of the card was able to cut through the background noise of the
> > traffic. Graffiti art has always had a slightly ?naughty? if not illegal
> > aspect to it. It?s also fairly low cost (the price of a spray can). Your
> > sound intervention certainly fits into that way of doing things.
> > Regards,
> > Bernhard
> > On 16 Feb 2011, at 10:03, hans w. koch wrote:
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
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From dan at listening-station.net  Wed Feb 16 12:40:23 2011
From: dan at listening-station.net (Daniel Heidebrecht)
Date: Wed, 16 Feb 2011 10:40:23 -0700
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <AANLkTimCrUdyYR4_-P7E5cD7h9yQkv_SRJ=U-XiRk29r@mail.gmail.com>
References: <mailman.8709.1297814113.5607.microsound@or8.net>
	<B8D2D408-8BD1-4B7D-B338-27317E02072E@netcologne.de>
	<3153A8AF-548F-42C8-9EEF-B720C202C548@me.com>
	<AANLkTin_iuD0o3jfhyskrGgJTiVcOsnF=PkJCsftxZYM@mail.gmail.com>
	<AANLkTimCrUdyYR4_-P7E5cD7h9yQkv_SRJ=U-XiRk29r@mail.gmail.com>
Message-ID: <3215EA238D9D47E9AF1DCDC6B2A90A8C@listening-station.net>

 I worked for an architectural photographer that did a shoot in the late 80's at the corporate headquarters of Hasbro - somewhere in Massachusets. The office was a huge open space with standard office cubicles. It had a noise reduction system that was made by Bolt Beranek & Newman. You could stand about 30 feet away from another person and yell at them - and could barely make out what they said. Doesn't sound very spectacular - but it was one of the strangest acoustic experiences I have had.
On Wednesday, February 16, 2011 at 10:22 AM, Steven Ricks wrote: 
> I like this . . . perhaps one could take the Bose headphone noise canceling technology and create something . . . I'm imagining it in the hands of someone with a lot of funding and creating a sort of giant silence-projecting ray gun . . . then if one could apply filtering to this concept, canceling out only certain frequencies . . . anyone have contacts at Bose r&d?
> 
> On Wed, Feb 16, 2011 at 10:07 AM, David Powers <cyborgk at gmail.com> wrote:
> >  A little food for thought:
> > 
> >  Do we not suffer from too much noise in our cities already? At least
> >  in Chicago, I am subjected to large amounts of unwanted noise, whether
> >  it is the dangerously loud sound of elevated trains, or the unwanted
> >  (and almosty always terrible) background music that plays incessantly
> >  indoors everywhere one goes.
> > 
> >  So I suggest that the ultimate sonic intervention would not create
> >  noise, but SUBTRACT noise--creating an unexpected pocket of silence in
> >  the midst of the city would be fantastic, in my opinion.
> > 
> >  ~David
> > 
> >  On Wed, Feb 16, 2011 at 4:42 AM, Bernhard Living <mumixer at me.com> wrote:
> > > Dear Hans,
> > > This is a very beautiful and effective installation, and as you said, the
> > > sound of the card was able to cut through the background noise of the
> > > traffic. Graffiti art has always had a slightly ?naughty? if not illegal
> > > aspect to it. It?s also fairly low cost (the price of a spray can). Your
> > > sound intervention certainly fits into that way of doing things.
> > > Regards,
> > > Bernhard
> > > On 16 Feb 2011, at 10:03, hans w. koch wrote:
> > _______________________________________________
> >  microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
> > 
> 
> 
> -- 
> Steven Ricks
> Composer
> Associate Professor, BYU School of Music
> (801) 422-6115
> www.stevericks.com
> 
> CD's
> Mild Violence
> http://www.bridgerecords.com/catpage.php?call=9256
>  Extreme Measures
> http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
>  Sonic Images
> http://www.capstonerecords.org/CPS-8712.html 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
> 
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From ted.pallas at gmail.com  Wed Feb 16 12:41:46 2011
From: ted.pallas at gmail.com (Ted Pallas)
Date: Wed, 16 Feb 2011 12:41:46 -0500
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <AANLkTikb04PsQnJjR2i08pfEU9RR6ViD7+iGqyauwwHy@mail.gmail.com>
References: <mailman.8709.1297814113.5607.microsound@or8.net>
	<B8D2D408-8BD1-4B7D-B338-27317E02072E@netcologne.de>
	<3153A8AF-548F-42C8-9EEF-B720C202C548@me.com>
	<AANLkTin_iuD0o3jfhyskrGgJTiVcOsnF=PkJCsftxZYM@mail.gmail.com>
	<AANLkTikb04PsQnJjR2i08pfEU9RR6ViD7+iGqyauwwHy@mail.gmail.com>
Message-ID: <AANLkTimfqj24pCBPcboUFtwP3jrV6MDeG_8iaZRF-xN9@mail.gmail.com>

there's (almost) always an empty space between two speakers.  Speakers throw
sound out in a cone shaped pattern, right?  So when you turn your head
you're actually placing your ear between where the cones would meet.

The problem with applying this to a cityscape is that sound is coming from
ALL OVER EVERY WHERE.

Are there any microsounders in NYC who'd be interested in getting together
to talk IRL about this topic?  Specifically, about our aural relationship
with our city, and what the artist's role is in that relationship?

Ted Pallas
Live Media Designer
Sandwich Construction Consultant
ted dot pallas -at- gmail dot com
516.286.9661



On Wed, Feb 16, 2011 at 12:34 PM, Davide Oliveri
<davide.oliveri at gmail.com>wrote:

> I am new to sound and its laws, but this make me think about something i
> red yesterday,
> a lecture started from the 3D sound link posted by Bruce Trovsky.
>
> So what if would be possible to use crosstalk cancellation to do this ?
>
> listening to some simple stereo-audio-from-videocamera processed by
> a ambio_one plugin and turning my head i found there was an "empty" space
> in between the speakers (the sources),
>
>
> 2011/2/16 David Powers <cyborgk at gmail.com>
>
> A little food for thought:
>>
>> Do we not suffer from too much noise in our cities already? At least
>> in Chicago, I am subjected to large amounts of unwanted noise, whether
>> it is the dangerously loud sound of elevated trains, or the unwanted
>> (and almosty always terrible) background music that plays incessantly
>> indoors everywhere one goes.
>>
>> So I suggest that the ultimate sonic intervention would not create
>> noise, but SUBTRACT noise--creating an unexpected pocket of silence in
>> the midst of the city would be fantastic, in my opinion.
>>
>> ~David
>>
>> On Wed, Feb 16, 2011 at 4:42 AM, Bernhard Living <mumixer at me.com> wrote:
>> > Dear Hans,
>> > This is a very beautiful and effective installation, and as you said,
>> the
>> > sound of the card was able to cut through the background noise of the
>> > traffic. Graffiti art has always had a slightly ?naughty? if not illegal
>> > aspect to it. It?s also fairly low cost (the price of a spray can). Your
>> > sound intervention certainly fits into that way of doing things.
>> > Regards,
>> > Bernhard
>> > On 16 Feb 2011, at 10:03, hans w. koch wrote:
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
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From davide.oliveri at gmail.com  Wed Feb 16 12:58:22 2011
From: davide.oliveri at gmail.com (Davide Oliveri)
Date: Wed, 16 Feb 2011 18:58:22 +0100
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <AANLkTimfqj24pCBPcboUFtwP3jrV6MDeG_8iaZRF-xN9@mail.gmail.com>
References: <mailman.8709.1297814113.5607.microsound@or8.net>
	<B8D2D408-8BD1-4B7D-B338-27317E02072E@netcologne.de>
	<3153A8AF-548F-42C8-9EEF-B720C202C548@me.com>
	<AANLkTin_iuD0o3jfhyskrGgJTiVcOsnF=PkJCsftxZYM@mail.gmail.com>
	<AANLkTikb04PsQnJjR2i08pfEU9RR6ViD7+iGqyauwwHy@mail.gmail.com>
	<AANLkTimfqj24pCBPcboUFtwP3jrV6MDeG_8iaZRF-xN9@mail.gmail.com>
Message-ID: <AANLkTimorBzVxeffobeivF6RjRk-R73QPDVudV_EpPkG@mail.gmail.com>

Hi Ted,

for sure that sound comes from every where, but i thought that was possible
to cancel at least a little bit of noise to create a little space to bass by
to percieve kind a lack of sound...maybe with more than one speaker...

Thank you for your precisation.

2011/2/16 Ted Pallas <ted.pallas at gmail.com>

> there's (almost) always an empty space between two speakers.  Speakers
> throw sound out in a cone shaped pattern, right?  So when you turn your head
> you're actually placing your ear between where the cones would meet.
>
> The problem with applying this to a cityscape is that sound is coming from
> ALL OVER EVERY WHERE.
>
>
>
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From jeffreymelton at gmail.com  Wed Feb 16 13:15:22 2011
From: jeffreymelton at gmail.com (Jeffrey Melton)
Date: Wed, 16 Feb 2011 13:15:22 -0500
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <AANLkTimCrUdyYR4_-P7E5cD7h9yQkv_SRJ=U-XiRk29r@mail.gmail.com>
References: <mailman.8709.1297814113.5607.microsound@or8.net>
	<B8D2D408-8BD1-4B7D-B338-27317E02072E@netcologne.de>
	<3153A8AF-548F-42C8-9EEF-B720C202C548@me.com>
	<AANLkTin_iuD0o3jfhyskrGgJTiVcOsnF=PkJCsftxZYM@mail.gmail.com>
	<AANLkTimCrUdyYR4_-P7E5cD7h9yQkv_SRJ=U-XiRk29r@mail.gmail.com>
Message-ID: <AANLkTinsUCjs-MAPOxHyLLVexBfqGR=j+ytNUp-i79mB@mail.gmail.com>

IIRC, these kind of noise cancellation systems are also in some luxury cars.
Who's got the chops to create a Massive Unsound System?

On Wed, Feb 16, 2011 at 12:22 PM, Steven Ricks <stevericksmusic at gmail.com>wrote:

> I like this . . . perhaps one could take the Bose headphone noise canceling
> technology and create something . . . I'm imagining it in the hands of
> someone with a lot of funding and creating a sort of giant
> silence-projecting ray gun . . . then if one could apply filtering to this
> concept, canceling out only certain frequencies . . . anyone have contacts
> at Bose r&d?
>
>
> On Wed, Feb 16, 2011 at 10:07 AM, David Powers <cyborgk at gmail.com> wrote:
>
>> A little food for thought:
>>
>> Do we not suffer from too much noise in our cities already? At least
>> in Chicago, I am subjected to large amounts of unwanted noise, whether
>> it is the dangerously loud sound of elevated trains, or the unwanted
>> (and almosty always terrible) background music that plays incessantly
>> indoors everywhere one goes.
>>
>> So I suggest that the ultimate sonic intervention would not create
>> noise, but SUBTRACT noise--creating an unexpected pocket of silence in
>> the midst of the city would be fantastic, in my opinion.
>>
>> ~David
>>
>> On Wed, Feb 16, 2011 at 4:42 AM, Bernhard Living <mumixer at me.com> wrote:
>> > Dear Hans,
>> > This is a very beautiful and effective installation, and as you said,
>> the
>> > sound of the card was able to cut through the background noise of the
>> > traffic. Graffiti art has always had a slightly ?naughty? if not illegal
>> > aspect to it. It?s also fairly low cost (the price of a spray can). Your
>> > sound intervention certainly fits into that way of doing things.
>> > Regards,
>> > Bernhard
>> > On 16 Feb 2011, at 10:03, hans w. koch wrote:
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>
>
>
> --
> Steven Ricks
> Composer
> Associate Professor, BYU School of Music
> (801) 422-6115
> www.stevericks.com
>
> CD's
> Mild Violence
> http://www.bridgerecords.com/catpage.php?call=9256
> Extreme Measures
>
> http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
> Sonic Images
> http://www.capstonerecords.org/CPS-8712.html
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>


-- 
jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA
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From pereshaped at gmail.com  Wed Feb 16 13:23:25 2011
From: pereshaped at gmail.com (Pereshaped)
Date: Wed, 16 Feb 2011 18:23:25 +0000
Subject: [microsound]  Exit Through the Gift Shop (Cancelling City noise)
Message-ID: <AANLkTikMea+0-q6hpFnAgeaVEazNFjc-_DDo_F-4ptQi@mail.gmail.com>

Cancelling an almost infinitely radiating sound source (The city
noise) is impossible unless you are rich (first hurdle) and can time
travel (second hurdle). Stockhausen thought of this a long time ago. I
can't see how you would do that unless you cancel every source at
source and have a time machine and you go to immediate future to know
where the new sources will be and track them.

Coventry in the UK had speakers on lam posts in the city some years
ago which radiated little conversations of witnesses to the bombing of
coventry. It was very spooky as the voices where just like the
conversations of ghosts.

As far as playing with the space between the speakers, Alvin Lucier
comes to mind (can;t remember the piece) in which changing your head
position between the speakers changes the elements of the sine waves
being played.

