<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
</head>
<body bgcolor="#ffffff" text="#000000">
<style>
a{
text-decoration:none;
</style>
<table border="0" cellpadding="2" cellspacing="2" height="20"
width="648">
</table>
<div align="justify">
<table border="0" cellpadding="2" cellspacing="2" height="20"
width="707">
<tbody>
<tr>
<td valign="top"><small><font face="Arial"><b><br>
<br>
MUSIC FOR SPEAKERS</b><small><small><br>
<big><big>Field recordings | improv |
electronic<br>
<br>
</big></big></small></small> <br>
</font><a href="http://www.aposiopese.com/" target="_blank"
title="hebergeur image"><img
src="http://nsa34.casimages.com/img/2015/02/09/150209013002296267.jpg"
alt="—" border="0" height="457" width="689"></a><br>
<font face="Arial"><br>
<br>
<b>MARC BARON</b> + <b>THOMAS TILLY</b> + <b>YVAN ETIENNE<br>
<br>
</b> </font></small><small><font face="Arial"><br>
</font></small><a href="http://www.aposiopese.com/menu.html"
target="_blank" title="hebergeur image"><img
src="http://nsa34.casimages.com/img/2015/02/09/15020902133862545.jpg"
alt="—" border="0" height="1" width="689"></a><br>
<small><font face="Arial"> </font></small><small><font
face="Arial"><b><br>
<br>
25 Feb 2015</b><br>
<br>
<b>Concert</b> | At
Delacharge. Brussels.<br>
</font></small><small><font face="Arial">Organized by
'Lab_sin_01' & 'Aposiopèse.</font></small><br>
<small><font face="Arial">Opening 19:30 pm | 6 euros |
Info-booking : +(32)0 26 082 212 |
collectifsin@gmail.com<br>
<br>
<font color="#000000"><a href="http://delacharge.com/"><b>Delacharge</b></a></font>
:
Théodore Verhaegenstratt, 152. 1060,
Sint-Gillis /
Saint Gilles. Brussels. Be.<br>
Tram 81/83 to : Bethleem. Metro "Porte de Hal | Hallepoort" | <a
href="https://maps.google.be/maps?q=152,+Rue+Th%E9odore+Verhaegen+1060+Brussels&hl=fr&ie=UTF8&client=safari&hnear=Rue+Th%E9odore+Verhaegen+152,+1060+Saint-Gilles,+Bruxelles&gl=be&t=m&z=16&output=classic&dg=brw"><font
color="#000000">Map</font></a><br>
<br>
<br>
<br>
</font></small><a href="http://www.aposiopese.com/menu.html"
target="_blank" title="hebergeur image"><img
src="http://nsa34.casimages.com/img/2015/02/09/15020902133862545.jpg"
alt="—" border="0" height="1" width="689"></a><br>
<small><font face="Arial"> <b><br>
<br>
</b><b>MARC BARON<br>
<br>
</b> <br>
</font></small><a href="http://www.aposiopese.com/"><img
src="http://nsa33.casimages.com/img/2015/02/09/150209015949406561.jpg"
alt="—" border="0" height="297" width="249"></a> <a
href="https://www.youtube.com/watch?v=7AJX4flkK_w" target="_blank"
title="hebergeur image"><img
src="http://nsa33.casimages.com/img/2015/02/09/150209025448207940.jpg"
alt="—" border="0" height="297" width="432"></a> <br>
<small><font face="Arial"><br>
</font></small>
<div align="justify">
<div align="left"><small><font face="Arial">There are sounds
that he gathers, those that he makes up, there is all
that he settles before with protocols and that he deploys. </font></small><br>
<small><font face="Arial">And above all, there is what comes here
to ears, sometimes by accident,
when the material is worked on in the studio, by the tape itself, by
the microphone. In the beginning, The form that it takes (broadcasting,
performance, record) depends essentialy on the music itself. When it
makes sense, the context or the space of the broadcast can determine
the facts. The complexity of qualities, their assembling is the core of
this music ; seized between a semblance of realism and the desire for
the greatest vagueness. </font></small><br>
<small><font face="Arial">A search for a tension.</font></small><br>
</div>
<small><font face="Arial"> </font></small><br>
<div align="left"> <small><font face="Arial">Photograph : ©
Alice Cuvelier.</font></small><br>
<br>
<small><font face="Arial">Review of "Hidden
tapes'' - (Cd
Potlacth. 2014.) - By The Watchful ear :</font></small><br>
