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Hi All,<br>
<br>
We are pleased to announce the new <a
href="http://www.kunstmusik.org/pages/heft_015.html">issue #15</a>
of the acclaimed magazine KunstMusik, with all the contents in
English<br>
for the first time. <span lang="EN-GB"><br>
<br>
<br>
<a href="http://www.kunstmusik.org/pages/heft_015.html"><img
alt="KunstMusik #15"
src="cid:part2.02010405.06010406@con-v.org" border="0"
height="200" width="135"></a><br>
<br>
<br>
<br>
format: full color magazine, 14cm x 21cm<br>
language: English<br>
pages: 72<br>
price (euros): 8,45 (Germany), 10,45 (International)<br>
<br>
<br>
KunstMusik started as a periodical. Each magazine will have its
own host in future who will use their own personal approach to
lead you towards music as an art form. Moreover, in our efforts to
open up to a more international readership we have decided to
publish <i style="mso-bidi-font-style: normal">exclusively in
English</i> this time. The current issue’s host is Spanish
composer <span style="mso-bidi-font-weight:normal">Miguel Angel
Tolosa</span>. Working in the area of field recordings and
drones, he runs the con-v label in Madrid and focuses on
contemporary developments in electroacoustic music.<o:p></o:p></span><br>
<br>
Contents:<br>
<br>
All texts in English<br>
<br>
MIGUEL ANGEL TOLOSA: INTRODUCTION<br>
<br>
STEVE RODEN: 265 x 433 (EXCERPT)<br>
Excerpts from a diary of daily performances of John Cage's 4' 33'':
Notes, sketches, lists of sounds, concrete poetry, short prose
texts.<br>
<br>
ANTOINE BEUGER/SAMUEL VRIEZEN: ASKING QUESTIONS, TRYING ANSWERS<br>
Documentation of an e-mail-coversation: the inside and the outside
name of music, the pre-existence of pieces, intercorrelations in
music, the politics in musical form, participation, extra-musical
influences and atmosphere, is there ever an end to be written?<br>
<br>
MANFRED WERDER: SCORES<br>
Six score facsimiles and a photo. Objets trouvés in performance<br>
<br>
WILL MONTGOMERY: FIVE WAYS OF LOOKING AT MANFRED WERDER<br>
Five experiences from watching the endles in-space-performances by
Manfred Werder. Sound and absence, space and awaiting. The feeling
of abundance.<br>
<br>
WADE MATTHEWS: THREE SUPPOSITIONS<br>
Music as a dishrag: music as something that absorbs what it touches.
Invading and shaping sound. Music as a die: the graceful and fragile
gesture of flinging out a tone. Music as a mark: creating meaning
and orientation.<br>
<br>
MATTIN: NOISE VS CONCEPTUAL ART<br>
Final and extended version of this fine, political text. The anarchy
of noise. Noise as meta-chaos. Noise in the state of crisis. In
extremes we meet!<br>
<br>
<br>
<br>
<a class="moz-txt-link-freetext" href="http://www.kunstmusik.org">http://www.kunstmusik.org</a><br>
<br>
<br>
Thanks for your attention,<br>
Miguel Angel Tolosa / con-v.org / kunstmusik.org<br>
<br>
<br>
<br>
<br>
<br>
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