Pere

On 16 February 2011 17:42,  <microsound-request at or8.net> wrote:
> Send microsound mailing list submissions to
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>
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>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of microsound digest..."
>
>
> Today's Topics:
>
> ? 1. Re: Exit Through the Gift Shop (Davide Oliveri)
> ? 2. Re: Exit Through the Gift Shop (Daniel Heidebrecht)
> ? 3. Re: Exit Through the Gift Shop (Ted Pallas)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Wed, 16 Feb 2011 18:34:42 +0100
> From: Davide Oliveri <davide.oliveri at gmail.com>
> To: microsound at microsound.org
> Subject: Re: [microsound] Exit Through the Gift Shop
> Message-ID:
> ? ? ? ?<AANLkTikb04PsQnJjR2i08pfEU9RR6ViD7+iGqyauwwHy at mail.gmail.com>
> Content-Type: text/plain; charset="windows-1252"
>
> I am new to sound and its laws, but this make me think about something i red
> yesterday,
> a lecture started from the 3D sound link posted by Bruce Trovsky.
>
> So what if would be possible to use crosstalk cancellation to do this ?
>
> listening to some simple stereo-audio-from-videocamera processed by
> a ambio_one plugin and turning my head i found there was an "empty" space
> in between the speakers (the sources),
>
>
> 2011/2/16 David Powers <cyborgk at gmail.com>
>
>> A little food for thought:
>>
>> Do we not suffer from too much noise in our cities already? At least
>> in Chicago, I am subjected to large amounts of unwanted noise, whether
>> it is the dangerously loud sound of elevated trains, or the unwanted
>> (and almosty always terrible) background music that plays incessantly
>> indoors everywhere one goes.
>>
>> So I suggest that the ultimate sonic intervention would not create
>> noise, but SUBTRACT noise--creating an unexpected pocket of silence in
>> the midst of the city would be fantastic, in my opinion.
>>
>> ~David
>>
>> On Wed, Feb 16, 2011 at 4:42 AM, Bernhard Living <mumixer at me.com> wrote:
>> > Dear Hans,
>> > This is a very beautiful and effective installation, and as you said, the
>> > sound of the card was able to cut through the background noise of the
>> > traffic. Graffiti art has always had a slightly ?naughty? if not illegal
>> > aspect to it. It?s also fairly low cost (the price of a spray can). Your
>> > sound intervention certainly fits into that way of doing things.
>> > Regards,
>> > Bernhard
>> > On 16 Feb 2011, at 10:03, hans w. koch wrote:
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
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>
> ------------------------------
>
> Message: 2
> Date: Wed, 16 Feb 2011 10:40:23 -0700
> From: Daniel Heidebrecht <dan at listening-station.net>
> To: microsound at microsound.org
> Subject: Re: [microsound] Exit Through the Gift Shop
> Message-ID: <3215EA238D9D47E9AF1DCDC6B2A90A8C at listening-station.net>
> Content-Type: text/plain; charset="utf-8"
>
> ?I worked for an architectural photographer that did a shoot in the late 80's at the corporate headquarters of Hasbro - somewhere in Massachusets. The office was a huge open space with standard office cubicles. It had a noise reduction system that was made by Bolt Beranek & Newman. You could stand about 30 feet away from another person and yell at them - and could barely make out what they said. Doesn't sound very spectacular - but it was one of the strangest acoustic experiences I have had.
> On Wednesday, February 16, 2011 at 10:22 AM, Steven Ricks wrote:
>> I like this . . . perhaps one could take the Bose headphone noise canceling technology and create something . . . I'm imagining it in the hands of someone with a lot of funding and creating a sort of giant silence-projecting ray gun . . . then if one could apply filtering to this concept, canceling out only certain frequencies . . . anyone have contacts at Bose r&d?
>>
>> On Wed, Feb 16, 2011 at 10:07 AM, David Powers <cyborgk at gmail.com> wrote:
>> > ?A little food for thought:
>> >
>> > ?Do we not suffer from too much noise in our cities already? At least
>> > ?in Chicago, I am subjected to large amounts of unwanted noise, whether
>> > ?it is the dangerously loud sound of elevated trains, or the unwanted
>> > ?(and almosty always terrible) background music that plays incessantly
>> > ?indoors everywhere one goes.
>> >
>> > ?So I suggest that the ultimate sonic intervention would not create
>> > ?noise, but SUBTRACT noise--creating an unexpected pocket of silence in
>> > ?the midst of the city would be fantastic, in my opinion.
>> >
>> > ?~David
>> >
>> > ?On Wed, Feb 16, 2011 at 4:42 AM, Bernhard Living <mumixer at me.com> wrote:
>> > > Dear Hans,
>> > > This is a very beautiful and effective installation, and as you said, the
>> > > sound of the card was able to cut through the background noise of the
>> > > traffic. Graffiti art has always had a slightly ?naughty? if not illegal
>> > > aspect to it. It?s also fairly low cost (the price of a spray can). Your
>> > > sound intervention certainly fits into that way of doing things.
>> > > Regards,
>> > > Bernhard
>> > > On 16 Feb 2011, at 10:03, hans w. koch wrote:
>> > _______________________________________________
>> > ?microsound mailing list
>> > microsound at microsound.org
>> > http://or8.net/mailman/listinfo/microsound
>> >
>>
>>
>> --
>> Steven Ricks
>> Composer
>> Associate Professor, BYU School of Music
>> (801) 422-6115
>> www.stevericks.com
>>
>> CD's
>> Mild Violence
>> http://www.bridgerecords.com/catpage.php?call=9256
>> ?Extreme Measures
>> http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
>> ?Sonic Images
>> http://www.capstonerecords.org/CPS-8712.html
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
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> ------------------------------
>
> Message: 3
> Date: Wed, 16 Feb 2011 12:41:46 -0500
> From: Ted Pallas <ted.pallas at gmail.com>
> To: microsound at microsound.org
> Subject: Re: [microsound] Exit Through the Gift Shop
> Message-ID:
> ? ? ? ?<AANLkTimfqj24pCBPcboUFtwP3jrV6MDeG_8iaZRF-xN9 at mail.gmail.com>
> Content-Type: text/plain; charset="windows-1252"
>
> there's (almost) always an empty space between two speakers. ?Speakers throw
> sound out in a cone shaped pattern, right? ?So when you turn your head
> you're actually placing your ear between where the cones would meet.
>
> The problem with applying this to a cityscape is that sound is coming from
> ALL OVER EVERY WHERE.
>
> Are there any microsounders in NYC who'd be interested in getting together
> to talk IRL about this topic? ?Specifically, about our aural relationship
> with our city, and what the artist's role is in that relationship?
>
> Ted Pallas
> Live Media Designer
> Sandwich Construction Consultant
> ted dot pallas -at- gmail dot com
> 516.286.9661
>
>
>
> On Wed, Feb 16, 2011 at 12:34 PM, Davide Oliveri
> <davide.oliveri at gmail.com>wrote:
>
>> I am new to sound and its laws, but this make me think about something i
>> red yesterday,
>> a lecture started from the 3D sound link posted by Bruce Trovsky.
>>
>> So what if would be possible to use crosstalk cancellation to do this ?
>>
>> listening to some simple stereo-audio-from-videocamera processed by
>> a ambio_one plugin and turning my head i found there was an "empty" space
>> in between the speakers (the sources),
>>
>>
>> 2011/2/16 David Powers <cyborgk at gmail.com>
>>
>> A little food for thought:
>>>
>>> Do we not suffer from too much noise in our cities already? At least
>>> in Chicago, I am subjected to large amounts of unwanted noise, whether
>>> it is the dangerously loud sound of elevated trains, or the unwanted
>>> (and almosty always terrible) background music that plays incessantly
>>> indoors everywhere one goes.
>>>
>>> So I suggest that the ultimate sonic intervention would not create
>>> noise, but SUBTRACT noise--creating an unexpected pocket of silence in
>>> the midst of the city would be fantastic, in my opinion.
>>>
>>> ~David
>>>
>>> On Wed, Feb 16, 2011 at 4:42 AM, Bernhard Living <mumixer at me.com> wrote:
>>> > Dear Hans,
>>> > This is a very beautiful and effective installation, and as you said,
>>> the
>>> > sound of the card was able to cut through the background noise of the
>>> > traffic. Graffiti art has always had a slightly ?naughty? if not illegal
>>> > aspect to it. It?s also fairly low cost (the price of a spray can). Your
>>> > sound intervention certainly fits into that way of doing things.
>>> > Regards,
>>> > Bernhard
>>> > On 16 Feb 2011, at 10:03, hans w. koch wrote:
>>> _______________________________________________
>>> microsound mailing list
>>> microsound at microsound.org
>>> http://or8.net/mailman/listinfo/microsound
>>>
>>
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>>
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> ------------------------------
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
> End of microsound Digest, Vol 26, Issue 24
> ******************************************
>

From cyborgk at gmail.com  Wed Feb 16 14:46:18 2011
From: cyborgk at gmail.com (David Powers)
Date: Wed, 16 Feb 2011 13:46:18 -0600
Subject: [microsound] Exit Through the Gift Shop (Cancelling City noise)
In-Reply-To: <AANLkTikMea+0-q6hpFnAgeaVEazNFjc-_DDo_F-4ptQi@mail.gmail.com>
References: <AANLkTikMea+0-q6hpFnAgeaVEazNFjc-_DDo_F-4ptQi@mail.gmail.com>
Message-ID: <AANLkTikGQaRYGM8b-eJ-wr63EKKDPH6JZHNcorpPM7-O@mail.gmail.com>

What about absorbing and/or redirecting sound rather than canceling it?

~David

From kochhw at netcologne.de  Wed Feb 16 18:38:40 2011
From: kochhw at netcologne.de (hans w. koch)
Date: Thu, 17 Feb 2011 00:38:40 +0100
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <mailman.8752.1297877491.5607.microsound@or8.net>
References: <mailman.8752.1297877491.5607.microsound@or8.net>
Message-ID: <540FDB37-FA25-4310-9CB2-F320D7794C25@netcologne.de>

actually, you are of course right, about noise pollution in cities.
thats why i choose a spot for the installation, which was not easily accessible.
mostly people from the neighbouring residential area would use the traffic island for a stop while crossing the road to the opposite park, when going to walk their dogs.
i even bought the trashscan to mount it there myself.
(and it wasn?t playing continously, only when somebody threw something in)

but i would also consider, that there are different types of noise pollution. i was in mumbai 2 years ago, where basically everybody is driving by ear, constantly honking.
it is loud, but after a couple of days, it fades into background, except of the modern cars, which have a horns especially developped to surpass the prevalent horns of the old taxis.
high pitched, ultraloud, absolutely killing. it happended to me a couple of times sitting in a moto-rickshaw, that suddenly a new car would pull up on my side and i didn?t cover my ears fast enough and was suffering long after.
the old horns on the other hand, i learned to hear as a kind of spacial composition, made of hundreds of grains of honking.

hans
www.hans-w-koch.net





Am 16.02.2011 um 18:31 schrieb microsound-request at or8.net:

> Message: 4
> Date: Wed, 16 Feb 2011 11:07:12 -0600
> From: David Powers <cyborgk at gmail.com>
> To: microsound at microsound.org
> Subject: Re: [microsound] Exit Through the Gift Shop
> Message-ID:
> 	<AANLkTin_iuD0o3jfhyskrGgJTiVcOsnF=PkJCsftxZYM at mail.gmail.com>
> Content-Type: text/plain; charset=windows-1252
> 
> A little food for thought:
> 
> Do we not suffer from too much noise in our cities already? At least
> in Chicago, I am subjected to large amounts of unwanted noise, whether
> it is the dangerously loud sound of elevated trains, or the unwanted
> (and almosty always terrible) background music that plays incessantly
> indoors everywhere one goes.
> 
> So I suggest that the ultimate sonic intervention would not create
> noise, but SUBTRACT noise--creating an unexpected pocket of silence in
> the midst of the city would be fantastic, in my opinion.
> 
> ~David


From roberth at lanset.com  Thu Feb 17 02:31:11 2011
From: roberth at lanset.com (roberth)
Date: Wed, 16 Feb 2011 23:31:11 -0800
Subject: [microsound] a vibrator in every drainpipe
References: <mailman.8752.1297877491.5607.microsound@or8.net>
	<540FDB37-FA25-4310-9CB2-F320D7794C25@netcologne.de>
Message-ID: <0E7DD155045848989CFB624B2F103BFF@Office>

this somehow reminds me of r murray schaeffer's book on soundscapes
fire engines can cause ear damage.
also i love the idea of vibrators in drainpipes!!!!!!!

robert
----- Original Message ----- 
From: "hans w. koch" <kochhw at netcologne.de>
To: <microsound at or8.net>
Sent: Wednesday, February 16, 2011 3:38 PM
Subject: Re: [microsound] Exit Through the Gift Shop


actually, you are of course right, about noise pollution in cities.
thats why i choose a spot for the installation, which was not easily 
accessible.
mostly people from the neighbouring residential area would use the traffic 
island for a stop while crossing the road to the opposite park, when going 
to walk their dogs.
i even bought the trashscan to mount it there myself.
(and it wasn?t playing continously, only when somebody threw something in)

but i would also consider, that there are different types of noise 
pollution. i was in mumbai 2 years ago, where basically everybody is driving 
by ear, constantly honking.
it is loud, but after a couple of days, it fades into background, except of 
the modern cars, which have a horns especially developped to surpass the 
prevalent horns of the old taxis.
high pitched, ultraloud, absolutely killing. it happended to me a couple of 
times sitting in a moto-rickshaw, that suddenly a new car would pull up on 
my side and i didn?t cover my ears fast enough and was suffering long after.
the old horns on the other hand, i learned to hear as a kind of spacial 
composition, made of hundreds of grains of honking.

hans
www.hans-w-koch.net





Am 16.02.2011 um 18:31 schrieb microsound-request at or8.net:

> Message: 4
> Date: Wed, 16 Feb 2011 11:07:12 -0600
> From: David Powers <cyborgk at gmail.com>
> To: microsound at microsound.org
> Subject: Re: [microsound] Exit Through the Gift Shop
> Message-ID:
> <AANLkTin_iuD0o3jfhyskrGgJTiVcOsnF=PkJCsftxZYM at mail.gmail.com>
> Content-Type: text/plain; charset=windows-1252
>
> A little food for thought:
>
> Do we not suffer from too much noise in our cities already? At least
> in Chicago, I am subjected to large amounts of unwanted noise, whether
> it is the dangerously loud sound of elevated trains, or the unwanted
> (and almosty always terrible) background music that plays incessantly
> indoors everywhere one goes.
>
> So I suggest that the ultimate sonic intervention would not create
> noise, but SUBTRACT noise--creating an unexpected pocket of silence in
> the midst of the city would be fantastic, in my opinion.
>
> ~David

_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound 


From boris.klompus at gmail.com  Thu Feb 17 03:07:20 2011
From: boris.klompus at gmail.com (Boris Klompus)
Date: Thu, 17 Feb 2011 03:07:20 -0500
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <540FDB37-FA25-4310-9CB2-F320D7794C25@netcologne.de>
References: <mailman.8752.1297877491.5607.microsound@or8.net>
	<540FDB37-FA25-4310-9CB2-F320D7794C25@netcologne.de>
Message-ID: <AANLkTikKQd0QDqt2CcPwKpGBhDgwbX+dEQpHbVgthPvf@mail.gmail.com>

What separates the work of a street artist/graffiti writer from other visual
artists? Is it the placement, the risk in doing it, the message? Speaking of
which, what is the message -- is it disruption, thus vandalism, is it just
for fun or notoriety? Is it just a matter of breaking out of the schmoozy
art world, and letting one's art out there for others to see, or ignore, or
etc, rather than proving your worth with grants, CV's and etc in order to
get a chance to hang some art up on the walls of a predescribed gallery? The
audio equivalent to acting out based on such questions, would depend on how
one answers them.

Is it the same thing to tag over someone's wall piece as hiding a speaker on
stage before a performance and using it to interrupt the flow of the concert
once it has begun?

And what are you going for, startling people, and with it seeing their
reactions, making people think about things in a different way, taking what
is normally a mundane moment (potentially) in someone's day and pulling them
out briefly?

There are plenty of things that make noise already, for instance the
pre-recorded lady voice telling my to watch my step on the escalator.
Changing the recording that gets played back through those speakers, that
one is so desensitized to hearing, could be much more startling than placing
a new sound making source in the environment and adding an extra level of
sound. It's like the taxis in Mumbai that Hans mentioned.

On Wed, Feb 16, 2011 at 6:38 PM, hans w. koch <kochhw at netcologne.de> wrote:

> actually, you are of course right, about noise pollution in cities.
> thats why i choose a spot for the installation, which was not easily
> accessible.
> mostly people from the neighbouring residential area would use the traffic
> island for a stop while crossing the road to the opposite park, when going
> to walk their dogs.
> i even bought the trashscan to mount it there myself.
> (and it wasn?t playing continously, only when somebody threw something in)
>
> but i would also consider, that there are different types of noise
> pollution. i was in mumbai 2 years ago, where basically everybody is driving
> by ear, constantly honking.
> it is loud, but after a couple of days, it fades into background, except of
> the modern cars, which have a horns especially developped to surpass the
> prevalent horns of the old taxis.
> high pitched, ultraloud, absolutely killing. it happended to me a couple of
> times sitting in a moto-rickshaw, that suddenly a new car would pull up on
> my side and i didn?t cover my ears fast enough and was suffering long after.
> the old horns on the other hand, i learned to hear as a kind of spacial
> composition, made of hundreds of grains of honking.
>
> hans
> www.hans-w-koch.net
>
>
>
>
>
> Am 16.02.2011 um 18:31 schrieb microsound-request at or8.net:
>
> > Message: 4
> > Date: Wed, 16 Feb 2011 11:07:12 -0600
> > From: David Powers <cyborgk at gmail.com>
> > To: microsound at microsound.org
> > Subject: Re: [microsound] Exit Through the Gift Shop
> > Message-ID:
> >       <AANLkTin_iuD0o3jfhyskrGgJTiVcOsnF=PkJCsftxZYM at mail.gmail.com>
> > Content-Type: text/plain; charset=windows-1252
> >
> > A little food for thought:
> >
> > Do we not suffer from too much noise in our cities already? At least
> > in Chicago, I am subjected to large amounts of unwanted noise, whether
> > it is the dangerously loud sound of elevated trains, or the unwanted
> > (and almosty always terrible) background music that plays incessantly
> > indoors everywhere one goes.
> >
> > So I suggest that the ultimate sonic intervention would not create
> > noise, but SUBTRACT noise--creating an unexpected pocket of silence in
> > the midst of the city would be fantastic, in my opinion.
> >
> > ~David
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
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From greghpr at yahoo.com.au  Thu Feb 17 03:28:46 2011
From: greghpr at yahoo.com.au (greg hooper)
Date: Thu, 17 Feb 2011 00:28:46 -0800 (PST)
Subject: [microsound] Exit Through the Gift Shop
In-Reply-To: <AANLkTikKQd0QDqt2CcPwKpGBhDgwbX+dEQpHbVgthPvf@mail.gmail.com>
References: <mailman.8752.1297877491.5607.microsound@or8.net>
	<540FDB37-FA25-4310-9CB2-F320D7794C25@netcologne.de>
	<AANLkTikKQd0QDqt2CcPwKpGBhDgwbX+dEQpHbVgthPvf@mail.gmail.com>
Message-ID: <682087.65223.qm@web45310.mail.sp1.yahoo.com>

Well the piece of mine I mentioned is part of  a  series of works I've made over 
the last 30 years called "getting in on the ground floor" which is about the 
socialisation of art practice and the idea of  'career'. So it includes visual 
works ranging from tiny murals painted on single bricks and left around the 
suburbs, to  a band tour where I played my sound works from the car to people 
waiting to cross at the traffic lights as a tour venue.

 www.greg-hooper.com




________________________________
From: Boris Klompus <boris.klompus at gmail.com>
To: microsound at microsound.org
Sent: Thu, 17 February, 2011 6:07:20 PM
Subject: Re: [microsound] Exit Through the Gift Shop

What separates the work of a street artist/graffiti writer from other visual 
artists? Is it the placement, the risk in doing it, the message? Speaking of 
which, what is the message -- is it disruption, thus vandalism, is it just for 
fun or notoriety? Is it just a matter of breaking out of the schmoozy art world, 
and letting one's art out there for others to see, or ignore, or etc, rather 
than proving your worth with grants, CV's and etc in order to get a chance to 
hang some art up on the walls of a predescribed gallery? The audio equivalent to 
acting out based on such questions, would depend on how one answers them. 