<small><font face="Arial">Baron’s music is often unusual,
mysterious and exciting. With this new
release for the increasingly fine Potlatch label however it also feels
highly personal and even emotional. </font></small><br>
<small><font face="Arial">Previously a saxophonist, Baron has
ceased to play that instrument for
a few years now, and this new disc seems to consist of electroacoustic
constructions made primarily from old tapes, presumably from Baron’s
private collection. Notes at the Potlatch website tell us that grabs
from movies and classical or liturgical music are also churned into the
mix. There are five tracks, mostly titled with dates, perhaps linking
back to when the tapes used here were first recorded, but as with much
of this album, and Baron’s work in general, so much is left for us to
guess at. The five pieces essentially exist as streams of thick, heavy
abstraction- spluttering, noisy outbursts, blurry, almost mechanical
smears and all kinds of electronic, or electroacoustic distraction,
often at relatively high volume. These however fracture often,
sometimes slipping into silence, but also often letting what we must
assume to be the original content of the tapes to peer through the
clouds of noise. So we hear bits of conversation, music, chatter, and a
load more besides suddenly surfacing, and often disappearing even more
abruptly.</font></small><br>
</div>
</div>
<small><font face="Arial"> <br>
(... ) One of the best things I have heard in quite a long time and
completely essential.<br>
+ More : <a href="http://www.thewatchfulear.com/?p=8984"><b>thewatchfulear</b>.com/?p=8984</a><br>
<br>
<br>
<a href="http://youtube.com/watch?v=7AJX4flkK_w"><b>youtube</b>.com/watch?v=7AJX4flkK_w</a><br>
<a href="http://www.marcbaron.fr/liveaustralie.wav"><b>marcbaron</b>.fr/liveaustralie.wav</a><br>
<a href="http://cathnor.bandcamp.com/"><b>cathnor</b>.bandcamp.com</a><br>
<a
href="http://www.francemusique.fr/emission/le-cri-du-patchwork/2014-2015/silence-4-4-l-espace-du-silence-10-25-2014-16-00"><b>francemusique</b>.fr/emission/le-cri-du-patchwork</a><br>
<a href="http://www.marcbaron.fr/"><b>marcbaron</b>.fr</a><br>
<br>
<br>
<br>
</font></small><a href="http://www.aposiopese.com/menu.html"
target="_blank" title="hebergeur image"><img
src="http://nsa34.casimages.com/img/2015/02/09/15020902133862545.jpg"
alt="—" border="0" height="1" width="689"></a><br>
<small><font face="Arial"> <br>
<br>
<b>THOMAS TILLY</b><br>
<br>
<br>
</font></small><a href="http://www.aposiopese.com/menu.html"
target="_blank" title="hebergeur image"><img
src="http://nsa33.casimages.com/img/2015/02/09/150209021121446642.jpg"
alt="—" border="0" height="297" width="297"></a> <a
href="https://scriptgeometry.wordpress.com/"><img
src="http://nsa34.casimages.com/img/2015/02/09/150209030013396002.jpg"
alt="—" border="0" height="297" width="384"></a><small><font
face="Arial"> <br>
<br>
</font></small>
<div align="left"><small><font face="Arial">Field recordings |
Musician whose principle instrument is a microphone.
For twelve years he has been composing, inventing sound art
installations and teaching. His work has been presented in more than 15
countries. Tilly finds inspiration in different environmental analysis
protocols and how they have impact on the notion of listening. </font></small><br>
<small><font face="Arial"> </font></small><br>
<small><font face="Arial"> </font></small> </div>
<small><font face="Arial">Review of 'Script
geometry' / (Album. 2Lp+Cd) 2014 - By 5:4 : </font></small><br>
<small><font face="Arial"> </font></small> <br>
<div align="left"> <small><font face="Arial">Cage’s inclusion
of natural sounds as musical entities finds a
resonance in Script Geometry, the striking new double album from French
sound artist Thomas Tilly, out now on the Aposiopèse label.
