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<!--StartFragment--><p class="MsoNormal" style="text-align:justify;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><font face="Cambria"><b>cueB Gallery </b>is proud to present
the second edition of <b>Sonic cueB</b> - three days of
experimental and electronic music featuring emerging and established, national
and international artists presenting solo works in the heart of south east
London. Performances are on the Monday 24<sup>th </sup>– Wednesday 26<sup>th</sup>
March 7pm -11.30pm<span lang="EN-US">, at </span><b>cueB Gallery </b>- The Brockley Mess Café, 325 Brockley Road, London SE4 2QZ
(tickets £20 festival pass, £8 single event, £6 concession)<o:p></o:p></font></p><p class="MsoNormal" style="text-align:justify;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><b style="font-family: Cambria;">SONIC cueB</b><span style="font-family: Cambria;">
is a festival of original music curated by composer Luca Nasciuti and will
showcase an eclectic range of practices combining sound art, noise, drone,
acousmatic, ambient, electroacoustic, and electronic music by artists Ain
Bailey (UK), Marios Athanasiou (GR), Alessio Ballerini (IT), Kira Kira (IS),
Timur Kuyanov (SE-RU), Yiorgis Sakellariou (GR), Iris Garrelfs (UK-DE), Lina
Lapelyte (LT), Sam Salem (UK).</span></p><p class="MsoNormal" style="text-align:justify"><b style="font-family: Cambria;">SONIC cueB</b><span style="font-family: Cambria;">
is also an opportunity for artists to develop a dialogue within the diverse
range of experimental music forms encouraging the production and discussion of
collaborative performances that will be presented every night.</span></p><p class="MsoNormal" style="text-align:justify"><b style="font-family: Cambria;">SONIC
cueB</b></p><p class="MsoNormal" style="text-align:justify;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><font face="Cambria">cueB Gallery - The Brockley Mess Café <o:p></o:p></font></p><p class="MsoNormal" style="text-align:justify;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><font face="Cambria">325 Brockley Road, London <span lang="EN-US" style="color: rgb(26, 26, 26);">SE4 2QZ</span>
<o:p></o:p></font></p><p class="MsoNormal" style="text-align:justify;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><font face="Cambria">Monday 24<sup>th</sup>, Tuesday 25<sup>th</sup>
and Wednesday 26<sup>th</sup> March 7pm - 11.30 pm<o:p></o:p></font></p><p class="MsoNormal" style="text-align:justify;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US"><font face="Cambria">Nearest
train station: Brockley (Overground and National Rail), Crofton Park (National
Rail)</font></span></p><p class="MsoNormal" style="text-align:justify;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US"><font face="Cambria"><a href="http://www.cuebgallery.com"><span style="color:windowtext;text-decoration:
none;text-underline:none">www.cuebgallery.com</span></a><o:p></o:p></font></span></p><p class="MsoNormal" style="text-align:justify;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US"><font face="Cambria"><a href="http://www.lucanasciuti.com">www.lucanasciuti.com</a><o:p></o:p></font></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><font face="Cambria"><span lang="EN-US">Co-produced
with Sound and Music Composer-Curator Programme, supported by the Paul Hamlyn
Foundation</span><span lang="EN-US" style="color: rgb(83, 83, 83);"><o:p></o:p></span></font></p><p class="MsoNormal" style="text-align:justify;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span lang="EN-US"><font face="Cambria">
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<!--EndFragment--></font></span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><font face="Cambria"><span lang="EN-US">Supported
by the Hinrichsen Foundation</span><span class="textexposedshow"><o:p></o:p></span></font></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US"><font face="Cambria"><br></font></span></p><p class="MsoNormal" style="mso-pagination:none;tab-stops:233.9pt 290.6pt 16.0cm;
mso-layout-grid-align:none;text-autospace:none"><span class="textexposedshow"><b style="mso-bidi-font-weight:normal"><font face="Cambria">24<sup>th</sup> March 2014<o:p></o:p></font></b></span></p><p class="MsoNormal" style="mso-pagination:none;tab-stops:233.9pt 290.6pt 16.0cm;
mso-layout-grid-align:none;text-autospace:none"><span class="textexposedshow" style="font-family: Cambria; text-align: justify;"><b>Alessio
Ballerini </b></span><span class="textexposedshow" style="font-family: Cambria; text-align: justify;">is a<b> </b></span><span lang="EN-US" style="font-family: Cambria; text-align: justify;">multimedia
artist, uses a computer and other devices to create experimental, minimalist
and multi-stratified sounds and film.