Is it the same thing to tag over someone's wall piece as hiding a speaker on 
stage before a performance and using it to interrupt the flow of the concert 
once it has begun?

And what are you going for, startling people, and with it seeing their 
reactions, making people think about things in a different way, taking what is 
normally a mundane moment (potentially) in someone's day and pulling them out 
briefly? 


There are plenty of things that make noise already, for instance the 
pre-recorded lady voice telling my to watch my step on the escalator. Changing 
the recording that gets played back through those speakers, that one is so 
desensitized to hearing, could be much more startling than placing a new sound 
making source in the environment and adding an extra level of sound. It's like 
the taxis in Mumbai that Hans mentioned.

On Wed, Feb 16, 2011 at 6:38 PM, hans w. koch <kochhw at netcologne.de> wrote:

actually, you are of course right, about noise pollution in cities.
>thats why i choose a spot for the installation, which was not easily 
accessible.
>mostly people from the neighbouring residential area would use the traffic 
>island for a stop while crossing the road to the opposite park, when going to 
>walk their dogs.
>i even bought the trashscan to mount it there myself.
>(and it wasn?t playing continously, only when somebody threw something in)
>
>but i would also consider, that there are different types of noise pollution. i 
>was in mumbai 2 years ago, where basically everybody is driving by ear, 
>constantly honking.
>it is loud, but after a couple of days, it fades into background, except of the 
>modern cars, which have a horns especially developped to surpass the prevalent 
>horns of the old taxis.
>high pitched, ultraloud, absolutely killing. it happended to me a couple of 
>times sitting in a moto-rickshaw, that suddenly a new car would pull up on my 
>side and i didn?t cover my ears fast enough and was suffering long after.
>the old horns on the other hand, i learned to hear as a kind of spacial 
>composition, made of hundreds of grains of honking.
>
>
>hans
>www.hans-w-koch.net
>
>
>
>
>
>Am 16.02.2011 um 18:31 schrieb microsound-request at or8.net:
>
>> Message: 4
>> Date: Wed, 16 Feb 2011 11:07:12 -0600
>> From: David Powers <cyborgk at gmail.com>
>> To: microsound at microsound.org
>
>> Subject: Re: [microsound] Exit Through the Gift Shop
>> Message-ID:
>>       <AANLkTin_iuD0o3jfhyskrGgJTiVcOsnF=PkJCsftxZYM at mail.gmail.com>
>> Content-Type: text/plain; charset=windows-1252
>
>>
>> A little food for thought:
>>
>> Do we not suffer from too much noise in our cities already? At least
>> in Chicago, I am subjected to large amounts of unwanted noise, whether
>> it is the dangerously loud sound of elevated trains, or the unwanted
>> (and almosty always terrible) background music that plays incessantly
>> indoors everywhere one goes.
>>
>> So I suggest that the ultimate sonic intervention would not create
>> noise, but SUBTRACT noise--creating an unexpected pocket of silence in
>> the midst of the city would be fantastic, in my opinion.
>>
>> ~David
>
>
>_______________________________________________
>microsound mailing list
>microsound at microsound.org
>http://or8.net/mailman/listinfo/microsound
>



      
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From stevericksmusic at gmail.com  Thu Feb 17 11:33:53 2011
From: stevericksmusic at gmail.com (Steven Ricks)
Date: Thu, 17 Feb 2011 09:33:53 -0700
Subject: [microsound] Exit Through the Gift Shop (Disneyland)
Message-ID: <AANLkTik2R0=ZCW3q4AkT_dAjQLbqzjDCzmXny9K44Q8z@mail.gmail.com>

>from Boris:
>Is it the same thing to tag over someone's wall piece as hiding a speaker
on stage before a performance and using it to interrupt the flow of the
concert once it has begun?

To me this connects with the segment of the movie where Banksy plants the
guantanamo bay dummy in Disneyland--the idea of infiltrating a very
protected space/environment and adding something to it which stands out,
makes a statement, whatever.  I could see this being very
interesting/provocative happening in a symphony concert in a sort of stuffy
concert hall, or also at a rock concert--seems that a planted speaker could
be easy to hide somewhere in the large stacks at a rock venue, though access
would be the issue.  At the symphony, ????

On Thu, Feb 17, 2011 at 1:07 AM, Boris Klompus <boris.klompus at gmail.com>wrote:

> What separates the work of a street artist/graffiti writer from other
> visual artists? Is it the placement, the risk in doing it, the message?
> Speaking of which, what is the message -- is it disruption, thus vandalism,
> is it just for fun or notoriety? Is it just a matter of breaking out of the
> schmoozy art world, and letting one's art out there for others to see, or
> ignore, or etc, rather than proving your worth with grants, CV's and etc in
> order to get a chance to hang some art up on the walls of a predescribed
> gallery? The audio equivalent to acting out based on such questions, would
> depend on how one answers them.
>
> Is it the same thing to tag over someone's wall piece as hiding a speaker
> on stage before a performance and using it to interrupt the flow of the
> concert once it has begun?
>
> And what are you going for, startling people, and with it seeing their
> reactions, making people think about things in a different way, taking what
> is normally a mundane moment (potentially) in someone's day and pulling them
> out briefly?
>
> There are plenty of things that make noise already, for instance the
> pre-recorded lady voice telling my to watch my step on the escalator.
> Changing the recording that gets played back through those speakers, that
> one is so desensitized to hearing, could be much more startling than placing
> a new sound making source in the environment and adding an extra level of
> sound. It's like the taxis in Mumbai that Hans mentioned.
>
>
> On Wed, Feb 16, 2011 at 6:38 PM, hans w. koch <kochhw at netcologne.de>wrote:
>
>> actually, you are of course right, about noise pollution in cities.
>> thats why i choose a spot for the installation, which was not easily
>> accessible.
>> mostly people from the neighbouring residential area would use the traffic
>> island for a stop while crossing the road to the opposite park, when going
>> to walk their dogs.
>> i even bought the trashscan to mount it there myself.
>> (and it wasn?t playing continously, only when somebody threw something in)
>>
>> but i would also consider, that there are different types of noise
>> pollution. i was in mumbai 2 years ago, where basically everybody is driving
>> by ear, constantly honking.
>> it is loud, but after a couple of days, it fades into background, except
>> of the modern cars, which have a horns especially developped to surpass the
>> prevalent horns of the old taxis.
>> high pitched, ultraloud, absolutely killing. it happended to me a couple
>> of times sitting in a moto-rickshaw, that suddenly a new car would pull up
>> on my side and i didn?t cover my ears fast enough and was suffering long
>> after.
>> the old horns on the other hand, i learned to hear as a kind of spacial
>> composition, made of hundreds of grains of honking.
>>
>> hans
>> www.hans-w-koch.net
>>
>>
>>
>>
>>
>> Am 16.02.2011 um 18:31 schrieb microsound-request at or8.net:
>>
>> > Message: 4
>> > Date: Wed, 16 Feb 2011 11:07:12 -0600
>> > From: David Powers <cyborgk at gmail.com>
>> > To: microsound at microsound.org
>> > Subject: Re: [microsound] Exit Through the Gift Shop
>> > Message-ID:
>> >       <AANLkTin_iuD0o3jfhyskrGgJTiVcOsnF=PkJCsftxZYM at mail.gmail.com>
>> > Content-Type: text/plain; charset=windows-1252
>> >
>> > A little food for thought:
>> >
>> > Do we not suffer from too much noise in our cities already? At least
>> > in Chicago, I am subjected to large amounts of unwanted noise, whether
>> > it is the dangerously loud sound of elevated trains, or the unwanted
>> > (and almosty always terrible) background music that plays incessantly
>> > indoors everywhere one goes.
>> >
>> > So I suggest that the ultimate sonic intervention would not create
>> > noise, but SUBTRACT noise--creating an unexpected pocket of silence in
>> > the midst of the city would be fantastic, in my opinion.
>> >
>> > ~David
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>


-- 
Steven Ricks
Composer
Associate Professor, BYU School of Music
(801) 422-6115
www.stevericks.com

CD's
Mild Violence
http://www.bridgerecords.com/catpage.php?call=9256
Extreme Measures
http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
Sonic Images
http://www.capstonerecords.org/CPS-8712.html
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From cyborgk at gmail.com  Thu Feb 17 11:58:17 2011
From: cyborgk at gmail.com (David Powers)
Date: Thu, 17 Feb 2011 10:58:17 -0600
Subject: [microsound] Exit Through the Gift Shop (Disneyland)
In-Reply-To: <AANLkTik2R0=ZCW3q4AkT_dAjQLbqzjDCzmXny9K44Q8z@mail.gmail.com>
References: <AANLkTik2R0=ZCW3q4AkT_dAjQLbqzjDCzmXny9K44Q8z@mail.gmail.com>
Message-ID: <AANLkTimG+EtdLcQTx1+AjL0k8r=ZSjt2LgbMZNAsRuke@mail.gmail.com>

On a side note, I would say that street art, in general, has a lot to
do with property and territory. Sound actually passes property
barriers quite easily--which makes it fundamentally different than
spray paint. I think one really needs to factor that in when you look
for an analogy between street art and some type of sonic work.
However, street musicians definitely seem to me to be no different
than street artists, the only difference might lie in whether they are
allowed to work in public space. I would say that in Chicago, we do
have a lot of street musicians; they are accepted by the city within
some limits (one does need a license).

Actually, I think it would be absolutely amazing to hire a
professional string quartet, for instance, to play music in the
subway, perhaps playing some original music or Beethoven quartets
(though the logic would be severely disrupted, obviously)... letting
people hear music in an unusual place and be surprised.

Now per your comments about the symphony, I used to think that a
symphony hall was stuffy too, but honestly, I recently went to see
Mozart piano concertos (Uchida + CSO), and I saw a lot of people who
were clearly there for the music, not for a social event. I was also
surprised that the environment of the concert hall DID, in fact, allow
me to really focus on the music and have an experience moving and
rather different than just listening at home. Not only that, but those
of us who love music but are not wealthy have to part with a pretty
big amount of money for tickets.

Okay, do I think the music should be more accessible to the public,
sure, but think carefully about the implications of what you are
doing. It's not classical music is doing really well right now and I
think the situation is different in the past; in my opinion the
musical landscape has so changed that we could face a situation where
live classical music could entirely die out in the future, and I don't
think that's a positive development.

Now if you want to stick a sonic installation into a Mrs. Gag show, on
the other hand... be my guest. I don't think it would be hard to use a
little social engineering to make friends with someone that works at a
concert venue, just give them money and/or drugs you'll be all set...
;-)

~David


On Thu, Feb 17, 2011 at 10:33 AM, Steven Ricks
<stevericksmusic at gmail.com> wrote:
>>from Boris:
>>Is it the same thing to tag over someone's wall piece as hiding a speaker
>> on stage before a performance and using it to interrupt the flow of the
>> concert once it has begun?
>
> To me this connects with the segment of the movie where Banksy plants the
> guantanamo bay dummy in Disneyland--the idea of infiltrating a very
> protected space/environment and adding something to it which stands out,
> makes a statement, whatever.? I could see this being very
> interesting/provocative happening in a symphony concert in a sort of stuffy
> concert hall, or also at a rock concert--seems that a planted speaker could
> be easy to hide somewhere in the large stacks at a rock venue, though access
> would be the issue.? At the symphony, ????
>
> On Thu, Feb 17, 2011 at 1:07 AM, Boris Klompus <boris.klompus at gmail.com>
> wrote:
>>
>> What separates the work of a street artist/graffiti writer from other
>> visual artists? Is it the placement, the risk in doing it, the message?
>> Speaking of which, what is the message -- is it disruption, thus vandalism,
>> is it just for fun or notoriety? Is it just a matter of breaking out of the
>> schmoozy art world, and letting one's art out there for others to see, or
>> ignore, or etc, rather than proving your worth with grants, CV's and etc in
>> order to get a chance to hang some art up on the walls of a predescribed
>> gallery? The audio equivalent to acting out based on such questions, would
>> depend on how one answers them.
>>
>> Is it the same thing to tag over someone's wall piece as hiding a speaker
>> on stage before a performance and using it to interrupt the flow of the
>> concert once it has begun?
>>
>> And what are you going for, startling people, and with it seeing their
>> reactions, making people think about things in a different way, taking what
>> is normally a mundane moment (potentially) in someone's day and pulling them
>> out briefly?
>>
>> There are plenty of things that make noise already, for instance the
>> pre-recorded lady voice telling my to watch my step on the escalator.
>> Changing the recording that gets played back through those speakers, that
>> one is so desensitized to hearing, could be much more startling than placing
>> a new sound making source in the environment and adding an extra level of
>> sound. It's like the taxis in Mumbai that Hans mentioned.
>>
>> On Wed, Feb 16, 2011 at 6:38 PM, hans w. koch <kochhw at netcologne.de>
>> wrote:
>>>
>>> actually, you are of course right, about noise pollution in cities.
>>> thats why i choose a spot for the installation, which was not easily
>>> accessible.
>>> mostly people from the neighbouring residential area would use the
>>> traffic island for a stop while crossing the road to the opposite park, when
>>> going to walk their dogs.
>>> i even bought the trashscan to mount it there myself.
>>> (and it wasn?t playing continously, only when somebody threw something
>>> in)
>>>
>>> but i would also consider, that there are different types of noise
>>> pollution. i was in mumbai 2 years ago, where basically everybody is driving
>>> by ear, constantly honking.
>>> it is loud, but after a couple of days, it fades into background, except
>>> of the modern cars, which have a horns especially developped to surpass the
>>> prevalent horns of the old taxis.
>>> high pitched, ultraloud, absolutely killing. it happended to me a couple
>>> of times sitting in a moto-rickshaw, that suddenly a new car would pull up
>>> on my side and i didn?t cover my ears fast enough and was suffering long
>>> after.
>>> the old horns on the other hand, i learned to hear as a kind of spacial
>>> composition, made of hundreds of grains of honking.
>>>
>>> hans
>>> www.hans-w-koch.net
>>>
>>>
>>>
>>>
>>>
>>> Am 16.02.2011 um 18:31 schrieb microsound-request at or8.net:
>>>
>>> > Message: 4
>>> > Date: Wed, 16 Feb 2011 11:07:12 -0600
>>> > From: David Powers <cyborgk at gmail.com>
>>> > To: microsound at microsound.org
>>> > Subject: Re: [microsound] Exit Through the Gift Shop
>>> > Message-ID:
>>> > ? ? ? <AANLkTin_iuD0o3jfhyskrGgJTiVcOsnF=PkJCsftxZYM at mail.gmail.com>
>>> > Content-Type: text/plain; charset=windows-1252
>>> >
>>> > A little food for thought:
>>> >
>>> > Do we not suffer from too much noise in our cities already? At least
>>> > in Chicago, I am subjected to large amounts of unwanted noise, whether
>>> > it is the dangerously loud sound of elevated trains, or the unwanted
>>> > (and almosty always terrible) background music that plays incessantly
>>> > indoors everywhere one goes.
>>> >
>>> > So I suggest that the ultimate sonic intervention would not create
>>> > noise, but SUBTRACT noise--creating an unexpected pocket of silence in
>>> > the midst of the city would be fantastic, in my opinion.
>>> >
>>> > ~David
>>>
>>> _______________________________________________
>>> microsound mailing list
>>> microsound at microsound.org
>>> http://or8.net/mailman/listinfo/microsound
>>
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>
>
>
> --
> Steven Ricks
> Composer
> Associate Professor, BYU School of Music
> (801) 422-6115
> www.stevericks.com
> CD's
> Mild Violence
> http://www.bridgerecords.com/catpage.php?call=9256
> Extreme Measures
> http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
> Sonic Images
> http://www.capstonerecords.org/CPS-8712.html
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>

