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      face="Helvetica, Arial, sans-serif" size="-1"> <i><b>framework</b></i>
      - phonography / field recording; contextual and decontextualized
      sound activity</font><font face="Helvetica, Arial, sans-serif"><br>
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      face="Helvetica, Arial, sans-serif" size="-1"> presented by
      patrick mcginley</font><font face="Helvetica, Arial, sans-serif"><br>
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      face="Helvetica, Arial, sans-serif" size="-1"> <i><b>framework</b></i>
      broadcasts:</font><font face="Helvetica, Arial, sans-serif"><br>
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    <div bgcolor="#ffffff" text="#000000"><font face="Helvetica, Arial,
        sans-serif" size="-1">    - sunday, 11pm, london, uk on <b>resonance







          104.4fm</b>  (<a moz-do-not-send="true"
          href="http://www.resonancefm.com" target="_blank">http://www.resonancefm.com</a>)<br>
      </font><font face="Helvetica, Arial, sans-serif" size="-1">    -
        tuesday, 12:30pm, south devon, uk on <b>soundartradio 102.5fm</b> 
        (<a moz-do-not-send="true"
          href="http://www.soundartradio.org.uk" target="_blank">http://www.soundartradio.org.uk</a>)<br>
            - wednesday, 2am, thessaloniki, gr on <b>cooradio</b> (<a
          moz-do-not-send="true" href="http://www.cooradio.com"
          target="_blank">http://www.cooradio.com</a>)<br>
            - wednesday, 3am, lisbon, pt on <b>radio zero</b> (<a
          moz-do-not-send="true" href="http://www.radiozero.pt"
          target="_blank">http://www.radiozero.pt</a>)<br>
            - thursday, 7pm, lisbon, pt on <b>radio zero</b> (<a
          moz-do-not-send="true" href="http://www.radiozero.pt"
          target="_blank">http://www.radiozero.pt</a>)<br>
      </font><font face="Helvetica, Arial, sans-serif" size="-1">     -
        thursday, 11pm, maribor, si on <b>radio marš 95.9fm</b> (<a
          class="moz-txt-link-freetext" href="http://www.radiomars.si">http://www.radiomars.si</a>)<br>
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        friday, 1am, brussels, be on <b>radio campus 92.1fm</b>  (<a
          moz-do-not-send="true"
          href="http://www.radiocampusbruxelles.org" target="_blank">http://www.radiocampusbruxelles.org</a>)<br>
            - saturday, 11am, new york state, us on <b>wgxc 90.7fm</b>
        (<a class="moz-txt-link-freetext" href="http://www.wgxc.org">http://www.wgxc.org</a>)<br>
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        </a>~<br>
        <br>
        <br>
        <b>for general info, playlists, podcasts, or to stream the
          latest edition at any time: <span
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              whom <i><b>framework</b></i> would not exist.<br>
              <b><br>
              </b><b>FOR DONATIONS STARTING AT JUST €18 YOU CAN RECEIVE
                ONE OF OUR <i>FRAMEWORK EDITIONS</i> CD RELEASES: THE
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                OR ONE OR BOTH EDITIONS OF THE <i>FRAMEWORK250</i> 2CD
                COMPILATIONS!</b><b><br>
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            <hr size="2" width="100%"><font face="Helvetica, Arial,
              sans-serif" size="-1"><br>
              <b>#360: 2012.01.29</b></font><font face="Helvetica,
              Arial, sans-serif" size="-1"><b><br>
                <br>
              </b>this edition of <i><b>framework:afield</b></i> has
              been produced in the uk by <b>martin clarke</b>. for more
              information see <a class="moz-txt-link-freetext"
                href="http://www.rockscottage.net">http://www.rockscottage.net</a>.
              martin says:<br>
              <br>
            </font>
            <blockquote><font face="Helvetica, Arial, sans-serif"><small>This

                  is a version of the set I did at <b>Soundfjord</b>
                  for <b>World Listening Day 2011</b>. As usual,
                  there's not much cross-fading just abrupt edits and
                  some layering for transitions. The set is book-ended
                  by two recent pieces of mine, based on field
                  recordings, which make use of similar techniques.</small><br>
              </font></blockquote>
            <font face="Helvetica, Arial, sans-serif" size="-1"> <br>
              again, we are always looking for material for the show,
              whether raw field recordings, field recording based
              composition, or introduction submissions. we are also now
              accepting proposals for full editions of our  guest
              curated <i><b>framework:afield</b></i> series. send
              proposals or material, released or not, on any format, to
              the address below. if you have any questions, please don't
              hesitate to get in touch!<br>
              <br>
              <br>
              framework<br>
              tartu mnt 41<br>
              63710 ahja<br>
              põlvamaa<br>
              estonia<br>
              <br>
              <a moz-do-not-send="true" class="moz-txt-link-abbreviated"
                href="mailto:info@frameworkradio.net">info@frameworkradio.net</a></font><font
              face="Helvetica, Arial, sans-serif"><small><br>
                <br>
                <br>
              </small></font>
            <hr size="2" width="100%"><font face="Helvetica, Arial,
              sans-serif"><small><br>
              </small><small> <b>(time   /  track)</b> <br>
                <br>
              </small></font><font face="Helvetica, Arial, sans-serif"><small><b>00:00 

                  /  States of Play.    </b><br>
                What I like about listening to records is you can jump
                around. With thanks to Robert Curgenven for blank
                dubplates and Bill Thompson for his electric guitar.<br>
                <br>
                <b>08:47</b></small></font><font face="Helvetica, Arial,
              sans-serif"><small><b>  /  </b></small></font><font
              face="Helvetica, Arial, sans-serif"><small><b>Call to
                  prayer, Beirut.    </b><br>
                Recorded on the Corniche Beirut with the sea on the
                left, the road on the right.<br>
                <br>
                <b>11:24</b></small></font><font face="Helvetica, Arial,
              sans-serif"><small><b>  /  </b></small></font><font
              face="Helvetica, Arial, sans-serif"><small><b>Dog, frogs,
                  voices, Wszerzecz. </b><br>
                This sounds like it's been subtly composed of disparate
                elements but was actually just a mixture of timing and
                luck. Released on the framework250 CD as Three.<br>
                <br>
                <b>18:23</b></small></font><font face="Helvetica, Arial,
              sans-serif"><small><b>  /  </b></small></font><font
              face="Helvetica, Arial, sans-serif"><small><b>Birdsong,
                  Sandwick.    </b><br>
                On an unusually still summer's day in Shetland.<br>
                <br>
                <b>20:00</b></small></font><font face="Helvetica, Arial,
              sans-serif"><small><b>  /  </b></small></font><font
              face="Helvetica, Arial, sans-serif"><small><b>Le Mans,
                  3am.</b><br>
                Recording some wildtracks for a promo film and one of
                the mechanics grabs the reporter mic from my bag...<br>
                 <br>
                <b>24:16</b></small></font><font face="Helvetica, Arial,
              sans-serif"><small><b>  /  </b></small></font><font
              face="Helvetica, Arial, sans-serif"><small><b>Train
                  station, Kiev. </b><br>
                Trying to get tickets to Odessa for new year's eve.<br>
                <br>
                <b>25:58</b></small></font><font face="Helvetica, Arial,
              sans-serif"><small><b>  /  </b></small></font><font
              face="Helvetica, Arial, sans-serif"><small><b>Singer
                  warming up, Stockholm. </b><br>
                <br>
                <b>28:46</b></small></font><font face="Helvetica, Arial,
              sans-serif"><small><b>  /  </b></small></font><font
              face="Helvetica, Arial, sans-serif"><small><b>Gate in the
                  wind, Sandwick.    </b><br>
                This is possibly getting a bit long in the tooth but I
                like it.<br>
                <br>
                <b>31:49</b></small></font><font face="Helvetica, Arial,
              sans-serif"><small><b>  /  </b></small></font><font
              face="Helvetica, Arial, sans-serif"><small><b>Garden
                  party, Garikula.</b><br>
                People, wine, singing, animals.<br>
                    <br>
                <b>36:28</b></small></font><font face="Helvetica, Arial,
              sans-serif"><small><b>  /  </b></small></font><font
              face="Helvetica, Arial, sans-serif"><small><b>Musical
                  escalator, Kiev. </b><br>
                <br>
                <b>38:42</b></small></font><font face="Helvetica, Arial,
              sans-serif"><small><b>  /  </b></small></font><font
              face="Helvetica, Arial, sans-serif"><small><b>Storm,
                  London. </b><br>
                <br>
                <b>47:44</b></small></font><font face="Helvetica, Arial,
              sans-serif"><small><b>  /  </b></small></font><font
              face="Helvetica, Arial, sans-serif"><small><b>Tourist. </b></small></font><br>
            <font face="Helvetica, Arial, sans-serif"><small> <br>
              </small></font>
            <hr size="2" width="100%"><font face="Helvetica, Arial,
              sans-serif" size="-1"><br>
            </font><font face="Helvetica, Arial, sans-serif" size="-1">framework




              intro submissions:<br>
              <br>
              1)    take yourself and an audio recorder to a location of
              your choice<br>
              2)    record for <i>AT LEAST</i> one minute before you -<br>
              3)    read aloud the following text:<br>
              <br>
              <b>welcome to framework.<br>
                <br>
                framework is a show consecrated to field recording, and
                its use in composition.  field recording, phonography,
                the art of sound hunting; open your ears and listen!</b>
              <br>
              <br>
              <b><i>[3b)  please also feel free to translate this text
                  into your native tongue!] </i></b><br>
              <br>
              4)    continue your recording for <i>AT LEAST</i> two
              minutes after you have finished speaking<br>
              <span style="font-family: Arial; font-size: 10pt; color:
                black;"> 5)   post the recording to us on any format, or
                send us an mp3</span><br>
              <br>
              thanks!<br>
              <br>
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              sans-serif" size="-1">drop a note to <a
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