He explores real and imaginary landscapes
by using field recordings, guitar, piano and digital composition, so that the
sound finds its beauty in the harmonic ambient substrate.
He has been a member
of the cinematographic group <i>Postodellefragole</i>
since 2004.
In 2010, he founded <a href="http://www.archivioitalianopaesaggisonori.it/"><span style="color:windowtext;
text-decoration:none;text-underline:none">AIPS – <i>Archivio Italiano Paesaggi Sonori</i></span></a> together with
Francesco Giannico. In 2013, always with Giannico he founded <a href="http://oak-editions.com/"><span style="color:windowtext;text-decoration:
none;text-underline:none">Oak, an art music label</span></a>.
He has
collaborated and shared the stage with Alva Noto, Lawrence English, Oval,
Retina, Enrico Coniglio, Senking, Erik Skodvin, Giuseppe Cordaro, Francesco
Giannico, TU M’, Pietro Riparbelli.</span></p><p class="MsoNormal" style="mso-pagination:none;tab-stops:233.9pt 290.6pt 16.0cm;
mso-layout-grid-align:none;text-autospace:none"><b style="font-family: Cambria; text-align: justify;"><span lang="EN-US">Iris
Garrelfs </span></b><span lang="EN-US" style="font-family: Cambria; text-align: justify;">is a </span><span style="font-family: Cambria; text-align: justify;">composer/performer
intrigued by change, fascinated with voices and enamoured by technology. She
often uses her voice as raw material, which she transmutes into machine noises,
choral works or pulverised “into granules of electroacoustic babble and glitch,
generating animated dialogues between innate human expressiveness and the overt
artifice of digital processing” as the Wire Magazine put it. Moulding complex
sonic or multi-sensorial collages, her work has been compared to artists such
as Yoko Ono, Henri Chopin, Joan La Barbara, Meredith Monk and Arvo Part. Pieces
and performances have featured in exhibitions, festivals and as part of
residencies internationally, including the Barbican, International Computer
Music Conference, GSK Contemporary at the Royal Academy Of Arts, Gaudeamus Live
Electronics Festival, (Amsterdam 2007), and Visiones Sonoras (Mexico 2006).</span></p><p class="MsoNormal" style="text-align:justify;mso-pagination:none;tab-stops:
233.9pt 290.6pt 16.0cm;mso-layout-grid-align:none;text-autospace:none"><span style="font-family: Cambria;">Now in its 18th
year, Iris is one of the founding directors/curators of Sprawl, advocating
experimental sound through live events and recordings, which has seen
collaborations including the Tate Modern and the Goethe Institute, featuring internationally
renowned artists such David Toop, Jem Finer, Vladislav Delay, Pole and many
more. She is currently an AHRC PhD research fellow at LCC in London where she
also teaches on the BA Sonic Art.</span></p><p class="MsoNormal" style="text-align:justify;tab-stops:233.9pt 290.6pt 16.0cm"><b style="font-family: Cambria;">Marios Athanasiou </b><span style="font-family: Cambria;">s</span><span style="font-family: Cambria; color: rgb(34, 34, 34);">tudied
Film and Music at Anglia Ruskin University in Cambridge and in 2003 he moved to
London where he worked as a touring guitarist and composer until 2010. In 2011
he completed an MMus in Studio Composition at Goldsmiths College, London. In
February 2012 he attended the Choreography and 3D-Sound workshop in Zurich,
which was organised by Tanzhaus and the Institute for Computer Music and Sound
Technology of the ZHdK. In January 2014 he launched <a href="http://channelnormal.com">channelnormal.com</a>, an