From thinksamuel at yahoo.com  Thu Feb 17 19:52:41 2011
From: thinksamuel at yahoo.com (Samuel van ransbeeck)
Date: Thu, 17 Feb 2011 16:52:41 -0800 (PST)
Subject: [microsound] can anyone help me out with envl.net
Message-ID: <508646.88554.qm@web34203.mail.mud.yahoo.com>

Hello

I found Christopher Ariza's envl.net algorithmic composition tools on the 
intyernet and started experimenting. Unfortunately, I cannot grasp how it works. 
For example: I used the 'RhythmRemap: Algorithmic Rhythm Generator'. Now you can 
set up pulse triples. From what I understand, the first element sets the number 
of events you want, the second element sets the timespan in which you want the 
events to happen and the third element simply sets the loudness. No worries when 
I use a length of 1 element only, for example using 3 events in 8 seconds with 
mf accent. But if I set the rhythm length to 2 and I set the elements on row 2 
to 9 elements in two seconds with mf accent, I get the 3 notes in 8 seconds but 
the 9 notes in two seconds appear only to be a grace note before the long notes.

I know that this sounds quite confusing but I would appreciate it if someone 
could shine a light on this. The adress is here 
http://www.flexatone.net/cgi-bin/py/envl/software/q.cgi?stateNext=3



      
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From mail at peterodoherty.net  Fri Feb 18 01:19:03 2011
From: mail at peterodoherty.net (Peter O'Doherty)
Date: Fri, 18 Feb 2011 07:19:03 +0100
Subject: [microsound] can anyone help me out with envl.net
In-Reply-To: <508646.88554.qm@web34203.mail.mud.yahoo.com>
References: <508646.88554.qm@web34203.mail.mud.yahoo.com>
Message-ID: <4D5E0F57.7080901@peterodoherty.net>

Hi,
I would suggest contacting Christopher directly - he's very approachable 
and helpful. I'll give you his email address off-list if you like.
Regards,
Peter


On 02/18/2011 01:52 AM, Samuel van ransbeeck wrote:
> Hello
>
> I found Christopher Ariza's envl.net algorithmic composition tools on 
> the intyernet and started experimenting. Unfortunately, I cannot grasp 
> how it works. For example: I used the 'RhythmRemap: Algorithmic Rhythm 
> Generator'. Now you can set up pulse triples. From what I understand, 
> the first element sets the number of events you want, the second 
> element sets the timespan in which you want the events to happen and 
> the third element simply sets the loudness. No worries when I use a 
> length of 1 element only, for example using 3 events in 8 seconds with 
> mf accent. But if I set the rhythm length to 2 and I set the elements 
> on row 2 to 9 elements in two seconds with mf accent, I get the 3 
> notes in 8 seconds but the 9 notes in two seconds appear only to be a 
> grace note before the long notes.
>
> I know that this sounds quite confusing but I would appreciate it if 
> someone could shine a light on this. The adress is here 
> http://www.flexatone.net/cgi-bin/py/envl/software/q.cgi?stateNext=3
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


-- 
//=============================
->  Peter O'Doherty
->  http://www.peterodoherty.net
->  mail at peterodoherty.net
->  facebook: Peter-ODoherty
//=============================

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From kochhw at netcologne.de  Fri Feb 18 12:14:19 2011
From: kochhw at netcologne.de (hans w. koch)
Date: Fri, 18 Feb 2011 18:14:19 +0100
Subject: [microsound] Exit Through the Gift Shop (Disneyland)
In-Reply-To: <mailman.8827.1297990363.5607.microsound@or8.net>
References: <mailman.8827.1297990363.5607.microsound@or8.net>
Message-ID: <4F31DA6E-D1A1-4530-95CE-2F370424E165@netcologne.de>

i remember reading something about the washington post just doing that:
they got joshua bell (one of the best violin virtuosi) to play in a subway station in the morning rush hour.
few people actually noticed, that this was no ordinary street music...
here it is (first link from google): http://www.hoax-slayer.com/joshua-bell-subway.shtml

hans
www.hans-w-koch.net





Am 18.02.2011 um 01:52 schrieb microsound-request at or8.net:

> Actually, I think it would be absolutely amazing to hire a
> professional string quartet, for instance, to play music in the
> subway, perhaps playing some original music or Beethoven quartets
> (though the logic would be severely disrupted, obviously)... letting
> people hear music in an unusual place and be surprised.
> 
> 


From cyborgk at gmail.com  Fri Feb 18 14:07:07 2011
From: cyborgk at gmail.com (David Powers)
Date: Fri, 18 Feb 2011 13:07:07 -0600
Subject: [microsound] Exit Through the Gift Shop (Disneyland)
In-Reply-To: <4F31DA6E-D1A1-4530-95CE-2F370424E165@netcologne.de>
References: <mailman.8827.1297990363.5607.microsound@or8.net>
	<4F31DA6E-D1A1-4530-95CE-2F370424E165@netcologne.de>
Message-ID: <AANLkTin5Ei0+EN5Ho2Kx0FJjAkYSssYzzmBw4OLPVz2G@mail.gmail.com>

Wow!

I wonder if it would be different in different places... I have
definitely seen people in Chicago paying attention to the street
musicians who are reasonably good, but, it certainly is a little
disheartening to see read this.

David

On Fri, Feb 18, 2011 at 11:14 AM, hans w. koch <kochhw at netcologne.de> wrote:
> i remember reading something about the washington post just doing that:
> they got joshua bell (one of the best violin virtuosi) to play in a subway station in the morning rush hour.
> few people actually noticed, that this was no ordinary street music...
> here it is (first link from google): http://www.hoax-slayer.com/joshua-bell-subway.shtml
>
> hans
> www.hans-w-koch.net
>
>
>
>
>
> Am 18.02.2011 um 01:52 schrieb microsound-request at or8.net:
>
>> Actually, I think it would be absolutely amazing to hire a
>> professional string quartet, for instance, to play music in the
>> subway, perhaps playing some original music or Beethoven quartets
>> (though the logic would be severely disrupted, obviously)... letting
>> people hear music in an unusual place and be surprised.
>>
>>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>

From kanimmo at gmail.com  Fri Feb 18 15:25:12 2011
From: kanimmo at gmail.com (Kurt Nimmo)
Date: Fri, 18 Feb 2011 14:25:12 -0600
Subject: [microsound] creating music on the iphone
Message-ID: <AANLkTimg91d1eVVcxkko5LFkP3DQf1KAwhU2PM8TXCHd@mail.gmail.com>

Hello all. I am new to the list this afternoon. Am wondering if there has
been any discussion about the emerging art of music creation using the
iphone and related devices. I have yet to search through the archive -- I do
not see an easy way to do so, although I may have missed it.

I have purchased several apps but they are more geared for techno and
beat-centric electronic music (with the exception of Eno's apps). Am curious
if anybody has been following developments on this and if there might be a
list I can subscribe to. I am particularly interested in generative music
and or sound.

Thanks!

Kurt
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From jeffreymelton at gmail.com  Fri Feb 18 15:48:07 2011
From: jeffreymelton at gmail.com (Jeffrey Melton)
Date: Fri, 18 Feb 2011 15:48:07 -0500
Subject: [microsound] creating music on the iphone
In-Reply-To: <AANLkTimg91d1eVVcxkko5LFkP3DQf1KAwhU2PM8TXCHd@mail.gmail.com>
References: <AANLkTimg91d1eVVcxkko5LFkP3DQf1KAwhU2PM8TXCHd@mail.gmail.com>
Message-ID: <AANLkTikjd-14wY7DBaX_yhQZs-ACTnTNgvW-QKxpDV8E@mail.gmail.com>

I enjoy using synthPond and Aura Flux on my iPhone for generative music,
though I haven't kept up with newer apps. I have been meaning to checkout
Curtis granular synth. TouchOSC and Konkreet performer are good controllers
for OSC-compatible desktop apps.
http://the-palm-sound.blogspot.com/ and
http://www.creativeapplications.net/are both good blogs for creative
mobile apps (the first not just for iOS,
the second not just for mobile music). Synthtopia.com and
CreateDigitalMusic.com cover mobile apps occasionally but not exclusively.
Cheers,

On Fri, Feb 18, 2011 at 3:25 PM, Kurt Nimmo <kanimmo at gmail.com> wrote:

> Hello all. I am new to the list this afternoon. Am wondering if there has
> been any discussion about the emerging art of music creation using the
> iphone and related devices. I have yet to search through the archive -- I do
> not see an easy way to do so, although I may have missed it.
>
> I have purchased several apps but they are more geared for techno and
> beat-centric electronic music (with the exception of Eno's apps). Am curious
> if anybody has been following developments on this and if there might be a
> list I can subscribe to. I am particularly interested in generative music
> and or sound.
>
> Thanks!
>
> Kurt
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>


-- 
jeffrey melton | p.o.box 10231 | fort wayne, IN | 46851-0231 | USA
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From noisesmith at gmail.com  Fri Feb 18 17:50:22 2011
From: noisesmith at gmail.com (Justin Glenn Smith)
Date: Fri, 18 Feb 2011 14:50:22 -0800
Subject: [microsound] creating music on the iphone
In-Reply-To: <AANLkTikjd-14wY7DBaX_yhQZs-ACTnTNgvW-QKxpDV8E@mail.gmail.com>
References: <AANLkTimg91d1eVVcxkko5LFkP3DQf1KAwhU2PM8TXCHd@mail.gmail.com>
	<AANLkTikjd-14wY7DBaX_yhQZs-ACTnTNgvW-QKxpDV8E@mail.gmail.com>
Message-ID: <4D5EF7AE.3030008@gmail.com>

The Nokia N900 is a powerful little device, and with the free "easydebian" app you can run csound. I have been using my n900 as a scratch pad for composing with csound, and also writing small csound instruments that will run in realtime using the n900 as a synth with touchscreen controller (using the csound fltk opcodes for the gui). If you turn off wifi and any sort of desktop widgets, the battery life is excellent, even when running real time audio for extended periods of time (patches with granulation and reverb etc.).

For anyone who is a programmer and Linux savvy, I would say it is well worth the money (there is no provider that will provide an n900 free with a plan - it is mostly open source software running on an unlocked device and cell phone companies don't like that). I haven't even bothered trying to use the thing as a phone, so I can't really say whether it is any good for that purpose.

The one trick for getting csound running on the n900 was needing to run "alsamixer -c 0" in an easydebian terminal and manually turning up the mixer channels (csound wants to use a different mixer element than the one most of the apps use I guess?).

I tried puredata but the CPU performance and UI were unusably bad. I couldn't get jack compiled in order to try supercollider, but figuring that sc typically uses more cpu than puredata I didn't think it was really worth the bother.

Jeffrey Melton wrote:
> I enjoy using synthPond and Aura Flux on my iPhone for generative music,
> though I haven't kept up with newer apps. I have been meaning to checkout
> Curtis granular synth. TouchOSC and Konkreet performer are good controllers
> for OSC-compatible desktop apps.
> http://the-palm-sound.blogspot.com/ and
> http://www.creativeapplications.net/are both good blogs for creative
> mobile apps (the first not just for iOS,
> the second not just for mobile music). Synthtopia.com and
> CreateDigitalMusic.com cover mobile apps occasionally but not exclusively.
> Cheers,
> 
> On Fri, Feb 18, 2011 at 3:25 PM, Kurt Nimmo <kanimmo at gmail.com> wrote:
> 
>> Hello all. I am new to the list this afternoon. Am wondering if there has
>> been any discussion about the emerging art of music creation using the
>> iphone and related devices. I have yet to search through the archive -- I do
>> not see an easy way to do so, although I may have missed it.
>>
>> I have purchased several apps but they are more geared for techno and
>> beat-centric electronic music (with the exception of Eno's apps). Am curious
>> if anybody has been following developments on this and if there might be a
>> list I can subscribe to. I am particularly interested in generative music
>> and or sound.
>>
>> Thanks!
>>
>> Kurt
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>>
> 
> 
> 
> ------------------------------------------------------------------------
> 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From paulo.mouat at gmail.com  Fri Feb 18 22:46:06 2011
From: paulo.mouat at gmail.com (Paulo Mouat)
Date: Sat, 19 Feb 2011 11:46:06 +0800
Subject: [microsound] can anyone help me out with envl.net
In-Reply-To: <508646.88554.qm@web34203.mail.mud.yahoo.com>
References: <508646.88554.qm@web34203.mail.mud.yahoo.com>
Message-ID: <AANLkTimy0TurXZ1i44zkRuqihQybpnADXhZnW4ngSJBF@mail.gmail.com>

This is what I could figure out, reading the documentation and experimenting
a bit. It looks like the triples work in a slightly different way than what
you said:

1. Take tempo t
2. Multiply t by the first element in the triple
3. Divide the result by the second element in the triple
4. Generate an event at the resulting bpm for as long as the total duration
specified in the output parameters.

Therefore:
(3, 8, mf) at the default 60 bpm generates a pulse at 60 x 3 / 8 = 22.5 bpm,
roughly one beat every 2.66 seconds, or 0.375 Hz.
(9, 2, mf) at 60 bpm generates a pulse at 60 x 9 / 2 = 270 bpm, roughly one
beat every 0.22 seconds, or 4.5 Hz.

Apparently, if you are using orderedCyclic it will grab an event at a time
from each triple. If the rhythm length is 2, it will alternately grab an
event from each of the triples you indicated. So, you will get a #1 event
(lasting 2.66 s), followed by a #2 event (lasting 0.22 s), followed by a #1
(again for 2.66 s), followed by a #2 (0.22 s) and so on.

Hope this helps. The documentation and interface are somewhat misleading.

