<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; font-size: 12px; "><span class="Apple-style-span" style="font-size: medium; ">Hi all, we have just uploaded a new issue of Furthernoise for your reading and listening pleasure.</span></div><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; font-size: 12px; "><span class="Apple-style-span" style="font-size: medium; "><br></span></div><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; font-size: 12px; "><span class="Apple-style-span" style="font-size: medium; ">Also we have also just launched of our new net label release Explorations in Sound, Vol. 4, The sound of Live Performance, which includes contributions from a regular MS posters !</span></div><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; font-size: 12px; "><span class="Apple-style-span" style="font-size: medium; "><br></span></div><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; font-size: 12px; "><span class="Apple-style-span" style="font-size: medium; ">The release is free to download from</span><span class="Apple-style-span" style="font-size: medium; "> </span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/netCD/EIS_vol4.zip">http://www.furthernoise.org/netCD/EIS_vol4.zip</a></span></div><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; font-size: 12px; "><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">As always we have loads of new reviews and our audio player is once again stocked with new sounds from featured noise makers.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Enjoy !!!</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "></span><span class="Apple-style-span" style="font-size: medium; "></span><span class="Apple-style-span" style="font-size: medium; ">"Explorations in Sound, Vol. 4 The Sound of Live Performance - Various Artists" (feature)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">The live sound and music performance is like no other medium for expression and unpredictability, frequently yielding interesting sonic results, both on, and off stage. Sound checks, sound failures, the misassigned patch, unintended playing outcomes, FX overloads / calibrations and pinnacles of performative exploration can all create sources for eclectic new material.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=383">http://www.furthernoise.org/page.php?ID=383</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">feature by Roger Mills</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Chance Reconstruction - M. Ostermeier" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">M. Ostermeier's piano-based compositions inhabit a similar wistful sound world to other post-classical artists, but his electronics provide more of an irregular ambiance for the piano rather than commenting on the delicate melodies directly. Chance Reconstruction is the first full-length album from an artist with an eclectic background in post-rock and independent music in Minneapolis.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=382">http://www.furthernoise.org/page.php?ID=382</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Caleb Deupree</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Edward Rizo — Soundscapes I" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Volume One of Edward Rizo's Soundscapes is constructed from smooth and serene electronics that creates its own sense of place. Deep bass and sounds mysteriously appearing from nowhere suggest a subaquatic environment, isolated and reverberant.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=380">http://www.furthernoise.org/page.php?ID=380</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Caleb Deupree</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Fragments" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Steve Roberts takes parts of his past, arranging them to create new pieces, the resulting Fragments essentially remixes of tracks from three previous Amongst Myselves albums. In many places single musical sounds get a refresh through re-setting them against field recordings; their deployment throughout serves to render Fragments a flowing whole.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=376">http://www.furthernoise.org/page.php?ID=376</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Alan Lockett</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Music In Four Movements" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Talvihorros deploys an array of instruments to touch various musical bases on Music In Four Movements, which dwells on the emotional dynamic of a suicidal impetus. An ostensibly bleak theme, but it presages no doom-laden death ambient suite; a more ambiguous tenor presides, at times hymnal, amid the murk and midden in an evolving involving suite.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=379">http://www.furthernoise.org/page.php?ID=379</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Alan Lockett</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Out and About" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">On Out and About Herion's melding of post-classical sonorities with an expansive remit issues in a kind of spatial chamber music with shifting cadences which might be designated 'post-ambient'. Marzorati’s piano motifs, mixed with Coniglio’s melodica, harmonica, and treated guitar, all commingle sonorously in Errante’s settings.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=378">http://www.furthernoise.org/page.php?ID=378</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Alan Lockett</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Over Pass" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">The latest release on Gears Of Sand from Montreal's Skinwell sits well in the label's collection of works, in the corner where post-industrial and ambient consort. Of 50-plus exhibits in GoS’s exhibition halls, the contents of Over Pass are among the most densely layered sound sheets hammered out in Delaware or anywhere you care's foundries.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=381">http://www.furthernoise.org/page.php?ID=381</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Alan Lockett</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Roger Mills</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Editor, Furthernoise</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">to unsubscribe please go to</span><span class="Apple-style-span" style="font-size: medium; "> </span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/unsubscribe.php?u=1&ID=1267">http://www.furthernoise.org/unsubscribe.php?u=1&ID=1267</a></span></div><br class="Apple-interchange-newline"><div apple-content-edited="true"> <span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-size: medium; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><div style="font-size: 12px; ">--</div><div style="font-size: 12px; ">Roger Mills</div><div style="font-size: 12px; "><a href="http://www.eartrumpet.org">http://www.eartrumpet.org</a></div><div style="font-size: 12px; "><a href="http://www.furthernoise.org">http://www.furthernoise.org</a></div><div style="font-size: 12px; "><br></div><div style="font-size: 12px; "><a href="http://ethernetorchestra.netpraxis.net">http://ethernetorchestra.netpraxis.net</a></div><div style="font-size: 12px; "><br></div><div style="font-size: 12px; ">M: 0403 414495</div></div><div><br></div></div></span><br class="Apple-interchange-newline"> </div><br></body></html>