Tilly’s starting point is a collection of field recordings made over
the course of a month spent in the tropical rainforest of French
Guiana. He describes how he “listened to and captured the sound
environment with an emphasis on animal communications, those which are
perceptible to the human ear, but also the inaudible that exist in the
ultrasonic spectrum”. These recordings are presented in two ways, the
first of which is overtly hands-off, Tilly allowing them to speak for
themselves in a raw state, without editing or mixing. But far more
impressive are the several pieces Tilly composes using these
recordings, mixing & layering them into awesome vistas of sound.
Sometimes (as in the opening track, ‘At night, mass’) this appears at
first hearing to result in cacophony, but gradually one realises
there’s a huge sense of perspective, enabling listening at different
‘depths’, so to speak. Another composition, ‘Crossroads, phasing’,
challenges the instinct (for both recordist & listener) to move on
from a seemingly unchanging sound, but persistence is rewarded, as the
soundworld is constantly in flux; furthermore, this track powerfully
conveys the heat of Tilly’s environment, practically conjuring up
humidity. An engrossing album, it’s crowned with a one-hour untouched
‘reference recording’ that opens a large-scale window on the epic
panorama of the rainforest. Aposiopèse have spared nothing in
presentation: Script Geometry is available as a sumptuous double-vinyl
set (cut by none other than Rashad Becker) with the reference recording
on an accompanying CD; for the turntabley-challenged, there’s a
lossless digital edition also available. <a
href="http://5against4.com/"><b>5against4</b>.com</a> </font></small><br>
<small><font face="Arial"> </font></small><br>
<small><font face="Arial">Thomas Tilly will perform "Script
geometry"at Delacharge. + <a
href="https://scriptgeometry.wordpress.com/"><font color="#000000">info</font></a></font></small><br>
</div>
<small><font face="Arial"> <br>
<br>
<a
href="http://label-aposiopese.bandcamp.com/album/script-geometry"><b>label-aposiopese</b>.bandcamp.com/album/script-geometry</a><br>
<a
href="http://soundcloud.com/aposiopese-music/thomas-tilly-script-geometry-1"><b>soundcloud</b>.com/aposiopese-music/thomas-tilly-script-geometry-1</a><br>
<a
href="http://www.franceculture.fr/emission-l-atelier-du-son-thomas-tilly"><b>franceculture</b>.fr/emission-l-atelier-du-son-thomas-tilly</a><br>
<a href="http://thomas.tilly.free.fr/"><b>thomas.tilly</b>.free.fr</a><br>
<br>
<br>
<br>
</font></small><a href="http://www.aposiopese.com/"
target="_blank" title="hebergeur image"><img
src="http://nsa34.casimages.com/img/2015/02/09/15020902133862545.jpg"
alt="—" border="0" height="1" width="689"></a><br>
<small><font face="Arial"><b> <br>
<br>
YVAN ETIENNE<br>
<br>
</b> <br>
</font></small><a href="http://www.aposiopese.com/"><img alt="—"
src="http://nsa34.casimages.com/img/2015/02/09/150209020255398628.jpg"
border="0" height="297" width="297"></a> <a
href="http://wyy.free.fr/sons.html" target="_blank"
title="hebergeur image"><img
src="http://nsa34.casimages.com/img/2015/02/09/150209030950225410.jpg"
alt="—" border="0" height="297" width="384"></a><small><font
face="Arial"><br>
</font></small>
<div align="left"><small><font face="Arial"> </font></small> </div>
<small><font face="Arial"> </font></small> <br>
<div align="left"> <small><font face="Arial">Yvan Etienne is
artist/activist engaged in research in the field of
sound art. (specific site installations, concerts,). As a musician/, He
composes and plays pieces using electronic, phonography, analog