//p
http://www.interdisciplina.org/00.0

On Fri, Feb 18, 2011 at 8:52 AM, Samuel van ransbeeck <thinksamuel at yahoo.com
> wrote:

> Hello
>
> I found Christopher Ariza's envl.net algorithmic composition tools on the
> intyernet and started experimenting. Unfortunately, I cannot grasp how it
> works. For example: I used the 'RhythmRemap: Algorithmic Rhythm
> Generator'. Now you can set up pulse triples. From what I understand, the
> first element sets the number of events you want, the second element sets
> the timespan in which you want the events to happen and the third element
> simply sets the loudness. No worries when I use a length of 1 element only,
> for example using 3 events in 8 seconds with mf accent. But if I set the
> rhythm length to 2 and I set the elements on row 2 to 9 elements in two
> seconds with mf accent, I get the 3 notes in 8 seconds but the 9 notes in
> two seconds appear only to be a grace note before the long notes.
>
> I know that this sounds quite confusing but I would appreciate it if
> someone could shine a light on this. The adress is here
> http://www.flexatone.net/cgi-bin/py/envl/software/q.cgi?stateNext=3
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
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From fbar at footils.org  Sat Feb 19 09:09:48 2011
From: fbar at footils.org (Frank Barknecht)
Date: Sat, 19 Feb 2011 15:09:48 +0100
Subject: [microsound] creating music on the iphone
In-Reply-To: <AANLkTimg91d1eVVcxkko5LFkP3DQf1KAwhU2PM8TXCHd@mail.gmail.com>
References: <AANLkTimg91d1eVVcxkko5LFkP3DQf1KAwhU2PM8TXCHd@mail.gmail.com>
Message-ID: <20110219140948.GD8675@fliwatut.scifi>

On Fri, Feb 18, 2011 at 02:25:12PM -0600, Kurt Nimmo wrote:
> Hello all. I am new to the list this afternoon. Am wondering if there has
> been any discussion about the emerging art of music creation using the
> iphone and related devices. I have yet to search through the archive -- I do
> not see an easy way to do so, although I may have missed it.
> 
> I have purchased several apps but they are more geared for techno and
> beat-centric electronic music (with the exception of Eno's apps). Am curious
> if anybody has been following developments on this and if there might be a
> list I can subscribe to. I am particularly interested in generative music
> and or sound.

RjDj is a Pd player for the iPhone/iPod. You compose on a normal laptop, then
transfer the patch to the phone for playback/manipulation/performance.

Ciao
-- 
 Frank Barknecht            Do You RjDj.me?          _ ______footils.org__

From matdalgleish at hotmail.com  Sat Feb 19 10:18:31 2011
From: matdalgleish at hotmail.com (mat dalgleish)
Date: Sat, 19 Feb 2011 15:18:31 +0000
Subject: [microsound] creating music on the iphone
In-Reply-To: <20110219140948.GD8675@fliwatut.scifi>
References: <AANLkTimg91d1eVVcxkko5LFkP3DQf1KAwhU2PM8TXCHd@mail.gmail.com>,
	<20110219140948.GD8675@fliwatut.scifi>
Message-ID: <COL116-W58469259CBA25EF4718C7C2D70@phx.gbl>

there are some special RjDJ libraries for Pd that make use of some iPhone-specific capabilities too - touch screen, accelerometers etc. Of all the current iPhone music solutions it's probably the easiest to use and is highly recommended. Audio runs at 22khz rather than 44.1

The other option is RTCmix - Brad Garton has got it up and running on the iPhone too, though I've only just started using it myself.

> Date: Sat, 19 Feb 2011 15:09:48 +0100
> From: fbar at footils.org
> To: microsound at or8.net
> Subject: Re: [microsound] creating music on the iphone
> 
> On Fri, Feb 18, 2011 at 02:25:12PM -0600, Kurt Nimmo wrote:
> > Hello all. I am new to the list this afternoon. Am wondering if there has
> > been any discussion about the emerging art of music creation using the
> > iphone and related devices. I have yet to search through the archive -- I do
> > not see an easy way to do so, although I may have missed it.
> > 
> > I have purchased several apps but they are more geared for techno and
> > beat-centric electronic music (with the exception of Eno's apps). Am curious
> > if anybody has been following developments on this and if there might be a
> > list I can subscribe to. I am particularly interested in generative music
> > and or sound.
> 
> RjDj is a Pd player for the iPhone/iPod. You compose on a normal laptop, then
> transfer the patch to the phone for playback/manipulation/performance.
> 
> Ciao
> -- 
>  Frank Barknecht            Do You RjDj.me?          _ ______footils.org__
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
 		 	   		  
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From kanimmo at gmail.com  Sat Feb 19 10:36:55 2011
From: kanimmo at gmail.com (Kurt Nimmo)
Date: Sat, 19 Feb 2011 09:36:55 -0600
Subject: [microsound] creating music on the iphone
Message-ID: <AANLkTinKdDAiLmFom3co8PbP4Fu+_rxh76qzXKOB-mSN@mail.gmail.com>

Jeffrey and Justin, thanks for the response. I found RUNXT from a link on
Palm Sounds. It is just what I was looking for... an iphone app to generate
MIDI and get that to my DAW. First experiment here...
http://fosel.bandcamp.com/track/the-blue-window
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From macdara at email.com  Sat Feb 19 19:46:17 2011
From: macdara at email.com (macdara at email.com)
Date: Sat, 19 Feb 2011 19:46:17 -0500
Subject: [microsound] Linguistics and Music
Message-ID: <8CD9EAEB7B0E337-126C-16B04@web-mmc-d04.sysops.aol.com>




Microsounders,

       I am researching the (possible) relationship between speech intonation and rhythm and regional traditional music styles in Ireland.
Does anyone know of any similar projects? Or not so similar featuring linguistics and music, or thoughts on the above. All inspiration welcome!

Macdara
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From stevericksmusic at gmail.com  Sat Feb 19 19:58:17 2011
From: stevericksmusic at gmail.com (Steven Ricks)
Date: Sat, 19 Feb 2011 17:58:17 -0700
Subject: [microsound] Linguistics and Music
In-Reply-To: <8CD9EAEB7B0E337-126C-16B04@web-mmc-d04.sysops.aol.com>
References: <8CD9EAEB7B0E337-126C-16B04@web-mmc-d04.sysops.aol.com>
Message-ID: <AANLkTin34FDMHY45cVk45pJYtGoGeV8CTosgQkE=eBwR@mail.gmail.com>

The following is a fairly influential and well-known book which attempts to
describe tonal music (predominantly Western instrumental art music) using
linguistic models:

http://www.amazon.com/Generative-Theory-Tonal-Music/dp/026262107X

On Sat, Feb 19, 2011 at 5:46 PM, <macdara at email.com> wrote:

>
>
> Microsounders,
>
>        I am researching the (possible) relationship between speech
> intonation and rhythm and regional traditional music styles in Ireland.
> Does anyone know of any similar projects? Or not so similar featuring
> linguistics and music, or thoughts on the above. All inspiration welcome!
>
> Macdara
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>


-- 
Steven Ricks
Composer
Associate Professor, BYU School of Music
(801) 422-6115
www.stevericks.com

CD's
Mild Violence
http://www.bridgerecords.com/catpage.php?call=9256
Extreme Measures
http://www.albanyrecords.com/Merchant2/merchant.mvc?Screen=PROD&Store_Code=AR&Product_Code=TROY1217-18
Sonic Images
http://www.capstonerecords.org/CPS-8712.html
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From c.reider at vuzhmusic.com  Sat Feb 19 20:17:27 2011
From: c.reider at vuzhmusic.com (C. Reider)
Date: Sat, 19 Feb 2011 18:17:27 -0700
Subject: [microsound] Linguistics and Music
In-Reply-To: <mailman.8931.1298163507.5607.microsound@or8.net>
References: <mailman.8931.1298163507.5607.microsound@or8.net>
Message-ID: <98DA6532-ADE9-4315-94BC-E62CD5C207F6@vuzhmusic.com>

C. Reider - Linguism

http://www.archive.org/details/Linguism

:)


On Feb 19, 2011, at 5:58 PM, microsound-request at or8.net wrote:

> Date: Sat, 19 Feb 2011 19:46:17 -0500
> From: macdara at email.com
> To: microsound at microsound.org
> Subject: [microsound] Linguistics and Music
> Message-ID: <8CD9EAEB7B0E337-126C-16B04 at web-mmc-d04.sysops.aol.com>
> Content-Type: text/plain; charset="us-ascii"
>
>
>
>
> Microsounders,
>
>        I am researching the (possible) relationship between speech  
> intonation and rhythm and regional traditional music styles in  
> Ireland.
> Does anyone know of any similar projects? Or not so similar  
> featuring linguistics and music, or thoughts on the above. All  
> inspiration welcome!
>
> Macdara

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From hc at hariscustovic.com  Wed Feb 23 17:33:25 2011
From: hc at hariscustovic.com (Haris Custovic)
Date: Wed, 23 Feb 2011 22:33:25 +0000
Subject: [microsound] just to introduce myself...
Message-ID: <35D00C08-837C-404F-88AE-291DD660B7D6@hariscustovic.com>

Hello everyone...

Just joined this list and wanted to say that I am looking forward to communicating with all of you, seems like a really cool place to be.

I am into electro-acousic composition, sound art, experimental, electronics etc...

Till then... best,

Haris

From kim at anechoicmedia.com  Thu Feb 24 15:50:19 2011
From: kim at anechoicmedia.com (Kim Cascone)
Date: Thu, 24 Feb 2011 12:50:19 -0800
Subject: [microsound] Pi Day 2011
Message-ID: <4D66C48B.7080505@anechoicmedia.com>

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From velkrosmaak at gmail.com  Thu Feb 24 15:55:24 2011
From: velkrosmaak at gmail.com (Imi Votteler)
Date: Thu, 24 Feb 2011 20:55:24 +0000
Subject: [microsound] Pi Day 2011
In-Reply-To: <4D66C48B.7080505@anechoicmedia.com>
References: <4D66C48B.7080505@anechoicmedia.com>
Message-ID: <AANLkTimPeS1Exhm16Bk3XY8oYdo0Fnrj+9UfwU6o=Zoe@mail.gmail.com>

Im up for it... what does it entail?
On 24 Feb 2011 20:50, "Kim Cascone" <kim at anechoicmedia.com> wrote:
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
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From studio at earphone.org  Thu Feb 24 16:12:52 2011
From: studio at earphone.org (Marc McNulty)
Date: Thu, 24 Feb 2011 16:12:52 -0500
Subject: [microsound] Pi Day 2011
In-Reply-To: <AANLkTimPeS1Exhm16Bk3XY8oYdo0Fnrj+9UfwU6o=Zoe@mail.gmail.com>
References: <4D66C48B.7080505@anechoicmedia.com>
	<AANLkTimPeS1Exhm16Bk3XY8oYdo0Fnrj+9UfwU6o=Zoe@mail.gmail.com>
Message-ID: <AANLkTikLvzH1ewxTpt5rSFiB7ddz-Tme+FgK=AicbSj-@mail.gmail.com>

Im in! :)

Marc

On Thu, Feb 24, 2011 at 3:55 PM, Imi Votteler <velkrosmaak at gmail.com> wrote:

> Im up for it... what does it entail?
> On 24 Feb 2011 20:50, "Kim Cascone" <kim at anechoicmedia.com> wrote:
> > _______________________________________________
> > microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>


-- 
Sound works online --> Marc McNulty <http://www.marcmcnulty.org>
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From aherrick at pacbell.net  Thu Feb 24 16:17:16 2011
From: aherrick at pacbell.net (Alan Herrick)
Date: Thu, 24 Feb 2011 13:17:16 -0800 (PST)
Subject: [microsound] Pi Day 2011
In-Reply-To: <4D66C48B.7080505@anechoicmedia.com>
References: <4D66C48B.7080505@anechoicmedia.com>
Message-ID: <781346.10042.qm@web83603.mail.sp1.yahoo.com>

count me in and I am always happy to supply graphics



________________________________
From: Kim Cascone <kim at anechoicmedia.com>
To: microsound_list <microsound at or8.net>
Sent: Thu, February 24, 2011 12:50:19 PM
Subject: [microsound] Pi Day 2011

anyone up for a 2011 Pi Day microsound project?
I need a headcount for sound & graphics
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From prolepsis at gmail.com  Thu Feb 24 16:20:05 2011
From: prolepsis at gmail.com (Al Matthews)
Date: Thu, 24 Feb 2011 16:20:05 -0500
Subject: [microsound] Pi Day 2011
In-Reply-To: <781346.10042.qm@web83603.mail.sp1.yahoo.com>
References: <4D66C48B.7080505@anechoicmedia.com>
	<781346.10042.qm@web83603.mail.sp1.yahoo.com>
Message-ID: <AANLkTimwWzCDQryLj9=mbu6imZDjdCEAQzYQnBW8Ok0V@mail.gmail.com>

Likewise, and thanks. Pleased to participate.

On Thu, Feb 24, 2011 at 4:17 PM, Alan Herrick <aherrick at pacbell.net> wrote:
> count me in and I am always happy to supply graphics
> ________________________________
> From: Kim Cascone <kim at anechoicmedia.com>
> To: microsound_list <microsound at or8.net>
> Sent: Thu, February 24, 2011 12:50:19 PM
> Subject: [microsound] Pi Day 2011
>
> anyone up for a 2011 Pi Day microsound project?
> I need a headcount for sound & graphics
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>



-- 
Al Matthews

From pereshaped at gmail.com  Thu Feb 24 16:22:44 2011
From: pereshaped at gmail.com (Pereshaped)
Date: Thu, 24 Feb 2011 21:22:44 +0000
Subject: [microsound] Pi Day 2011
Message-ID: <AANLkTi=TO-NLU4-SXb0x86PcMi3LOW4oK7Nk81uMu0pK@mail.gmail.com>

Yep, I'm in!

