From rebecca at rebeccasummers.co.uk  Wed Apr  1 05:18:13 2009
From: rebecca at rebeccasummers.co.uk (Rebecca Summers)
Date: Wed, 1 Apr 2009 09:18:13 +0000
Subject: [microsound] Callout for AV works
Message-ID: <BLU149-W3F05A9869ECF305CBA9F4EC8B0@phx.gbl>


Call out AV works

Dear participant,
I am currently studying a Masters in Music, Technology and Innovation at De Montfort University, UK. For my final dissertation, I am researching the use of visual media with electro acoustic compositions, and whether it helps the inexperienced listener of the electro acoustic genre, enjoy it more or less. Therefore I am looking for a number of works that have audio and visual content, so I am able to test my theories. 

If you were interested in participating in this study, please send your AV works to the following address:

Rebecca Summers 
Music Department
School of Sport, Performing Arts and Leisure
University of Wolverhampton
Walsall Campus
Gorway Road
Walsall
WS1 3BD

If you have any questions, please email me at r.summers at wlv.ac.uk or rebecca at rebeccasummers.co.uk


_________________________________________________________________
View your Twitter and Flickr updates from one place ? Learn more!
http://clk.atdmt.com/UKM/go/137984870/direct/01/
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From jhopkins at tech-no-mad.net  Sun Apr  5 21:58:08 2009
From: jhopkins at tech-no-mad.net (John Hopkins)
Date: Sun, 05 Apr 2009 18:58:08 -0700
Subject: [microsound] Zoom H4 tech query -- anybody else?
In-Reply-To: <BLU149-W3F05A9869ECF305CBA9F4EC8B0@phx.gbl>
References: <BLU149-W3F05A9869ECF305CBA9F4EC8B0@phx.gbl>
Message-ID: <49D961B0.5010302@tech-no-mad.net>

Hey folks -- I've been using a zoom H4 for a couple years now, and have
been suspicious how a non-mechanical recording device -- in a really
quiet place (for example the Sonoran desert of western Arizona) -- and
the wave form of a short recording of a passel of birds in a mesquite
tree at dusk shows a cyclic 3-sec repeating pattern which seems to be
very low frequency something (sorry, don't have a spectral freq analyzer
on my machine).  I uploaded a screen shot of the waveform and a wav copy
of the file -- any feedback?  Has anyone else experienced this with the
H4?  I've seen it before on the files when recording in really quiet
places, and of course I suppose the best solution is probably a few
thousands spent in better field recording equipment, to be sure, but...
  what could be the cause?     In this instance I was not hand holding
it, it was on the ground in a stable place, and essentially no wind.
There is also a higher-pitched whine as well, faugh!

the sound file: http://neoscenes.net/09-03-092_birds.wav and a screen
shot of the file in Peak showing the approximately 3-second repeating
patterns http://neoscenes.net/09-03-092_birds.jpg

cheers,
John


From picnet at urlme.net  Mon Apr  6 02:01:40 2009
From: picnet at urlme.net (Mike)
Date: Mon, 6 Apr 2009 09:01:40 +0300
Subject: [microsound] Zoom H4 tech query -- anybody else?
In-Reply-To: <49D961B0.5010302@tech-no-mad.net>
References: <BLU149-W3F05A9869ECF305CBA9F4EC8B0@phx.gbl>
	<49D961B0.5010302@tech-no-mad.net>
Message-ID: <81EE0B63-2BA4-4D1A-B948-53220EF24B50@urlme.net>


Hi
      The H2 is similar when used as a usb audio device. Perhaps try a  
different memory card. The periodic noise could be related to the H4s  
write/card interface. A phone or computer close to the recorder may  
also cause interference. Confirm the interference isnt acoustic born  
by recording with a different brand of recorder. Ive noticed with some  
mics if the connection from the backplate to the FET has solder flux /  
in general isnt clean the FET will produce broad spectral 'pops'. Do  
you notice the low freq interference in all locations ?

-Mike



On Apr 6, 2009, at 4:58, John Hopkins <jhopkins at tech-no-mad.net> wrote:

> Hey folks -- I've been using a zoom H4 for a couple years now, and  
> have
> been suspicious how a non-mechanical recording device -- in a really
> quiet place (for example the Sonoran desert of western Arizona) -- and
> the wave form of a short recording of a passel of birds in a mesquite
> tree at dusk shows a cyclic 3-sec repeating pattern which seems to be
> very low frequency something (sorry, don't have a spectral freq  
> analyzer
> on my machine).  I uploaded a screen shot of the waveform and a wav  
> copy
> of the file -- any feedback?  Has anyone else experienced this with  
> the
> H4?  I've seen it before on the files when recording in really quiet
> places, and of course I suppose the best solution is probably a few
> thousands spent in better field recording equipment, to be sure,  
> but...
>  what could be the cause?     In this instance I was not hand holding
> it, it was on the ground in a stable place, and essentially no wind.
> There is also a higher-pitched whine as well, faugh!
>
> the sound file: http://neoscenes.net/09-03-092_birds.wav and a screen
> shot of the file in Peak showing the approximately 3-second repeating
> patterns http://neoscenes.net/09-03-092_birds.jpg
>
> cheers,
> John
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

From l at sergivalverde.net  Mon Apr  6 04:44:07 2009
From: l at sergivalverde.net (l at sergivalverde.net)
Date: Mon, 6 Apr 2009 10:44:07 +0200 (CEST)
Subject: [microsound] Zoom H4 tech query -- anybody else?
Message-ID: <37718.83.43.13.156.1239007447.squirrel@mail.sergivalverde.net>

john,

Are you using H4?s phantom power?

With the H4, it?s known that recording in a very quite place in 24bits
WITH PHANTOM power, causes a similar sound. The problem disapears with
external phantom or a battery mic.

saludos,
s

>
> Hi
>       The H2 is similar when used as a usb audio device. Perhaps try a
> different memory card. The periodic noise could be related to the H4s
> write/card interface. A phone or computer close to the recorder may
> also cause interference. Confirm the interference isnt acoustic born
> by recording with a different brand of recorder. Ive noticed with some
> mics if the connection from the backplate to the FET has solder flux /
> in general isnt clean the FET will produce broad spectral 'pops'. Do
> you notice the low freq interference in all locations ?
>
> -Mike
>
>
>
> On Apr 6, 2009, at 4:58, John Hopkins <jhopkins at tech-no-mad.net> wrote:
>
>> Hey folks -- I've been using a zoom H4 for a couple years now, and
>> have
>> been suspicious how a non-mechanical recording device -- in a really
>> quiet place (for example the Sonoran desert of western Arizona) -- and
>> the wave form of a short recording of a passel of birds in a mesquite
>> tree at dusk shows a cyclic 3-sec repeating pattern which seems to be
>> very low frequency something (sorry, don't have a spectral freq
>> analyzer
>> on my machine).  I uploaded a screen shot of the waveform and a wav
>> copy
>> of the file -- any feedback?  Has anyone else experienced this with
>> the
>> H4?  I've seen it before on the files when recording in really quiet
>> places, and of course I suppose the best solution is probably a few
>> thousands spent in better field recording equipment, to be sure,
>> but...
>>  what could be the cause?     In this instance I was not hand holding
>> it, it was on the ground in a stable place, and essentially no wind.
>> There is also a higher-pitched whine as well, faugh!
>>
>> the sound file: http://neoscenes.net/09-03-092_birds.wav and a screen
>> shot of the file in Peak showing the approximately 3-second repeating
>> patterns http://neoscenes.net/09-03-092_birds.jpg
>>
>> cheers,
>> John
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>




From damian at frey.co.nz  Mon Apr  6 07:16:22 2009
From: damian at frey.co.nz (damian at frey.co.nz)
Date: Mon, 6 Apr 2009 04:16:22 -0700 (PDT)
Subject: [microsound] precedents: scifi sound/lighting
Message-ID: <2878c49053297a4a7dafb07cfb5ccca9.squirrel@webmail.frey.co.nz>

hey all,
sorry for crossposting.

i'm working on a project, inspired by several angles:

1- scifi film soundtracks (spinning things, whirrs, rumbles, the sound of
energy buildups: http://www.youtube.com/watch?v=FAMthmLicw0 from 4:25-5:05
then 6:05-6:50)
2- scifi film sets (industrial-style spaces with running/landing lights,
think Alien Resurrection or Event Horizon ship interiors)
3- the lighting/soundtrack in the game HalfLife.

i know this is a long shot/weird question but, based on this, do any
existing artworks/ projects spring to mind? i'm interested in works
related in any way, conceptually or physically. basically i want to know
what other people have done, so i'm not repeating ground already covered.

any suggestions appreciated!
cheers
d

-- 
http://www.frey.co.nz



From annabolena at tin.it  Mon Apr  6 07:35:44 2009
From: annabolena at tin.it (annabolena at tin.it)
Date: Mon, 6 Apr 2009 12:35:44 +0100 (GMT+01:00)
Subject: [microsound] 10.4.09 beware of a holy whore/TACHELES BERLIN MITTE
Message-ID: <1207b366a42.annabolena@tin.it>

Anna Bolena 
www.myspace.com/annabolena

pr?sentiert

ATTENZIONE ALLA 
PUTTANA SANTA
Beware of a Holy Whore
Warnung vor einer heiligen Nutte

Second warning
Pro-Vokation!

