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      face="Helvetica, Arial, sans-serif" size="-1"> <i><b>framework</b></i>
      - phonography / field recording; contextual and decontextualized
      sound activity</font><br>
    <font face="Helvetica, Arial, sans-serif" size="-1"> </font><font
      face="Helvetica, Arial, sans-serif" size="-1"> presented by
      patrick mcginley</font><br>
    <font face="Helvetica, Arial, sans-serif" size="-1"> </font><font
      face="Helvetica, Arial, sans-serif" size="-1"> </font><br>
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      face="Helvetica, Arial, sans-serif" size="-1"> <i><b>framework</b></i>
      broadcasts:</font><br>
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    <div bgcolor="#ffffff" text="#000000"><font face="Helvetica, Arial,
        sans-serif" size="-1">    - sunday, 11pm, london, uk on <b>resonance























          104.4fm</b>  (<a moz-do-not-send="true"
          href="http://www.resonancefm.com" target="_blank">http://www.resonancefm.com</a>)<br>
      </font><font face="Helvetica, Arial, sans-serif" size="-1">    -
        tuesday, 12:30pm, south devon, uk on <b>soundartradio 102.5fm</b> 
        (<a moz-do-not-send="true"
          href="http://www.soundartradio.org.uk" target="_blank">http://www.soundartradio.org.uk</a>)<br>
            - wednesday, 2am, thessaloniki, gr on <b>cooradio</b> (<a
          moz-do-not-send="true" href="http://www.cooradio.com"
          target="_blank">http://www.cooradio.com</a>)<br>
            - wednesday, 3am, lisbon, pt on <b>radio zero</b> (<a
          moz-do-not-send="true" href="http://www.radiozero.pt"
          target="_blank">http://www.radiozero.pt</a>)<br>
            - thursday, 7pm, lisbon, pt on <b>radio zero</b> (<a
          moz-do-not-send="true" href="http://www.radiozero.pt"
          target="_blank">http://www.radiozero.pt</a>)<br>
      </font><font face="Helvetica, Arial, sans-serif" size="-1">     -
        thursday, 11pm, maribor, si on <b>radio marš 95.9fm</b> (<a
          class="moz-txt-link-freetext" href="http://www.radiomars.si">http://www.radiomars.si</a>)<br>
      </font><font face="Helvetica, Arial, sans-serif" size="-1">     -
        friday, 1am, brussels, be on <b>radio campus 92.1fm</b>  (<a
          moz-do-not-send="true"
          href="http://www.radiocampusbruxelles.org" target="_blank">http://www.radiocampusbruxelles.org</a>)<br>
            - saturday, 11am, new york state, us on <b>wgxc 90.7fm</b>
        (<a class="moz-txt-link-freetext" href="http://www.wgxc.org">http://www.wgxc.org</a>)<br>
        <br>
        ~ time zone converter:  <a moz-do-not-send="true"
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        </a>~<br>
        <br>
        <br>
        <b>for general info, playlists, podcasts, or to stream the
          latest edition at any time: <span
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              ****************************************************<br>
              <b><i>FRAMEWORK</i> NEEDS YOUR SUPPORT!</b> <br>
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              your subscriptions & donations help make the
              production of <i><b>framework</b></i> possible. visit out
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              <b><br>
              </b><b>AND AS A THANK-YOU FOR YOUR DONATION, WE'LL SEND
                YOU ONE OF OUR <i>FRAMEWORK EDITIONS</i> CD RELEASES:
                THE LATEST ISSUE OF THE <i>FRAMEWORK:SEASONAL</i>
                SERIES, OR  THE <i>FRAMEWORK250</i> SET!</b><b><br>
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              </b> </font>
            <hr size="2" width="100%"><font face="Helvetica, Arial,
              sans-serif" size="-1"><br>
              <b><font face="Helvetica, Arial, sans-serif">#370:
                  2012.04.08</font></b></font><font face="Helvetica,
              Arial, sans-serif" size="-1"><br>
              <br>
              this week's <i><b>framework:afield</b></i> is the second
              in a two-part series. it has been coordinated and produced
              in berlin and the uk by <b>valeria merlini</b> and <b>felicity

                ford</b>, and it features mixes and recordings made by
              participants in the <i><b>documenting sound</b></i>
              workshop held at this year's <b>audiograft</b> festival
              in the uk. featuring recordings and conversations, this
              show documents the festival while also reflecting on the
              practice of field-recording and sonic documentary
              creation. recordings were made by <b>felicity ford</b>, <b>valeria

                merlini</b>, <b>charlotte heffernan</b>, <b>toby
