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<span style="font-size:25px;text-align:justify">CHOI JOONYONG, </span><span style="font-size:25px;text-align:justify">HONG CHULKI, </span><span style="font-size:25px;text-align:justify">RYU HANKIL </span><br style="font-size:25px;text-align:justify">
<span class="style10" style="font-size:18px;text-align:justify">ALL EARS FESTIVAL FOR IMPROVISERT MUSIKK 2011</span>
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</table></span></div></div></div></span><span style="border-collapse:collapse;font-size:13px;font-family:arial,sans-serif">DIRECT DOWNLOAD - </span><font color="#0000ee" face="arial, sans-serif"><u><a href="http://www.archive.org/compress/ar053ChoiJoonyong.HongChulki.RyuHankil" target="_blank">http://www.archive.org/compress/ar053ChoiJoonyong.HongChulki.RyuHankil</a></u></font><div style="border-collapse:collapse;font-family:arial,sans-serif">
<div style="font-family:arial,sans-serif"><div><br></div></div></div></div></span><span style="color:rgb(51,51,0);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:12px"><p style="text-align:justify"></p><p><strong>CHOI JOONYONG, HONG CHULKI, RYU HANKIL </strong>at all Ears Festival for Improvisert Musikk, Oslo 2011.<br>
<strong>Choi Joonyong</strong> founded Astronoise(the first noise project in Korea) with Hong Chulki in 1997, and has been playing so-called noise/experimental/improvised music since then. <strong>Hong Chulki</strong> After several years of playing guitar in a few indie rock bands and spending time for military service around 2003, he began to deviate from the more conventional way of making/listening music and to explore the area of free improvisation with everyday record/playback devices such as CD players, MD recorders and turntables. <strong>Ryu Hankil</strong> Graduated painter from Kyung-won University, he played keyboard in two indie pop bands but soon got bored by conventional music and sound creation... </p>
<p>Balloon & Needle is a record label of Astronoise, Choi Joonyong, Hong Chulki, Seoul Frequency Group... in Seoul, Korea.</p><p></p>
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<div><span style="border-collapse:collapse"><span style="color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:12px"><br></span></span></div><div><span class="style7" style="font-size:12px;color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;text-align:justify">[ar054]</span><br style="color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:25px;text-align:justify">
<span style="color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:25px;text-align:justify">AUDIO TONG </span><br style="color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:25px;text-align:justify">
<span class="style10" style="font-size:18px;color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;text-align:justify">RADICAL POLAND III KRAKOV 1988-2011</span>
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</span><span style="font-family:arial,sans-serif;font-size:13px;background-color:rgb(255,255,255)">DIRECT DOWNLOAD - </span><span style="background-color:rgb(255,255,255)"><font color="#0000ee" face="arial, sans-serif"><u><a href="http://www.archive.org/compress/ar054AudioTong1988.2011" target="_blank">http://www.archive.org/compress/ar054AudioTong1988.2011</a></u></font><div style="font-family:arial,sans-serif;font-size:13px">
<br></div></span><font color="#333300" face="Geneva, Arial, Helvetica, sans-serif"><div style="text-align:justify"><span style="font-size:12px">Amazing double compilation of </span><strong style="font-size:12px">AUDIO TONG</strong><span style="font-size:12px">, a wonderful venue working hard in Krakov, Poland since 2005... with these compilations we want to say thanks to them and to the important work done supporting experimental and noise scene: </span><br style="font-size:12px">
<span style="font-size:12px">At the end of the year Audio Tong will close as a label, but keep on running on different terms... Interview with Marcin Barski. </span>
</div><div style="text-align:justify"><span style="font-family:georgia,times,serif;font-size:12px"><br></span></div><div style="text-align:justify"><span style="font-family:georgia,times,serif;font-size:12px">Audio Tong [2005-2011] was curated by Lukasz Szalankiewicz aka Zenial and Marcin Barski. Promotional compilation curated by Julian Bonequi.</span><span style="font-family:georgia,times,serif;font-size:12px">Cover Image, Zbigniew Karkowski. Image shared by Audio Tong archives. </span></div>