online exhibition space that predominantly focuses on presenting time-based and
web-based works. His work explores how technology can be used to distort,
manipulate and alter human perception of reality.</span></p><p class="MsoNormal" style="mso-pagination:none;tab-stops:233.9pt 290.6pt 16.0cm;
mso-layout-grid-align:none;text-autospace:none"><b style="mso-bidi-font-weight:
normal"><o:p><font face="Cambria"> </font></o:p></b></p><p class="MsoNormal" style="mso-pagination:none;tab-stops:233.9pt 290.6pt 16.0cm;
mso-layout-grid-align:none;text-autospace:none"><b style="mso-bidi-font-weight:
normal"><o:p><font face="Cambria"> </font></o:p></b></p><p class="MsoNormal" style="mso-pagination:none;tab-stops:233.9pt 290.6pt 16.0cm;
mso-layout-grid-align:none;text-autospace:none"><b style="mso-bidi-font-weight:
normal"><span lang="EN-US"><font face="Cambria">Tuesday 25<sup>th</sup>
March<o:p></o:p></font></span></b></p><p class="MsoNormal" style="mso-pagination:none;tab-stops:233.9pt 290.6pt 16.0cm;
mso-layout-grid-align:none;text-autospace:none"><b style="font-family: Cambria; text-align: justify;"><span lang="EN-US">Lina
Lapelyte </span></b><span lang="EN-US" style="font-family: Cambria; text-align: justify;">lives and works in London and
Vilnius. She is an artist, composer, musician and performer. In her recent
works such as operas <i>Have a good Day!</i> and <i>Candy Shop</i> she has been
exploring the phenomena of song.</span></p><p class="MsoNormal" style="text-align:justify;mso-pagination:none;tab-stops:
233.9pt 290.6pt 16.0cm;mso-layout-grid-align:none;text-autospace:none"><span lang="EN-US"><font face="Cambria">Using song as an object, Lina examines the issues of displacement,
otherness and beauty. Re-enactment supports her investigation into aesthetics,
control and reality. <o:p></o:p></font></span></p><p class="MsoNormal" style="text-align:justify;mso-pagination:none;tab-stops:
233.9pt 290.6pt 16.0cm;mso-layout-grid-align:none;text-autospace:none"><span lang="EN-US"><font face="Cambria">Recently along with Rie Nakajima, Richard Skelton and Jennifer Walshe
she has been shortlisted for the Arts foundation award for the experimental
music. Brian Eno described her practice as ' working right at the edge of what
popular music could become.’<o:p></o:p></font></span></p><p class="MsoNormal" style="text-align:justify;mso-pagination:none;tab-stops:
233.9pt 290.6pt 16.0cm;mso-layout-grid-align:none;text-autospace:none"><span lang="EN-US"><font face="Cambria">Lina Lapelyte has been exhibiting and performing at the David Roberts
Arts Foundation (London), CCA (Glasgow), ICA (London), CAC (Vilnius), Ikon
Gallery (Birmingham), BBC Proms (London), Tate Modern (London), Skopje Bienalle
(Skopje), Spor (Aarhus), Echoraum (Vienna) and Holland Festival (Amsterdam).<o:p></o:p></font></span></p><p class="MsoNormal" style="text-align:justify;mso-pagination:none;tab-stops:
233.9pt 290.6pt 16.0cm;mso-layout-grid-align:none;text-autospace:none"><font face="Cambria"><b><span lang="EN-US">Timur Kuyanov </span></b><span lang="EN-US">is a Siberian artist based in Stockholm. Graduated
from Aalto University, Finland, with Master Degree in Sound Design. He slso
studied at UdK Berlin and Valand School of Art, Gothenburg.<b> </b></span></font><span style="font-family: Cambria;">His work is inspired by shaman practices of local
people of Siberia as well as the industrial past of his home country. </span><span style="font-family: Cambria;">Rhythmical structures, soundscapes, and repetitive