10. April 2009

Tacheles 5. Etage
Oranienburgerstr. 54-56a
10117 Berlin Mitte

free entry untill 11:30 pm 
!!!
_______________________________________________________________
_______________________________________________________________

Programm
ab 21:00 Uhr

_____________________________________________________________

Vernissage
MARCO GIANI
Photographs and Drawings from the serie 
"Craving"

http://www.myspace.com/marcogiani

_______________________________________________________

Performance 
"room1"
sound:  Fabrizio Nocci//Marco Giani
dance: Elena 
Bellantoni//Silvia Pietrangeli 
http://www.myspace.com/91mq
_______________________________________________________
Live sets:
PABLITO EL DRITO (Techno Resistance) from Micro Milan Crew (I) 
Techno_8 bit 
http://www.myspace.com/pablito_el_drito

FIRE AT WORK 
(Stirpe 666/Idroscalo) from East Rome (I) 
Techno_IDM
http://www.
myspace.com/fireatwork
________________________________________________________
Dj sets:
MIKY 
RY (Susbstrata/Jop Rec.)
Techno-detroit-electro
http://www.myspace.
com/mikyry

LUIGI TOTARO (Il Cagliostro) 
Spaceagecore

http://www.
cagliostroberlin.de

EVIL TRUST (Possible Music/Neuromantic-Violations)
Break-core
http://www.myspace.com/possiblemusic
___________________________________________________________
VJs:
CYPER
http://www.myspace.com/vjcyper

Livestream @ http://www.mogulus.
com/cyper

____________________________________________________________
MASESE?s Cocktails Bar 
DISCORDANT?s Photo Shooting
http://www.myspace.
com/0discordant
DIGITAL JUNK?s Records Shop
______________________________________________________________
powered 
by 
Idroscalo Digitale
http://idroscalodigitale.blogspot.com
BBK 
http:
//www.myspace.com/berlinerbasskaoten
Neuromantic-Violations 
http://www.
myspace.com/nrviolations
_______________________________________________________________
_______________________________________________________________
art 
work by Alessandro Geri Rustighi
http://www.myspace.com/5puj47980xk


From johnhudak at gmail.com  Mon Apr  6 08:52:57 2009
From: johnhudak at gmail.com (John Hudak)
Date: Mon, 6 Apr 2009 08:52:57 -0400
Subject: [microsound] Zoom H4 tech query -- anybody else?
In-Reply-To: <49D961B0.5010302@tech-no-mad.net>
References: <BLU149-W3F05A9869ECF305CBA9F4EC8B0@phx.gbl>
	<49D961B0.5010302@tech-no-mad.net>
Message-ID: <db48f3a70904060552g125e8d1aq7452dc706033f962@mail.gmail.com>

hi john,
i don't have a zoom h4, but i had a marantz pmd660 with which i used a
compact flash midi drive that caused a high pitched whine.  see if you still
get the sound with a plain compact flash.  the mini drives have more memory,
but as far as i have heard, have the tiny whine of a tiny drive.
i hope this perhaps helps.

best,
john

On Sun, Apr 5, 2009 at 9:58 PM, John Hopkins <jhopkins at tech-no-mad.net>wrote:

> Hey folks -- I've been using a zoom H4 for a couple years now, and have
> been suspicious how a non-mechanical recording device -- in a really
> quiet place (for example the Sonoran desert of western Arizona) -- and
> the wave form of a short recording of a passel of birds in a mesquite
> tree at dusk shows a cyclic 3-sec repeating pattern which seems to be
> very low frequency something (sorry, don't have a spectral freq analyzer
> on my machine).  I uploaded a screen shot of the waveform and a wav copy
> of the file -- any feedback?  Has anyone else experienced this with the
> H4?  I've seen it before on the files when recording in really quiet
> places, and of course I suppose the best solution is probably a few
> thousands spent in better field recording equipment, to be sure, but...
>  what could be the cause?     In this instance I was not hand holding
> it, it was on the ground in a stable place, and essentially no wind.
> There is also a higher-pitched whine as well, faugh!
>
> the sound file: http://neoscenes.net/09-03-092_birds.wav and a screen
> shot of the file in Peak showing the approximately 3-second repeating
> patterns http://neoscenes.net/09-03-092_birds.jpg
>
> cheers,
> John
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>



-- 
http://www.johnhudak.net
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From palace at guero.sr.unh.edu  Mon Apr  6 10:19:23 2009
From: palace at guero.sr.unh.edu (Michael Palace)
Date: Mon, 06 Apr 2009 10:19:23 -0400
Subject: [microsound] Zoom H4 tech query -- anybody else?
In-Reply-To: <db48f3a70904060552g125e8d1aq7452dc706033f962@mail.gmail.com>
References: <BLU149-W3F05A9869ECF305CBA9F4EC8B0@phx.gbl>	<49D961B0.5010302@tech-no-mad.net>
	<db48f3a70904060552g125e8d1aq7452dc706033f962@mail.gmail.com>
Message-ID: <49DA0F6B.5090304@guero.sr.unh.edu>

I have a zoom h4 and noticed this problem as well.  I noticed it when I 
was doing long recordings in the Brazilian Atlantic Forest.  I would set 
the recorder down and go do fieldwork and come back a few hours later.  
There was absolutely no electrical interference.  I thought it was the 
card.  I was recording at 44 kHz and 16 bit. 

Here is a view of the wavefile.

http://www.csrc.sr.unh.edu/~palace/10010010/h4_low_sound.jpg

Mike Palace


John Hudak wrote:
> hi john,
>
> i don't have a zoom h4, but i had a marantz pmd660 with which i used a 
> compact flash midi drive that caused a high pitched whine.  see if you 
> still get the sound with a plain compact flash.  the mini drives have 
> more memory, but as far as i have heard, have the tiny whine of a tiny 
> drive.
>
> i hope this perhaps helps.
>
> best,
> john
>
> On Sun, Apr 5, 2009 at 9:58 PM, John Hopkins <jhopkins at tech-no-mad.net 
> <mailto:jhopkins at tech-no-mad.net>> wrote:
>
>     Hey folks -- I've been using a zoom H4 for a couple years now, and
>     have
>     been suspicious how a non-mechanical recording device -- in a really
>     quiet place (for example the Sonoran desert of western Arizona) -- and
>     the wave form of a short recording of a passel of birds in a mesquite
>     tree at dusk shows a cyclic 3-sec repeating pattern which seems to be
>     very low frequency something (sorry, don't have a spectral freq
>     analyzer
>     on my machine).  I uploaded a screen shot of the waveform and a
>     wav copy
>     of the file -- any feedback?  Has anyone else experienced this
>     with the
>     H4?  I've seen it before on the files when recording in really quiet
>     places, and of course I suppose the best solution is probably a few
>     thousands spent in better field recording equipment, to be sure,
>     but...
>      what could be the cause?     In this instance I was not hand holding
>     it, it was on the ground in a stable place, and essentially no wind.
>     There is also a higher-pitched whine as well, faugh!
>
>     the sound file: http://neoscenes.net/09-03-092_birds.wav and a screen
>     shot of the file in Peak showing the approximately 3-second repeating
>     patterns http://neoscenes.net/09-03-092_birds.jpg
>
>     cheers,
>     John
>
>     _______________________________________________
>     microsound mailing list
>     microsound at microsound.org <mailto:microsound at microsound.org>
>     http://or8.net/mailman/listinfo/microsound
>
>
>
>
> -- 
> http://www.johnhudak.net
> ------------------------------------------------------------------------
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>   

From matdalgleish at hotmail.com  Mon Apr  6 10:21:20 2009
From: matdalgleish at hotmail.com (mat dalgleish)
Date: Mon, 6 Apr 2009 15:21:20 +0100
Subject: [microsound] precedents: scifi sound/lighting
In-Reply-To: <2878c49053297a4a7dafb07cfb5ccca9.squirrel@webmail.frey.co.nz>
References: <2878c49053297a4a7dafb07cfb5ccca9.squirrel@webmail.frey.co.nz>
Message-ID: <COL110-W62A125611A7A78E60CD6A2C2840@phx.gbl>


Hi Damian,

Links to two projects - fijuu and q3apd - which make abstract AV works with a sci-fi bent from game engines are found here:

http://www.generatorx.no/tag/quake


Bests,

Mat




> Date: Mon, 6 Apr 2009 04:16:22 -0700
> From: damian at frey.co.nz
> To: microsound at or8.net
> Subject: [microsound] precedents: scifi sound/lighting
> 
> hey all,
> sorry for crossposting.
> 
> i'm working on a project, inspired by several angles:
> 
> 1- scifi film soundtracks (spinning things, whirrs, rumbles, the sound of
> energy buildups: http://www.youtube.com/watch?v=FAMthmLicw0 from 4:25-5:05
> then 6:05-6:50)
> 2- scifi film sets (industrial-style spaces with running/landing lights,
> think Alien Resurrection or Event Horizon ship interiors)
> 3- the lighting/soundtrack in the game HalfLife.
> 
> i know this is a long shot/weird question but, based on this, do any
> existing artworks/ projects spring to mind? i'm interested in works
> related in any way, conceptually or physically. basically i want to know
> what other people have done, so i'm not repeating ground already covered.
> 
> any suggestions appreciated!
> cheers
> d
> 
> -- 
> http://www.frey.co.nz
> 
> 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

_________________________________________________________________
Beyond Hotmail ? see what else you can do with Windows Live.
http://clk.atdmt.com/UKM/go/134665375/direct/01/
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From ken at restivo.org  Mon Apr  6 15:16:32 2009
From: ken at restivo.org (Ken Restivo)
Date: Mon, 6 Apr 2009 12:16:32 -0700
Subject: [microsound] Zoom H4 tech query -- anybody else?
In-Reply-To: <49DA0F6B.5090304@guero.sr.unh.edu>
References: <BLU149-W3F05A9869ECF305CBA9F4EC8B0@phx.gbl>
	<49D961B0.5010302@tech-no-mad.net>
	<db48f3a70904060552g125e8d1aq7452dc706033f962@mail.gmail.com>
	<49DA0F6B.5090304@guero.sr.unh.edu>
Message-ID: <20090406191632.GA28347@aieee.restivo.org>

I think the best people to ask would be Zoom's tech support. This looks like a bug.

I'd be curious how much RAM the H4 has. I'd also be curious if the period of the noise changes with the bit depth and sample rate. I'd also be curious if it does this while in USB mode, or only when recording to an SD device.

My initial hunch would be that the Zoom "saves" or buffers the audio to RAM initially, and then writes it in bulk to the flash device. If so, that noise that you are seeing noise might be caused by it writing to the flash device.

-ken
-------------
On Mon, Apr 06, 2009 at 10:19:23AM -0400, Michael Palace wrote:
> I have a zoom h4 and noticed this problem as well.  I noticed it when I 
> was doing long recordings in the Brazilian Atlantic Forest.  I would set 
> the recorder down and go do fieldwork and come back a few hours later.  
> There was absolutely no electrical interference.  I thought it was the 
> card.  I was recording at 44 kHz and 16 bit. 
> 
> Here is a view of the wavefile.
> 
> http://www.csrc.sr.unh.edu/~palace/10010010/h4_low_sound.jpg
> 
> Mike Palace
> 
> 
> John Hudak wrote:
> > hi john,
> >
> > i don't have a zoom h4, but i had a marantz pmd660 with which i used a 
> > compact flash midi drive that caused a high pitched whine.  see if you 
> > still get the sound with a plain compact flash.  the mini drives have 
> > more memory, but as far as i have heard, have the tiny whine of a tiny 
> > drive.
> >
> > i hope this perhaps helps.
> >
> > best,
> > john
> >
> > On Sun, Apr 5, 2009 at 9:58 PM, John Hopkins <jhopkins at tech-no-mad.net 
> > <mailto:jhopkins at tech-no-mad.net>> wrote:
> >
> >     Hey folks -- I've been using a zoom H4 for a couple years now, and
> >     have
> >     been suspicious how a non-mechanical recording device -- in a really
> >     quiet place (for example the Sonoran desert of western Arizona) -- and
> >     the wave form of a short recording of a passel of birds in a mesquite
> >     tree at dusk shows a cyclic 3-sec repeating pattern which seems to be
> >     very low frequency something (sorry, don't have a spectral freq
> >     analyzer
> >     on my machine).  I uploaded a screen shot of the waveform and a
> >     wav copy
> >     of the file -- any feedback?  Has anyone else experienced this
> >     with the
> >     H4?  I've seen it before on the files when recording in really quiet
> >     places, and of course I suppose the best solution is probably a few
> >     thousands spent in better field recording equipment, to be sure,
> >     but...
> >      what could be the cause?     In this instance I was not hand holding
> >     it, it was on the ground in a stable place, and essentially no wind.
> >     There is also a higher-pitched whine as well, faugh!
> >
> >     the sound file: http://neoscenes.net/09-03-092_birds.wav and a screen
> >     shot of the file in Peak showing the approximately 3-second repeating
> >     patterns http://neoscenes.net/09-03-092_birds.jpg
> >
> >     cheers,
> >     John
> >
> >     _______________________________________________
> >     microsound mailing list
> >     microsound at microsound.org <mailto:microsound at microsound.org>
> >     http://or8.net/mailman/listinfo/microsound
> >
> >
> >
> >
> > -- 
> > http://www.johnhudak.net
> > ------------------------------------------------------------------------
> >
> > _______________________________________________
> > microsound mailing list
> > microsound at microsound.org
> > http://or8.net/mailman/listinfo/microsound
> >   
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

