<html><head><meta http-equiv="Content-Type" content="text/html charset=windows-1252"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;"><div>Great review for Tatsuro’s work!</div><div><br></div><a href="https://foreignaccentspdx.wordpress.com/2015/09/11/new-album-review-tatsuro-kojima-refraction-and-reflection/">https://foreignaccentspdx.wordpress.com/2015/09/11/new-album-review-tatsuro-kojima-refraction-and-reflection/</a><div><br></div><div>These pieces are impassive, mysterious, inviting– a spooky sense of melody hovers in and out of the mix, muted but not buried, but what is really interesting here is how Kojima’s experiments with processing can make very commonplace sounds seem very alien and looming. Kojima’s work here is as great as anything I’ve heard from the best, and if you are into sound art and ambient music, I can’t recommend <i>Refraction and Reflection</i> to you enough.<br></div><div><br></div><div>
<div><div>David Newman</div><div>dwnewman@clara.co.uk</div><div><br></div><div>www.audiobulb.com | exploratory music</div><div>www.audiomoves.com | music sync specialist</div></div><div><br></div><div><br></div><br class="Apple-interchange-newline">
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