synthesizers and the hurdy-gurdy. Its sound-art research questions the
perception and physicality of sound spaces. Also independant curator
& editor of the collection "oh cet echo" at Presses du Réel,
he's concerned with the diffusion of sound & intermedia practices
since 1994. Founder of the sound workshop at HEAR/Mulhouse, Art school
of Mulhouse and co-manager of SONIC, master of sound research. </font></small><br>
<small><font face="Arial"> </font></small><br>
<small><font face="Arial">Review of ''Feu'' (Album. Cd) 2014 - By
Neural (Italy) : </font></small><br>
<small><font face="Arial">Yvan Etienne is active as a sound
experimenter interested in issues
surrounding site-specific audio installations and as a composer
proposing weighty reflections on perception and the physicality of
sounds in space. Etienne has not been lacking for collaborative work in
recent years, undertaking projects and performance with the likes of
Phill Niblock, Yann Gourdon, Richard Glover, Brice Jeannin, Patrice
Grente, Julien Ottavi, Robert Poss, Paul Panhuysen, Marie and Verry
Joachim Montessuis, to name a few, as well as acting as curator and
director of the Ohcetecho aux Presses Du Réel collection. For
the three tracks of his first solo album Etienne manipulates various
field recordings, a Serge modular synthesizer and a hurdy-gurdy
(whether ancient or modern is not known). The result is a sound
simultaneously fluffy yet stinging, replete with ambient noise, drones
and sparse sequences that feel grainy and menacing, hovering somewhere
between organic and inorganic. The impressive scores are very dense and
layered, building to a crescendo that is harmonious and addictive,
despite the fixity of the narration. Strongly iterative, immersive and
resonant, the work reflects a keen sense of spatiality and dynamics.
The listening is pleasant but never too conciliatory, favoring moods
that are rather spacey and sidereal, infused with vintage synths, tools
made popular in the mid-seventies by artists such as Frank Zappa, Jon
Hassell, Sonic Boom, Richie Hawtin and Vince Clarke that have now
achieved “cult” status among fans of modular analogue gear | <font
color="#000000"><a href="http://neural.it/"><b>neural</b>.it</a></font></font></small><br>
</div>
<small><font face="Arial"> <br>
<font color="#000000"><br>
<a
href="https://soundcloud.com/aposiopese-music/yvan-etienne-la-lueur-apo-10"><b>soundcloud.com/aposiopese-music</b>/yvan-etienne-la-lueur-apo-10</a><br>
<a href="http://label-aposiopese.bandcamp.com/album/feu"><b>label-aposiopese</b>.bandcamp.com/album/feu</a><br>
<a
href="http://www.franceculture.fr/emission-l-atelier-du-son-semaine-art-jean-dubuffet-et-ses-experiences-musicales-%20-feu-d-yvan-etienn"><b>franceculture</b>.fr/emission-l-atelier-du-son-semaine-art</a><br>
<a href="http://wyy.free.fr/travaux.html"><b>wyy</b>.free.fr/travaux.html</a><br>
</font> <br>
<br>
<br>
</font></small><a
href="https://www.youtube.com/watch?v=7AJX4flkK_w" target="_blank"
title="hebergeur image"><img
src="http://nsa34.casimages.com/img/2015/02/09/150209030950225410.jpg"
alt="—" border="0" height="1" width="689"></a><br>
<small><font face="Arial"> <br>
<a href="http://collectifsin.zone/%7E/"><b>collectifsin</b>.zone</a>
| <a href="http://www.delacharge.com/"><b>delacharge</b>.com</a> | <a
href="http://www.aposiopese.com/"><b>aposiopese</b>.com</a><br>
<br>
<br>
<br>
<br>
<br>
</font> </small></td>
<td valign="top"><small><font face="Arial"><small><b><br>
</b></small></font></small></td>
</tr>
</tbody>
</table>
<title>MARC BARON + THOMAS TILLY + YVAN ETIENNE : 25 Fev. 2015 -
Concert @ Delacharge - Brussels. Be.</title>
</div>
</body>
</html>