From michael.north at sympatico.ca  Mon Apr  6 20:46:30 2009
From: michael.north at sympatico.ca (Michael North)
Date: Mon, 6 Apr 2009 20:46:30 -0400
Subject: [microsound] precedents: scifi sound/lighting
In-Reply-To: <2878c49053297a4a7dafb07cfb5ccca9.squirrel@webmail.frey.co.nz>
References: <2878c49053297a4a7dafb07cfb5ccca9.squirrel@webmail.frey.co.nz>
Message-ID: <268DA1C4-D2DC-4829-91EC-18667ADC7D58@sympatico.ca>

There's the Sine Fiction netlabel, a sub of No Type...they have  
soundtracks to sci-fi novels....they're at:
http://www.notype.com/drones/catalogue.e/sinefiction/


On 6-Apr-09, at 7:16 AM, damian at frey.co.nz wrote:

> hey all,
> sorry for crossposting.
>
> i'm working on a project, inspired by several angles:
>
> 1- scifi film soundtracks (spinning things, whirrs, rumbles, the  
> sound of
> energy buildups: http://www.youtube.com/watch?v=FAMthmLicw0 from  
> 4:25-5:05
> then 6:05-6:50)
> 2- scifi film sets (industrial-style spaces with running/landing  
> lights,
> think Alien Resurrection or Event Horizon ship interiors)
> 3- the lighting/soundtrack in the game HalfLife.
>
> i know this is a long shot/weird question but, based on this, do any
> existing artworks/ projects spring to mind? i'm interested in works
> related in any way, conceptually or physically. basically i want to  
> know
> what other people have done, so i'm not repeating ground already  
> covered.
>
> any suggestions appreciated!
> cheers
> d
>
> -- 
> http://www.frey.co.nz
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>

Michael North
http://tiny.cc/D116v
http://tiny.cc/wIMHz
http://www.pertin-nce.com
michael.north at sympatico.ca





From grahammiller at sympatico.ca  Mon Apr  6 21:23:49 2009
From: grahammiller at sympatico.ca (Graham Miller)
Date: Mon, 6 Apr 2009 21:23:49 -0400
Subject: [microsound] precedents: scifi sound/lighting
In-Reply-To: <268DA1C4-D2DC-4829-91EC-18667ADC7D58@sympatico.ca>
References: <2878c49053297a4a7dafb07cfb5ccca9.squirrel@webmail.frey.co.nz>
	<268DA1C4-D2DC-4829-91EC-18667ADC7D58@sympatico.ca>
Message-ID: <99AB2408-EE92-4525-A059-5258AFD2DE54@sympatico.ca>

check out my thesis here:

http://www.intrepidtravellermusic.com/index.php?/project/test-section/

tons of stuff on EXACTLY the kinds of stuff you're interested in...

abstract:

Of all the musical genres of the present, from popular to academic,  
from mainstream to underground, it is Techno music, and all its  
subgenic offspring, that most conspicuously identifies itself with  
the ?Futuristic.? This thesis attempts to unveil this music?s  
construction as ?Futuristic? through a comparitive analysis of Techno  
composition and cinematic science fiction sound design. The process  
of forging sounds for a fictitious Future ? the role of the science  
fiction film sound designer ? is an apt analogical tool for  
deciphering meaning in this virtual machine music of the Third Wave,  
known as Techno. Many of the techniques and tools used in both  
science fiction sound design and the creation of contemporary Techno  
music are remarkably similar. Science fiction sound design seeks to  
make sounds for machines that do not exist ? imaginary machines that  
soar unencumbered by reality across the silver screen. Modern digital  
Techno music such as ?glitch? and ?microsound? draws its sounds from  
machines that do not exist, at least not in the spatial sense ?  
software simulacra that illuminate a computer screen. It is a link  
that few have made, and it may help explain why many present-day  
Techno subgenres sound the way they do, what they mean, and why, to  
certain ears, those sounds carry the signification of ?Futuristic.?

On 6-Apr-09, at 8:46 PM, Michael North wrote:

> There's the Sine Fiction netlabel, a sub of No Type...they have
> soundtracks to sci-fi novels....they're at:
> http://www.notype.com/drones/catalogue.e/sinefiction/
>
>
> On 6-Apr-09, at 7:16 AM, damian at frey.co.nz wrote:
>
>> hey all,
>> sorry for crossposting.
>>
>> i'm working on a project, inspired by several angles:
>>
>> 1- scifi film soundtracks (spinning things, whirrs, rumbles, the
>> sound of
>> energy buildups: http://www.youtube.com/watch?v=FAMthmLicw0 from
>> 4:25-5:05
>> then 6:05-6:50)
>> 2- scifi film sets (industrial-style spaces with running/landing
>> lights,
>> think Alien Resurrection or Event Horizon ship interiors)
>> 3- the lighting/soundtrack in the game HalfLife.
>>
>> i know this is a long shot/weird question but, based on this, do any
>> existing artworks/ projects spring to mind? i'm interested in works
>> related in any way, conceptually or physically. basically i want to
>> know
>> what other people have done, so i'm not repeating ground already
>> covered.
>>
>> any suggestions appreciated!
>> cheers
>> d
>>
>> -- 
>> http://www.frey.co.nz
>>
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
>>
>
> Michael North
> http://tiny.cc/D116v
> http://tiny.cc/wIMHz
> http://www.pertin-nce.com
> michael.north at sympatico.ca
>
>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>

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From jhopkins at tech-no-mad.net  Tue Apr  7 00:47:43 2009
From: jhopkins at tech-no-mad.net (John Hopkins)
Date: Mon, 06 Apr 2009 21:47:43 -0700
Subject: [microsound] Zoom H4 tech query -- anybody else?
In-Reply-To: <37718.83.43.13.156.1239007447.squirrel@mail.sergivalverde.net>
References: <37718.83.43.13.156.1239007447.squirrel@mail.sergivalverde.net>
Message-ID: <49DADAEF.6030904@tech-no-mad.net>

thanks all for the input: some replies:

> Are you using H4?s phantom power?

no...

> With the H4, it?s known that recording in a very quite place in 24bits
> WITH PHANTOM power, causes a similar sound. The problem disapears with
> external phantom or a battery mic.

I'm using the built-in crossed mics, and recording only at 16b/44khz.

No phones or computers anywhere near -- I'm out in the boonies, hard 
core Sonoran desert, miles from anything (well, I do have my laptop in 
the car, but that is usually some distance away as I do long day hikes...

I'm going back to the desert tomorrow (Tuesday), and will make a number 
of recordings at different bit rates and using several different cards. 
  I don't have an external mike to use, tho, so...

I am not using micro-drives, just solid-state chips for recording onto...

Mike -- hmm, your wave form is different than mine, mine had an approx 
3-second gap between glitches, looks like yours is around one -- this 
could point to the dump speed of the card, which might be 'pulsing' data 
bursts.  Perhaps you have a faster card...  it's clearly a 'clock' 
driven pulse in both cases, tho, precise and repetitive.  That would 
make it easier to de-convolve with dsp, but...

Ken, I think that's what you were suggesting, too, a burst of data being 
pumped onto the card.

I'll check that out in the next few days, do some different samples in a 
quiet place.  It's supposed to be rainy(!) or at least cloudy and cool 
in the desert, so, should be interesting ambience with the spring birds 
and such.  (and hopefully the F-16's won't be dog fighting over the area 
as sometimes happens.  makes for dramatic soundscapes, but is annoying 
when hunting for silence... ;-))

Cheers& thanks again

jh


From i.m.klif at gmail.com  Tue Apr  7 02:42:41 2009
From: i.m.klif at gmail.com (klif _)
Date: Tue, 7 Apr 2009 08:42:41 +0200
Subject: [microsound] Zoom H4 tech query -- anybody else?
In-Reply-To: <49DADAEF.6030904@tech-no-mad.net>
References: <37718.83.43.13.156.1239007447.squirrel@mail.sergivalverde.net> 
	<49DADAEF.6030904@tech-no-mad.net>
Message-ID: <8a10f1350904062342h268b2c70k5f77ef29d9929be4@mail.gmail.com>

this is well documented H4 glitch - there was a lot of talk ablut it on
various forums.
what you hear comes from LED that flashes when recording. it happens only
when using battery, not with power supply.

if i remember well an easy fix was using 96khz setting. the LED stays on all
the time, and there is no glitch.


klif
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From batuhan at batuhanbozkurt.com  Wed Apr  8 16:11:40 2009
From: batuhan at batuhanbozkurt.com (Batuhan Bozkurt)
Date: Wed, 8 Apr 2009 22:11:40 +0200
Subject: [microsound] real time sonogram/freq analyser
In-Reply-To: <B0113921989@thmailsite3.services.byworkwise.com>
References: <B0113921989@thmailsite3.services.byworkwise.com>
Message-ID: <D2348155-02A2-4FB7-9ED8-C35D2A0B070E@batuhanbozkurt.com>

I've also managed to run baudline in mac os x inside a virtual machine  
(running damn small linux), it works quite well but you need to have  
vmware fusion or parallels I guess. Open source virtualization  
alternatives do not currently support audio-in under OS X...

Here is my post about running it:
http://tinyurl.com/cp485j

Best,
B.B.

