<html>
<head>
<meta http-equiv="content-type" content="text/html; charset=utf-8">
</head>
<body bgcolor="#FFFFFF" text="#000000">
<tt>DRIFT-02 <br>
Release Party<br>
@ Instants chavirés<br>
Fri 18 march 2016<br>
20h > 0h<br>
<a class="moz-txt-link-freetext"
href="http://www.instantschavires.com/spip.php?article1364">http://www.instantschavires.com/spip.php?article1364</a><br>
</tt><br>
<tt>w</tt><tt><tt><tt>/<br>
PHONOTOPY vs ARTKILLART <br>
SAMON TAKAHASHI <br>
NICOLAS MONTGERMONT <br>
JEAN-FRANÇOIS BLANQUET <br>
b01xy<br>
<br>
_<br>
About Drift-02<br>
<br>
</tt></tt></tt><tt>Drift -02 is made of 12 grooves of pure
silence are cut on each side, overlaid upon each others.</tt><br>
<br>
<tt> » This record, while technically being a disc “on” silence, is
a record “of” transparency. Suddenly one can conceive that
transparency, whilst not being a color for the eye, is undeniably
one for the unheard.</tt><tt> What we hear is not only the result
of the machine recording nothing but the sum of the toneless
events of this past process and of our present listening. By
re-enacting the figured silence of the mechanics, the quality of
your turntable, background noise, amplification, sonic
environment…, contribute to the compression of time.</tt><tt> The
sound becomes a transparent, transpiring material; through the
tangible silence, music exudes as a twilight breath.</tt><br>
<p><tt> […]<br>
</tt><tt><br>
</tt><tt> In the lineage of his “phonotopies”, Yann Leguay pursues
the conceptual and phenomenological exploration of mechanical
sound. “Drift” series pushes the technical limitation of the
machine. Namely, engraving the crossing of grooves on a vinyl
record. The “drift” therefore arises when the needle changes
path according to these crossings. Drift #2 documents this
operation without any sound source having been recorded. »</tt></p>
<tt> </tt>
<p><tt>- Samon Takahashi </tt></p>
<tt><tt><tt><tt><tt><br>
<br>
<br>
==================== </tt></tt></tt></tt></tt><tt><tt><tt><tt><tt><tt><tt><tt><tt><tt>ABOUT
====================<br>
</tt></tt></tt></tt></tt> <br>
<br>
<br>
</tt></tt></tt></tt> PHONOTOPY vs ARTKILLART<br>
-<br>
as an introduction to the evening<br>
<a class="moz-txt-link-freetext" href="http://www.phonotopy.org">http://www.phonotopy.org</a><br>
<a class="moz-txt-link-freetext" href="http://www.artkillart.tk">http://www.artkillart.tk</a><br>
<br>
<br>
<br>
SAMON TAKAHASHI<br>
Sound performance<br>
-</tt><br>
<tt>Samon Takahashi is a visual and sound artist based in Paris,
France. His practice is devoted to visual art, sound art and
music. His work is so-called transdisciplinary using all types of
media. His main interests or obsessions concern language, means of
communication, pseudo science, architecture, isolated landscapes
and classification. There is not a clear style that links his
different works but a methodology, a sort of empirical logic, a
common skeleton. <br>
<a class="moz-txt-link-freetext"
href="https://www.discogs.com/artist/320047-Samon-Takahashi">https://www.discogs.com/artist/320047-Samon-Takahashi</a><br>
<br>
<br>
<br>
NICOLAS MONTGERMONT<br>
Radioscape, video screening, 2016<br>
- </tt><br>
<tt>Nicolas Montgermont developps his artistic researches amongst
different collectives. Since 2005, in the <i>chdh</i> duo, he
works on the synesthesic aspects of the audiovisual performance by
creating choreographies of abstract particules. These works leads
to two edition, the <i>vivarium</i> dvd in 2008, and the usb key
<i>egregore - source</i> in 2014, both on the artkillart label.
Between 2007 and 2012, he works in the <i>art of failure</i> duo,
exploring the capacities of the mediums to generate their own
forms, as in the <i>corpus</i> series, sound installations that
sets in vibration differents architectures in Europe. Since 2012,
he collaborates with Cécile Beau on installations that makes
perceptible the physical properties of our environment.<br>
<a class="moz-txt-link-freetext"
href="http://nimon.org/radiographie.php">http://nimon.org/radiographie.php</a><br>
<br>
<br>
<br>
JEAN-FRANÇOIS BLANQUET<br>
Data Traffic, sound performance<br>
</tt><tt>-<br>
Jean-François Blanquet carries out a sound and visual search with
the help of several processes such as<br>
the transmission/wave reception (radio, infrared, wifi) the
electronic feedback and larsen (mixer + effects, computer, speaker
+ microphone), modified and appropriation of audio and video
objects (circuit-bending), voice and cut-up (work on text, words
and language). He seeks in noise and instability, an opening to an
adventure of the senses.<br>
The body as central presence in the live act, he recycles and
hijacks the technology which surround us, he develops process
involving loops, larsens, re-injections of the signal and other
chain reaction devices, surfing with luck for new adventure, a
formulation occurs.<br>
Go forward without any hang ups, to an aesthetic of confusion!<br>
Acts alone or with poets, video makers and musicians, working with
dance, theater, and involves in multidisciplinary projects. <br>
<a class="moz-txt-link-freetext" href="http://cromix.free.fr/">http://cromix.free.fr/</a><br>
<a class="moz-txt-link-freetext" href="http://www.log4data.net">http://www.log4data.net</a><br>
<br>
<br>
<br>
b01<br>
Attack me at 2.432 GHz, sound performance<br>
-</tt><br>
<tt>Attack me at 2.432 GHz is an audiovisual performance based on
the real time sonification of human activities in the
electromagnetic spectrum and particularly high frequencies. In a
global surveillance context, while the "Internet Of Things"
movement is spreading worldwide connected objects, our personal
datas have never been so exposed. The massive use of wireless
transmissions rises questions about public health and safety,
preservation of privacy.To prevent this, there is the strategy of
the attack, the honeypot to attract pests and digital lock-picking
skills to open backdoors and build autonomous zones. Possibly
encrypted data packets encapsulated in a constellation of
standardized protocols, that's all electromagnetic bestaire that
revolves around us every day in an invisible but audible world.</tt><br>
<tt><a class="moz-txt-link-freetext"
href="http://benjah.free.fr/2432.html">http://benjah.free.fr/2432.html</a><br>
<br>
<br>
<br>
- <br>
<br>
and<br>
<br>
<br>
DRIFT-02 <br>
Pre Release Party <br>
in Labomedia, Orléans, thu 17 march<br>
w/ Nicolas Montgermont, b01, Jean François Blanquet et
Art[k]illart<br>
<a class="moz-txt-link-freetext"
href="http://labomedia.org/jeudi-17-mars-2016-mdj-concert-de-musique-vraiment-actuelle/">http://labomedia.org/jeudi-17-mars-2016-mdj-concert-de-musique-vraiment-actuelle/</a><br>
<br>
&<br>
<br>
Yann Leguay will give a talk within the conference series
Reflexio, at Paris 8 Université Paris 8<br>
<br>
_<br>
<br>
<br>
</tt>
</body>
</html>