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<b style="font-weight:normal" id="gmail-docs-internal-guid-fd4237a4-7fff-a2e7-0183-5fe46fe06589"><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;text-align:justify"><span style="font-size:14pt;font-family:Arial;color:rgb(22,22,22);background-color:rgb(255,255,255);font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">CFP Call for Papers: Sonologia 2019 - I/O, Brazil (deadline oct 1st)<br></span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:Arial;color:rgb(20,23,26);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Dear colleagues,</span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt;text-align:justify"><span style="font-size:12pt;font-family:Arial;color:rgb(20,23,26);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">We’re happy to announce that the 2nd edition of π™Žπ™€π™£π™€π™‘π™€π™œπ™žπ™– β€“ π™„π™£π™©π™šπ™§π™£π™–π™©π™žπ™€π™£π™–π™‘ π˜Ύπ™€π™£π™›π™šπ™§π™šπ™£π™˜π™š π™€π™£ π™Žπ™€π™ͺ𝙣𝙙 π™Žπ™©π™ͺπ™™π™žπ™šπ™¨ will happen in SΓ£o Paulo, Brazil, in April 9-12, 2019.</span></p><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;text-align:justify"><span style="font-size:12pt;font-family:Arial;color:rgb(20,23,26);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">In 2016 we had the first edition of </span><span style="font-size:12pt;font-family:Arial;color:rgb(20,23,26);background-color:rgb(255,255,255);font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">SONOLOGIA: International Conference on Sound Studies</span><span style="font-size:12pt;font-family:Arial;color:rgb(20,23,26);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">, a transdisciplinary event attended by researchers from seventeen countries and five continents with contributions from fields of study as broad as music, sound art, anthropology, visual arts, theatre, literature, architecture, history, sociology, media studies, gender studies, among others.</span></p><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;text-align:justify"><span style="font-size:12pt;font-family:Arial;color:rgb(20,23,26);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">This second edition of the event proposes the theme </span><span style="font-size:12pt;font-family:Arial;color:rgb(20,23,26);background-color:rgb(255,255,255);font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">I/O</span><span style="font-size:12pt;font-family:Arial;color:rgb(20,23,26);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">. An acronym which, metaphorically mobilized, provides a powerful way of addressing the diverse and problematic relations between the β€œI” and the β€œother”, as well as β€œinside” and β€œoutside”. By focusing on matters of alterity, subjectivities, limits, boundaries and crossings β€“ either cultural, territorial or disciplinary β€“ we invite papers devoted to particular and contingent relations that take to task hegemonic theories and practices in sound studies.</span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap"> Although the pairing of categories may indicate opposing notions, by retaining the slash [/] we intend to focus on inquiries that disrupt the limits of each category and suggest possible continuities, exchanges and intertwinements between the terms of the relation.</span></p><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;text-align:justify"><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Politics of sound and sound making. </span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Institutionalization of artistic practices and research. Sound activism. Violence, war, control tactics and sonic torture.</span></p><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">The role of technique and technology in listening and sound making. </span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Critical perspectives on the </span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">repurposing</span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap"> of technology, </span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">precariousness</span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">, experimental lutherie.</span></p><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;text-align:justify"><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Discourses</span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap"> on listening and sound practices. </span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Aspects of legitimacy, politics, place, alterity, gender or race, from the perspective of non-binary, non-normatives, post-colonial or counter-hegemonic </span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">epistemologies.</span></p><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;text-align:justify"><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Identity and alterity in sound practices in Latin America. </span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Discussions regarding hybridity, interculturalism, miscegenation, transnationality. </span></p><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Sound materiality and immateriality. </span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Critical</span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap"> </span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">inquiries regarding sonic materialisms and the limits of aurality. Ontological debates about sound and audio culture. </span></p><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Sound and territoriality. </span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Politics of space and poetics of memory and forgetting within practices such as site-specific art, installations, soundscapes, sound walks, field recording, sonic cartographies.</span></p><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;text-align:justify"><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Crossovers between sound, body and visuality. </span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Studies on presence, performances and artistic practices related to theatre, dance, audiovisual, performance and literature, </span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">regarding its contingencies and particularities.</span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:10pt"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap"><br class="gmail-kix-line-break"></span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">(In)disciplines of sonic creative processes. </span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Limits and ruptures in collective or individual creative practices</span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">. Human/non-human interaction. Alternative proposals of documenting and sharing creative processes.