On Mar 22, 2009, at 4:00 PM, Thanos Chrysakis wrote:

>
>
>>
>>
>> Anybody knows any real time sonogram/freq analyser software that  
>> would
>> demonstrate a visualization of all output sound on a mac ???
>>
>> Sth like spectra-foo maybe but cheeper or better free.......
>
> <http://www.unc.edu/~rhwiley/wildspectra/>
>
>
> Thanos
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From jhopkins at tech-no-mad.net  Fri Apr 10 16:25:41 2009
From: jhopkins at tech-no-mad.net (John Hopkins)
Date: Fri, 10 Apr 2009 13:25:41 -0700
Subject: [microsound] Zoom H4 tech query -- anybody else?
In-Reply-To: <8a10f1350904062342h268b2c70k5f77ef29d9929be4@mail.gmail.com>
References: <37718.83.43.13.156.1239007447.squirrel@mail.sergivalverde.net>
	<49DADAEF.6030904@tech-no-mad.net>
	<8a10f1350904062342h268b2c70k5f77ef29d9929be4@mail.gmail.com>
Message-ID: <49DFAB45.6090201@tech-no-mad.net>

> this is well documented H4 glitch - there was a lot of talk ablut it on
> various forums.
> what you hear comes from LED that flashes when recording. it happens only
> when using battery, not with power supply.
> 
> if i remember well an easy fix was using 96khz setting. the LED stays on all
> the time, and there is no glitch.

thanks Klif -- I'll test that out -- it sounds totally correct as the 
LED flashes around 3-sec intervals.  Interesting design problem for the 
engineers -- and one that I am surprised that they missed.  I didn't 
find it on the forums that I checked.

I just got back from the desert where there was much silence but plenty 
of F/A-18 dog fighting (from Luke AFB in Tucson) going on in the skies 
above, talk about dynamic range!  And the rattlesnake rattles were 
probably ruined by wind noise.  Didn't want to get any closer and didn't 
have a boom!

Cheers,
John

From x.alex.keller.x at gmail.com  Fri Apr 10 19:06:01 2009
From: x.alex.keller.x at gmail.com (Alex Keller)
Date: Fri, 10 Apr 2009 18:06:01 -0500
Subject: [microsound] Zoom H4 tech query -- anybody else?
In-Reply-To: <mailman.13006.1239395161.3925.microsound@or8.net>
Message-ID: <C6053B09.25AF%x.alex.keller.x@gmail.com>

I fixed this issue with this cheap (inexpensive), easy (five minute) and
green (eliminating the need for disposable batteries) mod. It uses the power
supply input instead of the battery slots.

http://www.bradlinder.net/2007/07/building-external-battery-pack-for.html


 
>> this is well documented H4 glitch - there was a lot of talk ablut it on
>> various forums.
>> what you hear comes from LED that flashes when recording. it happens only
>> when using battery, not with power supply.
>> 
>> if i remember well an easy fix was using 96khz setting. the LED stays on all
>> the time, and there is no glitch.



From picnet at urlme.net  Sun Apr 12 15:06:11 2009
From: picnet at urlme.net (Mike)
Date: Sun, 12 Apr 2009 22:06:11 +0300
Subject: [microsound] Sunrise - a test of sound sources and soundscapes.
In-Reply-To: <a06240800c5f6c2aa681e@[151.49.92.213]>
References: <97603B15-7736-48D2-B4D3-BCB520599E18@wanadoo.fr>
	<a06240800c5f6c2aa681e@[151.49.92.213]>
Message-ID: <CB7374B6-0D5C-4E9A-A44F-3056467034E1@urlme.net>

Hi,
      Heres a recent composition from various microphones Ive made  
recently:-

http://www.urlme.net/blog/?p=848

One unnatural sound : The synth drone, rest is from the environment.

Feedback / comments welcome.

BR
-Mike.




From paulo.mouat at gmail.com  Sat Apr 11 21:35:50 2009
From: paulo.mouat at gmail.com (Paulo Mouat)
Date: Sat, 11 Apr 2009 21:35:50 -0400
Subject: [microsound] Projects, repository and wiki moved to microsound.org
Message-ID: <424ce300904111835v7d94db77kad4ba247637a1258@mail.gmail.com>

Just to let everybody know that all microsound project pages,
repository and wiki were moved off interdisciplina.org and into
microsound.org. Links are provided in the microsound.org home page at
http://www.microsound.org. Please let me know if you have any issues.

//p
http://www.interdisciplina.org/00.0

From gwildes1 at gmail.com  Thu Apr 16 22:57:56 2009
From: gwildes1 at gmail.com (Gregory Wildes)
Date: Fri, 17 Apr 2009 10:57:56 +0800
Subject: [microsound] Microsound in Hong Kong?
Message-ID: <52b82630904161957u616ee014q4b36bc647ecb4764@mail.gmail.com>

I've recently relocated to Hong Kong and am wondering if anyone know's of
anything going on here even remotely related to microsound, including
experimental, improv, electronic, etc...

Thanks,
Greg
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From roland at illustream.ch  Fri Apr 17 03:17:58 2009
From: roland at illustream.ch (Roland Hausheer)
Date: Fri, 17 Apr 2009 09:17:58 +0200
Subject: [microsound] Microsound in Hong Kong?
In-Reply-To: <52b82630904161957u616ee014q4b36bc647ecb4764@mail.gmail.com>
References: <52b82630904161957u616ee014q4b36bc647ecb4764@mail.gmail.com>
Message-ID: <64D05A46-5989-46BE-B447-F7F3CFD88EF4@illustream.ch>

check this, you will get all you need:
http://www.whitenoiserecords.org/129.html

very cool record shop in Causeway bay!

sin:ned is also an exellent source for information (and sound!)
http://www.myspace.com/sin_ned

Best,
Roland


Am 17.04.2009 um 04:57 schrieb Gregory Wildes:

> I've recently relocated to Hong Kong and am wondering if anyone  
> know's of anything going on here even remotely related to  
> microsound, including experimental, improv, electronic, etc...
>
> Thanks,
> Greg
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From steinbruchel at synchron.ch  Fri Apr 17 03:28:38 2009
From: steinbruchel at synchron.ch (=?ISO-8859-1?B?c3RlaW5icvxjaGVs?=)
Date: Fri, 17 Apr 2009 09:28:38 +0200
Subject: [microsound] Microsound in Hong Kong?
In-Reply-To: <64D05A46-5989-46BE-B447-F7F3CFD88EF4@illustream.ch>
Message-ID: <C60DFC46.A939%steinbruchel@synchron.ch>

wow... nice to see that longmo is still alive ;)
greetings from the same town!


Am 17.04.09 09:17 schrieb "Roland Hausheer" unter <roland at illustream.ch>:

> check this, you will get all you need:
> http://www.whitenoiserecords.org/129.html
> 
> very cool record shop in Causeway bay!
> 
> sin:ned is also an exellent source for information (and sound!)
> http://www.myspace.com/sin_ned
> 
> Best,
> Roland
> 
> 
> Am 17.04.2009 um 04:57 schrieb Gregory Wildes:
> 
>> I've recently relocated to Hong Kong and am wondering if anyone
>> know's of anything going on here even remotely related to
>> microsound, including experimental, improv, electronic, etc...
>> 
>> Thanks,
>> Greg
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
> 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

-- 
http://www.synchron.ch .:.::.:.



From tadzio at home.nl  Mon Apr 20 14:48:09 2009
From: tadzio at home.nl (Tadzio)
Date: Mon, 20 Apr 2009 20:48:09 +0200
Subject: [microsound] {Spam?} please unsubscribe
Message-ID: <00d201c9c1e8$8ce2ff70$0201a8c0@frans>


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From ricky at suburbanvoodoo.com  Mon Apr 20 19:35:27 2009
From: ricky at suburbanvoodoo.com (Suburban Voodoo)
Date: Tue, 21 Apr 2009 09:35:27 +1000
Subject: [microsound] {Spam?} please unsubscribe
References: <00d201c9c1e8$8ce2ff70$0201a8c0@frans>
Message-ID: <001901c9c210$b2fb2ac0$7800a8c0@ricky>

Why I want to post. I am just getting into microsound
  ----- Original Message ----- 
  From: Tadzio 
  To: microsound at microsound.org 
  Sent: Tuesday, April 21, 2009 4:48 AM
  Subject: [microsound] {Spam?} please unsubscribe





------------------------------------------------------------------------------


  _______________________________________________
  microsound mailing list
  microsound at microsound.org
  http://or8.net/mailman/listinfo/microsound
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From kim at anechoicmedia.com  Tue Apr 21 08:25:46 2009
From: kim at anechoicmedia.com (Kim Cascone)
Date: Tue, 21 Apr 2009 05:25:46 -0700
Subject: [microsound] epic fail?
Message-ID: <75E43C4C-9A8D-4033-AAB7-967A920DA01E@anechoicmedia.com>

http://tech.yahoo.com/news/nm/20090420/tc_nm/ 
us_cellphones_music_future_2
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From erik at thuisbasis.net  Tue Apr 21 08:36:11 2009
From: erik at thuisbasis.net (Erik Maes)
Date: Tue, 21 Apr 2009 14:36:11 +0200
Subject: [microsound] epic fail?
In-Reply-To: <75E43C4C-9A8D-4033-AAB7-967A920DA01E@anechoicmedia.com>
References: <75E43C4C-9A8D-4033-AAB7-967A920DA01E@anechoicmedia.com>
Message-ID: <49EDBDBB.6020809@thuisbasis.net>

I wonder what the sound of a failing pilotfish phone (digital
fishphone?) would be like.

Kim Cascone wrote:
> http://tech.yahoo.com/news/nm/20090420/tc_nm/us_cellphones_music_future_2
> 
> 
> ------------------------------------------------------------------------
> 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From fbar at footils.org  Tue Apr 21 09:46:17 2009
From: fbar at footils.org (Frank Barknecht)
Date: Tue, 21 Apr 2009 15:46:17 +0200
Subject: [microsound] epic fail?
In-Reply-To: <75E43C4C-9A8D-4033-AAB7-967A920DA01E@anechoicmedia.com>
References: <75E43C4C-9A8D-4033-AAB7-967A920DA01E@anechoicmedia.com>
Message-ID: <20090421134617.GA6726@footils.org>

Hallo,
Kim Cascone hat gesagt: // Kim Cascone wrote:

> http://tech.yahoo.com/news/nm/20090420/tc_nm/ 
> us_cellphones_music_future_2

  "The technology should be available in 2-3 years," said Stefanel Barutcieff,
  senior industrial designer at Germany-based Pilotfish.

RjDj.me is here now.

Disclaimer: I involved with RjDj.

Ciao
-- 
Frank

From domtetmyer at gmail.com  Tue Apr 21 11:39:10 2009
From: domtetmyer at gmail.com (Dominic Tetmyer)
Date: Tue, 21 Apr 2009 08:39:10 -0700
Subject: [microsound] tweet sound...
Message-ID: <DD0624FA-9656-4852-9C4B-B0C1041B3238@gmail.com>

http://tr.im/jkDA

my result

#tas 0 7 978 79 2175 26 2189 61 3414 62 3666 0 0 20 1317 53 1751 0  
3666 0 0 0 1466 69 2933 69 3666 0 220 1 2 90 22000 6 170 72 46 5 5  
37 ...