                o'connor</b>, <b>christina bringmann-smith</b> and <b>kim

                laugs</b>, and these recordings detail the varied works
              showcased at the <b>audiograft</b> festival 2012,
              organised by the <b>sonic art research unit</b> at oxford
              brookes university.<br>
              <br>
              For further info: <a class="moz-txt-link-freetext"
                href="http://www.sound-diaries.com">http://www.sound-diaries.com</a>
              / <a class="moz-txt-link-freetext"
                href="http://www.audiograft.com">http://www.audiograft.com</a><br>
              <font face="Helvetica, Arial, sans-serif"> <br>
              </font></font><font face="Helvetica, Arial, sans-serif"
              size="-1"> again, we are always looking for material for
              the show, whether raw field recordings, field recording
              based composition, or introduction submissions. we are
              also now accepting proposals for full editions of our 
              guest curated <i><b>framework:afield</b></i> series. send
              proposals or material, released or not, on any format, to
              the address below. if you have any questions, please don't
              hesitate to get in touch!<br>
              <br>
              <br>
              framework<br>
              tartu mnt 41<br>
              63710 ahja<br>
              põlvamaa<br>
              estonia<br>
              <br>
              <a moz-do-not-send="true" class="moz-txt-link-abbreviated"
                href="mailto:info@frameworkradio.net">info@frameworkradio.net</a></font><font
              face="Helvetica, Arial, sans-serif"><small><br>
                <br>
                <br>
              </small></font>
            <hr size="2" width="100%"><font face="Helvetica, Arial,
              sans-serif"><small><br>
              </small><small> <b>(tracklist)</b> <br>
                <br>
                <font size="-1">field-recordings made at Oxford Brookes
                  University, Headington Hill Campus<br>
                  <br>
                  cable/current recorded with electric coil pickup at
                  the Old Fire Station Gallery, Oxford, at New Works:
                  Manfred Werder, Ben Owen and Patrick Farmer,
                  Audiograft 2012<br>
                  <br>
                  microphone demonstration by Felicity and Valeria at
                  Documenting Sound Workshop, Audiograft 2012<br>
                  <br>
                  playing with the Audio Technica BP4029; ambient
                  University campus sounds recorded with Naiant X-X
                  omni-directional microphones; the railings of the
                  Linnahall in Tallinn recorded with contact
                  microphones; and Charlotte's binaural recording of
                  cars in Oxford city centre, passing from left to right<br>
                  <br>
                  going to the Old Fire Station Gallery, Oxford, to
                  visit New Works: Manfred Werder, Ben Owen and Patrick
                  Farmer, Audiograft 2012<br>
                  <br>
                  field-recordings and interviews with Shirley Pegna and
                  Patrick Farmer made at New Works: Manfred Werder, Ben
                  Owen and Patrick Farmer<br>
                  <br>
                  student performance, Richard Hamilton Building, Oxford
                  Brookes University<br>
                  <br>
                  Kim Laug's recording of, and comments re: the entrance
                  door at the Richard Hamilton Building<br>
                  <br>
                  Christina playing with a broken piano in the corridors
                  of the Richard Hamilton Building<br>
                  <br>
                  Charlotte discusses the chronology of the launch-event
                  at Audiograft 2012<br>
                  <br>
                  Towards an Excellent Finish by Felicity Ford and
                  Stavroula Kounadea <br>
                  <br>
                  Guitar Drag by Christian Marclay,
                  performed/realised/revised by Lee Riley at Oxford
                  Brookes University. Binaural recording made and mixed
                  by Charlotte <br>
                  <br>
                  Cartridge Music by John Cage, performed by Alfredo
                  Costa Monteiro, Lee Patterson, Robert Curgenven,
                  Patrick Farmer, Ferran Fages, Daniel Jones and Stephen
                  Cornford recorded inside and outside the drama studio<br>
                  <br>
                  Charlotte and Felicity discuss visibility/invisibility
                  of sources of sounds<br>