patterns are basis of his performances, serving as a material for non-verbal
narratives of the sound and visual journeys.</span></p><p class="MsoNormal" style="text-align:justify;mso-pagination:none;tab-stops:
233.9pt 290.6pt 16.0cm;mso-layout-grid-align:none;text-autospace:none"><span lang="EN-US" style="font-family: Cambria;">He is a member of </span><span lang="EN-US" style="font-family: Cambria;">Elektronmusikstudion </span><span lang="EN-US" style="font-family: Cambria;">EMS Stockholm.</span></p><p class="MsoNormal" style="text-align:justify;mso-pagination:none;tab-stops:
233.9pt 290.6pt 16.0cm;mso-layout-grid-align:none;text-autospace:none"><b style="font-family: Cambria;"><span lang="EN-US">Yiorgis
Sakellariou </span></b><span style="font-family: Cambria;">is a sound artist and
composer working in the fields of electroacoustic music and phonography. In
2003 he launched the project “Mecha/Orga”, a vehicle for sonic exploration and
research. Since then he has been active internationally being responsible for
solo albums, having composed music for short films and theatrical performances,
leading workshops and ceaselessly performing his music around the globe.</span></p><div style="margin: 0.1pt 0cm; text-align: justify;"><font face="Cambria">His practice is founded on the
digital manipulation of environmental recordings. His palette of sounds is all
encompassing; from vibrating rail-tracks to refrigerators' static, and from
noisy waterfalls to the humming of insects.<br>
He only performs in absolute darkness, fostering an all-inclusive and
profoundly submerging sonic experience. <o:p></o:p></font></div><div style="margin: 0.1pt 0cm; text-align: justify;"><font face="Cambria">Yiorgis Sakellariou is a member of
the Athenian Contemporary Music Research Centre (founded by I. Xenakis) and the
Hellenic Electroacoustic Music Composers Association.<br>
Since 2004 he has curated the label Echomusic.<o:p></o:p></font></div><div style="margin: 0.1pt 0cm; text-align: justify;"><o:p><font face="Cambria"> </font></o:p></div><div style="margin: 0.1pt 0cm; text-align: justify;"><o:p><font face="Cambria"> </font></o:p></div><div style="margin: 0.1pt 0cm; text-align: justify;"><o:p><font face="Cambria"> </font></o:p></div><div style="margin: 0.1pt 0cm; text-align: justify;"><o:p><font face="Cambria"> </font></o:p></div><div style="margin: 0.1pt 0cm; text-align: justify;"><b style="mso-bidi-font-weight:normal"><font face="Cambria">Wednesday 26<sup>th</sup> March <o:p></o:p></font></b></div><div style="margin: 0.1pt 0cm; text-align: justify;"><b style="mso-bidi-font-weight:normal"><o:p><font face="Cambria"> </font></o:p></b></div><div style="margin: 0.1pt 0cm; text-align: justify;"><b style="font-family: Cambria;">Kira Kira
</b><span style="font-family: Cambria;">is Kristín
Björk Kristjánsdóttir, a composer and audio/visual prankster from Iceland. As a
founding member of Kitchen Motors, a mischievous label and collective based on
experiments in electronic music and arts, she continually breaks boundaries
between forms and genres through a repertoire that includes compositions for
theatre, film, dance and art installations – as well as playful
multi-disciplinary productions that exceed her work as merely a composer. Kira
Kira sprang from this collective in 1999 and to this day works with Kitchen
Motors’ ethos at heart -a spirit of playfulness, exploring the relationship
between experimental music and visual arts, collaborating with various
artists.