<div style="text-align:justify"><p style="font-family:georgia,times,serif;font-size:12px">Special thanks to Zbigniew Karkowski, Karin Westman, Schmerz, Vilgoc, Hated Bruit Kollektiv, Mantichora, Lukas Ciszak, Martin Archer, Mo/Tec (Tomek Rylko), Tom Taplikort, Jablunkox (Rafal Rylko), Marian Gruszczyk, Emitter (Marcin Dymiter), Arszyn (Krzysztof Topolski), XV Parowek, Rez Epo, Zenial & Marcin Barski. Each track in this document has the credit of the artists.</p>
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<span style="color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:25px;text-align:justify">AUDIO TONG </span><br style="color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:25px;text-align:justify">
<span class="style10" style="font-size:18px;color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;text-align:justify">RADICAL POLAND IV KRAKOV 2005-2011</span></div></span></div>
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<b></b></p><p></p><div style="text-align:justify"><p style="color:rgb(51,51,0);font-family:georgia,times,serif;font-size:12px"><strong style="font-family:Geneva,Arial,Helvetica,sans-serif">RADICAL POLAND III | 1988-2011</strong><span style="font-family:Geneva,Arial,Helvetica,sans-serif">: </span>Cover Image, Pawel Dziadur of DM&P Trio. Image shared by Audio Tong archives. </p>
<p style="color:rgb(51,51,0);font-family:georgia,times,serif;font-size:12px">Special thanks to Dawid Szczesny,Banabila, Tetsuo Furudate, Genetic Transmission, Retro, Scordatura, Arszyn (Krzysztof Topolski), Bunio, Nuoh (Olaf Nowaczyk), Tomasz Bednarczyk, Patryk Lichota, Piotr Tkacz, Moljebka Pvlse, Rafal Mazur, Rafal Drewniany, Michal Dymny, Attila Dóra, Zendee, Subradial, Ko-On-Ten (Yukino Nono and Yoichiro Kita), Zenial & Marcin Barski. Each track in this document has the credit of the artists.</p>
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<p></p><p></p><div><span style="background-color:rgb(255,255,255);font-size:12px"><div style="border-collapse:collapse"><span class="style7" style="color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;text-align:justify">[ar056]</span><br style="color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:25px;text-align:justify">
<span style="color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:25px;text-align:justify">MICHAEL VORFELD </span><br style="color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:25px;text-align:justify">
<span class="style10" style="font-size:18px;color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;text-align:justify">ON A ZIGZAG COURSE</span>
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<div><span style="color:rgb(0,0,0);font-family:arial,sans-serif;font-size:13px;background-color:rgb(255,255,255)">DIRECT DOWNLOAD - </span><font color="#0000ee" face="arial, sans-serif" style="color:rgb(0,0,0);font-family:arial;font-size:small"><u><a href="http://www.auditionrecords.com/data/ar056/ar056MichaelVorfeld.pdf" target="_blank">http://www.auditionrecords.com/data/ar056/ar056MichaelVorfeld.pdf</a></u></font><p style="color:rgb(51,51,0);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:12px">
<b></b></p><p style="color:rgb(0,0,0);text-align:justify"></p><p style="color:rgb(51,51,0);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:12px"></p><p style="text-align:justify"><strong>MICHAEL VORFELD</strong> musician and visual artist, based in Berlin, plays percussion and self designed stringed instruments and realises electro-acoustic sound pieces. He works in the field of improvised, experimental music and sound art and is often involved in site-specific art projects. He realises installations and performances with light, works with photography and film. <br>
</p><p style="text-align:justify">In this ocasion Vorfeld wrote "On a zigzag course | Thoughts about my work with sound and light".With this article we opened our new section of articles and essays written by artists and curators we're gonna promote since now as an important reflection about the need of reviews and critics.<br>
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<span style="color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:25px;text-align:justify">ADEMEN </span><br style="color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:25px;text-align:justify">
