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</font><font face="Helvetica, Arial, sans-serif" size="-1"> </font><font
face="Helvetica, Arial, sans-serif" size="-1"> <i><b>framework</b></i>
- phonography / field recording; contextual and decontextualized
sound activity</font><br>
<font face="Helvetica, Arial, sans-serif" size="-1"> </font><font
face="Helvetica, Arial, sans-serif" size="-1"> presented by
patrick mcginley</font><br>
<font face="Helvetica, Arial, sans-serif" size="-1"> </font><font
face="Helvetica, Arial, sans-serif" size="-1"> </font><br>
<font face="Helvetica, Arial, sans-serif" size="-1"> </font><font
face="Helvetica, Arial, sans-serif" size="-1"> <i><b>framework</b></i>
broadcasts:</font><br>
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<div bgcolor="#ffffff" text="#000000"><font face="Helvetica, Arial,
sans-serif" size="-1"> - sunday, 11pm, london, uk on <b>resonance
104.4fm</b> (<a moz-do-not-send="true"
href="http://www.resonancefm.com" target="_blank">http://www.resonancefm.com</a>)<br>
</font><font face="Helvetica, Arial, sans-serif" size="-1"> -
tuesday, 12:30pm, south devon, uk on <b>soundartradio 102.5fm</b>
(<a moz-do-not-send="true"
href="http://www.soundartradio.org.uk" target="_blank">http://www.soundartradio.org.uk</a>)<br>
- wednesday, 2am, thessaloniki, gr on <b>cooradio</b> (<a
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- thursday, 7pm, lisbon, pt on <b>radio zero</b> (<a
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</font><font face="Helvetica, Arial, sans-serif" size="-1"> -
thursday, 11pm, maribor, si on <b>radio marš 95.9fm</b> (<a
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friday, 1am, brussels, be on <b>radio campus 92.1fm</b> (<a
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<hr size="2" width="100%"><font face="Helvetica, Arial,
sans-serif" size="-1"><br>
<b><font face="Helvetica, Arial, sans-serif">#370:
2012.04.08</font></b></font><font face="Helvetica,
Arial, sans-serif" size="-1"><br>
<br>
this week's <i><b>framework:afield</b></i> is the second
in a two-part series. it has been coordinated and produced
in berlin and the uk by <b>valeria merlini</b> and <b>felicity
ford</b>, and it features mixes and recordings made by
participants in the <i><b>documenting sound</b></i>
workshop held at this year's <b>audiograft</b> festival
in the uk. featuring recordings and conversations, this
show documents the festival while also reflecting on the
practice of field-recording and sonic documentary
creation. recordings were made by <b>felicity ford</b>, <b>valeria
merlini</b>, <b>charlotte heffernan</b>, <b>toby
o'connor</b>, <b>christina bringmann-smith</b> and <b>kim
laugs</b>, and these recordings detail the varied works
showcased at the <b>audiograft</b> festival 2012,
organised by the <b>sonic art research unit</b> at oxford
brookes university.<br>
<br>
For further info: <a class="moz-txt-link-freetext"
href="http://www.sound-diaries.com">http://www.sound-diaries.com</a>
/ <a class="moz-txt-link-freetext"
href="http://www.audiograft.com">http://www.audiograft.com</a><br>
<font face="Helvetica, Arial, sans-serif"> <br>
</font></font><font face="Helvetica, Arial, sans-serif"
size="-1"> again, we are always looking for material for
the show, whether raw field recordings, field recording
based composition, or introduction submissions. we are
also now accepting proposals for full editions of our
guest curated <i><b>framework:afield</b></i> series. send
proposals or material, released or not, on any format, to
the address below. if you have any questions, please don't
hesitate to get in touch!<br>
<br>
<br>
framework<br>
tartu mnt 41<br>
63710 ahja<br>
põlvamaa<br>
estonia<br>
<br>
<a moz-do-not-send="true" class="moz-txt-link-abbreviated"
href="mailto:info@frameworkradio.net">info@frameworkradio.net</a></font><font
face="Helvetica, Arial, sans-serif"><small><br>
<br>
<br>
</small></font>
<hr size="2" width="100%"><font face="Helvetica, Arial,
sans-serif"><small><br>
</small><small> <b>(tracklist)</b> <br>
<br>
<font size="-1">field-recordings made at Oxford Brookes
University, Headington Hill Campus<br>
<br>
cable/current recorded with electric coil pickup at
the Old Fire Station Gallery, Oxford, at New Works:
Manfred Werder, Ben Owen and Patrick Farmer,
Audiograft 2012<br>
<br>
microphone demonstration by Felicity and Valeria at
Documenting Sound Workshop, Audiograft 2012<br>
<br>
playing with the Audio Technica BP4029; ambient
University campus sounds recorded with Naiant X-X
omni-directional microphones; the railings of the
Linnahall in Tallinn recorded with contact
microphones; and Charlotte's binaural recording of
