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    <tt> </tt><tt><br>
      444</tt><br>
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        JD ZAZIE</tt><br>
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          <div class="_5xhp fsm fwn fcg"> <tt>MARIO DE VEGA </tt><tt><br>
            </tt> <tt>ARNAUD RIVIÈRE</tt><tt><br>
            </tt> <tt>YANN LEGUAY</tt><tt><br>
              <br>
            </tt> <tt>+ </tt><tt><br>
            </tt> <tt>DJs</tt><tt><br>
            </tt><tt> i.ruu̵uu?</tt><tt><br>
            </tt><tt> art[k]illart</tt><tt><br>
            </tt> <tt><br>
            </tt><tt><tt>in <br>
                <br>
                Aucd Macht Neu </tt><tt><br>
              </tt> <tt> Veteranenstraße 21, 10119 </tt><tt><br>
              </tt><tt> Berlin, Germany</tt><tt><br>
              </tt> </tt><br>
            <tt><tt><tt>Sunday March 13th, 2016 </tt><tt><br>
                </tt><tt> from 20h>0h</tt><tt><br>
                  Admission Fee</tt></tt></tt><tt><tt>: 7 euros</tt><tt><br>
              </tt><br>
              <br>
            </tt> <tt>////////////////////////////////////////////////</tt><tt><br>
            </tt> <tt> //////////////// ABOUT </tt><tt>
              ////////////////</tt><tt><br>
            </tt> <tt> ////////////////////////////////////////////////</tt><tt><br>
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          <div><tt>JD Zazie</tt><tt><br>
            </tt> <tt>_</tt><tt><br>
            </tt> <tt>JD Zazie is an Italian sound artist based in
              Berlin.</tt><tt> Coming from a DJ and a radiophonic
              background JD Zazie has explored over the years different
              approaches of real-time manipulation on fixed recorded
              sound.</tt><tt> In her work she redefines DJ and
              electro-acoustic activities. As a solo performer, in small
              groups or large ensembles she moves in an area which is
              constantly stretching the borders of what is supposed to
              be DJ mixing, free improvisation and composed music.</tt><tt>
              Intended as music instruments CDjs, turntables and mixer
              are her tools to mix the specific sound-sources she plays
              (mostly electronic music, electro-acoustic music, musique
              concrète, field recordings and improvised music).</tt><tt>
              The typology of the sound-sources varies from already
              existing audio publications and sound effects, to self
              recorded audio files – as live-set and field-recordings
              -,  to selected pre-mixed material. Juxtaposition,
              decontextualization, fragmentation, repetition, sonic
              texture, scratch and error are elements of the grammar
              adopted to relate, organize and rearrange the sound
              material following her “Äpfelzerstörer’s method”. She has
              participated in numerous international events and
              exhibitions as well as being a member of the italian label
              Burp Enterprise and co-running Staalplaat Radio.</tt><tt><br>
            </tt> <tt><a class="moz-txt-link-freetext"
                href="https://soundcloud.com/jd-zazie">https://soundcloud.com/jd-zazie</a></tt><tt><br>
            </tt> <tt><br>
            </tt> <tt>Mario de vega</tt><tt><br>
            </tt> <tt>_</tt><tt><br>
            </tt> <tt>Born in Mexico City, lives and works in Berlin
              and Mexico City. Through actions, accidents, and results
              with a conceptual connection to acoustic perception, his
              work researches the value of vulnerability, fragility, and
              indetermination. He has performed live and exhibited his
              work in various platforms in Mexico, South Africa, India,
              Canada, Russia, Korea, Japan, United States, and all over
              Europe.</tt><tt><br>
            </tt> <tt><a class="moz-txt-link-freetext"
                href="http://www.mariodevega.info/">http://www.mariodevega.info/</a></tt><tt><br>
            </tt> <tt><br>
            </tt> <tt>Arnaud Rivière</tt><tt><br>
            </tt> <tt> _</tt><tt><br>
            </tt> <tt>Using a rudimentary electro-acoustic device built
              around a repaired turntable (pick-up), a prepared-mixer
              and other primitive equipment that need manipulation - to
              make it brief -, Arnaud Rivière practises free
              improvisation, playing solo, in groups and through
              collaborations, since the late 90’s. "He is an unabashed
              feedbackophile who creates monstrous gusts of noise with
              simple tools used incorrectly. Jamming foreign objects and
              wires into his mixing board, using his turntable to spin
              metal disks or worse, twisting his distortion pedal to 11,
              the harsh beauty of Rivière’s music does not come from
              conventional concepts like melody and harmony, but from
              deftly controlled bursts of energy, powerful gestures of
              thunderous layers of noise upon noise, and a wonderful
              sense of structure." Keir Neuringer.</tt><tt><br>
            </tt> <tt><a class="moz-txt-link-freetext"
                href="http://http.http.http.http.free.fr/">http://http.http.http.http.free.fr/</a></tt><tt>
            </tt><tt><br>
            </tt> <tt><br>
            </tt> <tt>Yan</tt><tt>n</tt><tt>  Leguay </tt><tt><br>
            </tt>
            <div><tt>_</tt><tt><br>
              </tt><tt>Brussels based sound artist Yann Leguay , defined
                as a media saboteur by the Consumer Waste label, he
                seeks to fold materiality in on itself using basic means
                in the form of objects and videos or during
                installations and performances. His flagrant disregard
                for the accepted norms of audio behaviour appropriates
                unusual machinery for the playback of audio media: using
                an angle grinder to perform the live destruction of a
                microphone or using  opened hard-drives as turntables.
                His release activity is equally deviant, releasing
                silkscreen records or a 7” single without a central hole
                and a record composed from recordings of vinyl being
                scratched by scalpel. His Phonotopy label proposes a
                conceptual approach to recording media and he also
                curates the DRIFT series on the Artkillart label which
                overlays several grooves onto a single record, causing
                randomised playback.</tt></div>
            <div><tt><a href="http://www.phonotopy.org/" target="_blank">www.phonotopy.org</a></tt><tt><br>
              </tt> <tt><br>
              </tt> </div>
            <tt><br>
            </tt> <tt><br>
            </tt> <tt>+</tt><tt><br>
            </tt> <tt><br>
            </tt> <tt>DJ</tt><tt><br>
            </tt><tt> i.ruu̵uu?</tt><tt><br>
            </tt> <tt><a e77f91b6="true"
                href="http://to.be/fields/mw_r9d" rel="nofollow
                nofollow" target="_blank"
                onmouseover='LinkshimAsyncLink.swap(this,
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              16px;display: inline-block;" e5fb00daec08d0ff4391="to.be"><tt> </tt></div>
            <tt><br>
            </tt> <tt><br>
            </tt><tt> Art[k]illart</tt><tt><br>
            </tt> <tt><a e77f91b6="true"
                href="http://artkillart.free.fr/" rel="nofollow
                nofollow" target="_blank"
                onmouseover='LinkshimAsyncLink.swap(this,
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              16px;display: inline-block;"
              e5fb00daec08d0ff4391="artkillart.free.fr"><tt> </tt></div>
            <tt><br>
            </tt> <tt><br>
            </tt><tt><br>
              _</tt><tt><br>
            </tt><tt>Performances will be livestreamed on DIY Church
              international radio space station **</tt><tt><br>
            </tt> <tt><a e77f91b6="true"
                href="http://www.diychurch.org/" rel="nofollow nofollow"
                target="_blank"
                onmouseover='LinkshimAsyncLink.swap(this,
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            </tt> <tt><br>
            </tt> <br>
            <tt> ///////////////////</tt> </div>
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