On 24 February 2011 21:20,  <microsound-request at or8.net> wrote:
> Send microsound mailing list submissions to
> ? ? ? ?microsound at or8.net
>
> To subscribe or unsubscribe via the World Wide Web, visit
> ? ? ? ?http://or8.net/mailman/listinfo/microsound
> or, via email, send a message with subject or body 'help' to
> ? ? ? ?microsound-request at or8.net
>
> You can reach the person managing the list at
> ? ? ? ?microsound-owner at or8.net
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of microsound digest..."
>
>
> Today's Topics:
>
> ? 1. Re: Linguistics and Music (C. Reider)
> ? 2. just to introduce myself... (Haris Custovic)
> ? 3. Pi Day 2011 (Kim Cascone)
> ? 4. Re: Pi Day 2011 (Imi Votteler)
> ? 5. Re: Pi Day 2011 (Marc McNulty)
> ? 6. Re: Pi Day 2011 (Alan Herrick)
> ? 7. Re: Pi Day 2011 (Al Matthews)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Sat, 19 Feb 2011 18:17:27 -0700
> From: "C. Reider" <c.reider at vuzhmusic.com>
> To: microsound at or8.net
> Subject: Re: [microsound] Linguistics and Music
> Message-ID: <98DA6532-ADE9-4315-94BC-E62CD5C207F6 at vuzhmusic.com>
> Content-Type: text/plain; charset="us-ascii"; Format="flowed";
> ? ? ? ?DelSp="yes"
>
> C. Reider - Linguism
>
> http://www.archive.org/details/Linguism
>
> :)
>
>
> On Feb 19, 2011, at 5:58 PM, microsound-request at or8.net wrote:
>
>> Date: Sat, 19 Feb 2011 19:46:17 -0500
>> From: macdara at email.com
>> To: microsound at microsound.org
>> Subject: [microsound] Linguistics and Music
>> Message-ID: <8CD9EAEB7B0E337-126C-16B04 at web-mmc-d04.sysops.aol.com>
>> Content-Type: text/plain; charset="us-ascii"
>>
>>
>>
>>
>> Microsounders,
>>
>> ? ? ? ?I am researching the (possible) relationship between speech
>> intonation and rhythm and regional traditional music styles in
>> Ireland.
>> Does anyone know of any similar projects? Or not so similar
>> featuring linguistics and music, or thoughts on the above. All
>> inspiration welcome!
>>
>> Macdara
>
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL: <http://or8.net/pipermail/microsound/attachments/20110219/4015579b/attachment-0001.html>
>
> ------------------------------
>
> Message: 2
> Date: Wed, 23 Feb 2011 22:33:25 +0000
> From: Haris Custovic <hc at hariscustovic.com>
> To: microsound at or8.net
> Subject: [microsound] just to introduce myself...
> Message-ID: <35D00C08-837C-404F-88AE-291DD660B7D6 at hariscustovic.com>
> Content-Type: text/plain; charset=us-ascii
>
> Hello everyone...
>
> Just joined this list and wanted to say that I am looking forward to communicating with all of you, seems like a really cool place to be.
>
> I am into electro-acousic composition, sound art, experimental, electronics etc...
>
> Till then... best,
>
> Haris
>
> ------------------------------
>
> Message: 3
> Date: Thu, 24 Feb 2011 12:50:19 -0800
> From: Kim Cascone <kim at anechoicmedia.com>
> To: microsound_list <microsound at or8.net>
> Subject: [microsound] Pi Day 2011
> Message-ID: <4D66C48B.7080505 at anechoicmedia.com>
> Content-Type: text/plain; charset="us-ascii"
>
> An HTML attachment was scrubbed...
> URL: <http://or8.net/pipermail/microsound/attachments/20110224/e92b2364/attachment-0001.html>
>
> ------------------------------
>
> Message: 4
> Date: Thu, 24 Feb 2011 20:55:24 +0000
> From: Imi Votteler <velkrosmaak at gmail.com>
> To: microsound at microsound.org
> Subject: Re: [microsound] Pi Day 2011
> Message-ID:
> ? ? ? ?<AANLkTimPeS1Exhm16Bk3XY8oYdo0Fnrj+9UfwU6o=Zoe at mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Im up for it... what does it entail?
> On 24 Feb 2011 20:50, "Kim Cascone" <kim at anechoicmedia.com> wrote:
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
> -------------- next part --------------
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>
> ------------------------------
>
> Message: 5
> Date: Thu, 24 Feb 2011 16:12:52 -0500
> From: Marc McNulty <studio at earphone.org>
> To: microsound at microsound.org
> Subject: Re: [microsound] Pi Day 2011
> Message-ID:
> ? ? ? ?<AANLkTikLvzH1ewxTpt5rSFiB7ddz-Tme+FgK=AicbSj- at mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Im in! :)
>
> Marc
>
> On Thu, Feb 24, 2011 at 3:55 PM, Imi Votteler <velkrosmaak at gmail.com> wrote:
>
>> Im up for it... what does it entail?
>> On 24 Feb 2011 20:50, "Kim Cascone" <kim at anechoicmedia.com> wrote:
>> > _______________________________________________
>> > microsound mailing list
>> > microsound at microsound.org
>> > http://or8.net/mailman/listinfo/microsound
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>>
>
>
> --
> Sound works online --> Marc McNulty <http://www.marcmcnulty.org>
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>
> ------------------------------
>
> Message: 6
> Date: Thu, 24 Feb 2011 13:17:16 -0800 (PST)
> From: Alan Herrick <aherrick at pacbell.net>
> To: microsound at microsound.org
> Subject: Re: [microsound] Pi Day 2011
> Message-ID: <781346.10042.qm at web83603.mail.sp1.yahoo.com>
> Content-Type: text/plain; charset="us-ascii"
>
> count me in and I am always happy to supply graphics
>
>
>
> ________________________________
> From: Kim Cascone <kim at anechoicmedia.com>
> To: microsound_list <microsound at or8.net>
> Sent: Thu, February 24, 2011 12:50:19 PM
> Subject: [microsound] Pi Day 2011
>
> anyone up for a 2011 Pi Day microsound project?
> I need a headcount for sound & graphics
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL: <http://or8.net/pipermail/microsound/attachments/20110224/2314fa79/attachment-0001.html>
>
> ------------------------------
>
> Message: 7
> Date: Thu, 24 Feb 2011 16:20:05 -0500
> From: Al Matthews <prolepsis at gmail.com>
> To: microsound at microsound.org
> Subject: Re: [microsound] Pi Day 2011
> Message-ID:
> ? ? ? ?<AANLkTimwWzCDQryLj9=mbu6imZDjdCEAQzYQnBW8Ok0V at mail.gmail.com>
> Content-Type: text/plain; charset=UTF-8
>
> Likewise, and thanks. Pleased to participate.
>
> On Thu, Feb 24, 2011 at 4:17 PM, Alan Herrick <aherrick at pacbell.net> wrote:
>> count me in and I am always happy to supply graphics
>> ________________________________
>> From: Kim Cascone <kim at anechoicmedia.com>
>> To: microsound_list <microsound at or8.net>
>> Sent: Thu, February 24, 2011 12:50:19 PM
>> Subject: [microsound] Pi Day 2011
>>
>> anyone up for a 2011 Pi Day microsound project?
>> I need a headcount for sound & graphics
>>
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>>
>
>
>
> --
> Al Matthews
>
>
> ------------------------------
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
> End of microsound Digest, Vol 26, Issue 30
> ******************************************
>

From pereshaped at gmail.com  Thu Feb 24 16:23:47 2011
From: pereshaped at gmail.com (Pereshaped)
Date: Thu, 24 Feb 2011 21:23:47 +0000
Subject: [microsound] Pi Day 2011
Message-ID: <AANLkTi=WEw7Q7w0LRL=-Buqn4O+V6i=zefkrjeFm8iUd@mail.gmail.com>

Apologies for email trail after mine :-|

Yes, count me in

From kim at anechoicmedia.com  Thu Feb 24 16:37:00 2011
From: kim at anechoicmedia.com (Kim Cascone)
Date: Thu, 24 Feb 2011 13:37:00 -0800
Subject: [microsound] Pi Day 2011 project
Message-ID: <4D66CF7C.8040002@anechoicmedia.com>

ladies and gentlemen,

the annual Pi Day .microsound celebration

rules:
======
- the piece must make use of the mathematical constant known as Pi = 
3.14159 in some way
- each piece should be EXACTLY 3 minutes and 14 seconds in length
- file format is mp3 and ALL ID3 TAGS MUST BE CORRECTLY ENTERED or the
piece will be deleted from the server

==========================
deadline:
===========
***Friday March 11 2011***
==========================

server info:
=============
http://www.microsound.org/repository/

you must log into the project server using the SAME email
address you are sub'd to this list with
if you experience difficulties gaining access then ask someone on the
list for assistance


happy calculations and computations,
kim

From djdualcore at gmail.com  Thu Feb 24 17:41:55 2011
From: djdualcore at gmail.com (Neil Clopton)
Date: Thu, 24 Feb 2011 16:41:55 -0600
Subject: [microsound] Pi Day 2011
Message-ID: <AANLkTi=MuH=Y91k6TeJbQK8khL6vruBxo1mDhQx-t7=z@mail.gmail.com>

Please count me in for a composition.  I regret missing last year.

A second shot at fi would be fun, too.

-- 
DJ Dual Core's Blog
http://oldmixtapes.blogspot.com/
If this were a religious slogan would you respect me more?
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From kanimmo at gmail.com  Thu Feb 24 20:04:50 2011
From: kanimmo at gmail.com (Kurt Nimmo)
Date: Thu, 24 Feb 2011 19:04:50 -0600
Subject: [microsound] microsound Digest, Vol 26, Issue 30
In-Reply-To: <mailman.9157.1298582418.5607.microsound@or8.net>
References: <mailman.9157.1298582418.5607.microsound@or8.net>
Message-ID: <AANLkTi=YbFFN_OSP_wbCXjTJOnj_yyyTt7Ry8qHh6ZJj@mail.gmail.com>

Well, yes. I am a newbie. Where do I find an example of previous projects?

Kurt

On Thu, Feb 24, 2011 at 3:20 PM, <microsound-request at or8.net> wrote:

> Send microsound mailing list submissions to
>        microsound at or8.net
>
> To subscribe or unsubscribe via the World Wide Web, visit
>        http://or8.net/mailman/listinfo/microsound
> or, via email, send a message with subject or body 'help' to
>        microsound-request at or8.net
>
> You can reach the person managing the list at
>        microsound-owner at or8.net
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of microsound digest..."
>
>
> Today's Topics:
>
>   1. Re: Linguistics and Music (C. Reider)
>   2. just to introduce myself... (Haris Custovic)
>   3. Pi Day 2011 (Kim Cascone)
>   4. Re: Pi Day 2011 (Imi Votteler)
>   5. Re: Pi Day 2011 (Marc McNulty)
>   6. Re: Pi Day 2011 (Alan Herrick)
>   7. Re: Pi Day 2011 (Al Matthews)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Sat, 19 Feb 2011 18:17:27 -0700
> From: "C. Reider" <c.reider at vuzhmusic.com>
> To: microsound at or8.net
> Subject: Re: [microsound] Linguistics and Music
> Message-ID: <98DA6532-ADE9-4315-94BC-E62CD5C207F6 at vuzhmusic.com>
> Content-Type: text/plain; charset="us-ascii"; Format="flowed";
>        DelSp="yes"
>
> C. Reider - Linguism
>
> http://www.archive.org/details/Linguism
>
> :)
>
>
> On Feb 19, 2011, at 5:58 PM, microsound-request at or8.net wrote:
>
> > Date: Sat, 19 Feb 2011 19:46:17 -0500
> > From: macdara at email.com
> > To: microsound at microsound.org
> > Subject: [microsound] Linguistics and Music
> > Message-ID: <8CD9EAEB7B0E337-126C-16B04 at web-mmc-d04.sysops.aol.com>
> > Content-Type: text/plain; charset="us-ascii"
> >
> >
> >
> >
> > Microsounders,
> >
> >        I am researching the (possible) relationship between speech
> > intonation and rhythm and regional traditional music styles in
> > Ireland.
> > Does anyone know of any similar projects? Or not so similar
> > featuring linguistics and music, or thoughts on the above. All
> > inspiration welcome!
> >
> > Macdara
>
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL: <
> http://or8.net/pipermail/microsound/attachments/20110219/4015579b/attachment-0001.html
> >
>
> ------------------------------
>
> Message: 2
> Date: Wed, 23 Feb 2011 22:33:25 +0000
> From: Haris Custovic <hc at hariscustovic.com>
> To: microsound at or8.net
> Subject: [microsound] just to introduce myself...
> Message-ID: <35D00C08-837C-404F-88AE-291DD660B7D6 at hariscustovic.com>
> Content-Type: text/plain; charset=us-ascii
>
> Hello everyone...
>
> Just joined this list and wanted to say that I am looking forward to
> communicating with all of you, seems like a really cool place to be.
>
> I am into electro-acousic composition, sound art, experimental, electronics
> etc...
>
> Till then... best,
>
> Haris
>
> ------------------------------
>
> Message: 3
> Date: Thu, 24 Feb 2011 12:50:19 -0800
> From: Kim Cascone <kim at anechoicmedia.com>
> To: microsound_list <microsound at or8.net>
> Subject: [microsound] Pi Day 2011
> Message-ID: <4D66C48B.7080505 at anechoicmedia.com>
> Content-Type: text/plain; charset="us-ascii"
>
> An HTML attachment was scrubbed...
> URL: <
> http://or8.net/pipermail/microsound/attachments/20110224/e92b2364/attachment-0001.html
> >
>
> ------------------------------
>
> Message: 4
> Date: Thu, 24 Feb 2011 20:55:24 +0000
> From: Imi Votteler <velkrosmaak at gmail.com>
> To: microsound at microsound.org
> Subject: Re: [microsound] Pi Day 2011
> Message-ID:
>        <AANLkTimPeS1Exhm16Bk3XY8oYdo0Fnrj+9UfwU6o=Zoe at mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Im up for it... what does it entail?
> On 24 Feb 2011 20:50, "Kim Cascone" <kim at anechoicmedia.com> wrote:
> > _______________________________________________
> > microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL: <
> http://or8.net/pipermail/microsound/attachments/20110224/6e99dfd4/attachment-0001.html
> >
>
> ------------------------------
>
> Message: 5
> Date: Thu, 24 Feb 2011 16:12:52 -0500
> From: Marc McNulty <studio at earphone.org>
> To: microsound at microsound.org
> Subject: Re: [microsound] Pi Day 2011
> Message-ID:
>        <AANLkTikLvzH1ewxTpt5rSFiB7ddz-Tme+FgK=AicbSj- at mail.gmail.com>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Im in! :)
>
> Marc
>
> On Thu, Feb 24, 2011 at 3:55 PM, Imi Votteler <velkrosmaak at gmail.com>
> wrote:
>
> > Im up for it... what does it entail?
> > On 24 Feb 2011 20:50, "Kim Cascone" <kim at anechoicmedia.com> wrote:
> > > _______________________________________________
> > > microsound mailing list
> > > microsound at microsound.org
> > > http://or8.net/mailman/listinfo/microsound
> >
> > _______________________________________________
> > microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
> >
> >
>
>
> --
> Sound works online --> Marc McNulty <http://www.marcmcnulty.org>
> -------------- next part --------------
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> http://or8.net/pipermail/microsound/attachments/20110224/b951842c/attachment-0001.html
> >
>
> ------------------------------
>
> Message: 6
> Date: Thu, 24 Feb 2011 13:17:16 -0800 (PST)
> From: Alan Herrick <aherrick at pacbell.net>
> To: microsound at microsound.org
> Subject: Re: [microsound] Pi Day 2011
> Message-ID: <781346.10042.qm at web83603.mail.sp1.yahoo.com>
> Content-Type: text/plain; charset="us-ascii"
>
> count me in and I am always happy to supply graphics
>
>
>
> ________________________________
> From: Kim Cascone <kim at anechoicmedia.com>
> To: microsound_list <microsound at or8.net>
> Sent: Thu, February 24, 2011 12:50:19 PM
> Subject: [microsound] Pi Day 2011
>
> anyone up for a 2011 Pi Day microsound project?
> I need a headcount for sound & graphics
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL: <
> http://or8.net/pipermail/microsound/attachments/20110224/2314fa79/attachment-0001.html
> >
>
> ------------------------------
>
> Message: 7
> Date: Thu, 24 Feb 2011 16:20:05 -0500
> From: Al Matthews <prolepsis at gmail.com>
> To: microsound at microsound.org
> Subject: Re: [microsound] Pi Day 2011
> Message-ID:
>        <AANLkTimwWzCDQryLj9=mbu6imZDjdCEAQzYQnBW8Ok0V at mail.gmail.com>
> Content-Type: text/plain; charset=UTF-8
>
> Likewise, and thanks. Pleased to participate.
>
> On Thu, Feb 24, 2011 at 4:17 PM, Alan Herrick <aherrick at pacbell.net>
> wrote:
> > count me in and I am always happy to supply graphics
> > ________________________________
> > From: Kim Cascone <kim at anechoicmedia.com>
> > To: microsound_list <microsound at or8.net>
> > Sent: Thu, February 24, 2011 12:50:19 PM
> > Subject: [microsound] Pi Day 2011
> >
> > anyone up for a 2011 Pi Day microsound project?
> > I need a headcount for sound & graphics
> >
> >
> > _______________________________________________
> > microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
> >
> >
>
>
>
> --
> Al Matthews
>
>
> ------------------------------
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
> End of microsound Digest, Vol 26, Issue 30
> ******************************************
>
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From gwildes1 at gmail.com  Thu Feb 24 21:38:06 2011
From: gwildes1 at gmail.com (Gregory Wildes)
Date: Fri, 25 Feb 2011 10:38:06 +0800
Subject: [microsound] Pi Day 2011 project
Message-ID: <AANLkTi==Ki9r+uOoPYQErE3mjcq3w+=C5ac5iXyv-b+5@mail.gmail.com>

Count me in for a slice.