Interesting the fusion of social community and sound design, in this  
fashion, yes?

Dominic
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From praveen at mac.com  Tue Apr 21 11:41:38 2009
From: praveen at mac.com (Praveen Sharma)
Date: Tue, 21 Apr 2009 11:41:38 -0400
Subject: [microsound] tweet sound...
In-Reply-To: <DD0624FA-9656-4852-9C4B-B0C1041B3238@gmail.com>
References: <DD0624FA-9656-4852-9C4B-B0C1041B3238@gmail.com>
Message-ID: <03BF5CFD-6C33-463D-B7A1-3F69003C4F17@mac.com>

Yeah I love it. I'm considering just tweeting sounds from now on. Its  
so much more fun... Good use of Max & Twitter!

#tas 0 10 16 75 25 2 39 75 42 1 49 0 0 0 0 99 40 72 49 0 0 69 9 51 18  
21 49 0 246 2 2 70 300 6 304 70 93 1875 256 57 85 3716 63

best,
Praveen
http://www.percussionlab.com/
http://www.praveensharma.com/

On Apr 21, 2009, at 11:39 AM, Dominic Tetmyer wrote:

> http://tr.im/jkDA
>
> my result
>
> #tas 0 7 978 79 2175 26 2189 61 3414 62 3666 0 0 20 1317 53 1751 0  
> 3666 0 0 0 1466 69 2933 69 3666 0 220 1 2 90 22000 6 170 72 46 5 5  
> 37 ...
>
> Interesting the fusion of social community and sound design, in this  
> fashion, yes?
>
> Dominic
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

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From herrickalan at yahoo.com  Tue Apr 21 13:16:32 2009
From: herrickalan at yahoo.com (Alan Herrick)
Date: Tue, 21 Apr 2009 10:16:32 -0700 (PDT)
Subject: [microsound] tweet sound...
Message-ID: <80051.40771.qm@web83601.mail.sp1.yahoo.com>

finally a reasonable use for Twitter!



On Apr 21, 2009, at 8:41 AM, Praveen Sharma <praveen at mac.com> wrote:

Yeah I love it. I'm considering just tweeting sounds from now on. Its so much more fun... Good use of Max & Twitter!

#tas 0 10 16 75 25 2 39 75 42 1 49 0 0 0 0 99 40 72 49 0 0 69 9 51 18 21 49 0 246 2 2 70 300 6 304 70 93 1875 256 57 85 3716 63

best,
Praveen
http://www.percussionlab.com/
http://www.praveensharma.com/

On Apr 21, 2009, at 11:39 AM, Dominic Tetmyer wrote:

http://tr.im/jkDA

my result

#tas 0 7 978 79 2175 26 2189 61 3414 62 3666 0 0 20 1317 53 1751 0 3666 0 0 0 1466 69 2933 69 3666 0 220 1 2 90 22000 6 170 72 46 5 5 37 ...

Interesting the fusion of social community and sound design, in this fashion, yes?

Dominic
_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound

_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound
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From batuhan at batuhanbozkurt.com  Tue Apr 21 17:08:54 2009
From: batuhan at batuhanbozkurt.com (Batuhan Bozkurt)
Date: Tue, 21 Apr 2009 23:08:54 +0200
Subject: [microsound] tweet sound...
In-Reply-To: <80051.40771.qm@web83601.mail.sp1.yahoo.com>
References: <80051.40771.qm@web83601.mail.sp1.yahoo.com>
Message-ID: <F5DA9DE3-2697-4CAE-A87E-03023F30675A@batuhanbozkurt.com>

Haven't tried this yet, but if you use SuperCollider, we've been  
twitting 140 character sounds for some time:
http://tinyurl.com/cp5xur

B.B.


On Apr 21, 2009, at 7:16 PM, Alan Herrick wrote:

> finally a reasonable use for Twitter!
>
>
>
> On Apr 21, 2009, at 8:41 AM, Praveen Sharma <praveen at mac.com> wrote:
>
>> Yeah I love it. I'm considering just tweeting sounds from now on.  
>> Its so much more fun... Good use of Max & Twitter!
>>
>> #tas 0 10 16 75 25 2 39 75 42 1 49 0 0 0 0 99 40 72 49 0 0 69 9 51  
>> 18 21 49 0 246 2 2 70 300 6 304 70 93 1875 256 57 85 3716 63
>>
>> best,
>> Praveen
>> http://www.percussionlab.com/
>> http://www.praveensharma.com/
>>
>> On Apr 21, 2009, at 11:39 AM, Dominic Tetmyer wrote:
>>
>>> http://tr.im/jkDA
>>>
>>> my result
>>>
>>> #tas 0 7 978 79 2175 26 2189 61 3414 62 3666 0 0 20 1317 53 1751 0  
>>> 3666 0 0 0 1466 69 2933 69 3666 0 220 1 2 90 22000 6 170 72 46 5 5  
>>> 37 ...
>>>
>>> Interesting the fusion of social community and sound design, in  
>>> this fashion, yes?
>>>
>>> Dominic
>>> _______________________________________________
>>> microsound mailing list
>>> microsound at microsound.org
>>> http://or8.net/mailman/listinfo/microsound
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

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From stan_insound at yahoo.co.uk  Tue Apr 21 17:56:10 2009
From: stan_insound at yahoo.co.uk (Paul Nataraj)
Date: Tue, 21 Apr 2009 21:56:10 +0000 (GMT)
Subject: [microsound] microsound Digest, Vol 4, Issue 5
Message-ID: <898623.78945.qm@web27408.mail.ukl.yahoo.com>

Hi there can anyone help out I am doing a MA project on oral history......any ideas for references good things to listen to related blogs etc......thanks Chewy Benson.

--- On Tue, 21/4/09, microsound-request at or8.net <microsound-request at or8.net> wrote:


From: microsound-request at or8.net <microsound-request at or8.net>
Subject: microsound Digest, Vol 4, Issue 5
To: microsound at or8.net
Date: Tuesday, 21 April, 2009, 9:08 PM


Send microsound mailing list submissions to
??? microsound at or8.net

To subscribe or unsubscribe via the World Wide Web, visit
??? http://or8.net/mailman/listinfo/microsound
or, via email, send a message with subject or body 'help' to
??? microsound-request at or8.net

You can reach the person managing the list at
??? microsound-owner at or8.net

When replying, please edit your Subject line so it is more specific
than "Re: Contents of microsound digest..."


Today's Topics:

???1. Re: epic fail? (Frank Barknecht)
???2. tweet sound... (Dominic Tetmyer)
???3. Re: tweet sound... (Praveen Sharma)
???4. Re: tweet sound... (Alan Herrick)
???5. Re: tweet sound... (Batuhan Bozkurt)


----------------------------------------------------------------------

Message: 1
Date: Tue, 21 Apr 2009 15:46:17 +0200
From: Frank Barknecht <fbar at footils.org>
Subject: Re: [microsound] epic fail?
To: microsound at or8.net
Message-ID: <20090421134617.GA6726 at footils.org>
Content-Type: text/plain; charset=us-ascii

Hallo,
Kim Cascone hat gesagt: // Kim Cascone wrote:

> http://tech.yahoo.com/news/nm/20090420/tc_nm/ 
> us_cellphones_music_future_2

? "The technology should be available in 2-3 years," said Stefanel Barutcieff,
? senior industrial designer at Germany-based Pilotfish.

RjDj.me is here now.

Disclaimer: I involved with RjDj.

Ciao
-- 
Frank


------------------------------

Message: 2
Date: Tue, 21 Apr 2009 08:39:10 -0700
From: Dominic Tetmyer <domtetmyer at gmail.com>
Subject: [microsound] tweet sound...
To: microsound at microsound.org
Message-ID: <DD0624FA-9656-4852-9C4B-B0C1041B3238 at gmail.com>
Content-Type: text/plain; charset="us-ascii"

http://tr.im/jkDA

my result

#tas 0 7 978 79 2175 26 2189 61 3414 62 3666 0 0 20 1317 53 1751 0? 
3666 0 0 0 1466 69 2933 69 3666 0 220 1 2 90 22000 6 170 72 46 5 5? 
37 ...

Interesting the fusion of social community and sound design, in this? 
fashion, yes?

Dominic
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------------------------------

Message: 3
Date: Tue, 21 Apr 2009 11:41:38 -0400
From: Praveen Sharma <praveen at mac.com>
Subject: Re: [microsound] tweet sound...
To: microsound at microsound.org
Message-ID: <03BF5CFD-6C33-463D-B7A1-3F69003C4F17 at mac.com>
Content-Type: text/plain; charset="us-ascii"

Yeah I love it. I'm considering just tweeting sounds from now on. Its? 
so much more fun... Good use of Max & Twitter!

#tas 0 10 16 75 25 2 39 75 42 1 49 0 0 0 0 99 40 72 49 0 0 69 9 51 18? 
21 49 0 246 2 2 70 300 6 304 70 93 1875 256 57 85 3716 63

best,
Praveen
http://www.percussionlab.com/
http://www.praveensharma.com/

On Apr 21, 2009, at 11:39 AM, Dominic Tetmyer wrote:

> http://tr.im/jkDA
>
> my result
>
> #tas 0 7 978 79 2175 26 2189 61 3414 62 3666 0 0 20 1317 53 1751 0? 
> 3666 0 0 0 1466 69 2933 69 3666 0 220 1 2 90 22000 6 170 72 46 5 5? 
> 37 ...
>
> Interesting the fusion of social community and sound design, in this? 
> fashion, yes?
>
> Dominic
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

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------------------------------

Message: 4
Date: Tue, 21 Apr 2009 10:16:32 -0700 (PDT)
From: Alan Herrick <herrickalan at yahoo.com>
Subject: Re: [microsound] tweet sound...
To: "microsound at microsound.org" <microsound at microsound.org>
Message-ID: <80051.40771.qm at web83601.mail.sp1.yahoo.com>
Content-Type: text/plain; charset="us-ascii"

finally a reasonable use for Twitter!



On Apr 21, 2009, at 8:41 AM, Praveen Sharma <praveen at mac.com> wrote:

Yeah I love it. I'm considering just tweeting sounds from now on. Its so much more fun... Good use of Max & Twitter!

#tas 0 10 16 75 25 2 39 75 42 1 49 0 0 0 0 99 40 72 49 0 0 69 9 51 18 21 49 0 246 2 2 70 300 6 304 70 93 1875 256 57 85 3716 63

best,
Praveen
http://www.percussionlab.com/
http://www.praveensharma.com/

On Apr 21, 2009, at 11:39 AM, Dominic Tetmyer wrote:

http://tr.im/jkDA

my result

#tas 0 7 978 79 2175 26 2189 61 3414 62 3666 0 0 20 1317 53 1751 0 3666 0 0 0 1466 69 2933 69 3666 0 220 1 2 90 22000 6 170 72 46 5 5 37 ...

