[microsound] any interest in participating in a research project?

Ted Pallas ted.pallas at gmail.com
Fri Nov 13 13:27:44 EST 2009


I'm also curious, and would love to help if I can.

Ted Pallas
Live Media Designer
://grove.nyc, founder
http://grovenyc.net
ted dot pallas -at- gmail dot com
516.286.9661


On Fri, Nov 13, 2009 at 1:23 PM, Josephine Lipuma <jlipuma at yahoo.com> wrote:

> Post this on Facebook, befriend me and I will post it on my feed....
>
> ------------------------------
> *From:* "john at humanoidsounds.co.uk" <john at humanoidsounds.co.uk>
> *To:* microsound at microsound.org
> *Sent:* Fri, November 13, 2009 10:39:07 AM
> *Subject:* Re: [microsound] any interest in participating in a research
> project?
>
> That sounds great. I'm really getting into using Symbolic Composer at the
> moment. I would definitely like to be involved.
>
> Cheers,
>
> John Proctor
> Humanoid Sound Systems / Camel Audio
> http://www.humanoidsounds.co.uk/ / http://www.camelaudio.com
>
> On 13 Nov 2009, at 12:51, Samuel van ransbeeck wrote:
>
> Hello
>
> As a student of composition, I always felt a lack of a method for
> algorithmic composition. For counterpoint and harmony, there are treatises
> and structured methods but for the 20th century idiom with all its facets,
> there is no structured pedagogical means for students to learn about
> algorithmic composition. I would like to write a method book to allow
> students to learn about algorithmic composition, giving them information and
> i the end of each chapter some exercises. It would be like the book of
> Straus about posttonal theory, only it will focus on algorithmic methods.
>
> I have spoken to my professor about this but he told me I need a rather
> large group of people to test my texts and exercises on. My question now is:
> Are there people from the microsound mailing list interested in
> participating in such a research. I would write a chapter and exercises,
> share them with you and letting you write small exercises and then
> collecting and comparing the results of each exercise. This would be like
> one year. What is in it for you: eternal glory and I will try to record as
> many compositions possible to include in a CD.
>
> Let me know what you think
> Samuel
>
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