                  <br>
                  Felicity talks about what she heard outside the Drama
                  Studio during Cartridge Music and how the performance
                  mixed with the ambient sounds of the environment<br>
                  <br>
                  Mike Blow talks about Solar Work solar-powered
                  oscillators suspended in the trees around the Richard
                  Hamilton Building during Audiograft <br>
                  <br>
                  multiple field-recordings of Solar Work created during
                  a Soundwalk undertaken as part of the Documenting
                  Sound workshop<br>
                  <br>
                  field-recordings of Shirley Pegna's work, exploring
                  soundwaves travelling through the body and through
                  surfaces and materials of varying densities. Interview
                  and sounds mixed by Charlotte<br>
                  <br>
                  we all discuss a sound we remember specifically from
                  the day before<br>
                  <br>
                  three different recordings of an aeroplane passing
                  over the streets of Oxford; one recording of the
                  sounds in the streets directly after the aeroplane; a
                  recording of a quiet moment from the concert at the
                  Holywell Music Room<br>
                  <br>
                  Lost & Found Concert, Holywell Music Room,
                  including Cover Me Cage by Kerry Yong; Geese by Ben
                  Owen realised by the Albion Players; Harp & Things
                  by Felicity Ford; new works by Tim Parkinson (taken
                  from a Consumer Survey) performed by Parkinson &
                  Saunders; recordings made from inside a cupboard
                  outside the main hall by Toby during the second half
                  of the concert<br>
                  <br>
                  Trevor Wishart introducing his work at the Diffusion
                  concert in the Jacqueline Du Pres building, Oxford<br>
                  <br>
                  interviews and field-recordings from the Diffusion
                  concert, including David Prior, Trevor Wishart and
                  audience comments<br>
                  <br>
                  Ricercare by Paul Whitty performed outside Modern Art
                  Oxford during Audiograft 2012 - field recordings from
                  close-up to the performance, and several streets away<br>
                  <br>
                  Charlotte talks about performing in Ricercare<br>
                  <br>
                  electric door at Modern Art Oxford<br>
                  <br>
                  field-recordings from the final concert of Audiograft
                  at Modern Art Oxford, including Lee Patterson &
                  Robert Curgenven; Cremaster (Alfredo Costa Monteiro
                  & Ferran Fages); Uniform; Brett Gordon &
                  Kostis Kilymis (some recordings were made inside the
                  kitchen at Modern Art Oxford by Toby O'Connor)</font></small></font><font
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              intro submissions:<br>
              <br>
              1)    take yourself and an audio recorder to a location of
              your choice<br>
              2)    record for <i>AT LEAST</i> one minute before you -<br>
              3)    read aloud the following text:<br>
              <br>
              <b>welcome to framework.<br>
                <br>
                framework is a show consecrated to field recording, and
                its use in composition.  field recording, phonography,
                the art of sound hunting; open your ears and listen!</b>
              <br>
              <br>
              <b><i>[3b)  please also feel free to translate this text
                  into your native tongue!] </i></b><br>
              <br>
              4)    continue your recording for <i>AT LEAST</i> two
              minutes after you have finished speaking<br>
              <span style="font-family: Arial; font-size: 10pt; color:
                black;"> 5)   post the recording to us on any format, or
                send us an mp3</span><br>
              <br>
              thanks!<br>
              <br>
            </font>
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              sans-serif" size="-1">drop a note to <a
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                href="mailto:info@frameworkradio.net">info@frameworkradio.net</a>
              to be added to or removed from this mailing list</font></div>
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