Interesting the fusion of social community and sound design, in this fashion, yes?

Dominic
_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound

_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound
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------------------------------

Message: 5
Date: Tue, 21 Apr 2009 23:08:54 +0200
From: Batuhan Bozkurt <batuhan at batuhanbozkurt.com>
Subject: Re: [microsound] tweet sound...
To: microsound at microsound.org
Message-ID: <F5DA9DE3-2697-4CAE-A87E-03023F30675A at batuhanbozkurt.com>
Content-Type: text/plain; charset="us-ascii"

Haven't tried this yet, but if you use SuperCollider, we've been? 
twitting 140 character sounds for some time:
http://tinyurl.com/cp5xur

B.B.


On Apr 21, 2009, at 7:16 PM, Alan Herrick wrote:

> finally a reasonable use for Twitter!
>
>
>
> On Apr 21, 2009, at 8:41 AM, Praveen Sharma <praveen at mac.com> wrote:
>
>> Yeah I love it. I'm considering just tweeting sounds from now on.? 
>> Its so much more fun... Good use of Max & Twitter!
>>
>> #tas 0 10 16 75 25 2 39 75 42 1 49 0 0 0 0 99 40 72 49 0 0 69 9 51? 
>> 18 21 49 0 246 2 2 70 300 6 304 70 93 1875 256 57 85 3716 63
>>
>> best,
>> Praveen
>> http://www.percussionlab.com/
>> http://www.praveensharma.com/
>>
>> On Apr 21, 2009, at 11:39 AM, Dominic Tetmyer wrote:
>>
>>> http://tr.im/jkDA
>>>
>>> my result
>>>
>>> #tas 0 7 978 79 2175 26 2189 61 3414 62 3666 0 0 20 1317 53 1751 0? 
>>> 3666 0 0 0 1466 69 2933 69 3666 0 220 1 2 90 22000 6 170 72 46 5 5? 
>>> 37 ...
>>>
>>> Interesting the fusion of social community and sound design, in? 
>>> this fashion, yes?
>>>
>>> Dominic
>>> _______________________________________________
>>> microsound mailing list
>>> microsound at microsound.org
>>> http://or8.net/mailman/listinfo/microsound
>>
>> _______________________________________________
>> microsound mailing list
>> microsound at microsound.org
>> http://or8.net/mailman/listinfo/microsound
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

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------------------------------

_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound


End of microsound Digest, Vol 4, Issue 5
****************************************



      
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From sashimibee at gmail.com  Tue Apr 21 22:57:24 2009
From: sashimibee at gmail.com (Georgina Lewis)
Date: Tue, 21 Apr 2009 22:57:24 -0400
Subject: [microsound] tweet sound...
In-Reply-To: <F5DA9DE3-2697-4CAE-A87E-03023F30675A@batuhanbozkurt.com>
References: <80051.40771.qm@web83601.mail.sp1.yahoo.com>
	<F5DA9DE3-2697-4CAE-A87E-03023F30675A@batuhanbozkurt.com>
Message-ID: <47b4fb710904211957r41107623ucaca79208f8323f1@mail.gmail.com>

awesome! Thanks everyone for posting this. I sense a weekend project in
progress . . .

On Tue, Apr 21, 2009 at 5:08 PM, Batuhan Bozkurt <batuhan at batuhanbozkurt.com
> wrote:

> Haven't tried this yet, but if you use SuperCollider, we've been twitting
> 140 character sounds for some time:http://tinyurl.com/cp5xur
>
> B.B.
>
>
> On Apr 21, 2009, at 7:16 PM, Alan Herrick wrote:
>
> finally a reasonable use for Twitter!
>
>
>
> On Apr 21, 2009, at 8:41 AM, Praveen Sharma <praveen at mac.com> wrote:
>
> Yeah I love it. I'm considering just tweeting sounds from now on. Its so
> much more fun... Good use of Max & Twitter!
> #tas 0 10 16 75 25 2 39 75 42 1 49 0 0 0 0 99 40 72 49 0 0 69 9 51 18 21 49
> 0 246 2 2 70 300 6 304 70 93 1875 256 57 85 3716 63
>
> best,
> Praveen
> <http://www.percussionlab.com/>http://www.percussionlab.com/
> <http://www.praveensharma.com/>http://www.praveensharma.com/
>
> On Apr 21, 2009, at 11:39 AM, Dominic Tetmyer wrote:
>
> <http://tr.im/jkDA>http://tr.im/jkDA
> my result
>
> #tas 0 7 978 79 2175 26 2189 61 3414 62 3666 0 0 20 1317 53 1751 0 3666 0 0
> 0 1466 69 2933 69 3666 0 220 1 2 90 22000 6 170 72 46 5 5 37 ...
>
> Interesting the fusion of social community and sound design, in this
> fashion, yes?
>
> Dominic
> _______________________________________________
> microsound mailing list
> <microsound at microsound.org>microsound at microsound.org
> <http://or8.net/mailman/listinfo/microsound>
> http://or8.net/mailman/listinfo/microsound
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
>


-- 
Georgina Lewis
sashimib at tiac.net, sashimibee at gmail.com
www.birdfur.com
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From tobiasreber at sunrise.ch  Fri Apr 24 07:29:35 2009
From: tobiasreber at sunrise.ch (Tobias Reber)
Date: Fri, 24 Apr 2009 13:29:35 +0200
Subject: [microsound] berlin
In-Reply-To: <F5DA9DE3-2697-4CAE-A87E-03023F30675A@batuhanbozkurt.com>
References: <80051.40771.qm@web83601.mail.sp1.yahoo.com>
	<F5DA9DE3-2697-4CAE-A87E-03023F30675A@batuhanbozkurt.com>
Message-ID: <A03FDB18-A9D5-4247-B8C1-9AA659A211A1@sunrise.ch>

dear microsounders,

I'll be working in berlin from monday 4th to saturday 9th of may and  
I'd be glad to know about must-see music and/or art stuff during that  
time, apart from the janet cardiff & george bures exhibition at  
hamburger bahnhof.

also always interested in meeting people, so please get in touch if  
you like.

kind regards,

tobi



---

Tobias Reber : musician / sound designer

Tobias Reber
Vechigen Dorf
3067 Boll
Switzerland

mobile: ++41 (0)79 573 11 69
email: tobiasreber at sunrise.ch
www.myspace.com/stereorabbi


From gokhandenec at gmail.com  Fri Apr 24 08:15:01 2009
From: gokhandenec at gmail.com (Gokhan Denec)
Date: Fri, 24 Apr 2009 15:15:01 +0300
Subject: [microsound] any London recommendations?
Message-ID: <9db6ef440904240515m758edb81h29fa76bed9790e06@mail.gmail.com>

Hello everyone,

I'll be in London between 25th of April and 4th of May.
I'd ask if are there any recommendations of any
events/exhibitions/etc. in this period?

Thank you in advance

g.d

From watchcontact at googlemail.com  Fri Apr 24 08:59:22 2009
From: watchcontact at googlemail.com (Manuel Pinheiro)
Date: Fri, 24 Apr 2009 13:59:22 +0100
Subject: [microsound] any London recommendations?
In-Reply-To: <9db6ef440904240515m758edb81h29fa76bed9790e06@mail.gmail.com>
References: <9db6ef440904240515m758edb81h29fa76bed9790e06@mail.gmail.com>
Message-ID: <7bc129b20904240559i4fbcc5acs1ac8673ad18d3d83@mail.gmail.com>

NOT WHAT I HAD IN
MIND<http://www.theplace.org.uk/16663/robin-howard-dance-theatre/robin-dingemans-matthias-sperling.html>

25th april at The Place, Euston, London

M

On Fri, Apr 24, 2009 at 1:15 PM, Gokhan Denec <gokhandenec at gmail.com> wrote:

> Hello everyone,
>
> I'll be in London between 25th of April and 4th of May.
> I'd ask if are there any recommendations of any
> events/exhibitions/etc. in this period?
>
> Thank you in advance
>
> g.d
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
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From tobiasreber at sunrise.ch  Fri Apr 24 09:14:17 2009
From: tobiasreber at sunrise.ch (Tobias Reber)
Date: Fri, 24 Apr 2009 15:14:17 +0200
Subject: [microsound] any London recommendations?
In-Reply-To: <9db6ef440904240515m758edb81h29fa76bed9790e06@mail.gmail.com>
References: <9db6ef440904240515m758edb81h29fa76bed9790e06@mail.gmail.com>
Message-ID: <4D04E091-3035-4FC2-9E80-F52189387424@sunrise.ch>

Neue Galerie "Keep the Secret"

http://www.neuegalerie.co.uk/Neue_Galerie.html

young swiss gallery presenting its first london exhibition, april 23 -  
may 14

tobias



Am 24.04.2009 um 14:15 schrieb Gokhan Denec:

> Hello everyone,
>
> I'll be in London between 25th of April and 4th of May.
> I'd ask if are there any recommendations of any
> events/exhibitions/etc. in this period?
>
> Thank you in advance
>
> g.d
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

---

Tobias Reber : musician / sound designer

Tobias Reber
Vechigen Dorf
3067 Boll
Switzerland

mobile: ++41 (0)79 573 11 69
email: tobiasreber at sunrise.ch
www.myspace.com/stereorabbi


From bruce at skeletonhome.com  Fri Apr 24 11:23:54 2009
From: bruce at skeletonhome.com (Bruce Tovsky)
Date: Fri, 24 Apr 2009 11:23:54 -0400
Subject: [microsound] any London recommendations?
In-Reply-To: <9db6ef440904240515m758edb81h29fa76bed9790e06@mail.gmail.com>
References: <9db6ef440904240515m758edb81h29fa76bed9790e06@mail.gmail.com>
Message-ID: <5750C14D-5545-40B3-B89F-C759CF48644A@skeletonhome.com>

the Tate Modern is always a blast, cool location too. i really  
enjoyed the British Museum, and if you can, catch Evensong at St.  
Paul's. Cafe OTO also usually has interesting stuff. get an oyster  
card and enjoy the tube - it's a great way to get around.
best
b

On Apr 24, 2009, at 8:15 AM, Gokhan Denec wrote:

> Hello everyone,
>
> I'll be in London between 25th of April and 4th of May.
> I'd ask if are there any recommendations of any
> events/exhibitions/etc. in this period?
>
> Thank you in advance
>
> g.d
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

bruce tovsky
www.skeletonhome.com

"Sometimes the appropriate response to reality is to go insane."
Philip K. Dick

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From blindmanonacid at gmail.com  Fri Apr 24 17:50:15 2009
From: blindmanonacid at gmail.com (Martin .)
Date: Fri, 24 Apr 2009 23:50:15 +0200
Subject: [microsound] any London recommendations?
In-Reply-To: <9db6ef440904240515m758edb81h29fa76bed9790e06@mail.gmail.com>
References: <9db6ef440904240515m758edb81h29fa76bed9790e06@mail.gmail.com>
Message-ID: <d3c4e9f20904241450w6ed5bfcfy4087c94d54b71b11@mail.gmail.com>

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
OpenLab 5 : Cafe OTO, 25th April 2009
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Openlab are providing a day of workshops & presentations about opensource
software, and performances in the evening at Cafe OTO, Dalston. There is a
venerable lineup of OpenLab members providing some in depth knowledge during
the day and some great performances at night. The preliminary line up goes
like this:

///////////////////////////////////////////////////////////////////////////////

DAY: Workshops & Presentations : 12-5pm (free entry).

