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<TITLE>1000fussler Hochherz Asnan Buttner</TITLE>
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<FONT FACE="Arial"><SPAN STYLE='font-size:12.0px'><B>Hello!<BR>
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</B>3 New Releases out now! <BR>
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- OLAF HOCHHERZ, rooms to carry books through<BR>
- ADAM ASNAN, FBFC<BR>
- GREGORY BÜTTNER, Scherenschnitt<BR>
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I start a new series of 3"CDR. All with printed cardboard sleeves. <BR>
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<B>more info: <U><a href="http://www.1000fussler.com/seiten/releases.html">http://www.1000fussler.com/seiten/releases.html</a><BR>
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</B>There are also some changes at the website and some reduced prices (now including postage).<BR>
<a href="http://www.1000fussler.com/seiten/shop.html">http://www.1000fussler.com/seiten/shop.html</a><BR>
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Soundcloud: https://soundcloud.com/1000fussler<BR>
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Best wishes, <BR>
1000füssler / Gregory<BR>
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more infos:<BR>
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</B>OLAF HOCHHERZ<BR>
<B>Rooms To Carry Books Through<BR>
</B>3“CDR, (21'00'' ), 50 copies, cardboard sleeve<BR>
1000füssler 018, recorded and mixed Berlin 2012. released in march 2013<BR>
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he setup I use consists of two parts an electronic instrument and ten speakers. The speakers are switchable they are used to distribute the sounds in the room. The instrument is a combination of piezoelectric contact microphones and piezoelectric speakers placed inside a book. The book is a resonator and a filter. The instrument is based on the feedback between piezo microphones and speakers. In order to play the instrument I press my hands on top of the book, thereby the conditions for the feedback change.<BR>
I didn‘t try to make an electronic device, which is controllable in the same way as a classical acoustic instrument, instead I work with the abstraction of the electronics. In my playing i do not control a technical apparatus, but create an associative field. The sounds have their own live. The playing tries to keep them alive. (Olaf Hochherz)<BR>
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<B>Olaf Hochherz</B> lives and works in Berlin and Shanghai. He is performing with self build electronic instruments and computer programs. He is interested in the conjunction of the instability and associative capacity of sounds. He is born 1981 in Wuppertal/Germany. He studied at Folkwang Hochschule Essen electronic composition and at Bauhaus University Weimar media-art/media-design.<BR>
<a href="http://hochherz.klingt.org">http://hochherz.klingt.org</a><BR>
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</B></SPAN></FONT><B><SPAN STYLE='font-size:12.0px'>more info: </SPAN><FONT SIZE="2"><SPAN STYLE='font-size:10.0px'><U><a href="http://www.1000fussler.com/seiten/releases.html">http://www.1000fussler.com/seiten/releases.html</a><BR>
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</SPAN></FONT><SPAN STYLE='font-size:12.0px'>ADAM ASNAN<BR>
<B>FBFC<BR>
</B>3“CDR, (18’39’’), 50 copies, cardboard sleeve<BR>
1000füssler 019, released in march 2013<BR>
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</SPAN></FONT><SPAN STYLE='font-size:12.0px'>FBFC comprises of 4 studies, each using a single speaker driver, amplification feedback and the lid of a 35mm nitrate film canister, that once contained reel 13/16 of Henry V.<BR>
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</SPAN></FONT><SPAN STYLE='font-size:12.0px'>Tracklist:<BR>
FBFC 1 1’11’’ <BR>
FBFC 2 3’46’’ <BR>
FBFC 3 10’46’’<BR>
FBFC 4 2’57’’ <BR>
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<B>Adam Asnan</B> is a London based composer-performer of musique concrète, acquiring an MA under the supervision of Denis Smalley in 2009. Adam‘s work promotes the aesthetic potential of fixed (recorded), amplified sound, and the instabilities of a format; the auditory‚ image‘ subject to intervention, or the whims of its artifice.<BR>
</SPAN><FONT SIZE="2"><SPAN STYLE='font-size:10.0px'><a href="http://adamasnan.blogspot.com">http://adamasnan.blogspot.com</a><BR>
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<B>more info: </B></SPAN><B><FONT SIZE="2"><SPAN STYLE='font-size:10.0px'><U><a href="http://www.1000fussler.com/seiten/releases.html">http://www.1000fussler.com/seiten/releases.html</a><BR>
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</U></SPAN></FONT></B><SPAN STYLE='font-size:12.0px'>GREGORY BÜTTNER<BR>
<B>Scherenschnitt<BR>
</B>3“CDR, (11'44''), 65 copies, cardboard sleeve<BR>
1000füssler 020, released in march 2013<BR>
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For the piece ‘Scherenschnitt‘ (German for ‘silhouette‘, ‘cut out‘ or ‘paper cut‘) I recorded sounds where paper and cardboard are cut with scissors, or torn apart with a cutter. By using very close miking, some digital processing and editing I wanted to zoom into the material. The sound of paper and cutting itself becomes an acoustic silhouette.<BR>
‘Scherenschnitt‘ is the audio part of my sound installation of the same title.<BR>
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<B>Gregory Büttner </B>lives and works as a musician and artist in Hamburg. Since 2000 his main focus is on sound art and electroacoustic compositions. He performed at several festivals and concert series in Europe and Asia, composed music for dance and performance, radio, video and sound installations. In 2004 he launched his label 1000füssler which releases experimental music in small editions.<BR>
<a href="http://www.gregorybuettner.de">http://www.gregorybuettner.de</a><BR>
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</SPAN></FONT><SPAN STYLE='font-size:12.0px'>You can order direct from our website: <BR>
<a href="http://www.1000fussler.com/seiten/shop.html">http://www.1000fussler.com/seiten/shop.html</a><BR>
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the 1000füssler says thanks for your advertency. <BR>
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https://soundcloud.com/1000fussler<BR>
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