cars in Oxford city centre, passing from left to right<br>
<br>
going to the Old Fire Station Gallery, Oxford, to
visit New Works: Manfred Werder, Ben Owen and Patrick
Farmer, Audiograft 2012<br>
<br>
field-recordings and interviews with Shirley Pegna and
Patrick Farmer made at New Works: Manfred Werder, Ben
Owen and Patrick Farmer<br>
<br>
student performance, Richard Hamilton Building, Oxford
Brookes University<br>
<br>
Kim Laug's recording of, and comments re: the entrance
door at the Richard Hamilton Building<br>
<br>
Christina playing with a broken piano in the corridors
of the Richard Hamilton Building<br>
<br>
Charlotte discusses the chronology of the launch-event
at Audiograft 2012<br>
<br>
Towards an Excellent Finish by Felicity Ford and
Stavroula Kounadea <br>
<br>
Guitar Drag by Christian Marclay,
performed/realised/revised by Lee Riley at Oxford
Brookes University. Binaural recording made and mixed
by Charlotte <br>
<br>
Cartridge Music by John Cage, performed by Alfredo
Costa Monteiro, Lee Patterson, Robert Curgenven,
Patrick Farmer, Ferran Fages, Daniel Jones and Stephen
Cornford recorded inside and outside the drama studio<br>
<br>
Charlotte and Felicity discuss visibility/invisibility
of sources of sounds<br>
<br>
Felicity talks about what she heard outside the Drama
Studio during Cartridge Music and how the performance
mixed with the ambient sounds of the environment<br>
<br>
Mike Blow talks about Solar Work solar-powered
oscillators suspended in the trees around the Richard
Hamilton Building during Audiograft <br>
<br>
multiple field-recordings of Solar Work created during
a Soundwalk undertaken as part of the Documenting
Sound workshop<br>
<br>
field-recordings of Shirley Pegna's work, exploring
soundwaves travelling through the body and through
surfaces and materials of varying densities. Interview
and sounds mixed by Charlotte<br>
<br>
we all discuss a sound we remember specifically from
the day before<br>
<br>
three different recordings of an aeroplane passing
over the streets of Oxford; one recording of the
sounds in the streets directly after the aeroplane; a
recording of a quiet moment from the concert at the
Holywell Music Room<br>
<br>
Lost & Found Concert, Holywell Music Room,
including Cover Me Cage by Kerry Yong; Geese by Ben
Owen realised by the Albion Players; Harp & Things
by Felicity Ford; new works by Tim Parkinson (taken
from a Consumer Survey) performed by Parkinson &
Saunders; recordings made from inside a cupboard
outside the main hall by Toby during the second half
of the concert<br>
<br>
Trevor Wishart introducing his work at the Diffusion
concert in the Jacqueline Du Pres building, Oxford<br>
<br>
interviews and field-recordings from the Diffusion
concert, including David Prior, Trevor Wishart and
audience comments<br>
<br>
Ricercare by Paul Whitty performed outside Modern Art
Oxford during Audiograft 2012 - field recordings from
close-up to the performance, and several streets away<br>
<br>
Charlotte talks about performing in Ricercare<br>
<br>
electric door at Modern Art Oxford<br>
<br>
field-recordings from the final concert of Audiograft
at Modern Art Oxford, including Lee Patterson &
Robert Curgenven; Cremaster (Alfredo Costa Monteiro
& Ferran Fages); Uniform; Brett Gordon &
Kostis Kilymis (some recordings were made inside the
kitchen at Modern Art Oxford by Toby O'Connor)</font></small></font><font
face="Helvetica, Arial, sans-serif" size="-1"><br>
<br>
</font>
<hr size="2" width="100%"><font face="Helvetica, Arial,
sans-serif" size="-1"><br>
</font><font face="Helvetica, Arial, sans-serif" size="-1">framework
intro submissions:<br>
<br>
1) take yourself and an audio recorder to a location of
your choice<br>
2) record for <i>AT LEAST</i> one minute before you -<br>
3) read aloud the following text:<br>
<br>
<b>welcome to framework.<br>
<br>
framework is a show consecrated to field recording, and
its use in composition. field recording, phonography,
the art of sound hunting; open your ears and listen!</b>
<br>
<br>
<b><i>[3b) please also feel free to translate this text
into your native tongue!] </i></b><br>
<br>
4) continue your recording for <i>AT LEAST</i> two
minutes after you have finished speaking<br>
<span style="font-family: Arial; font-size: 10pt; color:
black;"> 5) post the recording to us on any format, or
send us an mp3</span><br>
<br>
thanks!<br>
<br>
</font>
<hr size="2" width="100%"><font face="Helvetica, Arial,
sans-serif" size="-1">drop a note to <a
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href="mailto:info@frameworkradio.net">info@frameworkradio.net</a>
to be added to or removed from this mailing list</font></div>
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