On Fri, Feb 25, 2011 at 9:04 AM,  <microsound-request at or8.net> wrote:
> Send microsound mailing list submissions to
> ? ? ? ?microsound at or8.net
>
> To subscribe or unsubscribe via the World Wide Web, visit
> ? ? ? ?http://or8.net/mailman/listinfo/microsound
> or, via email, send a message with subject or body 'help' to
> ? ? ? ?microsound-request at or8.net
>
> You can reach the person managing the list at
> ? ? ? ?microsound-owner at or8.net
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of microsound digest..."
>
> Today's Topics:
>
> ? 1. Re: Pi Day 2011 (Pereshaped)
> ? 2. Re: Pi Day 2011 (Pereshaped)
> ? 3. Pi Day 2011 project (Kim Cascone)
> ? 4. Re: Pi Day 2011 (Neil Clopton)
> ? 5. Re: microsound Digest, Vol 26, Issue 30 (Kurt Nimmo)
>
>
> ---------- Forwarded message ----------
> From:?Pereshaped <pereshaped at gmail.com>
> To:?microsound at or8.net
> Date:?Thu, 24 Feb 2011 21:22:44 +0000
> Subject:?Re: [microsound] Pi Day 2011
> Yep, I'm in!
>
> On 24 February 2011 21:20, ?<microsound-request at or8.net> wrote:
>> Send microsound mailing list submissions to
>> ? ? ? ?microsound at or8.net
>>
>> To subscribe or unsubscribe via the World Wide Web, visit
>> ? ? ? ?http://or8.net/mailman/listinfo/microsound
>> or, via email, send a message with subject or body 'help' to
>> ? ? ? ?microsound-request at or8.net
>>
>> You can reach the person managing the list at
>> ? ? ? ?microsound-owner at or8.net
>>
>> When replying, please edit your Subject line so it is more specific
>> than "Re: Contents of microsound digest..."
>>
>>
>> Today's Topics:
>>
>> ? 1. Re: Linguistics and Music (C. Reider)
>> ? 2. just to introduce myself... (Haris Custovic)
>> ? 3. Pi Day 2011 (Kim Cascone)
>> ? 4. Re: Pi Day 2011 (Imi Votteler)
>> ? 5. Re: Pi Day 2011 (Marc McNulty)
>> ? 6. Re: Pi Day 2011 (Alan Herrick)
>> ? 7. Re: Pi Day 2011 (Al Matthews)
>>
>>
>> ----------------------------------------------------------------------
>>
>> Message: 1
>> Date: Sat, 19 Feb 2011 18:17:27 -0700
>> From: "C. Reider" <c.reider at vuzhmusic.com>
>> To: microsound at or8.net
>> Subject: Re: [microsound] Linguistics and Music
>> Message-ID: <98DA6532-ADE9-4315-94BC-E62CD5C207F6 at vuzhmusic.com>
>> Content-Type: text/plain; charset="us-ascii"; Format="flowed";
>> ? ? ? ?DelSp="yes"
>>
>> C. Reider - Linguism
>>
>> http://www.archive.org/details/Linguism
>>
>> :)
>>
>>
>> On Feb 19, 2011, at 5:58 PM, microsound-request at or8.net wrote:
>>
>>> Date: Sat, 19 Feb 2011 19:46:17 -0500
>>> From: macdara at email.com
>>> To: microsound at microsound.org
>>> Subject: [microsound] Linguistics and Music
>>> Message-ID: <8CD9EAEB7B0E337-126C-16B04 at web-mmc-d04.sysops.aol.com>
>>> Content-Type: text/plain; charset="us-ascii"
>>>
>>>
>>>
>>>
>>> Microsounders,
>>>
>>> ? ? ? ?I am researching the (possible) relationship between speech
>>> intonation and rhythm and regional traditional music styles in
>>> Ireland.
>>> Does anyone know of any similar projects? Or not so similar
>>> featuring linguistics and music, or thoughts on the above. All
>>> inspiration welcome!
>>>
>>> Macdara
>>
>> -------------- next part --------------
>> An HTML attachment was scrubbed...
>> URL: <http://or8.net/pipermail/microsound/attachments/20110219/4015579b/attachment-0001.html>
>>
>> ------------------------------
>>
>> Message: 2
>> Date: Wed, 23 Feb 2011 22:33:25 +0000
>> From: Haris Custovic <hc at hariscustovic.com>
>> To: microsound at or8.net
>> Subject: [microsound] just to introduce myself...
>> Message-ID: <35D00C08-837C-404F-88AE-291DD660B7D6 at hariscustovic.com>
>> Content-Type: text/plain; charset=us-ascii
>>
>> Hello everyone...
>>
>> Just joined this list and wanted to say that I am looking forward to communicating with all of you, seems like a really cool place to be.
>>
>> I am into electro-acousic composition, sound art, experimental, electronics etc...
>>
>> Till then... best,
>>
>> Haris
>>
>> ------------------------------
>>
>> Message: 3
>> Date: Thu, 24 Feb 2011 12:50:19 -0800
>> From: Kim Cascone <kim at anechoicmedia.com>
>> To: microsound_list <microsound at or8.net>
>> Subject: [microsound] Pi Day 2011
>> Message-ID: <4D66C48B.7080505 at anechoicmedia.com>
>> Content-Type: text/plain; charset="us-ascii"
>>
>> An HTML attachment was scrubbed...
>> URL: <http://or8.net/pipermail/microsound/attachments/20110224/e92b2364/attachment-0001.html>
>>
>> ------------------------------
>>
>> Message: 4
>> Date: Thu, 24 Feb 2011 20:55:24 +0000
>> From: Imi Votteler <velkrosmaak at gmail.com>
>> To: microsound at microsound.org
>> Subject: Re: [microsound] Pi Day 2011
>> Message-ID:
>> ? ? ? ?<AANLkTimPeS1Exhm16Bk3XY8oYdo0Fnrj+9UfwU6o=Zoe at mail.gmail.com>
>> Content-Type: text/plain; charset="iso-8859-1"
>>
>> Im up for it... what does it entail?
>> On 24 Feb 2011 20:50, "Kim Cascone" <kim at anechoicmedia.com> wrote:
>>> _______________________________________________
>>> microsound mailing list
>>> microsound at microsound.org
>>> http://or8.net/mailman/listinfo/microsound
>> -------------- next part --------------
>> An HTML attachment was scrubbed...
>> URL: <http://or8.net/pipermail/microsound/attachments/20110224/6e99dfd4/attachment-0001.html>
>>
>> ------------------------------
>>
>> Message: 5
>> Date: Thu, 24 Feb 2011 16:12:52 -0500
>> From: Marc McNulty <studio at earphone.org>
>> To: microsound at microsound.org
>> Subject: Re: [microsound] Pi Day 2011
>> Message-ID:
>> ? ? ? ?<AANLkTikLvzH1ewxTpt5rSFiB7ddz-Tme+FgK=AicbSj- at mail.gmail.com>
>> Content-Type: text/plain; charset="iso-8859-1"
>>
>> Im in! :)
>>
>> Marc
>>
>> On Thu, Feb 24, 2011 at 3:55 PM, Imi Votteler <velkrosmaak at gmail.com> wrote:
>>
>>> Im up for it... what does it entail?
>>> On 24 Feb 2011 20:50, "Kim Cascone" <kim at anechoicmedia.com> wrote:
>>> > _______________________________________________
>>> > microsound mailing list
>>> > microsound at microsound.org
>>> > http://or8.net/mailman/listinfo/microsound
>>>
>>> _______________________________________________
>>> microsound mailing list
>>> microsound at microsound.org
>>> http://or8.net/mailman/listinfo/microsound
>>>
>>>
>>
>>
>> --
>> Sound works online --> Marc McNulty <http://www.marcmcnulty.org>
>> -------------- next part --------------
>> An HTML attachment was scrubbed...
>> URL: <http://or8.net/pipermail/microsound/attachments/20110224/b951842c/attachment-0001.html>
>>
>> ------------------------------
>>
>> Message: 6
>> Date: Thu, 24 Feb 2011 13:17:16 -0800 (PST)
>> From: Alan Herrick <aherrick at pacbell.net>
>> To: microsound at microsound.org
>> Subject: Re: [microsound] Pi Day 2011
>> Message-ID: <781346.10042.qm at web83603.mail.sp1.yahoo.com>
>> Content-Type: text/plain; charset="us-ascii"
>>
>> count me in and I am always happy to supply graphics
>>
>>
>>
>> ________________________________
>> From: Kim Cascone <kim at anechoicmedia.com>
>> To: microsound_list <microsound at or8.net>
>> Sent: Thu, February 24, 2011 12:50:19 PM
>> Subject: [microsound] Pi Day 2011
>>
>> anyone up for a 2011 Pi Day microsound project?
>> I need a headcount for sound & graphics
>> -------------- next part --------------
>> An HTML attachment was scrubbed...
>> URL: <http://or8.net/pipermail/microsound/attachments/20110224/2314fa79/attachment-0001.html>
>>
>> ------------------------------
>>
>> Message: 7
>> Date: Thu, 24 Feb 2011 16:20:05 -0500
>> From: Al Matthews <prolepsis at gmail.com>
>> To: microsound at microsound.org
>> Subject: Re: [microsound] Pi Day 2011
>> Message-ID:
>> ? ? ? ?<AANLkTimwWzCDQryLj9=mbu6imZDjdCEAQzYQnBW8Ok0V at mail.gmail.com>
>> Content-Type: text/plain; charset=UTF-8
>>
>> Likewise, and thanks. Pleased to participate.
>>
>> On Thu, Feb 24, 2011 at 4:17 PM, Alan Herrick <aherrick at pacbell.net> wrote:
>>> count me in and I am always happy to supply graphics
>>> ________________________________
>>> From: Kim Cascone <kim at anechoicmedia.com>
>>> To: microsound_list <microsound at or8.net>
>>> Sent: Thu, February 24, 2011 12:50:19 PM
>>> Subject: [microsound] Pi Day 2011
>>>
>>> anyone up for a 2011 Pi Day microsound project?
>>> I need a headcount for sound & graphics
>>>
>>>
>>> _______________________________________________
>>> microsound mailing list
>>> microsound at microsound.org
>>> http://or8.net/mailman/listinfo/microsound
>>>
>>>
>>
>>
>>
>> --
>> Al Matthews
>>
>>
>> ------------------------------
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>>
>> End of microsound Digest, Vol 26, Issue 30
>> ******************************************
>>
>
>
>
> ---------- Forwarded message ----------
> From:?Pereshaped <pereshaped at gmail.com>
> To:?microsound at or8.net
> Date:?Thu, 24 Feb 2011 21:23:47 +0000
> Subject:?Re: [microsound] Pi Day 2011
> Apologies for email trail after mine :-|
>
> Yes, count me in
>
>
>
> ---------- Forwarded message ----------
> From:?Kim Cascone <kim at anechoicmedia.com>
> To:?microsound_list <microsound at or8.net>, Microsound Announce <microsound-announce at or8.net>
> Date:?Thu, 24 Feb 2011 13:37:00 -0800
> Subject:?[microsound] Pi Day 2011 project
> ladies and gentlemen,
>
> the annual Pi Day .microsound celebration
>
> rules:
> ======
> - the piece must make use of the mathematical constant known as Pi = 3.14159 in some way
> - each piece should be EXACTLY 3 minutes and 14 seconds in length
> - file format is mp3 and ALL ID3 TAGS MUST BE CORRECTLY ENTERED or the
> piece will be deleted from the server
>
> ==========================
> deadline:
> ===========
> ***Friday March 11 2011***
> ==========================
>
> server info:
> =============
> http://www.microsound.org/repository/
>
> you must log into the project server using the SAME email
> address you are sub'd to this list with
> if you experience difficulties gaining access then ask someone on the
> list for assistance
>
>
> happy calculations and computations,
> kim
>
>
>
> ---------- Forwarded message ----------
> From:?Neil Clopton <djdualcore at gmail.com>
> To:?microsound at or8.net
> Date:?Thu, 24 Feb 2011 16:41:55 -0600
> Subject:?Re: [microsound] Pi Day 2011
>
> Please count me in for a composition.? I regret missing last year.
>
> A second shot at fi would be fun, too.
>
> --
> DJ Dual Core's Blog
> http://oldmixtapes.blogspot.com/
> If this were a religious slogan would you respect me more?
>
>
> ---------- Forwarded message ----------
> From:?Kurt Nimmo <kanimmo at gmail.com>
> To:?microsound at or8.net
> Date:?Thu, 24 Feb 2011 19:04:50 -0600
> Subject:?Re: [microsound] microsound Digest, Vol 26, Issue 30
> Well, yes. I am a newbie. Where do I find an example of previous projects?
>
> Kurt
>
> On Thu, Feb 24, 2011 at 3:20 PM, <microsound-request at or8.net> wrote:
>>
>> Send microsound mailing list submissions to
>> ? ? ? ?microsound at or8.net
>>
>> To subscribe or unsubscribe via the World Wide Web, visit
>> ? ? ? ?http://or8.net/mailman/listinfo/microsound
>> or, via email, send a message with subject or body 'help' to
>> ? ? ? ?microsound-request at or8.net
>>
>> You can reach the person managing the list at
>> ? ? ? ?microsound-owner at or8.net
>>
>> When replying, please edit your Subject line so it is more specific
>> than "Re: Contents of microsound digest..."
>>
>>
>> Today's Topics:
>>
>> ? 1. Re: Linguistics and Music (C. Reider)
>> ? 2. just to introduce myself... (Haris Custovic)
>> ? 3. Pi Day 2011 (Kim Cascone)
>> ? 4. Re: Pi Day 2011 (Imi Votteler)
>> ? 5. Re: Pi Day 2011 (Marc McNulty)
>> ? 6. Re: Pi Day 2011 (Alan Herrick)
>> ? 7. Re: Pi Day 2011 (Al Matthews)
>>
>>
>> ----------------------------------------------------------------------
>>
>> Message: 1
>> Date: Sat, 19 Feb 2011 18:17:27 -0700
>> From: "C. Reider" <c.reider at vuzhmusic.com>
>> To: microsound at or8.net
>> Subject: Re: [microsound] Linguistics and Music
>> Message-ID: <98DA6532-ADE9-4315-94BC-E62CD5C207F6 at vuzhmusic.com>
>> Content-Type: text/plain; charset="us-ascii"; Format="flowed";
>> ? ? ? ?DelSp="yes"
>>
>> C. Reider - Linguism
>>
>> http://www.archive.org/details/Linguism
>>
>> :)
>>
>>
>> On Feb 19, 2011, at 5:58 PM, microsound-request at or8.net wrote:
>>
>> > Date: Sat, 19 Feb 2011 19:46:17 -0500
>> > From: macdara at email.com
>> > To: microsound at microsound.org
>> > Subject: [microsound] Linguistics and Music
>> > Message-ID: <8CD9EAEB7B0E337-126C-16B04 at web-mmc-d04.sysops.aol.com>
>> > Content-Type: text/plain; charset="us-ascii"
>> >
>> >
>> >
>> >
>> > Microsounders,
>> >
>> > ? ? ? ?I am researching the (possible) relationship between speech
>> > intonation and rhythm and regional traditional music styles in
>> > Ireland.
>> > Does anyone know of any similar projects? Or not so similar
>> > featuring linguistics and music, or thoughts on the above. All
>> > inspiration welcome!
>> >
>> > Macdara
>>
>> -------------- next part --------------
>> An HTML attachment was scrubbed...
>> URL: <http://or8.net/pipermail/microsound/attachments/20110219/4015579b/attachment-0001.html>
>>
>> ------------------------------
>>
>> Message: 2
>> Date: Wed, 23 Feb 2011 22:33:25 +0000
>> From: Haris Custovic <hc at hariscustovic.com>
>> To: microsound at or8.net
>> Subject: [microsound] just to introduce myself...
>> Message-ID: <35D00C08-837C-404F-88AE-291DD660B7D6 at hariscustovic.com>
>> Content-Type: text/plain; charset=us-ascii
>>
>> Hello everyone...
>>
>> Just joined this list and wanted to say that I am looking forward to communicating with all of you, seems like a really cool place to be.
>>
>> I am into electro-acousic composition, sound art, experimental, electronics etc...
>>
>> Till then... best,
>>
>> Haris
>>
>> ------------------------------
>>
>> Message: 3
>> Date: Thu, 24 Feb 2011 12:50:19 -0800
>> From: Kim Cascone <kim at anechoicmedia.com>
>> To: microsound_list <microsound at or8.net>
>> Subject: [microsound] Pi Day 2011
>> Message-ID: <4D66C48B.7080505 at anechoicmedia.com>
>> Content-Type: text/plain; charset="us-ascii"
>>
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>> ------------------------------
>>
>> Message: 4
>> Date: Thu, 24 Feb 2011 20:55:24 +0000
>> From: Imi Votteler <velkrosmaak at gmail.com>
>> To: microsound at microsound.org
>> Subject: Re: [microsound] Pi Day 2011
>> Message-ID:
>> ? ? ? ?<AANLkTimPeS1Exhm16Bk3XY8oYdo0Fnrj+9UfwU6o=Zoe at mail.gmail.com>
>> Content-Type: text/plain; charset="iso-8859-1"
>>
>> Im up for it... what does it entail?
>> On 24 Feb 2011 20:50, "Kim Cascone" <kim at anechoicmedia.com> wrote:
>> > _______________________________________________
>> > microsound mailing list
>> > microsound at microsound.org
>> > http://or8.net/mailman/listinfo/microsound
>> -------------- next part --------------
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>>
>> ------------------------------
>>
>> Message: 5
>> Date: Thu, 24 Feb 2011 16:12:52 -0500
>> From: Marc McNulty <studio at earphone.org>
>> To: microsound at microsound.org
>> Subject: Re: [microsound] Pi Day 2011
>> Message-ID:
>> ? ? ? ?<AANLkTikLvzH1ewxTpt5rSFiB7ddz-Tme+FgK=AicbSj- at mail.gmail.com>
>> Content-Type: text/plain; charset="iso-8859-1"
>>
>> Im in! :)
>>
>> Marc
>>
>> On Thu, Feb 24, 2011 at 3:55 PM, Imi Votteler <velkrosmaak at gmail.com> wrote:
>>
>> > Im up for it... what does it entail?
>> > On 24 Feb 2011 20:50, "Kim Cascone" <kim at anechoicmedia.com> wrote:
>> > > _______________________________________________
>> > > microsound mailing list
>> > > microsound at microsound.org
>> > > http://or8.net/mailman/listinfo/microsound
>> >
>> > _______________________________________________
>> > microsound mailing list
>> > microsound at microsound.org
>> > http://or8.net/mailman/listinfo/microsound
>> >
>> >
>>
>>
>> --
>> Sound works online --> Marc McNulty <http://www.marcmcnulty.org>
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>> ------------------------------
>>
>> Message: 6
>> Date: Thu, 24 Feb 2011 13:17:16 -0800 (PST)
>> From: Alan Herrick <aherrick at pacbell.net>
>> To: microsound at microsound.org
>> Subject: Re: [microsound] Pi Day 2011
>> Message-ID: <781346.10042.qm at web83603.mail.sp1.yahoo.com>
>> Content-Type: text/plain; charset="us-ascii"
>>
>> count me in and I am always happy to supply graphics
>>
>>
>>
>> ________________________________
>> From: Kim Cascone <kim at anechoicmedia.com>
>> To: microsound_list <microsound at or8.net>
>> Sent: Thu, February 24, 2011 12:50:19 PM
>> Subject: [microsound] Pi Day 2011
>>
>> anyone up for a 2011 Pi Day microsound project?
>> I need a headcount for sound & graphics
>> -------------- next part --------------
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>>
>> ------------------------------
>>
>> Message: 7
>> Date: Thu, 24 Feb 2011 16:20:05 -0500
>> From: Al Matthews <prolepsis at gmail.com>
>> To: microsound at microsound.org
>> Subject: Re: [microsound] Pi Day 2011
>> Message-ID:
>> ? ? ? ?<AANLkTimwWzCDQryLj9=mbu6imZDjdCEAQzYQnBW8Ok0V at mail.gmail.com>
>> Content-Type: text/plain; charset=UTF-8
>>
>> Likewise, and thanks. Pleased to participate.
>>
>> On Thu, Feb 24, 2011 at 4:17 PM, Alan Herrick <aherrick at pacbell.net> wrote:
>> > count me in and I am always happy to supply graphics
>> > ________________________________
>> > From: Kim Cascone <kim at anechoicmedia.com>
>> > To: microsound_list <microsound at or8.net>
>> > Sent: Thu, February 24, 2011 12:50:19 PM
>> > Subject: [microsound] Pi Day 2011
>> >
>> > anyone up for a 2011 Pi Day microsound project?
>> > I need a headcount for sound & graphics
>> >
>> >
>> > _______________________________________________
>> > microsound mailing list
>> > microsound at microsound.org
>> > http://or8.net/mailman/listinfo/microsound
>> >
>> >
>>
>>
>>
>> --
>> Al Matthews
>>
>>
>> ------------------------------
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>>
>> End of microsound Digest, Vol 26, Issue 30
>> ******************************************
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>