**************
Presentations
**************

* Arduino + PD (Ryan Jordan) : Using Arduino and PureData

* SC + Processing (Daniel Jones) : Using Supercollider with Processing

* Pd/Gem + ergates (Chris McCormick) : PureData audiovisual software

* Groworld (Dave Griffiths) : Permaculture meets online games via guerilla
gardening (http://www.pawfal.org/dave/index.cgi?Projects/Groworld)

* Processing/Java/Eclipse/JOGL/GLSL(Rob Munro) : Techniquies for using
Processsing with the Eclipse IDE.(http://robmunro.net/video)

* Din (S Jagannathan) (http://code.google.com/p/din), Boxar (
http://www.poojyum.com/boxar) : A free software musical instrument for
performing indian classical music live (but not just)

///////////////////////////////////////////////////////////////////////////////

**********
Workshops
**********

* Fluxus (Dave Griffiths) : (free, 1-2hrs, max 10) The venerable
OpenGL/scheme environment. (
http://www.pawfal.org/dave/index.cgi?Projects/Fluxus)

* APODIO (Julien Ottavi) : (1hrs, max 20) Gnu/Linux multimedia distribution
LiveDVD

* Introducing Processing for Visual Artists (Evan Raskob) : (?10, 2hrs, max
20)


///////////////////////////////////////////////////////////////////////////////

************************************************************
NIGHT: Performances : 7:30pm-12:30am (?5 entry) - doors 7pm
************************************************************

* dskg - Uses circuit bended machines altogether with open sources (
http://www.myspace.com/dskg)

* Jeremah - pixelated landscapes of techno beats, music box melodies and
processed street noise (http://www.jeremah.co.uk/)

* Rob Munro - audiovisual work exploring the world between (
http://robmunro.net/video)

* TheNoiser - The Noiser use noise as musicality, combined to an approach of
programmatic composition (http://www.noiser.org)

* PixelPusher - video and sound pieces; interactive art including new
musical instruments (http://pixelist.info/)

* Ryan Jordan - Body-sensor-noise-strobe-hypnosis (http://ryanjordan.org/)

* Daniel Jones - generative audio-visual works (http://www.erase.net)

* S Jagannathan - a free software musical instrument for performing indian
classical music live (but not just) (http://code.google.com/p/din)

* Robert Atwood - experiments with the sound created by feedback (
http://variseq.nongnu.org/)

* Chris McCormick - uses Free Software to make bleepy crunchy music (
http://mccormick.cx)


On Fri, Apr 24, 2009 at 2:15 PM, Gokhan Denec <gokhandenec at gmail.com> wrote:

> Hello everyone,
>
> I'll be in London between 25th of April and 4th of May.
> I'd ask if are there any recommendations of any
> events/exhibitions/etc. in this period?
>
> Thank you in advance
>
> g.d
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>
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From dave at mysterybear.net  Sun Apr 26 08:18:21 2009
From: dave at mysterybear.net (Dave Seidel)
Date: Sun, 26 Apr 2009 08:18:21 -0400
Subject: [microsound] New piece: A Door Into Spring
Message-ID: <49F4510D.9040000@mysterybear.net>

Hello,

A rhapsody in distressed metal; a seven-second sample time-stretched, 
pitch-shifted and layered into an ambient canon.  Hope you enjoy it. As 
always, comments are welcome.

http://mysterybear.net/article/35/a-door-into-spring

- Dave

-- 
~DaveSeidel = [
   http://mysterybear.net ,
   http://daveseidel.tumblr.com ,
   http://twitter.com/DaveSeidel
];


From andrew.robertson at elec.qmul.ac.uk  Sun Apr 26 09:14:18 2009
From: andrew.robertson at elec.qmul.ac.uk (Andrew Robertson)
Date: Sun, 26 Apr 2009 14:14:18 +0100
Subject: [microsound] any London recommendations?
In-Reply-To: <9db6ef440904240515m758edb81h29fa76bed9790e06@mail.gmail.com>
References: <9db6ef440904240515m758edb81h29fa76bed9790e06@mail.gmail.com>
Message-ID: <B1AEC357-B566-4E1A-ADCA-5CE08C6333DA@elec.qmul.ac.uk>

There's a Picasso exhibition at the National Gallery that promises to  
be excellent.

http://www.nationalgallery.org.uk/exhibitions/picasso/default.htm


On 24 Apr 2009, at 13:15, Gokhan Denec wrote:

> Hello everyone,
>
> I'll be in London between 25th of April and 4th of May.
> I'd ask if are there any recommendations of any
> events/exhibitions/etc. in this period?
>
> Thank you in advance
>
> g.d
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound


From paulorcbarros at uol.com.br  Sun Apr 26 10:55:12 2009
From: paulorcbarros at uol.com.br (Paulo R. C. Barros)
Date: Sun, 26 Apr 2009 11:55:12 -0300
Subject: [microsound] "Strange"
In-Reply-To: <49F4510D.9040000@mysterybear.net>
References: <49F4510D.9040000@mysterybear.net>
Message-ID: <49f475d0d9fa4_665b1555555879b466@weasel15.tmail>

http://tinyurl.com/dbqla2

By Paulo R. C. Barros (Brazil) with Joel Lee aka Trip Lava (Minneapolis, USA).

All the best,
Paulo

From kim at anechoicmedia.com  Sun Apr 26 11:16:08 2009
From: kim at anechoicmedia.com (Kim Cascone)
Date: Sun, 26 Apr 2009 17:16:08 +0200
Subject: [microsound] src conversions
Message-ID: <1240758968.7261.23.camel@kim>

I think I'll be using SoX from here on out for my 96->44kHz src's
http://src.infinitewave.ca/



From htheriault at gmail.com  Sun Apr 26 14:19:57 2009
From: htheriault at gmail.com (Herb)
Date: Sun, 26 Apr 2009 15:19:57 -0300
Subject: [microsound] src conversions
In-Reply-To: <1240758968.7261.23.camel@kim>
References: <1240758968.7261.23.camel@kim>
Message-ID: <4de406ad0904261119i7a9bf751rf0f0d7a8f45761a5@mail.gmail.com>

The comparison to Weiss Saracon is particularly impressive.

On Sun, Apr 26, 2009 at 12:16 PM, Kim Cascone <kim at anechoicmedia.com> wrote:
> I think I'll be using SoX from here on out for my 96->44kHz src's
> http://src.infinitewave.ca/
>
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>

From jonasr at jonasr.com  Mon Apr 27 04:42:41 2009
From: jonasr at jonasr.com (Jonas R. Kirkegaard)
Date: Mon, 27 Apr 2009 10:42:41 +0200
Subject: [microsound] Aesthetic frequency limitation
Message-ID: <591B3BEB-F502-489D-8DA5-2F57BAB349A4@jonasr.com>

Hello

Are any of you familiar with projects or artists working with  
limitations in the frequency band (say only using frequencies from  
4000 to 6000Hz), as an aesthetic limitation in their work. I'm  
interested in this because I work in this field in a current project.



|???|

www.JonasR.com
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From matdalgleish at hotmail.com  Mon Apr 27 06:49:55 2009
From: matdalgleish at hotmail.com (matdalgleish at hotmail.com)
Date: Mon, 27 Apr 2009 11:49:55 +0100
Subject: [microsound] Aesthetic frequency limitation
Message-ID: <COL110-DS3DC265581A189282D93C7C2710@phx.gbl>

Hi Jonas,

There's a work by Carl Michael Von Hausswolff called "freq_out" that you might be interested in - there's a little bit of info at:

www.niklasbelenius.com/cgi-bin/index.pl?id=22


Mat



________________________

On 2009-04-27 11:40:11 +0100 Jonas R. Kirkegaard <jonasr at jonasr.com> wrote:

> 
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
> 
> 


From picnet at urlme.net  Mon Apr 27 08:32:38 2009
From: picnet at urlme.net (Mike)
Date: Mon, 27 Apr 2009 15:32:38 +0300
Subject: [microsound] Aesthetic frequency limitation
In-Reply-To: <591B3BEB-F502-489D-8DA5-2F57BAB349A4@jonasr.com>
References: <591B3BEB-F502-489D-8DA5-2F57BAB349A4@jonasr.com>
Message-ID: <94800772-C5F2-48E4-8A3E-C42F3FEDA2C1@urlme.net>

http://www.urlme.net/blog/?p=848

Uses 4 Khz to 8Khz if I recall correctly, decimated morning bird song.

-Mike.

On Apr 27, 2009, at 11:42 AM, Jonas R. Kirkegaard wrote:

> Hello
>
> Are any of you familiar with projects or artists working with  
> limitations in the frequency band (say only using frequencies from  
> 4000 to 6000Hz), as an aesthetic limitation in their work. I'm  
> interested in this because I work in this field in a current project.
>
>
>
> |???|
>
> www.JonasR.com
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

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From totem_tm at yahoo.dk  Mon Apr 27 08:37:08 2009
From: totem_tm at yahoo.dk (Jonas Olesen)
Date: Mon, 27 Apr 2009 12:37:08 +0000 (GMT)
Subject: [microsound] Aesthetic frequency limitation
In-Reply-To: <94800772-C5F2-48E4-8A3E-C42F3FEDA2C1@urlme.net>
Message-ID: <214187.35015.qm@web23302.mail.ird.yahoo.com>

BATCH TOTEM: Trunkeret & Ikonisk (Floppy Disk)
74 Minutes of compressed audio - samplerates up to 800hz :-)
http://musicthing.blogspot.com/2007/09/dude-releases-74-minute-album-on-single.html
and: http://totem.menneske.dk/batch_totem/OUTPUT/Trunkeret_&_Ikonisk/



On Apr 27, 2009, at 11:42 AM, Jonas R. Kirkegaard wrote:
Hello
Are any of you familiar with projects or artists working with limitations in the frequency band (say only using frequencies from 4000 to 6000Hz), as an aesthetic limitation in their work. I'm interested in this because I work in this field in a current project.


|???|
www.JonasR.com_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound

_______________________________________________
microsound mailing list
microsound at microsound.org
http://or8.net/mailman/listinfo/microsound



      Tr?nger du til at se det store billede? Kelkoo giver dig gode tilbud p? LCD TV! Se her http://dk.yahoo.com/r/pat/lcd
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From greghynds at aol.com  Mon Apr 27 09:05:08 2009
From: greghynds at aol.com (greghynds at aol.com)
Date: Mon, 27 Apr 2009 09:05:08 -0400
Subject: [microsound] Random Sample Player
Message-ID: <8CB954FECB3C921-ECC-56B6@MBLK-M08.sysops.aol.com>

Hi there,

I'm working on a project using very short samples played very fast in a random sequence. I've been using de la Mancha's 'manic' plugin to test out ideas (http://www.kvraudio.com/get/2939.html) and although it's useful it doesn't run as efficiently as I'd like and I'd really prefer a more sophisticated VST. 
Does anybody know of a reliable random sample player? I'm on a fairly low budget and ordinarily I use Cubase on a PC. 

Thanks,
Greg

________________________________________________________________________
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From blutgewitter at gmx.de  Mon Apr 27 09:19:47 2009
From: blutgewitter at gmx.de (blutgewitter)
Date: Mon, 27 Apr 2009 15:19:47 +0200
Subject: [microsound] Random Sample Player
References: <8CB954FECB3C921-ECC-56B6@MBLK-M08.sysops.aol.com>
Message-ID: <002b01c9c73a$d7540c50$e247dd53@koma0815>

Hey!

Check out "Marteleur" and "Semuta" from the french guys
of www.servovalve.org It?s supercool and free. I use Semuta
a lot when I play live. The other machine I use to built strange
rhythm sequences and work on and restructure them later.

Manu.

www.xabec.com 
 
  ----- Original Message ----- 
  From: greghynds at aol.com 
  To: microsound at or8.net 
  Sent: Monday, April 27, 2009 3:05 PM
  Subject: [microsound] Random Sample Player


  Hi there,

  I'm working on a project using very short samples played very fast in a random sequence. I've been using de la Mancha's 'manic' plugin to test out ideas (http://www.kvraudio.com/get/2939.html) and although it's useful it doesn't run as efficiently as I'd like and I'd really prefer a more sophisticated VST. 
  Does anybody know of a reliable random sample player? I'm on a fairly low budget and ordinarily I use Cubase on a PC. 

  Thanks,
  Greg



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From palace at guero.sr.unh.edu  Mon Apr 27 09:48:41 2009
From: palace at guero.sr.unh.edu (Michael Palace)
Date: Mon, 27 Apr 2009 09:48:41 -0400
Subject: [microsound] Random Sample Player
In-Reply-To: <8CB954FECB3C921-ECC-56B6@MBLK-M08.sysops.aol.com>
References: <8CB954FECB3C921-ECC-56B6@MBLK-M08.sysops.aol.com>
Message-ID: <49F5B7B9.9020507@guero.sr.unh.edu>

I have some MATLAB code and Python code that takes a bunch of samples in 
a directory and will randomly splice them together.

Mike Palace
horchata

greghynds at aol.com wrote:
> Hi there,
>
> I'm working on a project using very short samples played very fast in 
> a random sequence. I've been using de la Mancha's 'manic' plugin to 
> test out ideas (http://www.kvraudio.com/get/2939.html) and although 
> it's useful it doesn't run as efficiently as I'd like and I'd really 
> prefer a more sophisticated VST.
> Does anybody know of a reliable random sample player? I'm on a fairly 
> low budget and ordinarily I use Cubase on a PC.
>
> Thanks,
> Greg
>
> ------------------------------------------------------------------------
> Download AOL Toolbar and get access to all of your favourite websites 
> and Google powered Search in an instant. Download AOL Toolbar for 
> FREE. 
> <http://info.aol.co.uk/aoltoolbar/5-0/download.adp/?ncid=CRMUK356WebTB>
> ------------------------------------------------------------------------
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>   

From palace at guero.sr.unh.edu  Mon Apr 27 09:48:41 2009
From: palace at guero.sr.unh.edu (Michael Palace)
Date: Mon, 27 Apr 2009 09:48:41 -0400
Subject: [microsound] Random Sample Player
In-Reply-To: <8CB954FECB3C921-ECC-56B6@MBLK-M08.sysops.aol.com>
References: <8CB954FECB3C921-ECC-56B6@MBLK-M08.sysops.aol.com>
Message-ID: <49F5B7B9.9020507@guero.sr.unh.edu>

I have some MATLAB code and Python code that takes a bunch of samples in 
a directory and will randomly splice them together.

Mike Palace
horchata

greghynds at aol.com wrote:
> Hi there,
>
> I'm working on a project using very short samples played very fast in 
> a random sequence. I've been using de la Mancha's 'manic' plugin to 
> test out ideas (http://www.kvraudio.com/get/2939.html) and although 
> it's useful it doesn't run as efficiently as I'd like and I'd really 
> prefer a more sophisticated VST.
> Does anybody know of a reliable random sample player? I'm on a fairly 
> low budget and ordinarily I use Cubase on a PC.
>
> Thanks,
> Greg
>
> ------------------------------------------------------------------------
> Download AOL Toolbar and get access to all of your favourite websites 
> and Google powered Search in an instant. Download AOL Toolbar for 
> FREE. 
> <http://info.aol.co.uk/aoltoolbar/5-0/download.adp/?ncid=CRMUK356WebTB>
> ------------------------------------------------------------------------
>
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound
>   

From ken at restivo.org  Tue Apr 28 01:10:19 2009
From: ken at restivo.org (Ken Restivo)
Date: Mon, 27 Apr 2009 22:10:19 -0700
Subject: [microsound] Random Sample Player
In-Reply-To: <8CB954FECB3C921-ECC-56B6@MBLK-M08.sysops.aol.com>
References: <8CB954FECB3C921-ECC-56B6@MBLK-M08.sysops.aol.com>
Message-ID: <20090428051019.GB11920@aieee.restivo.org>

On Mon, Apr 27, 2009 at 09:05:08AM -0400, greghynds at aol.com wrote:
> Hi there,
> 
> I'm working on a project using very short samples played very fast in a random sequence. I've been using de la Mancha's 'manic' plugin to test out ideas (http://www.kvraudio.com/get/2939.html) and although it's useful it doesn't run as efficiently as I'd like and I'd really prefer a more sophisticated VST. 
> Does anybody know of a reliable random sample player? I'm on a fairly low budget and ordinarily I use Cubase on a PC. 
> 

Several years ago, I hacked together a very simple PD patch to do this.

I used it on this cheesy little track (definitely *not* a microsound peice):
http://www.restivo.org/blog/podpress_trac/web/184/0/phoneme-dance-0.3.3.ogg

Credits for the samples used here:
http://www.restivo.org/blog/archives/dance-of-the-phonemes

Basically, I cut up human speech into discrete phonemes, then played them randomly, triggered by MIDI in a rhythmic fashion. I was thus able to approximate via software the sound of a rapper freestyling.

-kenn

From ken at restivo.org  Tue Apr 28 01:10:19 2009
From: ken at restivo.org (Ken Restivo)
Date: Mon, 27 Apr 2009 22:10:19 -0700
Subject: [microsound] Random Sample Player
In-Reply-To: <8CB954FECB3C921-ECC-56B6@MBLK-M08.sysops.aol.com>
References: <8CB954FECB3C921-ECC-56B6@MBLK-M08.sysops.aol.com>
Message-ID: <20090428051019.GB11920@aieee.restivo.org>

On Mon, Apr 27, 2009 at 09:05:08AM -0400, greghynds at aol.com wrote:
> Hi there,
> 
> I'm working on a project using very short samples played very fast in a random sequence. I've been using de la Mancha's 'manic' plugin to test out ideas (http://www.kvraudio.com/get/2939.html) and although it's useful it doesn't run as efficiently as I'd like and I'd really prefer a more sophisticated VST. 
> Does anybody know of a reliable random sample player? I'm on a fairly low budget and ordinarily I use Cubase on a PC. 
> 

Several years ago, I hacked together a very simple PD patch to do this.

I used it on this cheesy little track (definitely *not* a microsound peice):
http://www.restivo.org/blog/podpress_trac/web/184/0/phoneme-dance-0.3.3.ogg

Credits for the samples used here:
http://www.restivo.org/blog/archives/dance-of-the-phonemes

Basically, I cut up human speech into discrete phonemes, then played them randomly, triggered by MIDI in a rhythmic fashion. I was thus able to approximate via software the sound of a rapper freestyling.

-kenn

From greghynds at aol.com  Tue Apr 28 10:07:02 2009
From: greghynds at aol.com (greghynds at aol.com)
Date: Tue, 28 Apr 2009 10:07:02 -0400
Subject: [microsound] Random Sample Player
Message-ID: <8CB9621BCBE0FB7-400-2C78@webmail-de05.sysops.aol.com>

Thanks for the responses, some really helpful ideas! Particularly liked the marteleur machine.. very cool.
Greg

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From billjarboe at earthlink.net  Wed Apr 29 02:07:13 2009
From: billjarboe at earthlink.net (Bill Jarboe)
Date: Tue, 28 Apr 2009 23:07:13 -0700
Subject: [microsound] Random Sample Player
In-Reply-To: <20090428051019.GB11920@aieee.restivo.org>
References: <8CB954FECB3C921-ECC-56B6@MBLK-M08.sysops.aol.com>
	<20090428051019.GB11920@aieee.restivo.org>
Message-ID: <7681B559-6998-46E1-9995-E1FB46E227B4@earthlink.net>


On Apr 27, 2009, at 10:10 PM, Ken Restivo wrote:

>
> Several years ago, I hacked together a very simple PD patch to do  
> this.
>
> I used it on this cheesy little track (definitely *not* a  
> microsound peice):
> http://www.restivo.org/blog/podpress_trac/web/184/0/phoneme- 
> dance-0.3.3.ogg

    I like this very much.
>
> Credits for the samples used here:
> http://www.restivo.org/blog/archives/dance-of-the-phonemes

    -don't like this so much... the woman's lips look a little frosty.

"Trying to learn SuperCollider, ChucK, CSound, etc? why bother when  
all this stuff is so fucking easy in PD?"

"I?m getting a new perspective on composition by learning to build  
them from small, discrete chunks of phrases, as is the way loopers  
work."

  -because of the sound , possibly?

   Ok. I'll go away before I start acting like someone's dad...


    nice composition!


                    Bill


>
> Basically, I cut up human speech into discrete phonemes, then  
> played them randomly, triggered by MIDI in a rhythmic fashion. I  
> was thus able to approximate via software the sound of a rapper  
> freestyling.
>
> -kenn
> _______________________________________________
> microsound mailing list
> microsound at microsound.org
> http://or8.net/mailman/listinfo/microsound

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