</span></p><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;background-color:rgb(255,255,255)"><span style="font-size:12pt;font-family:Arial;color:rgb(22,22,22);background-color:transparent;font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Language and format</span></p><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;background-color:rgb(255,255,255)">Β </p><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:10pt"><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">The official language of the event is English. However, inspired by the theme of the conference - I/O - we encourage that participants strive to relate in a flexible and inclusive manner with the language issue during the conference. In line with this perspective, we invite submissions of extended abstracts in either english, portuguese or spanish. Afterwards selected participants shall submit their complete papers, and present them in the conference, in English.</span></p><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:10pt"><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">We accept alternative formats of papers that reflect critical and creative necessities of theoretical, practice-based or artistic research. However, the use of special technical resources needs to be evaluated jointly with the organizing committee. Paper presentations should last 20 minutes followed by up to 10 minutes of questions.</span></p><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;background-color:rgb(255,255,255)">Β </p><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;background-color:rgb(255,255,255)"><span style="font-size:12pt;font-family:Arial;color:rgb(22,22,22);background-color:transparent;font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Submission guidelines </span></p><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;background-color:rgb(255,255,255)">Β </p><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;background-color:rgb(255,255,255)"><span style="font-size:12pt;font-family:Arial;color:rgb(22,22,22);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Please submit your extended abstract (in Portuguese, Spanish or English) of a max</span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">. 800 words, </span><span style="font-size:12pt;font-family:Arial;color:rgb(22,22,22);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">and a short bio (50 words) no later than </span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">October 1st, 2018 </span><span style="font-size:12pt;font-family:Arial;color:rgb(22,22,22);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">by 11:59pm Pacific Standard Time (GMT -3) to </span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,254);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap"><a href="mailto:sonologia@usp.br">sonologia@usp.br</a></span><span style="font-size:12pt;font-family:Arial;color:rgb(22,22,22);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">. Please allow 24-48 hours for confirmed reception.</span></p><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;background-color:rgb(255,255,255)">Β </p><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;background-color:rgb(255,255,255)"><span style="font-size:12pt;font-family:Arial;color:rgb(22,22,22);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Selected presentations will need to submit camera-ready papers (in English) by </span><span style="font-size:12pt;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">February 25th 2019 </span><span style="font-size:12pt;font-family:Arial;color:rgb(22,22,22);background-color:transparent;font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">with a provided (by us) ODT/ MS Word templates (max. 7000 words in A4 format).</span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:Arial;color:rgb(20,23,26);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Submission of </span><span style="font-size:12pt;font-family:Arial;color:rgb(20,23,26);background-color:rgb(255,255,255);font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">abstracts</span><span style="font-size:12pt;font-family:Arial;color:rgb(20,23,26);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap"> until </span><span style="font-size:12pt;font-family:Arial;color:rgb(20,23,26);background-color:rgb(255,255,255);font-weight:700;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">October 1st, 2018</span><span style="font-size:12pt;font-family:Arial;color:rgb(20,23,26);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">.</span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:Arial;color:rgb(20,23,26);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">The call for papers and further information are available at: </span><span style="font-size:12pt;font-family:Arial;color:rgb(17,85,204);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:underline;vertical-align:baseline;white-space:pre-wrap"><a href="http://www2.eca.usp.br/sonologia/2019/?page_id=79">http://www2.eca.usp.br/sonologia/2019/?page_id=79</a></span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:Arial;color:rgb(20,23,26);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">We ask for your help sharing this call and await your submission!</span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:Arial;color:rgb(20,23,26);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Respectfully,</span></p><br><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:6pt;margin-left:3pt"><span style="font-size:12pt;font-family:Arial;color:rgb(20,23,26);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Sonologia 2019 I/O<b id="gmail-docs-internal-guid-fd4237a4-7fff-a2e7-0183-5fe46fe06589" style="color:rgb(34,34,34);font-family:arial,sans-serif;font-size:small;white-space:normal;text-decoration-style:initial;text-decoration-color:initial;font-weight:normal"></b></span></p><p dir="ltr" style="line-height:1.38;margin-top:0pt;margin-bottom:6pt;margin-left:3pt;display:inline"><b id="gmail-docs-internal-guid-fd4237a4-7fff-a2e7-0183-5fe46fe06589" style="color:rgb(34,34,34);font-family:arial,sans-serif;font-size:small;white-space:normal;text-decoration-style:initial;text-decoration-color:initial;font-weight:normal"><b id="gmail-docs-internal-guid-fd4237a4-7fff-a2e7-0183-5fe46fe06589" style="color:rgb(34,34,34);font-family:arial,sans-serif;font-size:small;white-space:normal;text-decoration-style:initial;text-decoration-color:initial;font-weight:normal"><span style="font-size:12pt;font-family:Arial;color:rgb(20,23,26);background-color:rgb(255,255,255);font-weight:400;font-style:normal;font-variant:normal;text-decoration:none;vertical-align:baseline;white-space:pre-wrap">Organizing Committee.</span></b></b></p>

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