From paulo.mouat at gmail.com  Fri Feb 25 08:57:47 2011
From: paulo.mouat at gmail.com (Paulo Mouat)
Date: Fri, 25 Feb 2011 21:57:47 +0800
Subject: [microsound] microsound Digest, Vol 26, Issue 30
In-Reply-To: <AANLkTi=YbFFN_OSP_wbCXjTJOnj_yyyTt7Ry8qHh6ZJj@mail.gmail.com>
References: <mailman.9157.1298582418.5607.microsound@or8.net>
	<AANLkTi=YbFFN_OSP_wbCXjTJOnj_yyyTt7Ry8qHh6ZJj@mail.gmail.com>
Message-ID: <AANLkTim2dmCyAZ3WzsnUv1f_Gy6GFcDa62arJWghNVsw@mail.gmail.com>

http://www.microsound.org

//p
http://www.interdisciplina.org/00.0

On Fri, Feb 25, 2011 at 9:04 AM, Kurt Nimmo <kanimmo at gmail.com> wrote:

> Well, yes. I am a newbie. Where do I find an example of previous projects?
>
> Kurt
>
>
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From cyborgk at gmail.com  Fri Feb 25 11:04:06 2011
From: cyborgk at gmail.com (David Powers)
Date: Fri, 25 Feb 2011 10:04:06 -0600
Subject: [microsound] Pi Day 2011
In-Reply-To: <AANLkTi=MuH=Y91k6TeJbQK8khL6vruBxo1mDhQx-t7=z@mail.gmail.com>
References: <AANLkTi=MuH=Y91k6TeJbQK8khL6vruBxo1mDhQx-t7=z@mail.gmail.com>
Message-ID: <AANLkTik3Jb47RkZtkWYAq_3_DosX+PdzaoDYCqS+bqyh@mail.gmail.com>

I'm in...
~David

From 1fracturedpsyche at gmail.com  Fri Feb 25 20:14:20 2011
From: 1fracturedpsyche at gmail.com (John Kuan)
Date: Sat, 26 Feb 2011 09:14:20 +0800
Subject: [microsound] Pi Day 2011
In-Reply-To: <4D66C48B.7080505@anechoicmedia.com>
References: <4D66C48B.7080505@anechoicmedia.com>
Message-ID: <6A207DC0-8E3C-497A-A898-86B77246E7E9@gmail.com>

I'm in :)

On Feb 25, 2011, at 4:50 AM, Kim Cascone wrote:

> anyone up for a 2011 Pi Day microsound project?
> I need a headcount for sound & graphics
> 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From kim at anechoicmedia.com  Fri Feb 25 21:40:13 2011
From: kim at anechoicmedia.com (Kim Cascone)
Date: Fri, 25 Feb 2011 18:40:13 -0800
Subject: [microsound] Pi Day 2011 project - plain text
Message-ID: <4D68680D.9020709@anechoicmedia.com>

ladies and gentlemen,

the annual Pi Day .microsound celebration

rules:
======
- the piece must make use of the mathematical constant known as Pi = 
3.14159 in some way
- each piece should be EXACTLY 3 minutes and 14 seconds in length
- file format is mp3 and ALL ID3 TAGS MUST BE CORRECTLY ENTERED or the
piece will be deleted from the server

==========================
deadline:
===========
***Friday March 11 2011***
==========================

server info:
=============
http://www.microsound.org/repository/

you must log into the project server using the SAME email
address you are sub'd to this list with
if you experience difficulties gaining access then ask someone on the
list for assistance


happy calculations and computations,
kim

From kanimmo at gmail.com  Fri Feb 25 23:26:45 2011
From: kanimmo at gmail.com (Kurt Nimmo)
Date: Fri, 25 Feb 2011 22:26:45 -0600
Subject: [microsound] microsound Digest, Vol 26, Issue 32
In-Reply-To: <mailman.9200.1298682878.5607.microsound@or8.net>
References: <mailman.9200.1298682878.5607.microsound@or8.net>
Message-ID: <AANLkTi=eKG4ozN--oGLk++ekja4f7kTWKKfQT1Whbt6Y@mail.gmail.com>

Count me in, too. Just need details.

Kurt
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From kanimmo at gmail.com  Fri Feb 25 23:34:59 2011
From: kanimmo at gmail.com (Kurt Nimmo)
Date: Fri, 25 Feb 2011 22:34:59 -0600
Subject: [microsound] microsound Digest, Vol 26, Issue 32
In-Reply-To: <mailman.9200.1298682878.5607.microsound@or8.net>
References: <mailman.9200.1298682878.5607.microsound@or8.net>
Message-ID: <AANLkTikZ9ufqTYJ8frKOPaww0Nf+qGC7SkFLaW_qqhvg@mail.gmail.com>

Thanks, Paulo...

What is the status on the tracks at http://www.interdisciplina.org/00.0?
Great work. I'd really like to remix some of the tracks if that is possible,
but there is no indication on the site who created them or what the
copyright is.

Kurt
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From paulo.mouat at gmail.com  Fri Feb 25 23:41:38 2011
From: paulo.mouat at gmail.com (Paulo Mouat)
Date: Sat, 26 Feb 2011 12:41:38 +0800
Subject: [microsound] microsound Digest, Vol 26, Issue 32
In-Reply-To: <AANLkTikZ9ufqTYJ8frKOPaww0Nf+qGC7SkFLaW_qqhvg@mail.gmail.com>
References: <mailman.9200.1298682878.5607.microsound@or8.net>
	<AANLkTikZ9ufqTYJ8frKOPaww0Nf+qGC7SkFLaW_qqhvg@mail.gmail.com>
Message-ID: <AANLkTimeR+2_bER3WfYDp1V2U6+PG6B8-51qi1zRvCm9@mail.gmail.com>

They're mine with the standard, default copyright. We can work out
specific terms for your use, just PM me.

//p
http://www.interdisciplina.org/00.0

On Sat, Feb 26, 2011 at 12:34 PM, Kurt Nimmo <kanimmo at gmail.com> wrote:
> Thanks, Paulo...
>
> What is the status on the tracks at http://www.interdisciplina.org/00.0?
> Great work. I'd really like to remix some of the tracks if that is possible,
> but there is no indication on the site who created them or what the
> copyright is.
>
> Kurt
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>

From roberth at lanset.com  Sun Feb 27 15:46:34 2011
From: roberth at lanset.com (roberth)
Date: Sun, 27 Feb 2011 12:46:34 -0800
Subject: [microsound] creating music on the iphone
References: <AANLkTimg91d1eVVcxkko5LFkP3DQf1KAwhU2PM8TXCHd@mail.gmail.com>
	<20110219140948.GD8675@fliwatut.scifi>
Message-ID: <1A9959F50E2E43C5A3C0B2F9EC653E9D@Office>

good to do something useful with the damn things
r
----- Original Message ----- 
From: "Frank Barknecht" <fbar at footils.org>
To: <microsound at or8.net>
Sent: Saturday, February 19, 2011 6:09 AM
Subject: Re: [microsound] creating music on the iphone


> On Fri, Feb 18, 2011 at 02:25:12PM -0600, Kurt Nimmo wrote:
>> Hello all. I am new to the list this afternoon. Am wondering if there has
>> been any discussion about the emerging art of music creation using the
>> iphone and related devices. I have yet to search through the archive -- I 
>> do
>> not see an easy way to do so, although I may have missed it.
>>
>> I have purchased several apps but they are more geared for techno and
>> beat-centric electronic music (with the exception of Eno's apps). Am 
>> curious
>> if anybody has been following developments on this and if there might be 
>> a
>> list I can subscribe to. I am particularly interested in generative music
>> and or sound.
>
> RjDj is a Pd player for the iPhone/iPod. You compose on a normal laptop, 
> then
> transfer the patch to the phone for playback/manipulation/performance.
>
> Ciao
> -- 
> Frank Barknecht            Do You RjDj.me?          _ ______footils.org__
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
> 


From arsmoderna at gmail.com  Fri Feb 18 17:46:08 2011
From: arsmoderna at gmail.com (carlos santos)
Date: Fri, 18 Feb 2011 22:46:08 -0000
Subject: [microsound] creating music on the iphone
In-Reply-To: <4D5EF7AE.3030008@gmail.com>
References: <AANLkTimg91d1eVVcxkko5LFkP3DQf1KAwhU2PM8TXCHd@mail.gmail.com>
	<AANLkTikjd-14wY7DBaX_yhQZs-ACTnTNgvW-QKxpDV8E@mail.gmail.com>
	<4D5EF7AE.3030008@gmail.com>
Message-ID: <9D1036E4-1D54-4062-AA0A-5935C25DC904@gmail.com>

there's a small free app for the iPhone called modAxis, its a 3 osc fmish synth, controlled with 3 fingers, which one modulates the other,
nice sounds coming out of it, but there's a delay that messes thing up, used a couple of times live, but limited for solo or longer performances...

http://itunes.apple.com/in/app/modaxis-free/id400154656?mt=8

CS


On 2011/02/18, at 22:50, Justin Glenn Smith wrote:

> The Nokia N900 is a powerful little device, and with the free "easydebian" app you can run csound. I have been using my n900 as a scratch pad for composing with csound, and also writing small csound instruments that will run in realtime using the n900 as a synth with touchscreen controller (using the csound fltk opcodes for the gui). If you turn off wifi and any sort of desktop widgets, the battery life is excellent, even when running real time audio for extended periods of time (patches with granulation and reverb etc.).
> 
> For anyone who is a programmer and Linux savvy, I would say it is well worth the money (there is no provider that will provide an n900 free with a plan - it is mostly open source software running on an unlocked device and cell phone companies don't like that). I haven't even bothered trying to use the thing as a phone, so I can't really say whether it is any good for that purpose.
> 
> The one trick for getting csound running on the n900 was needing to run "alsamixer -c 0" in an easydebian terminal and manually turning up the mixer channels (csound wants to use a different mixer element than the one most of the apps use I guess?).
> 
> I tried puredata but the CPU performance and UI were unusably bad. I couldn't get jack compiled in order to try supercollider, but figuring that sc typically uses more cpu than puredata I didn't think it was really worth the bother.
> 
> Jeffrey Melton wrote:
>> I enjoy using synthPond and Aura Flux on my iPhone for generative music,
>> though I haven't kept up with newer apps. I have been meaning to checkout
>> Curtis granular synth. TouchOSC and Konkreet performer are good controllers
>> for OSC-compatible desktop apps.
>> http://the-palm-sound.blogspot.com/ and
>> http://www.creativeapplications.net/are both good blogs for creative
>> mobile apps (the first not just for iOS,
>> the second not just for mobile music). Synthtopia.com and
>> CreateDigitalMusic.com cover mobile apps occasionally but not exclusively.
>> Cheers,
>> 
>> On Fri, Feb 18, 2011 at 3:25 PM, Kurt Nimmo <kanimmo at gmail.com> wrote:
>> 
>>> Hello all. I am new to the list this afternoon. Am wondering if there has
>>> been any discussion about the emerging art of music creation using the
>>> iphone and related devices. I have yet to search through the archive -- I do
>>> not see an easy way to do so, although I may have missed it.
>>> 
>>> I have purchased several apps but they are more geared for techno and
>>> beat-centric electronic music (with the exception of Eno's apps). Am curious
>>> if anybody has been following developments on this and if there might be a
>>> list I can subscribe to. I am particularly interested in generative music
>>> and or sound.
>>> 
>>> Thanks!
>>> 
>>> Kurt
>>> 
>>> _______________________________________________
>>> microsound mailing list
>>> microsound at microsound.org
>>> http://or8.net/mailman/listinfo/microsound
>>> 
>>> 
>> 
>> 
>> 
>> ------------------------------------------------------------------------
>> 
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
> 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound