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<i><b>framework</b></i> - phonography / field recording;
contextual and decontextualized sound activity<br>
presented by patrick mcginley<br>
<br>
<i><b>framework</b></i> broadcasts:<br>
</font>
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<div bgcolor="#ffffff" text="#000000"><font face="Helvetica, Arial,
sans-serif" size="-1"> - sunday, 11pm, london, uk on <b>resonance
104.4fm</b> (<a moz-do-not-send="true"
href="http://www.resonancefm.com" target="_blank">http://www.resonancefm.com</a>)<br>
</font><font face="Helvetica, Arial, sans-serif" size="-1">-
tuesday, 12:30pm, south devon, uk on <b>soundartradio 102.5fm</b>
(<a moz-do-not-send="true"
href="http://www.soundartradio.org.uk" target="_blank">http://www.soundartradio.org.uk</a>)<br>
- wednesday, 2am, thessaloniki, gr on <b>cooradio</b> (<a
moz-do-not-send="true" href="http://www.cooradio.com"
target="_blank">http://www.cooradio.com</a>)<br>
- wednesday, 3am, lisbon, pt on <b>radio zero</b> (<a
moz-do-not-send="true" href="http://www.radiozero.pt"
target="_blank">http://www.radiozero.pt</a>)<br>
- thursday, 7pm, lisbon, pt on <b>radio zero</b> (<a
moz-do-not-send="true" href="http://www.radiozero.pt"
target="_blank">http://www.radiozero.pt</a>)<br>
</font><font face="Helvetica, Arial, sans-serif" size="-1"> -
thursday, 11pm, maribor, si on <b>radio marš 95.9fm</b> (<a
class="moz-txt-link-freetext" href="http://www.radiomars.si">http://www.radiomars.si</a>)<br>
</font><font face="Helvetica, Arial, sans-serif" size="-1"> -
friday, 1am, brussels, be on <b>radio campus 92.1fm</b> (<a
moz-do-not-send="true"
href="http://www.radiocampusbruxelles.org" target="_blank">http://www.radiocampusbruxelles.org</a>)<br>
- saturday, 11am, new york state, us on <b>wgxc 90.7fm</b>
(<a class="moz-txt-link-freetext" href="http://www.wgxc.org">http://www.wgxc.org</a>)<br>
<br>
~ time zone converter: <a moz-do-not-send="true"
href="http://www.timeanddate.com/worldclock/converter.html"
target="_blank">http://www.timeanddate.com/worldclock/converter.html
</a>~<br>
<br>
<br>
<b>for general info, playlists, podcasts, or to stream the
latest edition at any time: <span
class="moz-txt-link-freetext"><a moz-do-not-send="true"
class="moz-txt-link-freetext"
href="http://www.frameworkradio.net">http://www.frameworkradio.net</a>
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size="-1"><br>
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<br>
****************************************************<br>
<b><i>FRAMEWORK</i> NEEDS YOUR SUPPORT!</b> <br>
****************************************************<br>
your subscriptions & donations help make the
production of <i><b>framework</b></i> possible. visit out
website to find out how to become a regular donor, or make
a one-time donation here: <a moz-do-not-send="true"
class="moz-txt-link-freetext"
href="http://www.frameworkradio.net/donate">http://www.frameworkradio.net/donate</a>.
25% of all donations go to <b>resonancefm</b>, without
whom <i><b>framework</b></i> would not exist.<br>
<b><br>
</b><b>FOR DONATIONS STARTING AT JUST €18 YOU CAN RECEIVE
ONE OF OUR <i>FRAMEWORK EDITIONS</i> CD RELEASES: THE
LATEST ISSUE OF OUR <i>FRAMEWORK SEASONAL</i> SERIES,
OR ONE OR BOTH EDITIONS OF THE <i>FRAMEWORK250</i> 2CD
COMPILATIONS!</b><b><br>
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</b> </font>
<hr size="2" width="100%"><font face="Helvetica, Arial,
sans-serif" size="-1"><br>
<b>#358: 2012.01.15</b><br>
<br>
this edition of <i><b>framework:afield</b></i> has been
produced by <b>omalto</b>:<br>
<br>
</font>
<blockquote><font face="Helvetica, Arial, sans-serif"
size="-1"><b>Omalto: <i>Someone's here!</i></b><br>
<br>
Tracks:<br>
Track 1: Wandering around (25:49 min.)<br>
Track 2: Possible dialogues (27:09 min.)<br>
<br>
Credits: Session recorded between September and October
2011 and edited in October 2011 by Atomo (AKA Omalto).<br>
<br>
Omalto Website: <a class="moz-txt-link-freetext"
href="http://omalto.bandcamp.com/">http://omalto.bandcamp.com/</a><br>
<br>
Statement: <br>
This session is composed by sound captures done on
several sites of the 3D virtual Second Life. The initial
concept of these recordings was to understand possible
similarities and/or differences between recordings done
on physical world and on on-line virtual spaces. <br>
<br>
Second Life offers ways of simulating physical reality
through environment building tools and in its interface.
Unfortunately, most of these constructions try to
imitate real spaces within a commodified culture, even
if there is room for experiment and subversion. More a
social space than a special simulation, these virtual
re-creations is a stage for communication between its
users (through avatars). <br>
<br>
The alterity of these virtual spaces comes from the
failure in recreating physical reality in a consisting
form which creates sensory deformations and the virtual
nature of the communication done by its users. Soon
after a normal time of adaptation to the interface, the
users start to feel physical simulation the sense of
being there. However, this reality is marked by visual
incongruence, download time, software noise and hardware
interferences, which mold the presence and communication
of the users, creating a distorted sense of physicality.
<br>
<br>
Serving as an example of such sensory deformations, this
recording is divided in two segments, having space and
communication as targets. The first part is similar to a
field recording in a physical environment, during which
the sounds are perceived through an avatar, including
its interactions and ramblings. It also includes sounds
captured from SL simulations such as a 1st world war
battlefield or interactive artist installations. <br>
<br>
The second part of this recording expands that
perception by including some sound captures of users
interactions, mainly through voice. This segment relies
more on compositions done through sound editing, a
fragmental recording that re-creates the mixed
identities expressed on these virtual spaces. <br>
<br>
</font></blockquote>
<font face="Helvetica, Arial, sans-serif" size="-1">again,
we are always looking for material for the show, whether
raw field recordings, field recording based composition,
or introduction submissions. we are also now accepting
proposals for full editions of our guest curated <i><b>framework:afield</b></i>
series. send proposals or material, released or not, on
any format, to the address below. if you have any
questions, please don't hesitate to get in touch!<br>
<br>
<br>
framework<br>
tartu mnt 41<br>
63710 ahja<br>
põlvamaa<br>
estonia<br>
<br>
<a moz-do-not-send="true" class="moz-txt-link-abbreviated"
href="mailto:info@frameworkradio.net">info@frameworkradio.net</a><br>
<br>
<br>
</font>
<hr size="2" width="100%"><font size="-1"><font
face="Helvetica, Arial, sans-serif"><br>
</font></font><font face="Helvetica, Arial, sans-serif"
size="-1">framework intro submissions:<br>
<br>
1) take yourself and an audio recorder to a location of
your choice<br>
2) record for <i>AT LEAST</i> one minute before you -<br>
3) read aloud the following text:<br>
<br>
<b>welcome to framework.<br>
<br>
framework is a show consecrated to field recording, and
its use in composition. field recording, phonography,
the art of sound hunting; open your ears and listen!</b>
<br>
<br>
<b><i>[3b) please also feel free to translate this text
into your native tongue!] </i></b><br>
<br>
4) continue your recording for <i>AT LEAST</i> two
minutes after you have finished speaking<br>
<span style="font-family: Arial; font-size: 10pt; color:
black;"> 5) post the recording to us on any format, or
send us an mp3</span><br>
<br>
thanks!<br>
<br>
</font>
<hr size="2" width="100%"><font face="Helvetica, Arial,
sans-serif" size="-1">drop a note to <a
moz-do-not-send="true" class="moz-txt-link-abbreviated"
href="mailto:info@frameworkradio.net">info@frameworkradio.net</a>
to be added to or removed from this mailing list</font></div>
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