<span class="style10" style="font-size:18px;color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;text-align:justify">YOLANDA URIZ | </span><span style="font-family:Geneva,Arial,Helvetica,sans-serif;color:rgb(51,51,51);font-size:18px;text-align:justify">ANGEL FARALDO</span></div>
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<div><span style="font-family:arial,sans-serif;font-size:13px;background-color:rgb(255,255,255)">DIRECT DOWNLOAD - </span><font color="#0000ee" face="arial, sans-serif"><u><a href="http://www.archive.org/compress/ar057Ademen" target="_blank">http://www.archive.org/compress/ar057Ademen</a></u></font></div>
</div><div><font color="#0000ee" face="arial, sans-serif"><br></font></div><div><p style="color:rgb(51,51,0);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:12px;text-align:justify"><strong>Yolanda Uriz Elizalde</strong> (1982, Pamplona, Spain) Her work focuses on cross-modal perception, between the visual and auditory systems. From experimental music to installations, solo or in collaboration<br>
<strong>Ángel Faraldo</strong> (Spain, 1980) At the present, he is working on a cycle of pieces around the concept of feedback, embracing compositions for traditional musical instruments.</p><p style="color:rgb(51,51,0);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:12px;text-align:justify">
<br></p></div><div><span class="style7" style="font-size:12px;color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;text-align:justify">[ar058]</span><br style="color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:25px;text-align:justify">
<span style="color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:25px;text-align:justify">WONDERWERP </span><br style="color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:25px;text-align:justify">
<span class="style10" style="font-size:18px;color:rgb(51,51,51);font-family:Geneva,Arial,Helvetica,sans-serif;text-align:justify">STUDIO LOOS | THE HAGUE 2010-2011</span>
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<div style="color:rgb(0,0,0);font-family:arial;text-align:-webkit-auto;font-size:small"><span style="font-family:arial,sans-serif;font-size:13px;background-color:rgb(255,255,255)">DIRECT DOWNLOAD - </span><font color="#0000ee" face="arial, sans-serif"><u><a href="http://www.archive.org/compress/ar058Wonderwerp.StudioLoos" target="_blank">http://www.archive.org/compress/ar058Wonderwerp.StudioLoos</a></u></font></div>
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<span style="color:rgb(51,51,0);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:12px;text-align:justify">"Wonderwerp was born in 2008 in The Hague, out of the need to perform of a group of musicians working in the field of free improvisation and experimental electronic and electro-acoustic music. The Hague was not as active as it is today, artists didn't take the initiative to present their work, I think because we didn't know how or where to make the effort to organize the events we wanted to participate as artists and as audiences. Of course you would find avant-garde music performances, for instance at the conservatory (in the Sonology or composition departments), in the art academy, or in sporadic festivals but of course, we needed stages outside the academic environment to present and listen regularly what was being created."</span><br style="color:rgb(51,51,0);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:12px;text-align:justify">
<p style="color:rgb(51,51,0);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:12px;text-align:justify">Special thanks to Xavier Lopez, The Monarchy, John Fanning, Ofer Smilansky, Ariel Ninas, Moonrise Hernandez (Michael Straus & Ted Coffey), Microseq (Pandelis Diamantides), Duel Protocol (Aurimas Bavarskis & Yiannis Tsirikoglou), ZLB (Miguel Cerdeira Marreiros Negrão), Hatzatz (Maya Felixbrodt, Ilya Ziblat, Tomer Harari), Ayankoko, Gerri Jäger, Enka (Nikos Kandarakis), Basshaters (Tony Dryer, Jacob Felix Heule), Visumatic Craft (Claudia Ignoto, Augusto Pirodda, Michele Bagaglio), Luc Döbereiner, Yota Morimoto, Robert Blatt, Marie Guilleray, Gail Priest, Future Fossils (Raoul van der Weide, Takuro Mizuta Lippit aka DJ Sniff, Sanne van Hek), Yolanda Uriz and Studio Loos.</p>
<p style="color:rgb(51,51,0);font-family:Geneva,Arial,Helvetica,sans-serif;font-size:12px;text-align:justify">Upcoming... Ute Wasserman, Farahnaz Hatam, Monno, Kakawaka...</p></div></span></div><div><span style="color:rgb(51,51,0);background-color:rgb(255,255,255);font-family:arial,sans-serif;font-size:14px;line-height:22px"><br>
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