At first Kira Kira played solo but since year 2008 she has recorded
and played with a wide range of musicians, mostly trumpet player Eiríkur Orri
Ólafsson, Finnish percussionist Samuli Kosminen, contrabass wizard Borgar
Magnason and artist Alex Somers as well as guitarists Hilmar Jensson and Pétur
Hallgrímsson.</span></div><p class="MsoNormal" style="text-align:justify;tab-stops:233.9pt 290.6pt 16.0cm"><font face="Cambria">Her first feature film as
director and screenwriter, Grandma Lo-fi – The Basement Tapes of Sigridur
Nielsdottir is just out and has been celebrated in New York’s Museum of Modern
Art; MoMA, CPH Dox, SXSW and a plethora of other festivals around the world.<o:p></o:p></font></p><div style="margin: 0.1pt 0cm; text-align: justify;"><b style="font-family: Cambria;">Ain Bailey </b><span lang="EN-US" style="font-family: Cambria;">is a sound
artist and dj living and working in London. She especially focuses on creating
compositions involving diverse mediums, such as field recordings and found
sounds, which are inspired by ideas and reflections on silence and absence,
architectural urban spaces, and feminist activism. Her electroacoustic
compositions are created for a variety of forms, including multichannel and
mixed media installations, moving image soundtracks, and live performance.</span></div><div style="margin: 0.1pt 0cm; text-align: justify;"><span lang="EN-US"><o:p><font face="Cambria"> </font></o:p></span></div><div style="margin: 0.1pt 0cm; text-align: justify;"><font face="Cambria">Recent performances of
her work in 2013 have taken place at <i style="mso-bidi-font-style:normal">A
Concert of Sounds </i>Arts at Queen Elizabeth Hall, South Bank; <i style="mso-bidi-font-style:normal">Ode To No. 6 | The Pitch Sisters Live! a</i>t
Iniva and the sound artists group show <i style="mso-bidi-font-style:normal">Night
of the Tin Tabernacle. </i><span lang="EN-US">Bailey
has collaborated with a range of artists including Sonia Boyce, where they
created a sound and film installation entitled '</span>Oh Adelaide' (2010<span lang="EN-US">). Bailey’s recent compositions include ‘Ode To No. 6’
(2012), a meditation on the ‘unheard’ in her domestic space; ‘The Pitch
Sisters’ (2012), a multichannel compositional response to a line contained
within Leslie Thornton’s 1984 film ‘Peggy and Fred In Hell: The Prologue’, and
the soundtrack to Jordan McKenzie’s ‘Feral’ (2012).</span><o:p></o:p></font></div><div style="margin: 0.1pt 0cm; text-align: justify;"><b style="mso-bidi-font-weight:normal"><o:p><font face="Cambria"> </font></o:p></b></div><div style="margin: 0.1pt 0cm; text-align: justify;"><font face="Cambria"><b>Sam Salem
</b>currently resides in Manchester (UK), where he
completed a MUSM in Electroacoustic Music Composition in 2007 and a PhD in
Composition in 2011 at the University of Manchester.</font></div><div style="margin: 0.1pt 0cm; text-align: justify;"><font face="Cambria">His work is focussed upon the sounds of urban
environments: each of his pieces focuses upon a specific geographical location.
His music aspires to illuminate and explore the hidden musicality and beauty of
his geographical subjects, as well as his own relationship to his environment
as both a source of inspiration and musical material. </font><b style="mso-bidi-font-weight:normal"><span style="font-size:12.0pt;mso-bidi-font-size:
10.0pt;font-family:Cambria"><o:p></o:p></span></b></div><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span lang="EN-US" style="mso-bidi-font-size:13.0pt;
font-family:Cambria;mso-bidi-font-family:Arial;mso-ansi-language:EN-US">
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<w:LatentStyles DefLockedState="false" LatentStyleCount="276">
</w:LatentStyles>
</xml><![endif]-->
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<style>
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Table Normal";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-parent:"";
mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
mso-para-margin:0cm;
mso-para-margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Times New Roman";
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"Times New Roman";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;
mso-ansi-language:EN-US;}
</style>
<![endif]-->
<!--StartFragment-->
<!--EndFragment--></span></p><p class="MsoNormal" style="tab-stops:290.6pt 16.0cm"><o:p> </o:p></p>
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