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</span></span></span></div>[ar046]</span><br></span></span><span style="color: rgb(51, 51, 51); font-family: Geneva, Arial, Helvetica, sans-serif; font-size: 24px; ">JAAP BLONK<br></span><font class="Apple-style-span" color="#333333" face="Geneva, Arial, Helvetica, sans-serif" size="4"><span class="Apple-style-span" style="font-size: 24px; "><span class="style10" style="font-size: 18px; ">THE SPLINKS & BRAAXTAAL RECORDINGS 1993</span></span><br>
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</table></span></div></div></div></span><span style="border-collapse:collapse;font-size:13px;font-family:arial, sans-serif">DIRECT DOWNLOAD - </span><font class="Apple-style-span" color="#0000ee" face="arial, sans-serif"><u><a href="http://www.archive.org/compress/ar046JaapBlonk">http://www.archive.org/compress/ar046JaapBlonk</a></u></font><div style="border-collapse:collapse;font-family:arial, sans-serif">
<div style="font-family:arial, sans-serif"><div><br></div></div></div></div></span><span class="Apple-style-span" style="color: rgb(51, 51, 0); font-family: Geneva, Arial, Helvetica, sans-serif; font-size: 12px; "><p>Two legendary albums produced and conducted by <strong>Jaap Blonk</strong>.</p>
<p><strong>"Splinks"</strong>, released in 1993 and recorded on February/March 1992. <strong>"BRAAXTAAL"</strong> released also in 1993 and recorded on June 1991. Splinks has been the main vehicle for my compositions in the field of modern jazz (in a broad interpretation of course) from 1983 till 1999. BRAAXTAAL worked along the lines of a rock band: rehearsals had the form of improvising with a simple idea (musical line, rhythm, text) and working towards a more or less defined form..."</p>
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</span></div></span><span style="color: rgb(51, 51, 51); font-family: Geneva, Arial, Helvetica, sans-serif; "><font class="Apple-style-span" size="5">JD ZAZIE</font><br></span><span class="Apple-style-span" style="color: rgb(51, 51, 51); font-family: Geneva, Arial, Helvetica, sans-serif; font-size: 18px; ">NEEDLE NEED | PHONOPOLIS 201</span></div>
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<br></div></span><span class="Apple-style-span" style="color: rgb(51, 51, 0); font-family: Geneva, Arial, Helvetica, sans-serif; font-size: 12px; "><strong>JD Zazie</strong> is an italian sound artist and recordist based in Berlin. Coming from a DJ and a radiophonic background, JD Zazie has explored over the years different approaches of real-time manipulation on fixed recorded sound.<br>
In her work she redefines DJ and electroacoustic activities. As a solo performer, in small groups or large ensembles she moves in an area which is constantly stretching the borders of what is supposed to be DJ mixing, free improvisation and composed music.</span><span style="background-color:rgb(255, 255, 255)"><div style="border-collapse:collapse;font-family:arial, sans-serif;font-size:13px">
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</span><span style="color: rgb(51, 51, 51); font-family: Geneva, Arial, Helvetica, sans-serif; "><font class="Apple-style-span" size="5">DARÍO BERNAL VILLEGAS</font><br></span><span class="Apple-style-span" style="color: rgb(51, 51, 51); font-family: Geneva, Arial, Helvetica, sans-serif; font-size: 18px; ">A DISTANT DRUM | MEXICO 2011 </span></div>
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<div><span style="font-family:arial, sans-serif;font-size:13px;background-color:rgb(255, 255, 255)">DIRECT DOWNLOAD - </span><font class="Apple-style-span" color="#0000ee" face="arial, sans-serif"><u><a href="http://www.archive.org/compress/ar048DarioBernalVillegas">http://www.archive.org/compress/ar048DarioBernalVillegas</a></u></font><p style="color: rgb(51, 51, 0); font-family: Geneva, Arial, Helvetica, sans-serif; font-size: 12px; ">
<b></b></p><p><b><span class="Apple-style-span" style="font-weight: normal;">In july 2010 we presented</span> Enantio Dromia<span class="Apple-style-span" style="font-weight: normal;"> where the mexican drummer</span> <strong>Darío Bernal Villegas</strong><span class="Apple-style-span" style="font-weight: normal;"> performs with Wade Matthews and Thanos Chrysakis. Once again, we invited him to record.</span></b></p>
<p style="font-weight: normal; "><b>"This first solo album was created with no specific idea, besides improvise a series of pieces for solo drumset. It was played mostly just producing a sound and see where it takes the music, like a pencil stroke in a drawing. It’s played in that border between the traditional way of playing the drumset and the experimental one, where the pulse is somewhere there, but you can’t spot it precisely."</b></p>
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